Tag Archives: Australian Actress

Australia’s Stephanie Evison Williams talks ‘Lazy Boy’ and truthful acting

Stephanie Evison Williams’ day always starts with a coffee. She then will walk her dog and head to a fitness class. She knows how you begin your day as an actress is vital to your success. It is about getting in the right headspace, so when she walks on set she is someone else entirely. She devotes herself completely to those she portrays, even trying to dream about future scenes while embodying her character. That, for Evison Williams, is what being an actress is all about.

From a young age, Evison Williams loved musical theatre, and as an overly creative kid and sometimes, as she describes, a loud child, she found her way into acting. In her high school years, she played Sally Bowles in a small production of Cabaret and that was when she knew. There was nothing else in this world she wanted to pursue, and since that time, she has devoted herself solely to acting, quickly rising and becoming one of Australia’s most sought-after actresses.

“I love the people, like-minded creative people who observe the world slightly differently to most, people who people watch and who go through life with a scalpel trying to understand why people behave like they do. I love the feeling when you are so ‘in’ a moment, it’s the best form of mindfulness or meditation because you are so present, listening and reacting. Creative flow. It’s a drug, acting,” she said.

Known for her work in the Netflix series Rostered On, as well as films such as Playgroundand In the Wake, Evison Williams has had a formidable career, with many highlights decorating her resume. One such project was the award-winning film Lazy Boy, which saw critical acclaim at many prestigious international film festivals, despite being made for the infinitesimal budget of $600 AUD.

Lazy Boy was awarded a 2016 Flickerfest finalist and nominated for the Flickerfest National Tour as well as a SciFi Film festival nomination. It received a Heathcote Film Festival nomination and was an Official Selection and a Top 100 Short Film at the 2016 St Kilda Film Festival. In 2017, it toured theatrically around the United Kingdom with Discover Film.

“It’s fantastic. I am really proud of the film. It’s an amazing story. It’s a great sci-fi-esque, time travel concept with a sinister undertone and a lot of heart,” said Evison Williams.

Lazy Boy tells the story of Ray and when he brings home a new purchase, his pregnant girlfriend is not impressed. Banished to the garage he soon realizes the old La-Z-Boy recliner he bought is in fact a one-minute time machine. Audiences are asked the question: will Ray learn from his mistakes, or is he destined to repeat them forever?

In the film, Evison Williams plays Sarah, Ray’s girlfriend. Although the synopsis may present her as simply hormonal, she is far from it, and she and their unborn baby end up being the catalyst of the story, ultimately affecting Ray’s decision on whether to use the time machine for good. Sarah is trying to hold it all together, and Evison Williams perfectly portrays her struggle. She is pregnant and has a partner who is not rising to the occasion, she hormonal, working and doing all the preparation for the new baby. She is pulled very thin.

To prepare for the role, Evison Williams spent a lot of time working with her scene partner, Steve Carroll, who played Ray. They wanted to ensure they had good chemistry while in front of the camera, as the success of the film hindered on their authentic performance as a couple. For Evison Williams, a large part of her research also went in to studying how a pregnant woman may be feeling when stressed. It would have been easy for her to come off as a “nag” or “buzz kill” and Evison Williams was very conscious of showing her heart and struggle.

“I didn’t want to continue that persistent sexist stereotype. Choices were made to motivate why she is saying and behaving as she is. Not that Dave wrote her like this, but it would have been the easier choice as an actor,” she described.

The Writer and Director of the film, Dave Redman, is a prolific storyteller with a passion for film and television. He has worked in the Australian film and television industry for over 20 years and has established a solid career as a film and television editor, cutting five feature films, 160+ episodes of TV, hundreds of TVCs and more than 45 short films that have played at festivals worldwide. When Evison Williams saw the opportunity to work with him, she was eager to take part. When she read the script, she was hooked.

The story allowed for Evison Williams to dive deep into a character that could have been very two-dimensional if she allowed. In exploring Sarah, her performance was real, and that is what Evison Williams aims for in every performance, a truthful style.

“Even when doing comedy or character I am always aiming for truth. I would prefer watching a scene about ‘what’s for dinner’ more than two people not listening and performing an idea,” she concluded.

 

Written by Sara Fowler

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“2Survive” Star Ingrid Haubert is Instagram’s Nutella Girl

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You’re scrolling through Instagram when you come across a photo of a striking blonde. She’s standing in her Buddy Holly glasses and a baby blue bowtie in front of an open cabinet filled to capacity with…um, 50 jars of Nutella? Captivated and instantly in love, you navigate to her profile, @Nutelluv, and it’s everything you’ve ever hoped for.

You quickly realize that your dream girl is off the rails beautiful, unabashedly hilarious, captivating, and seemingly in a serious relationship with this delicious hazelnut spread. She has thousands of followers and an arsenal of couple-like photos where she sits lovingly beside Nutella jars on beaches, in beds, in hospitals, and on dates downtown. But who is this passionately quirky, seemingly shameless Nutella girl?

The bombshell and brains behind @Nutelluv is none other than the unforgettable Australian-born actress Ingrid Haubert, and we had the pleasure of sitting down with her to talk art, success, movies, television, and, of course, Nutella.

Ingrid Haubert shot by Vanie Poyey
Actress Ingrid Haubert shot by Vanie Poyey

An alumni of both the Australian Academy of Performing Arts and the Australian Institute of Music, Haubert is the perfect balance of charisma, natural talent, and formal education. With a skillset ranging from horror to comedy to drama and science fiction, Haubert engages audiences globally with her authentic deliveries, impeccable timing, and her harnessed, raw emotion. From her recent appearances on MTV to films streaming on AmazonPrime, and everything in between, Haubert is undoubtedly an unstoppable force in the industry.

In “2Survive,” one of the many films she’s starred in to date, Haubert shares the screen with Golden Globe Award nominee Erik Estrada (“Finding Faith,” “CHiPs” ), Jonathan Camp ( “Agents of S.H.I.E.L.D.,” “S.W.A.T.”) and Michael Laurie (“Nuclear,” “CollegeHumor Originals”) as she embodies the lead role of Amber, a tall drink of water in the middle of a scorching, death-riddled desert. A film about a reality television show that goes terribly wrong, “2Survive” follows six contestants as they face unforeseen obstacles and pull from deep within themselves as they attempt to get home alive.

The way Haubert transforms Amber from a seemingly basic beauty (with little going on in the intelligence department) and helps her grow into a woman of strength by revealing that her intelligence exists in her ability to think outside of the box, and the invaluable importance of her kindness and compassion, makes her a major highlight of the film. Haubert’s dedication to breathing life into the character with authenticity whilst adding layers to her personality were tantamount to making Amber the kind of character audiences could easily get behind.

Haubert says she was determined “not to let [Amber] just be an airhead. I wanted her to have substance, vulnerability, something to make the audience care about her and root for her.”  

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It is Haubert’s poignant instincts as an actor that make the film as compelling and relevant as it is. She excels at highlighting strong, capable women while encouraging much needed dialogue about female empowerment and heroism. Haubert finds ways to strengthen the characters she plays in every role she steps into, making her a critical staple in Hollywood today.

Not limited to just film, Haubert appears frequently in episodic television as well, engaging fans nationally with her spark and brilliance. Most recently, Haubert played a key role in MTV’s “Awkward.,” the story of a 15-year-old-nobody who is pushed into the limelight when the school mistakes a legitimate accident for a suicide attempt.Last year we got a chance to see Haubert on MTV when she guest starred on the network’s hit series “Awkward.,” which stars award-winning actress Ashley Rickards (“One Tree Hill,” “Behaving Badly”), Beau Mirchoff (“I Am Number 4,” “Scary Movie 4”) and Jillian Rose Reed (“Foursome,” “Weeds”). The Teen Choice and People’s Choice Award winning series “Awkward.” follows Rickards’ character Jenna Hamilton, an awkward teen whose high school popularity skyrockets after rumors spread that her accidental fall was really a suicide attempt.

Haubert comes into the series in season 5 episode 14 titled ‘WTF Happened Last Year?,’ which follows Jenna into college and centers largely on her crumbling relationship with her long-distance boyfriend Matty (Beau Mirchoff). Haubert plays a key role as a pompous retail stylist at a high-end clothing store who embarasses series’ lead Tamara (Jillian Rose Reed) who can’t afford the clothes she wants.

“My character was very snooty and nasty, which is the opposite of me. So it was kinda fun to let that out,” says Haubert.

However, the tables quickly turn on Haubert when Sadie (Molly Tarlov) shows up out of nowhere, slaps her credit card on the table and says to Haubert with palpable attitude, “Ring ‘em up shop bitch. Chop chop Tilda Skankton, you work retail so work it.” Haubert is immediately cut down from her pedestal with her mortified facial expressions making for great comedy. The scene is also key in the developing friendship between Sadie and Tamara, former high school rivals, as the encounter gives Sadie an opportunity to show Tamara a little kindness.

Haubert has a deep love for her craft, which gives her work a certain genuinity and passion impossible to duplicate. Haubert explains, “I love creating a new person, how they walk, talk, dress, and think, but I I’d have to say that the biggest thing for me always comes back to the story.”

So, speaking of story. What is the deal with this exceptionally ingenious, uniquely awesome Instagram page?

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Haubert is quick to answer. “@nutelluv started out as a laugh. I was joking with my friends about how I didn’t need a boyfriend because I had Nutella, and making fun of all the ridiculously sappy Instagram posts and captions that are out there. But then I started to think about it, and I thought…oh, it’s actually true. Nutella is always there when I need it, I’m always left satisfied, and plus, who doesn’t love a sweet Italian?”

“Everybody does love a sweet Italian,” I joke, but then Haubert comes back and hits me with some poetic truth. “I realised this could be a really interesting way to tell a story everyday within the confines of a photograph and short caption,” Haubert explains. “Many actors think that the work starts when you get the job, or when you get an audition. But I believe in doing something everyday towards an ultimate goal, even if it is small. I saw this Instagram idea as a potential storytelling platform where I could create my own character and stories. Plus, at the very least, it keeps my brain in the habit of refining an idea to its simplest form, which is a skill that helps in all my creative pursuits.”

Whimsical, brave, talented, motivated and committed, actress Ingrid Haubert is a shining example of everything a performer should be. With a presence undeniable, Haubert practices relentless determination and engages audiences across the globe, taking the bull by the horns, the jobs by the minute, and the Nutella by the pallet.

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Australian actress Natasha St. Clair-Johnson stars in new film ‘Incall’

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Natasha St. Clair-Johnson, photo by KAT TUOHY PHOTOGRAPHY

“Acting is the one way that I feel free to be myself,” said Natasha St. Clair Johnson. The Australian native has an innate talent, and has loved performing for almost her entire life. As a child, she wanted to be like the people she saw on-screen, but as she grew, this desire became much fiercer. She wanted to tell stories; she wanted to show the wonderful and painful aspects of what it means to be human; she wanted to make a difference with the best way she knew how. Acting became her focus, and performing her way of life. Now, she is one of Australia’s leading actresses, and the passion she feels for what she does is the same as it was when she began her career.

While working her way to the top, St. Clair-Johnson worked on several extremely successful projects, showing her home country and the world why she is so formidable. In the feature film Birthday, the actress has the critical role of a social-worker. Her work led the film to be selected for the highly-prestigious Cannes Film Festival, where it took home the top award for Best Actress in a Foreign Film. Similar success followed with her film Prized, where she co-stars with ‘Twitch’ aka Stephan Boss from So You Think You Can Dance and currently the popular DJ on The Ellen Degeneres Show, as well as the movie Shang, playing a seductive vampire and showing audiences how versatile of an actress she truly is.

“The thrill of performing is like nothing else for me. With film and theatre being such different mediums, they both still give me joy. Being on set has an intimacy, a rawness, and a realism to it,” said St. Clair-Johnson.

Audiences can also look forward to St. Clair-Johnson’s performance in the highly-anticipated film Incall. The film tells the story of a wealthy house wife who gets more than she bargained for when a call girl changes the course of her day into something completely unexpected. It explores ideas of sexuality, power, feminism, and manipulation, with three women all appearing as different facets of what is it to be the modern woman.

“Not many films like to show women that are sexual and strong. It’s considered taboo, and commonly mistaken to be either an excuse for woman to behave in an explicit nature or to get attention. Our film is more about the mind games between people. It’s not about seeing anything happen but the suggestion,” St. Clair-Johnson described.

The film is centered around St. Clair-Johnson’s character and what happens to her over the course of one day. It is a window into the perverse intimacy she enjoys. She is an elegant, well-dressed, poised woman with a dark side. Although she appears to be one way to others, her inner desires are quite different from the persona she displays. She has a certain way about her that can be disarming, which is what the directors were looking for in St. Clair-Johnson’s performance. She perfectly personifies the complicated character, with a hint of possible danger, as you can’t always be sure where the character might take the conversation or situation she is in.

While many films explore a male and female dynamic, Incall involves two strong female characters. These characters are not necessarily attracted to each other, but rather show how they manipulate, judge, and control each other. It is about ego and power. St. Clair-Johnson’s character is the instigator of the events. Therefore, when the director was looking for someone for such an important and complicated role, she knew she had to find someone with immense talent.

“Natasha is gifted and hard working. She always gives 100 per cent to every take and patience beyond what would be required of her. It is a pleasure working with her on and off set. She is very personable. Her unique choices make her an outstanding actress. She has a subtle but compelling ability to seek the nuances in her characters’ behavior, with an unlimited range and keen understanding of the complexities of the characters’ relationships,” said Rachael Murphy, Writer and Director of Incall.

Murphy approached St. Clair-Johnson when she began casting. She knew that she wanted the actress as her leading character to make her film a success. St. Clair-Johnson was happy to take on a role in an all-female film. During the shoot, she found herself being taken away with what was happening. She knew exactly where to go with her character, completely embodying her. She would utilize subtle and exciting exchanges between her co-star and herself, opening up her creative juices. With every script she works on, the actress takes the time to analyze it. She figures out the exact motives behind each of her characters’ choices. For Incall, she worked those choices into her performance flawlessly, displaying intimacy, and passive-aggressive behavior simultaneously.

In addition to acting, St. Clair-Johnson also took on an executive producer role for the film. Although she had never done this before, she was excited to learn about the job, knowing the experience behind-the-scenes would help make her an even better actress. She was able to find the perfect balance between her role as an actress and her executive producing responsibilities, and found herself watching every take and staying engaged in all areas of the film production.

“This project gave me artistic freedom to play with whatever choices I wanted. I was to carry the film and I loved the responsibility of that. Especially showcasing myself in a film that is strongly focused on women. My team and I knew that it would be topical and the LGBT community would also be interested. We were recently approached by a film festival exclusively showcasing films produced and starring woman. It’s an honor,” said St. Clair-Johnson.

Incall is currently in post-production with a release date set for 2018 into the film festival circuit, and then onwards to national release in the United States and Australia. It is also expected to make its way to several Australian television networks, and streaming services such as Amazon Prime, Netflix, YouTube, and Hulu in the short film category. If you get a chance, make sure to check out St. Clair-Johnson’s stellar performance.

Australian Actress Sunny Koll helps sheds light on cyber-bullying in ‘Zach’s Story’

Sunny Koll doesn’t just tell stories, she embodies them. She brings a story to life. As an actress, she tries to find within her character a commonality, a humanity, that connects each of us together. From that connection, people are able to see themselves within the story. That is what makes her one of the best, and that is why she is recognized around the world for her talents.

This ability to connect with audiences transcends to every project Koll embarks on. She takes audiences with her on her path of ending human trafficking in the series Traffik, and in the comedic television show Flat Whites, viewers feel for her character Stacy, as she has been duped by the two main characters in their attempt to win her affections. However, in the film Zach’s Story, Koll not only connects with her audience, but she helps to tell the impactful story, raising awareness on the important and timely issue of cyber-bullying.

“The script was empowering for kids who have experienced cyber bullying. Within Australia, there has been a lot of action taken within schools to stop bullying and celebrate differences, as the Australian government is getting behind this, I really wanted to be a part of it,” said Koll. “I liked how important this project is. Today’s world moves at such a fast pace and there’s so much pressure on teenagers, I can’t even imagine what it’s like to have the speed of the internet added into the mix of bullying. I really liked that this campaign offers answers with how to deal with these situations, so you don’t feel alone, which only breeds more pain and long-term shame.”

Zach’s Story is part of the “ReWrite Your Story” campaign, an anti-cyberbullying campaign for the Australian Government Office of Children’s eSafety Commissioner. “Rewrite Your Story” consists of a series of short films focusing on different cyberbullying scenarios. Zach’s Story tells the story of Zach, a high school student who is being cyber bullied. The film highlights various ways a family unit can deal with these situations.

“The message is incredibly important. Bullying of any kind erodes self-esteem and is usually done to the most sensitive of people. The effects of bullying can take years to heal. The real tragedy is that the bullies themselves have something broken within them and are usually dealing with some horrific power plays of their own in their family homes and are only acting out to gain power somewhere else,” said Koll. “It’s very satisfying to know it’s reached so many people and that people want to make a change. It’s also so incredibly brilliant for Christopher Benz for taking out the Best Director’s Award in an Online Drama Project for his work on Rewrite Your Story at the Australian Director’s Guild Awards. He really is a brilliantly talented artist who continuously gives and works very hard, never resting on his laurels and I can’t wait to see what he brings out next. To also win Gold at the World Media Festival and the Bronze World Medal at the New York Festivals Television & Film Awards is so fantastic for him and his team at Brave TV.”

Zach’s Story premiered online, on the “Rewrite Your Story” site and on the “Rewrite Your Story” Facebook page. The Rewrite Your Story campaign has had almost one million views online with 133 thousand of them being for Zach’s Story. The film went on to win the Bronze World Medal at the New York Festival’s Television and Film Awards, and the campaign won the Gold Award at the World Media Festival 2017.

“It’s very satisfying to know it’s reached so many people and people want to make a change. To also win the Bronze World Medal at the New York Festivals Television & Film Awards, and for the entire Rewrite Your Story campaign, to win Gold at the World Media Festival, is fantastic as it means these topics are getting the air time they deserve,” said Koll.

Koll played the vital role of Leanne, Zach’s mother. Due to the cyber bullying, Zach was withdrawing, which caused concern for his parents. After his father discovered the cyber bullying pages, the parents worked together to create a safe family atmosphere where Zach could talk openly about his feelings and they could work out a plan of action. She’s doing her best to keep a normal relaxed home life, so Zach feels safe to express his feelings. For this role, Koll researched bullying in all its aspects, including the effects it has not only on the person being bullied, but also the entire family, as there can be radical changes within the person being bullied. This commitment to her performance was appreciated by all she worked with.

“Working with Sunny was a breeze. She is very much a team player and in tune with cast and crew. She’s also very open to direction, which is important. Sunny is a dedicated, passionate actress. She puts time into her preparation and turns up ready to work. She’s driven to create and combines working hard with natural ability, to find the layers, truth and need within each of her characters,” said Christopher Benz, Director of Zach’s Story.

The accolades and the awards, however, are not why Koll is proud to be a part of the project. For her, she wanted to educate, knowing that education can heal all parties involved with bullying. Showing young children that their actions can have such effects is important, as Koll knows firsthand.

“My uncle is a holocaust survivor, and regularly goes to schools to talk with the students. At one school a student approached him after his talk and said that his entire life he had treated people very badly and since hearing about the holocaust first hand wanted to make changes. It works out this boy was the school bully and nobody had been able to get through to him, but for whatever reason on this day in this moment he was reached and forever changed. This is what the power of continuing the message of compassion and acceptance does,” she said.

To learn more about the “ReWrite Your Story” campaign, and to watch Koll’s performance in Zach’s story, you can click here.

AFTER 30 YEARS IN THE BIZ ACTRESS NATALIE PAGE STILL CAPTIVATES US

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Actress Natalie Page shot by Andrew Rouse

Since first taking to the stages of Australia in the starring role of Scapin in The Rock Players’ production of “The Scoundrel Scapin” back in 1987 actress Natalie Page has created a marvelous repertoire of work, spanning both the stage and screen, which reveals her as an unstoppable performer capable of taking on any role.

On screen Page has captivated audiences several times over through critical roles in popular crime series such as “Water Rats” and “Australia’s Most Wanted,” where she showcased her ability to play the victim, “Deadly Women” where she took on the starring role of Marie Noe, a villainous murderer, and “White Collar Blue” where she played a key role as a judge.

Aside from being an undeniably gifted actress, one of the aspects of Page’s career that makes her unique is the way she has managed to steadily maintain her success over the course of 30 years. Many may ask how she’s accomplished such a feat in an industry where the competition is exponentially higher than virtually any other, and everyone seems to be looking for the next hot young star to sell their project to viewers. The answer is diversity. Page’s unparalleled ability to embody an astonishingly diverse range of characters, coupled with her magnetic on screen presence, has been key to the sought after actress’ continued success.

Page has accrued an impressive list of film credits including “Hydra,” Donovan Renn’s (“The End”) ‘“They Were the Ones,” “A Sense of Syntex,” David Frtenik’s “Fret Not,” Steve Anthopoulos’ (“The 21 Conspiracy,” “Farid in the West”) “How Long Can You Hold Your Breath” and Caleb Shaffer’s (“One Word”) hard hitting thriller “Finding Polish” where she acts alongside Javed Khan from the BAFTA Award nominated series “Coming Up.” Out of all of her film work though, the one that substantially sticks out and shines a light on her innate talent is undoubtedly the riveting feature film “Nude Study.”

Directed by Stefan Popescu, who won the Best Director Award at the Melbourne Underground Film Festival for his film “Rosebery 7470” and the Monster Jury Award at Monster Fest for the film “Vixen Velvet’s Zombie Massacre III,” “Nude Study” takes place in the wild Canadian arctic and follows a young filmmaker who’s desperate to leave the old version of herself behind– and she gets her chance when she meets Sarah, an alluring local girl who will change her life forever.

In the film Natalie Page takes on the lead role of Sarah’s mother Glynnis, an aging woman whose family’s hostility towards one another is causing them to fall apart. Although her health is clearly failing, we see Page’s character Glynnis put on a ‘happy’ face as she pretends that every is okay; and, while she is painfully close to death, her illness does have one positive impact, and that is that it helps bring a broken family closer together.

Page explains,  “She brought a family together that previously shared little to no affection or understanding for each other.”

With a collection of powerful performances already under her belt, it’s not at all surprising that Page managed to deeply immerse herself into such a challenging character and flawlessly portray Glynnis’ slow deterioration, even if the character is the exact opposite of herself.

About the process of getting into her character Page admits, “I needed to remove myself from much of the activity around me… my usual vital energy needed to be contained as I moved closer to filming, as  death and energy was definitely waning.  It was quite a solo experience, one where I imagined reaching the final stages of life, visiting the local graveyard and getting in touch with grief and the inevitable departure of this earthly existence we call life.”

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Behind the scenes of Natalie getting into character for “Nude Study”

In the film Page gives a captivating performance starring alongside Jackie Alixander from the hit Primetime Emmy Award winning series “Xena: Warrior Princess,” the Indie Series Award winning show “Keith Broke His Leg” and “Dark Knight,” and Marty Rhone from the 12-time Logie Award winning series “Neighbours.”

“Nude Study” had its Australian premiere at the popular Revelation Perth International Film Festival and was chosen as an Official Selection of the London Underground Film Festival, Buffalo Niagara Film Festival, the New York International Film Festival and the OutLook Film Festival, as well as screened at the Dawson City International Film Festival.

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Film poster for “Nude Study”

From taking on lead roles in hit crime dramas to portraying a deeply burdened dying mother in “Nude Study,” actress Natalie Page is one of Australia’s best talents, one who will undoubtedly continue to captivate us for years to come.

Born to Be a Star: Australian Triple Threat Jessica Waters

Jessica Waters
Actress Jessica Waters

Born into a family of entertainers, actress Jessica Waters has been in the spotlight her entire life. Together with her four siblings and her father, the lead singer of a local band, she was playing music, dancing and acting beginning at just five years old. By the time she was eight she had her heart set on acting professionally, and in the years since she has grown from one of the most promising young Australian talents into an international powerhouse of the screen.

In 2014, Waters joined the cast of The War That Changed Us, a four-part documentary drama series recounting the stories of real-life Australians who fought in World War I. Waters played a nurse traveling with soldiers on the front lines, and said she fell in love with the role.

“This has to be one of my favorite TV shows I have worked on,” Waters said. “I loved the costumes, and dressing in all the lovely clothes they wore really made me feel like I was back in that time, and I had to do some nurse training for the role.”

The War That Changed Us aired by the Australian Broadcasting Corporation in 2014 to commemorate the centennial anniversary of Australia’s entry into the war.

Recently, Waters acted alongside Sam Worthington (Avatar, Terminator: Salvation, Clash of the Titans) in Paper Planes. The film tells the story of a young boy who, after suffering the loss of his mother, finds solace and hope in a competition to design the ultimate paper airplane. Filmed in her hometown of Perth, Waters played the mother of one of the children competing in the whimsical tournament and said it was a fun project to be a part of. The film received nominations at both the Australian Directors’ Guild Awards and the Berlin International Film Festival.

In her latest television role, she plays an American reporter in the SyFy Channel adaptation of the Arthur C. Clarke classic novel Childhood’s End. As an Australian, the role was a unique challenge for her, and required a great deal of intensive voice training to master the accent required for the part.

“I’ve been training my American accent for a year,” she said. “They loved my accent, and I got the part on the spot.”

Childhood’s End is the first screen adaptation of the science fiction masterpiece. Following the arrival on Earth by a race of mysterious but benevolent aliens, the human race begins to thrive and prosper; however, almost immediately suspicions begin to grow among people about their new isolationist neighbors. As a reporter, Waters is on the scene to cover their arrival. The series airs on SyFy later in 2015.

Waters played a reporter once before in The Great Mint Swindle, the true story of a massive 1982 Australian heist where more than $2 million in gold bars were stolen from the Perth Mint. The crime remains unsolved, adding to the mystery and making it one of Western Australia’s greatest and most famous true crime stories.

“I love being in true stories,” Waters said. “The set was very Australian, and I enjoyed being a news reporter because if I didn’t decide to be an actor, I was going to be a TV reporter.”

Not limited to film and television, Waters’ experience as a performer shines in her work onstage as well.

“I have spent three years working with the Shakespeare Theatre Company in Western Australia,” Waters said. “I was not only an actor, but I was also the dance choreographer and a singer.”

In her time with the Shakespeare Theatre Company, she’s worked on iconic Shakespearean plays including A Midsummer Night’s Dream, Much Ado About Nothing, The Tempest and Comedy of Errors.

Audiences can catch Jessica Waters in her upcoming feature film Reality, a satirical comedy in which Waters plays the lead.

“I just know it’s going to be a fantastic film. The script is amazing,” she said. “I have a lead role and it’s a film that kind of makes fun of reality TV shows.”

Reality is currently in the process of filming so eager fans will have to wait to learn more about the project. However, it’s guaranteed to be a fresh look at a genre, which provides a goldmine of comedic fodder.

For Actress Alli McLaren, Performing Runs in Her Blood

Alli McLaren
                                              Actress Alli McLaren shot by David Lee

The vast array of roles masterfully portrayed by Alli McLaren are a testament to the striking technique she’s spent her entire life honing, both onstage and in front of the camera. Following in both her mother and grandmother’s footsteps, the Australian dynamo is a third generation actor in whom the art of performance is deeply engrained.

McLaren’s unique talents stem from so much more than the impressive combination of her inherited genetics, for her upbringing in the theatre and her years of rigorous and dedicated training have put her far above the rest. One of her strongest and most valuable assets is something too many actors lack – real-life experience.

In addition to her acting prowess, McLaren is also a talented and accomplished writer for the screen. McLaren wrote the upcoming film My Year of Silence based on her own experiences. The film follows McLaren as she plays Callie, a role that shines a spotlight on the painful reality of those who cope daily with mental illness and depression.

For years, McLaren fought tirelessly to overcome long and difficult battles with illness and depression. Through that struggle, she gained an intimate and personal understanding of the peaks and depths of human emotion and an insight into the human psyche that is clearly displayed in every part she’s played. From the masterful way that she has transformed herself into the mind and body of every character she has taken on, audiences can expect yet another dazzling performance from the actress as Callie in the upcoming film My Year of Silence, which is being produced by White Night Films.

Though her dramatic flair is impeccable, her recent role in A Writer’s Block, also produced by White Night Films, gave her a chance to show off both her action and comedic chops. The project centers around two writers as the plot of their latest film begins to come to life. McLaren’s character Sophie, one of the characters in the two writers’ script, is kidnapped, and the ensuing rescue mission her older brother embarks on to save her forms the backbone of the film. The quick-action, fights and shootouts were a far cry from her other more cerebral and introspective roles, but in no time she mastered the dance-like combat moves with grace and professionalism — and a little bit of fun, too.

“There was a lot of stage fighting choreography involved in this shoot, which was new to me,” said McLaren. “But I felt like a ninja doing it, which kind of rocked.”

In one of her most powerful roles, McLaren played the lead in Infidelity, directed by Emmy Award-winning actress Blanche Baker. Based on a French script, the film centers around an experiment meant to study the faithfulness of men versus women in committed relationships.

McLaren’s character, Gretchen, is the person responsible for conducting the experiment, and as such, she holds complete control over its success. “Gretchen was really the female power in this film,” McLaren said. “It felt great to play a character with so much power and so much control.”

An exceptional actress by anyone’s standards, McLaren’s upcoming projects include the 2016 release of My Year of Silence as well as a likely sequel to follow, in addition to a planned sequel to A Writer’s Block. The young starlet will no doubt continue to raise the bar for fellow actors across the industry as a whole; and as audiences flock to My Year of Silence, they’ll no doubt witness the internationally sought after talent set new standards for dramatic writing as well.