Category Archives: international Talent

Walt Disney Animation Studios Hosts Bali: Beats of Paradise

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In a moment that mirrored the artistic exchange of the film Bali: Beats of Paradise, Walt Disney Animation hosted the talent of the film for a screening at their studio. Director Livi Zheng, Executive Producer Julia Gouw, and gamelan composer Nyoman Wenten viewed the film with some of Disney’s most creative forces, including the producer of Moana and the Head of Story for Frozen. Disney’s invitation is yet another indicator of the recognition Bali: Beats of Paradise has been receiving since its US release on November 16, 2018.

Beyond exploring the culture that created Balinese gamelan music, the film displays western artists being influenced by its character; integrating gamelan into modern day western musical styles. A question and answer session followed the screening in which Wenten, Gouw, and Zheng discussed filmmaking and Indonesian culture. Nyoman Wenten remarked, “It is amazing how quickly like-minded people attract each other. I can already see the start of a beautiful relationship between Livi and the creatives at Disney. I don’t know if any other Indonesian before Livi Zheng was ever invited to show their movie in front of the top brass in Disney. This is amazing and it makes me proud today to be an Indonesian”

Receiving a hospitable tour of the Disney Animation Studios, Livi revealed, “Disney is  remembered fondly by many children around the world. I remember so many happy memories from watching Disney movies; I am very glad that today I was able to be here and introduce my unique culture to the hardworking artists at Disney”. Executive Producer Julia Gouw noted during the film’s premiere at the Academy of Motion Picture Arts and Sciences in Beverly Hills last November, “Crazy Rich Asians put Singapore on the map, so we hope that Bali: Beats of Paradise will put Indonesia and Bali on the map.”

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The Lost Soul: Victorian Horror/Thriller Premiering Next Week on Amazon Prime Streaming.

 

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NEVER MAKE A DEAL WITH THE DEVIL, NO MATTER HOW SMALL…

 PREMIERING OCTOBER 23, 2018

STREAM INSTANTLY ON AMAZON PRIME

How do you get your soul back after you sell it? You steal it.

 LOS ANGELES, CA (October 20, 2018) THE LOST SOUL, a mysterious look into the afterlife follows a man grasping at life and narrowly escaping death. Available now to stream on Amazon Prime. Distributed by Sun and Moon Films, the film is created by filmmaker Jeff Caroli (“BALI: BEATS OF PARADISE”).

 The Lost Soul is a fantasy mystery film that has been screen all around the world. The premiere was held in New York City, USA. Since, it has been screened both in Europe and Africa. The film was nominated for best cinematography for Jeff Caroli.

Jeff Caroli is an accomplished cinematographer. For the past 11 years Caroli has been a cinematographer and has garnered millions of views on Youtube.His works include “Queen of the Hill” a music video starring Grammy award winner Judith Hill and the upcoming feature films, “Bali: Beats of Paradise” and “Insight”.

 

ABOUT SUN AND MOON FILMS:

Sun and Moon Films is a US-based production company producing films locally and internationally. The company has produced in the US, China, Indonesia, and Thailand. Sun and Moon Films has had theatrical distribution as well as screenings in various film festivals around the world. The company’s film Bali: Beats of Paradise is premiering at the Academy of Motion Picture Arts and Sciences in Beverly Hills, November 7, 2018. Upcoming projects include Insight, starring Madeline Zima, Tony Todd, Keith David, and Sean Patrick Flannery.

Award Winning Actor Missy Malek’s Midas Touch

British actor Missy Malek is a remarkably self-possessed artist, one who takes her craft so seriously that even as a teenager she aggressively pursued a life in acting. Becoming a member of the renowned National Youth Theatre of Great Britain, Malek’s dedication and natural skill allowed her to reach an elevated level of creative theatrical expression starting when she was just 14. Adept at manifesting vivid, wholly identifiable characterizations, the multi-faceted Malek is so driven that after completing the script for her award–winning 2017 short Laughing Branches, she felt compelled to personally oversee almost every aspect of the production.

“I didn’t actually intend to write, direct and produce it, but that’s exactly what I ended up doing,” Malek said. “I had a clear image in my head of what I wanted it to be like and didn’t see any reason why I shouldn’t go ahead and direct it myself.”

The offbeat project, starring Tom Hanson, Leo Suter and Malek, is an engaging, philosophical comedy-drama with a fantasy/sci-fi twist, and relates the stories of two struggling actors who contemplate—and live out—alternative futures both together and apart.

“It was obviously really challenging—I had no directing experience whatsoever,” Malek said. “But my cinematographer, David Raedeker, and my co-producer, Oliver Page, really guided me. Tom is also a really amazing actor, so he made the acting side of directing much easier. It was a very collaborative process.”

Malek’s sure-footed ambition and audacity gave Laughing Branches a unique depth, one rooted in a very personal experience.

“I came up with the idea at a time in my life where everything seemed to become a lot more ‘real,’” Malek said. “I was barely out of my teenage years and I, along with all my friends, suddenly realized that the choices we were making were very important and would have an impact on the rest of our lives. As a result, I found myself panicking, questioning every choice I was making and tried to control my future as much as I could by not allowing myself room to make mistakes.”

By the time she completed the script, written at Oxford University where she was studying philosophy, the unusual concept had grown into a thoroughly engrossing premise.

“’Laughing Branches’ is primarily about the anxiety of being young and ambitious, incorporated with a philosophical theory about infinite universes that have always fascinated me,” Malek said. “I’ve always been attracted to mind-game films that have an element of groundlessness and irresolution, yet still maintain a sense of heart and lightness.”

That twist of cosmic fantasy enabled Malek, who divides her time between hometown London and Hollywood, to really challenge herself as an actor.

“Out of all my film work, my character in Laughing Branches probably had the most range,” she said. “The element of parallel universes in the film means she goes through so many vastly different outcomes and we get peaks into the most dramatic and intense moments in those universes, so there was quite a lot to do.”

Malek’s training and experience provided an ideal context for such far reaching perspective, particularly her rich resume of live theater— at the Chelsea Theatre, she played Beatrice in Shakespeare’s ‘Much Ado About Nothing’ followed by  Brecht’s ‘Caucasian Chalk Circle,and, at the Burton Taylor Studio, in ‘The Lesson’ and as lead character Myra in ‘Deathtrap,’ along with Cat on a Hot Tin Roof” at The Simpkins Lee Theatre—affording her the skill to craft a persuasive series of tangible personae imbued with the full spectrum of nuance, traits and emotion as her character caroms through disparate scenarios.

“I wanted to convey the message that if you’re an ungrateful person, you’ll always look at what you don’t have and nothing will ever be enough,” Malek said. “If you’re miserable in one universe, there’s a high chance you’ll be miserable in any universe. On top of that, I wanted to show how as much as we may try to control our future and make the right choices, it really isn’t possible to do that. There’s nothing you can say and no way of intellectualizing things that will make you happy. Happiness is a perspective.”

Reaction to the film brought everyone involved a great deal of happiness—it took multiple awards at festivals around the globe, taking the Best Short awards at the Mexico International Film Festival, Lady Filmmakers Film Festival and Key West Film Festival’ best short awards and the IndieFEST Film Awards Award of Excellence for Malek’s performance as leading actress.

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“The IndieFest award I got for my acting was a huge honor,” Malek said. “Because, at times you really don’t like my character, she can be really vindictive and has a lot of anger and conflict in her. But despite that, at other times you do empathize with her.

Personally, the most rewarding experience of making the film was the confidence it gave me. To receive such a positive response from people high up in the industry meant so much. It’s a big step forward in an artist’s career to get that reassurance, to have people say ‘you’re good, keep going.’ That was the most rewarding thing.”

Art Director Cagri Kara Mixes Creativity and Ambition for a Winning Formula

The acclaimed Turkish art director Cagri Kara always knew his destiny lay in the arts. As a teenager, Kara wasted no time, successfully creating and selling a variety of progressive, eyecatching web designs before graduating high school. After attaining design degrees at university, the ambitious, driven Kara established himself, in short order, as one of the most skilled art directors in hometown Istanbul, the biggest, most sophisticated metropolis in eastern Europe.

The international entertainment, promotion and design communities are a tight knit pool of craftspeople and Kara’s mastery of the universal language—visuals—and impeccable reputation as a reliable, intuitive and groundbreaking artist quickly spread. Kara’s early formal accolades included numerous high-profile industry awards Crystal Apple Festival of Creativity, Kirmizi Advertising and MIXX Awards and the famed Cannes Lions Festival of Creativity. All of this notably preceded his 2016 arrival in Los Angeles, where Kara’s characteristic professional alacrity found him taking on a spectrum-spanning array of assignments and campaigns for a wide variety of agencies and clients.

One of Kara’s first, key alliances in California was with the prominent Hollywood agency Forbidden Toast, a relationship which served both as proving ground and springboard for his American career.

“I’ve been working with Forbidden Toast since I’ve moved to LA,” Kara said. “It’s a high end creative services company that focuses on entertainment art work for movies and television The company’s owner, Sherry Spencer, hired me as an art director for several projects she was working on.”

It was a significant break for Kara, and also one that demanded he deliver first rate product. “Forbidden Toast has a very high quality work standard and a clear vision for the work they produce,” Kara said. “I very much respect that and enjoy working with the team. And I enjoy the challenges of producing such great work.”

From the start, Kara’s stylish, skillful contributions fit right in.

“My responsibility with Forbidden Toast is overseeing campaigns in post-production, and ensuring the artwork is correctly executed,” he said. “The projects I worked on were highly visible and vital to the success of the films and television shows for which we developed these campaigns, and my work resulted in both increasing the company’s revenue stream and exposure in the market.”

Kara’s mixture of technical skill, instinctive flair for appealing design and comprehensive grasp on the adaptability each visual element must have is a priceless combination.

“Mainly, we do print ads, large outdoor billboards and social media campaigns,” Kara said. ”The platform is not as important as the flexibility of the art work—it needs to be effective and integrated into all types of media, both internet and large scale print campaigns.

Kara’s keen vision has created important advertising campaigns for productions by some of the biggest names in the business—Sony, HBO, Fox, Netflix, Starz, National Geographic and numerous others.

“I worked intensely with Sherry in producing the final art work for the client,” Kara said. “The art gets approved directly by the studios and, often, also by the talent. And they were all very happy with the results.”

Kara’s successful ventures include campaigns for shows with wildly disparate themes and content. He successfully worked a winning campaign for the current season of comic provocateur Bill Maher’s “Real Time” (“The show is very timely and, I feel is very important to the American political climate. It was very special to be a part of the production of the art work for this series. The art went all over the United States and the show was highly rated and successful”) preceded by one completely opposite, 2017’s launch for the National Geographic television series Genius.

“It was very exciting and challenging,” Kara said. “The talent needed to give the impression that we were actually looking at Albert Einstein. Sherry and I worked closely together to produce a successful final product that appeared not only throughout the city but also appeared on the one of the most visible billboards in the city including—the entrance of the Fox studios.”

Whether it’s documentary, fantasy, film, television, album cover art or an international promotion for FIFA giant EA Sports, Kara’s sweeping creative scale, holistic grasp of his field’s requisite elements and most effective practices create the foundational basis upon which Kara’s formidable natural skills excel—and Forbidden Toast continues to reap his bounty.

As company president Sherry Spencer said “I’ve worked closely with Cagri over the last several years—I’ve been impressed by his ability to successfully lead teams of artists and watched his creative skill and impressive talent push my company even further into creative entertainment marketing. “

 

Art Director Cagri Kara Always Exceeds Expectations

Art Director Cagri Kara, whose professional reputation reaches all the way from his native Istanbul to current headquarters in Hollywood, has established himself as one of the leading, most sought after talents in his field. A renown award-winning talent whose skill and professional capacity effortlessly spans a wide variety of visual platforms – posters, billboards, web, television – Kara is currently enjoying a fruitful alliance with home entertainment giant Netflix, making key contributions to promotional campaigns for their acclaimed original series.

Most recently, Cagri was key in the launch of a groundbreaking international project for the company, one where his own Turkish heritage played a critical role. Having previously executed well received campaigns for Netflix series Santa Clarita Diet and Grace and Frank, when Kara got a call from top Hollywood entertainment marketing and advertising agency Rhubarb, the results were all but inevitable. Truly in the right place at the right time and brimming with the skill to make him indispensable, the stars aligned for Kara when he was given the green light to art direct promotional efforts for an ambitious new fantasy adventure series The Protector.

“I’d worked on several campaigns with Rhubarb in the past,” Kara said. “When Andrew told me about the project I was very excited and felt very lucky to work on this Netflix project in Istanbul. They brought me on-board right away.”

Kara’s instinctive ability to command and extend the delicate co-dependence which advertising and pop culture share is reliably invaluable. This unrivaled skill has also earned him a shelf full of awards and recognitions: his groundbreaking 2015 Woman with No Voice Campaign for Polisan Cosmetics was took both the Crystal Apple Festival of Creativity’s Most Creative Use of Social Media and the Kirmizi Advertising Awards’ Best use of Medium-length Video in Social Media honors; the year prior, Kara’s boundlessly appealing Coca-Cola 50th Anniversary in Turkey Campaign won the Crystal Apple’s Best Integrated Campaign award and along the way he’s earned additional trophies from the MIXX Awards and the prestigious Cannes Lions Festival of Creativity

Significantly, Kara’s works seamlessly in any setting, always displaying with an authority, ease and understanding of his role that is internationally successful.
“It’s important to understand the culture when you work on a project from a foreign country,” Kara said. “Advertising is basically a communication channel to speak to the public. So it’s imperative that you understand people’s cultural and societal filters, especially when they look at printed media or a TV commercial for less than 15 seconds.”
For the Protector, Kara’s heritage and comprehensive mix of intuition and commanding visual design was ideal.

“There were lots of advantages to me being a Turkish art director,” Kara said. “The story is about a young man given mystical powers by a talismanic keepsake. Fighting shadowy forces, he learns about himself and his past along the way. It is the first superhero show in Turkey and it also has a lot of historical content and deep significance that would be harder for a non-Turkish person to research and understand in such a short time. The ancient history that is woven into the show is something Turkish people cherish and are very proud of.”

Kara relished the layers of societal and cultural elements the project features, and approached the project with characteristic sensitivity.

“We had many great concepts that we needed to cover in the production,” he said. “The story plays in our current period of time, and it connects modern day Istanbul to its past. It was challenging to juxtapose the ancient history of the city with a modern execution. The photographer and motion director for the campaign were very well known and had many years of experience as artists in the field, so that made things go very smoothly. Also the cast were amazing with their patience.”

“The show’s importance for Turkish culture cannot be overstated,” Kara said. “It was very exciting for me to work on something that will be seen as groundbreaking and, eventually, a part of Turkey’s entertainment culture history”.
“I’m very satisfied with the result of the production and very excited to see the campaign out in the world. There is already a lot of buzz in print and television media about it.”

Kara’s involvement and enthusiasm are second only to his elevated sense of craft and ingenuity, attributes which define both his acclaimed professional reputation and the accomplished depth of skill he brings to any project. This winning formula—which makes Kara’s presence indispensable— guarantees an ever heightening professional profile.

As the Rhubarb agency’s owner-creative director Andrew Irving said, “When Netflix asked us to help with their first original Turkish series, I immediately thought of Cagri. He flew to Istanbul to direct the marketing photo-shoot, which was shot by Tamer Yilmaz, one of Turkey’s leading fashion photographers. He played an integral role in creating the marketing campaign, and Cagri directed the cast with such finesse that the client said she didn’t know how we would have accomplished the shoot without him.”

Graphic Designer Laura Suuronen’s Flair for Arresting Visuals

Graphic designer Laura Suuronen’s command of virtually every conceivable visual format—designing everything from billboards and logos to web sites and product packaging—has established her as one of the preeminent leaders in her field. Suuronen’s gift for delivering a final product which surpasses her client’s original expectations is a skill that’s earned her an international reputation of significant renown.

She has a particular affinity for projects from the world of art and publishing—sophisticated platforms where her impeccable visual style and deep well of skill and instinct really come into play and one of Suuronen’s most striking achievements was her design of a monograph on famed artist Timo Heino for a retrospective exhibition at the Helsinki Art Museum.

“Timo Heino was represented by Galerie Anhava, the leading contemporary art gallery in Finland, who is a client of mine,” Suuronen said. “I’d seen his installation ‘Addiction’ when it was exhibited there, but otherwise I wasn’t familiar with his work. I’d already designed the 20th anniversary book for Anhava, and when Heino asked the gallery directors for recommendations on designers to do the catalog for his retrospective at the Helsinki Art Museum, they dropped my name.”

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This was no simple task. Heino is an acclaimed artist with a distinct approach that frequently emphasizes a striking juxtaposition of man-made and organic substances, and Suuronen relished the chance to complement his visual style. The project required her to bring all of her creative techniques to the table—art direction, graphic design, typography, photo editing, layout design—and the book she produced was a stunning example of Suuronen’s versatile design genus.

She managed every aspect of the challenging task from the top down, and typically, expanded her role to also create a visual identity for both the exhibition and its promotional materials.  “I created the entire book,” Suuronen said. “The client only provided me text files and photographs. I art directed and designed the whole thing book from the format, materials and photo editing on up. I decided the size and shape of the book, how it’s bound, selected the papers. I chose the typefaces, designed the typography, selected the images, and conceived the structure of the book, its rhythm, its pace, and further highlighted that by the use of different paper stocks.”

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From there, Suuronen went directly to the source to finalize the project. The whole process was pretty informal and most of what I presented got approved straight away, from the structure and layout style to paper stocks,” Suuronen said. “For the cover I offered several options, and they chose the one which best fit Heino’s work—we made it into a curious object, a hard cover book complete with soft, squishy cover boards. Seriously, who makes a book to be like an egg?”

Upon publication, Suuronen’s eye-catching mixture of elegance and eccentricity quickly earned significant notice. The monograph was recognized as a Beautiful Book by the prestigious Finnish Book Art Committee’s annual Most Beautiful Books competition and also by the Finnish Art Society with an honorable mention in its Literature Awards category. The Book Art Committee described Suuronen’s work with particular enthusiasm: “What is this? Human skin, animal hide, marble? The cover of this book casts the reader straight into the physical nature of contemporary art: grab, squeeze, open. Anyone who dares to venture into this book is rewarded with a fine introduction to the artist´s works and a pleasant reading experience. The difference between the natural-yellow of the text pages and the chalk-white paper of the photo pages, the calm and well-paced layout and the modern typeface all deserve due thanks.”

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Typical of Suuronen’s intuitive style, the book’s design itself reveal as great a depth of insight to the subject as the text and illustrations. “The book presents an experience similar to viewing Heino’s work in a museum setting, but with deeper insight into the artist’s philosophy and approach,” Suuronen said. “The text pages are printed in black only on uncoated cream-colored paper, while the projects are presented in full color on bright white, coated pages. The differences in paper stock not only create rhythm and pace into the flow of the book, but also make each section better functioning: the text sections are easier to read from the off-white, and the artworks are better reproduced on the coated paper. There’s also a few underlying narratives that run hidden throughout the book, should a reader really commit to the experience… there’s different levels in it.”

This is key to Suuronen’s constantly expanding international profile—her innate ability to enhance and elevate a project to the point where it assumes an even greater impact and significance for its audience. As the esteemed American designer Vanessa B. Dewey, formerly Mattel’s Lead in Creative and Development Experience and current LA Design Festival Board of Directors member, said, “I’ve been a fan of Laura’s work for some time—it is a fresh voice that stands out from current design. It possesses a refreshing elegance that catches your eye and pulls you in. While exploring, you’ll discover thoughtfully designed books with brilliantly sophisticated type to vibrant sculptural branding or poster design. Overall, it’s intelligent, simply brilliant design that’s never forced.”

The Los Angeles based Suuronen’s professional recognition steadily grows with each project, making her one of the most in-demand graphic designers anywhere—so much so that her current, very high-profile work load is subject to client mandated non-disclosure agreements. But, with her distinctive flair for arresting visuals, you’ll know it when you see it.

“I’d designed books and record covers before,” Suuronen said. “And these are the most permanent and culturally relevant mediums in the field of graphic design. I actually prefer making things that stand the test of time, as opposed to short lived, more commercial projects. I’m not interested in adding to the noise and clutter, but seek to create work that connects with people. I do love what we ended up with—I live for this stuff.”

From “Intrusos” to Hollywood Cinema: Actress Nazarena Nóbile

Nazarena Nóbile
Argentinian Actress Nazarena Nóbile

Argentinian beauty Nazarena Nóbile will be making her debut in U.S. cinemas later this year with roles in the upcoming feature films “Summer Night” and “Intolerance: No More.”

Directed by Satellite Award winner Joseph Cross “Summer Night” stars Victoria Justice (“Victorious,” “Zoey 101,” “The First Time”), Justin Chatwin (“War of the Worlds,” “Shameless”) and Analeigh Tipton (“Manhattan Love Story,” “Two Night Stand”).

“Joseph Cross is amazing. He is such a wonderful person. I mean, I knew him as an actor but he surprised me as a director,” says Nóbile. “He is such a nice guy. And his wife and his little daughter Amelia is a sweetheart. In fact, she played my baby daughter in the film.”

Prior to making the move to the U.S. with her husband Juan Baldini three years ago, Nóbile  established herself as an actress through featured roles on several popular Telemundo series such as the multi-award winning show “Silvana Sin Lana,” as well as “Quien es Quien” and “Eva la Trailera.”

Aside from her onscreen reputation in Latin America, Nóbile emphasizes the help of producer and fellow Argentinian, Angel Cassani (“Never Surrender,” “The Pastor”), in connecting her with the right people in the states and sparking her transition into the U.S. film industry.

She explains, “I met Joseph Cross and producer Tara Ansley thanks to Angel Cassani. We met through a skype conference because I was in Buenos Aires at that time, my father had health issues and I had to keep him company for a few months last year. And suddenly they told me there was a part for me. I played Harmony’s sister… It was a small part but I was so happy to be involved in that movie. It was my first important project in LA and I truly appreciate they had thought of me for that.”

In the upcoming film “Summer Night” Nóbile’s character is the disturbed sister of the lead character Harmony who is played by Victoria Justice.

“It’s about growing up…. And how difficult it is to go from adolescence to grown up life,” says Nóbile about the film.

Intolerance: No More
Poster for Sergio Guerrero’s “Intolerance: No More”

In the upcoming film “Intolerance: No More,” a cop drama directed by Sergio Guerrero who earned the Cartagena Film Festival’s  Golden India Catalina Award and the Gramado Film Festival’s Special Jury Award for the film “A Day Without A Mexican,” Nóbile will be taking on a larger role as Lucy, the wife of a cop who’s struggling with concepts of life, death and justice. Produced by Yeniffer Behrens (“The Power of One,” “Encounters,” “Between the Lights”).

Nóbile says, “The film is about the abuse of power, which is in the spotlight a lot these days. It’s a very interesting movie. And it is filmed in a very interesting way. I think it’s gonna be a great surprise for a lot of people.”

Nóbile also has a producer credit on the upcoming film “On the Other Side,” a film that centers on immigration and is currently in post production. Clearly this multi-talented Argentinian has been busy making moves in the states. She is also planning to relocate from Miami to Los Angeles very soon.

I’m so happy living in the US. I love this country, Miami, New York, Chicago, but Los Angeles is my favorite place in the world. I feel most at home there.”

Though Nazarena Nóbile began acting as a child, it was actually while working as a journalist in Argentina that her name first became synonymous with ‘celebrity’ across Latin America. She admits, “I started to work as a journalist for very important Argentinian newspapers and TV networks. I mean, even though acting was my first and true love, journalism was my first important job in the entertainment industry.”

And it was upon landing a recurring role on the entertainment show “Intrusos,” Argentina’s version of “TMZ,” where she was a regular entertainment journalist and panelist for several years, that Nóbile such a well-known figure across Latin America. Though she says she doesn’t regret the decision to move to the U.S., that doesn’t mean leaving her home country and her position at “Intrusos” behind didn’t bring some sadness.

“‘Intrusos’ is one of the most important TV shows in South America. It was very hard for me to leave” she explains. “I love my country so much. It’s such a beautiful place to live. And the people are amazing there, Argentinians are very special people. I miss a lot of things.”

But it seems as though she’s adapted to stateside living quite quickly as well. And with both “Summer Night” and “Intolerance: No More” in post-production and expected to be released in the upcoming months, it’s safe to say audience in the states who didn’t know Nóbile before, will definitely know her after.