RAFAEL THOMASETO BRINGS HIS HOLLYWOOD INSPIRATION FULL CIRCLE

Making a film can be like going on vacation. No, not in the sense that you relax but rather in the fact that you travel for different experiences. You might travel to Paris to walk the Champs- Elysees and attend the Louvre or you might go to Cabo Wabo to drink tequila and kite surf. Filmmakers are people like the rest of us and they are prone to experience making different genres of productions; it allows them to keep things fresh and interesting throughout their career. While producer Rafael Thomaseto has made many thoughtful and heart-wrenching films, he reveled in the making of “Inherent Greed” with its selfish and even maniacal characters. Like a Disneyland thrill ride for both the audience and those involved in making this production, it displayed some of the darker sides of humanity, scaring you while you still enjoy the break from reality.

Film has often been the intersection of humanity for many of us. While we can relate to the characters in many ways, they often seem willing to exceed the barriers that society or reality imposes on itself. For Thomaseto who grew up in Brazil, the lines between safety and danger were always clear. His family’s residence in a gated community allowed him the safety of a “normal” childhood but he was always aware that there were others who were not afforded this benefit. This perspective is a stark contrast to the main characters in “Inherent Greed”, the Duboff brothers. These siblings have been raised in a highly affluent family and been given every opportunity, yet they want more. While they are driven to crime by the thought of increasing wealth, Thomaseto was inspired to commit a small infraction by a film poster and Woody Allen. He explains, “When I was 13, I had an experience that shaped my vision of the cinema. In São Paulo, every Friday my mother would pick up me and my sister from school and we would meet my dad at a mall in the city for lunch and then an afternoon of shopping. I hated spending hours watching them spend money on clothes so I would immerse myself into movies. One particular time I was in line to buy popcorn and had already gotten my tickets to see a romantic comedy, but I noticed the poster for a movie called Match Point. For some reason this image stood out to me. I left the line and went to check the times of the movie and realized it was PG16. I didn’t care. I pretended I was going to the movie I had tickets for and entered a different room. I sat down in the first row and watched Match Point, written and directed by Woody Allen. It’s still my favorite movie and Woody became my favorite director and inspiration.”

“Inherent Greed” is a complex story of two brothers who have been raised with privilege and wealth but return this favor by murdering their own parents in hopes of seizing the family fortune. The main focus of the story concerns whether the two brothers can get away with their crime while avoiding public or legal scrutiny. While the opulence of the family in the movie is displayed via onscreen locations filmed in mansions and a ranch in Topanga Canyon, the independent film sized budget belies the images onscreen. Thomaseto confirms, “Smaller films often have very unique and original ideas and stories, which makes them very interesting. One of the greatest challenges for a producer is that these films don’t come with the financial backing of a big studio. I got hired only a few days before the official picture, and I was at the time working on the postproduction of a commercial for a brand called Clearasil. The budget of the commercial was probably 100 times bigger than what we had for “Inherent Greed.” Organization is a key element to making sure a production happens. Keeping a constant conversation within all the main and key roles on the project, such as executive producer, producer, director, cinematographer is essential. These are creative people; when allowed to use their talents…sometimes the best results have nothing to do with the financial component.” This perspective is part of what fueled Thomaseto’s documentary “Cycles of Existence” which attempts to understand how the homeless community finds happiness even though they have essentially no material possessions. The idea itself is diametrically opposed to the main characters of “Inherent Greed.”

Retribution, Karma, call it what you like…the Duboff brothers get what’s coming to them in a number of ways at the end of the film (yes, you’ll have to watch it yourself for the details). The concept of rewards happens for those behind the camera as well as those on camera. Many of the films Rafael has produced have appeared at the world famous Cannes Film Festival, including “Inherent Greed.” He relates, “Cannes has always been my favorite film festival and I have always been obsessed with the films that come out of there. Having the films I’ve worked on be a part of it gives me more strength and self-esteem to keep fighting in the entertainment industry for great work. Working in film isn’t as glamorous as people think but attending a festival like this is a step up for everyone’s career. It brings more visibility to the work of the film and the talents involved. You can enjoy the benefits of being a filmmaker, which means sitting down at a meeting during the festival and having rose wine surrounded by heads of production of the main film studios in the world. A sense of community and affirmation is the real payoff in this situation.” Louie Torrellas (CEO of Ambitious Media Productions) declares, “Any person who works in the film industry is highly aware of how difficult and overwhelming shooting a project can be. Being the head of a production, gives you even more responsibility and in my point of view, the producer is the boss and the most important role on a movie. Rafael’s work during the production of the film ‘Inherent Greed’ was nothing short of amazing. One of the executive producers on the film recommended him to my company, Ambitious Media (production company for the film). We hired him and he instantly took over the project and made it work. Rafael exhibits a proficiency and tenacity rarely seen in producers these days. I’m continually reminded what a genius move it was to hire him. The positive reactions to this film vet this decision in spades.”

Los Angeles Brazilian Film Festival

From Bollywood to Hollywood: Actress Karishma Bhandari

Karishma Bhandari
Actress Karishma Bhandari shot by John Clark

Born and raised in East London, actress Karishma Bhandari first made her mark in the Bollywood film industry back in 2012 when she landed the starring role of Sita in Southbank Centre Goes Bollywood.

Aside from being a skilled actress with magnetic appeal on screen, Bhandari’s extensive dance training gave her an added edge over the hundreds of other hopefuls vying for the role. Though she was only 19 at the time, Bhandari had already spent several years perfecting her craft at home in London. Her outstanding performance in the film Southbank Centre Goes Bollywood brought her widespread attention and ultimately proved to be the catalyst for the successful career she has today.

Directed by Encounters International Film Festival Award winner Aneil Karia, who also earned  the Grand Jury Prize Award from the Utah Arts Festival for her 2014 film Tag, the comedic adventure film Southbank Centre Goes Bollywood was commissioned for the Alchemy Festival, the UK’s largest festival of South Asian culture. The film followed Bhandari’s character Sita, Sheila played by Gurkiran Kaur (Oxasians, London Kahanis) and Rita played by Roshni Rathore (80’s Vampire Flick, Love Type D), three dance teachers at a local community centre who make it their mission to keep the centre open after a wealthy developer buys the property with the intention of closing it down in order to build a hotel. Chalk full of lively Bollywood dance routines, Southbank Centre Goes Bollywood’s endearing story about three young women battling the odds and fighting for what they believe in was a hit with viewers.

Karishma Bhandari
Still of Karishma Bhandari in pink in “Southbank Centre Goes Bollywood”

The first insight into the dynamic talent actress Karishma Bhandari has become known for, Southbank Centre Goes Bollywood proved Bhandari’s ability to portray a character who was the polar opposite of herself– a necessary skill for any true actor, and one that has undoubtedly led her to land leading roles in a wide range of films since.

Director Aneil Karia says, “Karishma’s passion is one thing that makes her stand out from the crowd, as well as her striking look and her warmth. It was a challenging, nuanced role in the film and she delivered a wonderful performance.” 

In 2016 Bhandari’s international reputation got an even bigger boost when she landed a lead role as Geeta in the Bollywood feature film Club Dancer directed by B. Prasad. The film follows Ria played by Nisha Mavani, an Indian girl who moves to the city where she tells her parents she’s landed a respectable job, however she is really a dancer in a club.

When her parents come for a surprise visit and find a man at her house who they assume is her boyfriend, but is actually a criminal who sought refuge from the police the night before, they immediately want them to get married. The man quickly disappears, but Ria finds another man, Amit, who’s identical to him and negotiates a deal with him to pretend to be her boyfriend in exchange for money, which he needs for his sister’s wedding. Bhandari’s character Geeta comes into play as the man’s soon-to-be-wed sister, a key character in the plot who helps further the love story that eventually develops between Ria and Amit, who’s played by Rajbeer Singh (Who’s There?, Ishq Junoon: The Heat is On).

Karishma Bhandari
Still of Raja (left) and Karishma Bhandari (right) as Geeta in “Club Dancer”

In the film, which Bhandari traveled to India to shoot for several months, she acts alongside notable Bollywood stars such as Filmfare Award winner Shakti Kapoor (Hungama, Musafir, Raja Babu) and Stardust Award nominee Zarina Wahab (Vishwaroopam, My Name is Khan), as well as actress Judith Shekoni (The Twilight Saga Breaking Dawn Part 2, Ice, Ordinary Lies).

Although she was raised in London, Bhandari’s parents are originally from Punjab, India and she grew up speaking Punjabi– something that created a challenge for the actress as Club Dancer was made in Hindi. However, Bhandari trained diligently, learning a new language and adapting her accent for the role, and she seamlessly delivered her performance as if Hindi was her mother tongue.

One of the highlights of Bhandari’s performance as Geeta came towards the end of the film when she performed an intricate Bollywood dance routine, one that few other actresses could have pulled off with the same level of grace and style she brings to the screen.

Bhandari admits, “I had already had Bollywood dance training, but to do it on a massive set in front of a lot of people was challenging… We had rehearsals every day for about two weeks and when it came time for the shoot date I had the heaviest outfit to wear. It was a wedding song and I was literally covered in jewels, which made it difficult to dance, but I pushed through and made sure my movements were seen… the song was definitely the most memorable as it was amazing to see how it was edited together.”

Karishma Bhandari
Sill of Karishma Bhandari (center) surrounded by background actors in “Club Dancer”

Some of the other film credits Bhandari has become known for over the years include BAFTA nominee Jon Jones’ (Da Vinci’s Demons, Cold Feet) 2013 drama Lawless with National Television Award winner Suranne Jones (Doctor Foster), the Empire Award nominated comedy The Inbetweeners 2 with Simon Bird (Drunk History: UK, Friday Night Dinner) and James Buckley (Zapped, White Gold), Asko Pati’s (Love Station, Super Micchua) romantic action film Aashiqui: True Love with Ankush Hazra (Romeo Vs Juliet), the 2016 sci-fi drama The Conversations with Daniella Down (The Wedding Party), and more.

Having already made a name for herself in the UK and Bollywood, actress Karishma Bhandari is currently planning to make her move to the states where she will undoubtedly be in hot demand in Hollywood as well. Bhandari is currently in production with the upcoming series The Corner Shop where she plays the lead role of Maleeka, as well as the series Emergency: LA where she plays Nurse Persis Chadra. A supremely talented actress, we have no doubt that we will be seeing a whole lot more of Karishma Bhandari in the future!

Producer Melina Tupa talks upcoming documentary ‘Slaves Among Us’

Melina Tupa always has always had two passions: film and journalism. Growing up, it never really occurred to her that there was a way to combine both of these things. Then, one fateful day, she had an epiphany that changed her life. She could be a documentary filmmaker. Being a journalist, she believes, gives her an extra responsibility as a film producer to pursue stories that are of public interest and that will help the communities she lives in. Since coming to that realization, Tupa has been committed to making impactful documentary films, and that is why she is so sought-after around the world for what she does.

Over the past few years, Tupa has delivered hard-hitting documentaries that share truths many are unaware of or afraid to talk about. When producing the PBS Frontline film Rape on the Night Shift, audiences everywhere became aware of the horrifying stories of many janitorial workers who have dealt with sexual assault. With her film The Search, she told the story of a grandmother’s search for her long-lost grandchild, which dives into the Argentinean “Dirty War.” All who work alongside Tupa are not only impressed, but also inspired by her commitment to her work.

“I had the honor of being a Consulting Producer with Melina on her documentary The Search. It was a pleasure working with Melina: she’s smart, driven, tenacious, creative, and yet is open to different perspectives and ideas that are not her own, which means that she is also confident. What makes Melina good, but great is a better word, is that she always has a big vision for her work,” said Director and Producer Spencer Nakasako.

Soon, audiences will once again have the chance to see Tupa’s formidable producing abilities in the upcoming Investigative Reporting Program (IRP) film Slaves Among Us. The documentary will expose the many layers of human trafficking, from the recruiter in the home country to the smuggler, trafficker and subcontractor that make it possible for major corporations to profit from forced labor in the United States. The documentary will tell the story of a group of teens from Guatemala who, with the inadvertent aid of the American government, fall into the hands of a criminal enterprise. This investigation will show who makes money off such victims and how the American consumer benefits from their mistreatment.

“I wanted to work on this project because I believed this was a very important story that needed to be widely known by the audience. The fact that in 2017 we still have forced labor is outrageous,” said Tupa.

Tupa was approached to work on Slaves Among Us after her success with the Investigative Reporting Program on the documentary Rape on the Night Shift. The producers of the documentary knew she had a very good reputation and she had an asset that was key to work on the field: she is bilingual in Spanish and most of the characters on this story are Spanish-speaking individuals. As a field producer, this was vital.

“I liked that I had direct contact with the sources of the story. I did old school reporting: just knocking on people’s doors and asking what they have seen or heard about the case. I was able to get to know the community I was reporting on thoroughly. And I was also able to gain the character’s trust. A lot of them are undocumented immigrants and many times they are afraid of telling wrongdoings because they are afraid of the retaliation they might get,” Tupa described.

Working in Ohio, Tupa reported on the trailer park where Guatemalans (adults and minors) trafficked to the United States were living. She was able to conduct interviews with more than thirty individuals there. She was able to secure three interviews (one in shadow, two full face) where the sources confirmed the story about the trafficking scheme she was after. She was also able to establish a connection with a very important source who had worked with the main characters of the story. This led to finding and securing and exclusive interview with one of the victims of labor trafficking.

Back at Investigative Reporting Program office, she worked as a Researcher. She found archival videos, photos and newspapers on the DeCoster Egg Farm violations, unaccompanied children entering the United States across the border, egg industry facilities, and the case of immigrant minors working on an egg farm. This information was pivotal to illustrate the story.

“I believe it is important to tell this story because nobody should be living in slave conditions in 2017. It’s important to let people know this is happening so this could result in a change of policy, for example, in unaccompanied minors entering the United States or for the poultry industry to have highest safety standards for its employees,” said Tupa.

Slaves Among Us is expected to be released in 2019. Based on Tupa’s track record, audiences can expect an outstanding film once again.

 

Photo by Vanessa Arango Garcia

Writer Guilherme Ribeiro has always aimed to make a difference in society

Guilherme Ribeiro has been writing since he was just a child. Growing up in Rio de Janeiro, Brazil, his marks in school were always best in the subjects of Portuguese, History and Geography, all writing based, constantly impressing his teachers with his compositions and use of words. It was always easier for him to write about something or draw a cartoon character rather than trying things in math or the sciences. Even at a young age, writing was his passion, and after getting his first computer at the age of eight, he started developing both his writing and online savvy. It was therefore a natural progression for him to eventually become an online content writer, and now he is one of Brazil’s best.

Ribeiro has impressed many with his writing in many mediums and genres. He has written news articles, travel blogs, and television documentaries. He has helped build up websites and has impressive social media knowledge. His work on the new music project Welocalize, as well as Mastercard Priceless Rio, Toxic Rio, and Globo TV network, just a few of the highlights of his esteemed career.

“I can see myself now in a highlight moment of my career. I found my way on writing about entertainment, music and content for e-commerce and I really believe that’s the way conventional writers will renew themselves and find another alternative to make money and get in touch with readers. I’m working for important clients, sometimes signing my name on articles, others just working with content editing, and creative input for online stores and apps,” said Ribeiro.

Before getting to this point, however, Ribeiro worked to earn the reputation he now has. Part of this involved his work with TV PUC and his award-winning show. The TV show Paternidade Ausente, Histórias Incompletas revealed an important issue for the Brazilian society and could open a discussion about paternity.

“Guilherme had good writing skills that could improve his journalistic knowledge during his time at TV PUC. He participated as a reporter in the most awarded TV show in TV PUC, so was an overall good and enriching experience,” said Carmen Petit, Ribeiro’s coordinator during his time at TV PUC.

According to the Brazilian Institute of Geography and Estatistic (IBGE), about 9 per cent of children born in 2008 were not registered. The following year, the Brazilian government undertook to zero the number of sub-registrations. They occur when a child is born and does not have the birth certificate made in the same year or within three months of the following year. The distance between the registries and the houses, a common problem in regions of North-Northeastern Brazil, helps to explain the occurrence of sub-registries. Another reason is the lack of knowledge of the free document. In addition, many children are late registered by the mother’s shame in assuming the father’s omission. Of every four birth certificates registered in the country, one does not have the father’s name. The percentage was estimated by the University of Brasilia (UnB), which crossed data of one hundred and eighty-three thousand certificates of notaries in the city and compared them with IBGE figures on children outside the marriage. Paternidade Ausente, Histórias Incompletas speaks about paternal recognition, paternity investigation, and the relationship between parents and children.

“This is such an important subject almost not explored by Brazilian media. When it was released, I was selected by my boss to be the reporter.  I was one of the producers and reporters, and we made the show from scratch, which was a huge thing for me at the time,” said Ribeiro. “We got so many good results. This TV show was the most awarded show in the history of TV PUC and I could believe I had future as a writer at this time. I learned a lot from my bosses and I wanted to use my skills and desire to make a difference and to create a good content for our society.”

As the reporter and producer of the TV show, Ribeiro was responsible for finding characters, collecting data from institutes, universities, doing the research, and helping to find the best lead for this compelling story. He wrote the script along with another reporter while being supervised by an editor chief. Content was aired by TV PUC in Pay TV, for educational and social communication purposes. The show is still available online, on the TV PUC website.

“When the show started winning awards, I felt I would have a promising future as a writer. We currently have four awards, two of them from a respectful academy for feature films in Brazil, Gramado Film Festival. It was such a pleasure to travel to this small town in the South part of the country to receive two awards, the Best Report of Brazilian University Television and the Best Video of the whole category of Brazilian University Television, both in the 18th edition of Gramado Cine Vídeo Festival in 2010,” Ribeiro described.

Now, almost eight years later with many successful projects on his resume, that initial success from his time at TV PUC was the beginning of Ribeiro’s outstanding career. He has always shown not only a dedication, but a passion for what he does, making him the extraordinary writer he is today.

Photo: Márcia Antabi (left), Guilherme Ribeiro (center), and Mariana Moreno (right) working with TV PUC

Photographer Jennifer Roberts creates visual masterpieces for ‘The Globe and Mail’

From the time Jennifer Roberts was a child, she was always artistic. Originally from the small town of Port Hope, Ontario, she would travel to Toronto with her parents to visit art galleries and cultural events. Even then, at a young age, she was captivated, and understood the power that it was to create something beautiful. It was only natural for her to want to do the same, and that is when she found her way to photography. Now, she is an internationally celebrated photographer.

Roberts is a renowned editorial photographer who specializes in portraiture and documentary stories, and also does work for commercial clients. Her documentary style works well for newspapers while my more produced portraiture work fits in magazines. She truly loves what she does, and everyone she works with impressed with her talents.

“I’ve commissioned Jennifer on various shoots for Maclean’s magazine over the last two years. She is an outstanding photographer and my go-to for any high-profile portrait or reportage assignments. I fully trust her professionalism and ability to give the magazine what it needs on every shoot we give her,” said Sarah Palmer, Contributing Photo Editor Maclean’s Magazine.

In addition to Maclean’s, Roberts has shown not only Canada, but the world what she is capable of with her work in The Wall Street Journal, as well as Canadian Business, MoneySense Magazine, and Getty, including her work for the 2016 International Film Festival, photographing Oscar-nominated actors. Her success has been outstanding, and she believes her career truly began when she started working for The Globe and Mail back in 2008.

“Working with one of Canada’s largest newspapers is exciting. Some of my favourite Canadian photographers are regular contributors to The Globe so it feels great to be in such fantastic company. The Globe photo editors provide a helpful amount of direction so I know what type of photography they need for their story. However, they also leave lots of room for the photographer to be creative and bring their story telling abilities to the shoots. Shoots for The Globe are often for really interesting national and international stories that I’m very proud to work on,” said Roberts.

Initially, Roberts was hired by The Globe and Mail for a four-month summer contract. Before this, she shot a documentary photo project about refugees in Myanmar living in Thailand, which highly impressed the newspaper, and they wanted her to join their team. She relocated to Vancouver, British Columbia for the job. When she completed my contract, she moved back to Toronto, but the newspaper didn’t want to let her go, and kept her very busy with freelance work. She has been shooting for them ever since.

“I feel lucky that even when my placement was over I was given regular assignments with The Globe. Being a regular contributor is very exciting as it leads to so many diverse projects. The Globe work has allowed me to shoot a variety of celebrities, to shoot major news events, to shoot beautiful interiors, amazing food and restaurants and meet so many different people for portrait shoots. Working as an editorial photographer means every day is different. I feel like I have the best job in the world,” she said. “Working as a freelance photographer for The Globe and Mail is always interesting. I started my career there doing a lot of news stories but I now tend to shoot more food, lifestyle and portrait work. I make decisions about how to frame and light things based on what the story is and conceptually what makes the most sense. It’s important to always be true to the story you’re telling. Sometimes what makes the best picture isn’t the best way of telling the story and telling a true story is always the most important,” she described.

Since that time, Roberts has done a variety or large and important projects for the paper, where her photography was essential to the project. She did a large portrait of “Project of Women” during the March on Washington, in Washington DC. on January 21, 2017, something that she considers the highlight of her career. It started as an Instagram story but because the portraits were so successful they ended up running on A1 (the cover) of the newspaper and as a massive two-page spread in the interior of the paper.

“It was an amazing time to be in Washington and meeting and photographing all the women out demonstrating was so powerful,” said Roberts.

Roberts has done many more projects for the paper. She recently shot celebrities like -Recent Actress Kate Mara, Actor Stephan James, and Novelist Lawrence Hill, known for The Book of Negroes. She regularly shoots many features, including “My Favourite Room” for the Style Section, as well as business portraits, portraits for the news section, and a weekly shoot for restaurant reviews for the Saturday Edition, the largest edition of the paper.

“I enjoy the pace of this work and the process of being able to conceptualize and light the scenes. I like how working with The Globe is always different and always interesting. One day I might be shooting a story for the Style section about a beautiful living room and the next day it might be a CEO in their office. I like how every day and every shoot is a new chance to be creative and think of innovative and true ways to best tell a story,” said Roberts.

Readers of The Globe and Mail can keep an eye out for the visual masterpieces that are Roberts’ photos.

 

LA-Based Production Company Delphis Entertainment set to Produce Feature Film “Cocktails & Brothers”

"Cocktails & Brothers"
Film Poster for “Cocktails & Brothers”

The highly anticipated action film Cocktails & Brothers is currently in development with innovative Los Angeles-based production company Delphis Entertainment, which has earned extensive industry attention over the last two years for past productions such as the films Last Strike and Pas De Duex, and the series Unknown.

Starring Marcos Gracia (Love in Difficult Times, Paco’s Men), Isaak Gracia (Un Paso Adelante, Black Jacks), Alfredo Trueba (Corrupt Crimes, Liberty Falls, Absolute Vow), Gaia Passaler (The Chosen Path, Toenail) and Park City Music Festival Award winner John Paul Ouvrier  (Natalie Portman Lives Here, The Shickles, Boiling Pot), Cocktails & Brothers is set to begin shooting within the next few months with locations between New York City, Las Vegas and Valencia, Spain.

The film centers on two brothers who leave their home in Spain and head to Vegas where they dream of opening a cocktail bar. Upon arriving in Vegas they meet Frank, a club owner who initially appears to be exactly the kind of helpful mentor they need in order to bring their business to fruition however, not all is as it seems in Cocktails & Brothers, and Frank may turn out to be the foe who will put both their lives and their sibling relationship at risk. And as with any hit action film, there’s no absence of a building romance that’s assured to heat up the screen in the film Cocktails & Brothers. When Victor, one of the brothers, falls for Amanda, the ladder climbing manager of Frank’s club played by Gaia Passaler, the drama and the danger are heightened as everyone’s true motives are called into question.

Delphis Entertainment produced the trailer for the film, which upon it’s release has already created quite a buzz around Cocktails & Brothers, with the trailer being selected as a winner of the 2016 Creation International Film Festival and a semi-finalist at Los Angeles Cinefest, as well as being chosen as an Official Selection of the popular TMC London Film Festival, Gold Movie Awards, Indie Night Film Festival, Barcelona Planet Film Festival, TMFF and DMO Film Festival.

Delphis Entertainment, which is co-founded by brothers Isaak and Marcos Gracia, first began in 2009 in Madrid, Spain where the company quickly became a go-to production company for short films and music videos. After making a strong impact on European audiences with projects such as the films Apariencia Oculta,  Sueños Reales and Why Not?, Delphis Entertainment opened their U.S. office, where they have continued to deliver powerful and poignant productions.

Last year Delphis Entertainment produced the series Unknown, which earned impressive praise earlier this year when  it earned the Best International Web Series Award from the Sundance TV Short Competition. A sci-fi comedy that follows a young man who finds something unidentifiable in his apartment that opens up the doors to infinite phenomena, Unknown was co-created by Isaak Gracia and Esteban Ciudad (Fuera de Foco, Algo Extraño), and stars Marcos Graci and Mikie Beatty (We Are Fathers, NCIS, Secret Diary of an American Cheerleader).

"Last Strike"
Film Poster for “Last Strike”

In 2015 Delphis Entertainment produced the popular short film Last Strike starring Tyler Michael Brown from the film The Wedding Ringer starring Image and People’s Choice Award winner Kevin Hart, Varda Appleton (Rz-9, Ripe, Sleeper) and Randyll Roberts (A Killer Walks Among Us, Blood Relatives).

Inspired by a true story, the touching film drama Last Strike tells the story of Samuel, played by Brown, an 11-year-old boy who makes it his mission to beat the odds and hit a homerun in the most important baseball game of his life in order to fulfill his dying grandfather’s last wish.

Delphis Entertainment clearly hit a home run with Last Strike with the film receiving a rave reception and being chosen as an Official Selection of the ROMA Cinema Doc film festival and the Indie Night Film Festival.

You can check out the trailer for the short-form version of Last Strike below, but don’t be surprised if this quick peak gets you amped to watch the feature-length version, which is currently be developed by Delphis Entertainment.

With their multicultural approach, seemingly endless creative and several highly anticipated feature films in development, Delphis Entertainment is assured to be a powerhouse in terms of cutting edge film and television content in the U.S. as it is in Spain.

Director and Producer Sonia Bajaj has fast success with new film ‘Bekah’

Sonia Bajaj realized her true calling while in Pune, India. During this period of transition, she was introduced to people from different cultural backgrounds and varied interests. She was in constant touch with daily happenings in the world and she also began to have a better understanding of art forms like music and literature. She was introduced to several films, television series and documentaries from all over the world, thereby exposing her to different styles of filmmaking. She began experimenting, and soon these experiments translated in experiences. She knew she had to be a filmmaker.

Originally from Mumbai, Bajaj has been able to travel the world doing what she loves. She thoroughly enjoys the aspects of making a film. As a producer, she is responsible for overseeing all five stages of filmmaking: development, pre-production, production, post-production and distribution. She creates a business plan, budget, and schedule, handle creative and business affairs, and gather cast and crew. But that is not all she does, she also is a successful director.

“While making multiple short films, I realized how thoroughly I enjoy myself during the entire process of making a film. Being a director is similar to being the captain on a ship. You have your entire team helping you, yet the responsibility of a successful sail lies entirely on your shoulders. When I direct a film, I have the opportunity to take the audiences to the world of my characters through my eyes. That’s what I like about being a director,” she said. “I look forward to narrating stories that touch the heart, that inspire an individual to overcome obstacles and live his dream, stories that educate and entertain.”

As both a director and producer, Bajaj has had a formidable career. She has worked on award-winning films such as Rose, Hari, The Best Photograph, A Broken Egg and Impossible Love. She is also the curator for the women in film series at Downtown Los Angeles Film Festival, where her responsibilities include reviewing and judging films around the globe. She has an esteemed reputation, and is respected by all she works with.

“Sonia is a professional and a pleasure to work with. She has a superb eye for truth when it comes to filmmaking and making an actor feel connected and safe on set. I would work with her again in an instant,” said Tony Ruiz, who worked alongside Bajaj on her film Rose.

With her new film Bekah, Bajaj is impressing both audiences and critics yet again. The film was just completed in May, and was first recognized at LA Shorts Awards where it won an award for Best Drama. Since that time, it has already been an Official Selection at the UK Monthly Film Festival, a Semi Finalist at Hollywood International Moving Pictures Film Festival and Los Angeles Cine Fest and a Finalist at Eurasia International Monthly Film Festival. It won the Award of Merit at Accolade Global Film Competition, the Gold Award at NYC Indie Film Awards, and the Platinum Award at Mindfield Film Festival, with many more film festivals expected for the powerful film.

“With Bekah, I had the opportunity to direct and produce the story of a young African American woman. Our entire cast comprised of African American Actors, and crew from different parts of the world, giving me the opportunity to work in a culturally diverse project. Our goal was to inspire and encourage our viewers through Bekah’s eyes. We’ve been successful in achieving that in a short span of time,” said Bajaj.

Bekah is the story of an idealistic young writer and college dropout who pursues her dream of becoming a full-time writer, motivated by the spirit of her deceased fiancé. She leaves her dysfunctional home and goes it alone facing a world that is less idealistic.

The story focuses on the struggles of a young writer trying to break into the real world. It’s a tale of overcoming the loss of love, by fulfilling a promise that was made. At the end, it becomes all about how families need to be connected and support each other.  We wanted to tell this story to encourage families to support each other, encourage youngsters to pursue their dreams despite the difficulties that they may face,” Bajaj described.

After looking at Bajaj’s success of her other films, the main lead and co-producer Charlie Cakes, also known as Charlotte Makala, asked her to be a part of the project, knowing her needed someone of her caliber to make the film the success it has already become. Looking at the diverse nature of the film, Bajaj instantly got on board. As they began producing the film, they realized that 80 per cent of the cast and crew were all women.

“This definitely was refreshing experience to produce a film made by women and about women,” said Bajaj. “The very fact that our team was so diverse, it was essential to have a director who wasn’t familiar with the culture of the characters. I had my own take to the production, which helped us to create a fresh outlook to the story we wanted to convey.”

There were many rehearsals, and script revisions, and Bajaj, both the director and producer of the film, experimented with different techniques before filming. This enabled her to create a fast-paced productive environment on set, allowing her to get all the shots she set out for in a skilled and quick manner.

“I enjoyed directing my actors in their accent. The lingos were so different that it was a learning experience to get out of my comfort zone, learn a different style of talking and build emotions out of that. It helped to broaden my horizon and work on building varied layers to the characters,” Bajaj described.

Bekah is just one of many films that Bajaj has put her winning touch on. She is a formidable director and producer, and one that audiences can expect to continue hearing about for years to come.

Australian Actress Sunny Koll helps sheds light on cyber-bullying in ‘Zach’s Story’

Sunny Koll doesn’t just tell stories, she embodies them. She brings a story to life. As an actress, she tries to find within her character a commonality, a humanity, that connects each of us together. From that connection, people are able to see themselves within the story. That is what makes her one of the best, and that is why she is recognized around the world for her talents.

This ability to connect with audiences transcends to every project Koll embarks on. She takes audiences with her on her path of ending human trafficking in the series Traffik, and in the comedic television show Flat Whites, viewers feel for her character Stacy, as she has been duped by the two main characters in their attempt to win her affections. However, in the film Zach’s Story, Koll not only connects with her audience, but she helps to tell the impactful story, raising awareness on the important and timely issue of cyber-bullying.

“The script was empowering for kids who have experienced cyber bullying. Within Australia, there has been a lot of action taken within schools to stop bullying and celebrate differences, as the Australian government is getting behind this, I really wanted to be a part of it,” said Koll. “I liked how important this project is. Today’s world moves at such a fast pace and there’s so much pressure on teenagers, I can’t even imagine what it’s like to have the speed of the internet added into the mix of bullying. I really liked that this campaign offers answers with how to deal with these situations, so you don’t feel alone, which only breeds more pain and long-term shame.”

Zach’s Story is part of the “ReWrite Your Story” campaign, an anti-cyberbullying campaign for the Australian Government Office of Children’s eSafety Commissioner. “Rewrite Your Story” consists of a series of short films focusing on different cyberbullying scenarios. Zach’s Story tells the story of Zach, a high school student who is being cyber bullied. The film highlights various ways a family unit can deal with these situations.

“The message is incredibly important. Bullying of any kind erodes self-esteem and is usually done to the most sensitive of people. The effects of bullying can take years to heal. The real tragedy is that the bullies themselves have something broken within them and are usually dealing with some horrific power plays of their own in their family homes and are only acting out to gain power somewhere else,” said Koll. “It’s very satisfying to know it’s reached so many people and that people want to make a change. It’s also so incredibly brilliant for Christopher Benz for taking out the Best Director’s Award in an Online Drama Project for his work on Rewrite Your Story at the Australian Director’s Guild Awards. He really is a brilliantly talented artist who continuously gives and works very hard, never resting on his laurels and I can’t wait to see what he brings out next. To also win Gold at the World Media Festival and the Bronze World Medal at the New York Festivals Television & Film Awards is so fantastic for him and his team at Brave TV.”

Zach’s Story premiered online, on the “Rewrite Your Story” site and on the “Rewrite Your Story” Facebook page. The Rewrite Your Story campaign has had almost one million views online with 133 thousand of them being for Zach’s Story. The film went on to win the Bronze World Medal at the New York Festival’s Television and Film Awards, and the campaign won the Gold Award at the World Media Festival 2017.

“It’s very satisfying to know it’s reached so many people and people want to make a change. To also win the Bronze World Medal at the New York Festivals Television & Film Awards, and for the entire Rewrite Your Story campaign, to win Gold at the World Media Festival, is fantastic as it means these topics are getting the air time they deserve,” said Koll.

Koll played the vital role of Leanne, Zach’s mother. Due to the cyber bullying, Zach was withdrawing, which caused concern for his parents. After his father discovered the cyber bullying pages, the parents worked together to create a safe family atmosphere where Zach could talk openly about his feelings and they could work out a plan of action. She’s doing her best to keep a normal relaxed home life, so Zach feels safe to express his feelings. For this role, Koll researched bullying in all its aspects, including the effects it has not only on the person being bullied, but also the entire family, as there can be radical changes within the person being bullied. This commitment to her performance was appreciated by all she worked with.

“Working with Sunny was a breeze. She is very much a team player and in tune with cast and crew. She’s also very open to direction, which is important. Sunny is a dedicated, passionate actress. She puts time into her preparation and turns up ready to work. She’s driven to create and combines working hard with natural ability, to find the layers, truth and need within each of her characters,” said Christopher Benz, Director of Zach’s Story.

The accolades and the awards, however, are not why Koll is proud to be a part of the project. For her, she wanted to educate, knowing that education can heal all parties involved with bullying. Showing young children that their actions can have such effects is important, as Koll knows firsthand.

“My uncle is a holocaust survivor, and regularly goes to schools to talk with the students. At one school a student approached him after his talk and said that his entire life he had treated people very badly and since hearing about the holocaust first hand wanted to make changes. It works out this boy was the school bully and nobody had been able to get through to him, but for whatever reason on this day in this moment he was reached and forever changed. This is what the power of continuing the message of compassion and acceptance does,” she said.

To learn more about the “ReWrite Your Story” campaign, and to watch Koll’s performance in Zach’s story, you can click here.

Makeup artist Jen Tioseco works with singer Dani LeRose on new music video

Jen Tioseco is a strong and passionate individual, and this has always translated into her work. From the time she was just eleven years old, growing up in North Vancouver, British Columbia, she always had a job. She started with a paper route, then became a cashier, and then a retail associate. She then decided life wasn’t about simply working, it was about doing what you love. That is when she became a makeup artist. It is her drive and determination that has gotten her to where she is today, as an internationally successful makeup artist, and nothing will ever stop her from continuing to live her dream. For Tioseco, anything is possible, and if you can dream it, you can do it.

Tioseco is truly extraordinary at what she does. She enhances natural beauty, and takes her clients favorite features and brightens them in a way where they still feel done up, but also like themselves. That is no easy task. In a world full of young girls making makeup tutorials on YouTube and Instagram, Tioseco aims to show the world that it doesn’t have to be that challenging to feel beautiful

“I would say my style is ‘Glam Chic’. With the social media makeup artist being so trendy right now, girls have forgotten that we don’t need to wear ten layers of makeup,” she said.

Tioseco manages to do just that when working on two recent music videos for alternative-pop singer Dani LeRose. She worked with LeRose’s ideas and then looped in with the stylist to ensure everything tied together in the end. Tioseco’s input was vital to the videos’ success. Given her background in fashion, she was actually able to make suggestions to the stylist that she ended up incorporating into the videos.  These little additions, whether it was a scarf or a jacket, really helped the makeup pop.

“Dani has such trust in me as an artist. She was able to convey what she wanted for each look, knowing I could execute each one with ease.  She was also very open to color on the lips and eyes, so I had a blast playing with her face,” said Tioseco.

Tioseco had worked on LeRose previously for a concert. The singer absolutely loved her makeup and asked Tioseco to come on board for her videos from that point forward, refusing to work with anyone else. LeRose recognized Tioseco was the best instantly, and since that time, the two have worked on two music videos, the first of which, Love U More premiered in November of last year.

“There were scenes in Love U More where Dani needed to appear as though she was crying or ‘worn out’. As Dani was not able to cry on que, I was able to use makeup to create the illusion she had.  It really set the mood for the different scenes,” Tioseco described.

The Love U More video was featured on Much Music’s emerging new artist category after its release. After Tioseco met LeRose and Director Chad Rook, she fell in love with their concept for the shoot. The video is shot in the middle of a sand dune with a drone filming from above, a once-in-a-lifetime experience for the makeup artist.

“It was amazing, not only is Dani beautiful and talented, Chad Rook the director was incredible.  Chad is actually an actor as well, he can be seen as one of the top billed cast members in the upcoming Planet of the Apes.  His experience as an actor made the attention to detail in each video phenomenal.  From a simple shot beside a radiator to an explosively emotional fight in a hotel room, you are hooked from beginning to end of each video,” said Tioseco.

The second video, I’ve Told Lies, has been an instant success since its premiere earlier this month, with lots of media attention and tens of thousands of views. It was shot in a historic motel, one of Tioseco’s favorite locations to date. LeRose’s look, and therefore Tioseco’s work, was pivotal to the video’s success.

“Jen is a true professional. Her positivity makes her a great addition to any set I’ve had her on. Jens Attention to detail made working with her so easy.  I didn’t have to do any cosmetic adjustments post-production, saving me so much time on the back end,” said Chad Rook.

Working on music videos with singers is a slice of what Tioseco looks to continue doing with her esteemed career. She enjoys working with celebrities, creating a natural but enhanced look.

“I love to travel on press events, glam for the red carpet, and do magazine editorials,” said Tioseco.

Another exciting step for the makeup artist? She is in the process of designing a makeup tool that will eventually expand into her own entire makeup line. We can definitely continue to expect exciting things from her.

Producer Xueru Tang connects with her heritage on upcoming film ‘Hot Pot Man’

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Producer Xueru Tang

Xueru Tang has two mottos by which she lives her life. The first is “work hard”. Her friends call her a workaholic, but to her, she is focused. She loves what she does and she strives to be the best, and she makes no excuses for that. Her second mantra is “believe in yourself”. The world “believe” is important to her. Every project she takes on, she truly believes it will succeed, and this belief keeps her pushing through any tough times, or any problems that may arise, causing her to face her fears. These two qualities, hard work and faith, combined with an innate talent, are what have allowed Tang to become the film producer she is today, and she is recognized around the world for what she does.

Having worked on award-winning films like Locked, Inside Linda Vista Hospital, and Emily, as well as last year’s popular commercial for Chinstudio’s Fall Collection, Xueru Tang has had a career filled with success. However, with her upcoming film Hot Pot Man, she got to feel a sense of accomplishment that she has yet to feel in her esteemed career, telling a story of her hometown.

“I was born and raised in Chengdu, China. The hot pot was created in Chengdu, and it’s my home food. It really important to me. All the story in the film happens in Chengdu, and it is shot in Chengdu. This really excited me when I heard about the project. I want to show the world how beautiful my city is,” said Tang.

The film, which will premiere in October in Chengdu, has received a lot of media attention. Newspaper Xin Cheng Kuai Bao and Jin Ri Toutiao reported about Tang, calling her a New Power filmmaker from the generation after the 90’s. They interviewed her about her experience in U.S. film industry, how she combined the differences between China and U.S. in film production and operated the whole project from funding to future distribution.During these interviews, Tang also shared her opinions about helping Chinese independent filmmakers spread their strength in U.S. market and form its own way to distribution and achieve a greater personal, marketing and social value.

“Five years ago in China, not every filmmaker studied film, and we don’t really think about the professional and how it is important. For today, we still don’t request professional producers who study producing or filmmaking as their college or university major. Everyone just works, never studies, and they just use their way or someone’s way to do thing. For me the kind of the producer who studied and worked in Hollywood, and knows about Hollywood style, is really difficult to find in China. I think this is similar to what it is like in Hollywood, they don’t know a lot about the Chinese market there. When they call me a New Power Filmmaker, I think it is because I understand both markets. In that way, I am a unique producer,” Tang described.

This understanding of both the Chinese and American film markets is vital for Hot Pot Man. Tang brought the Hollywood style of thinking to her hometown. She did the funding and location scouting for the film, and dealt with the stars, like the famous rapper Di Xie and the Chinese comedian Jian Liao, and their agents. She checked all the contracts with crews and locations, and made sure there was insurance and the required permits. She made sure labor was fair and didn’t allow for too long of work days. For distribution, she got the film into Chinese cinemas, negotiating in what she calls the “Hollywood” way.

“Xueru is our excellent producer. She delivered a business plan and pitch book in english and Chinese in one day. This work efficiency we have never experienced from one person in China. And Xueru was a very responsible producer. I remember, another producer couldn’t find the location and couldn’t make a deal with talent, so we called Xueru. She didn’t blame them, she just bought a plane ticket and came to China to solve all the problem. I really like working with her. She has respect for the views of others, and she brings a lot Hollywood working style to us, making our shoot very smooth and all the crew members very happy,” said Dage Zhang, Director of Hot Pot Man. “Xueru loves her job, she crazy loves what she does. She told me she believes the movie will change the world. She wants to produce good movies that will affect the world. And most importantly, I never once heard her say she could not do something, she always tried first, and I think that is remarkable not just as a producer, but as a person.”

Tang found the story of Hot Pot Man very interesting, and when she got the call asking for her help, she didn’t care that she was on the other side of the world, she wanted to come and do what she could.

“No one thought of this as a job or work, everyone thought of it as a film. It was really great team work. But working for this project, it’s my passion. I have special feelings for my city, my city helped build my personality,” she concluded.