Denis Ogorodov is arguably one of the most uniquely skilled video artists in the industry today. His ability to create videos that leave viewers feeling a deep connection to a brand has undoubtedly made him shine in the eyes of the advertisers who hire him, but it’s his jack-of-all-trades approach to media production that has ultimately placed him ahead of the curve and made him a creative worth looking to for inspiration.
Last year Denis’s technical skill set and artistic prowess landed him the opportunity to design for the multi-billion dollar streaming giant Twitch from Amazon, an interactive platform where millions of users engage online to dive deeper into gaming, concerts and more.
Known for his vast skill set, Denis has proven himself as a leading editor, vfx artist, colorist and so much more, that’s one of the reasons he’s referred to as a video artist– because there’s no other title that can really do justice to all the things he handles.
For Twitch, which is estimated to be worth an astounding $5 billion, Denis was called in specifically to work as the lead editor on their ‘Twitch January Drop’ digital campaign, which showcased the platform’s numerous features, as well as an impressive line-up of interactive events, programming and content.
The vibe of the campaign was intended to be energetic and fast-paced in order to coincide with the incredible range of things the platform offers
“We wanted this 60 second ad to feel almost overwhelming by showing just how much content there is on Twitch,” he says. “We had to find a song that was very energetic that was able to keep the momentum, but at the same time find a balance, where yes it feels almost overwhelming, but people are still registering what’s going on.”
“The campaign was designed to be interactive… So many of the assets had to be built in such a way that they could fit together like building blocks, sometimes changing the order, speed, branding or titles…the main video was designed to function as the kick-off for the event.”
The fact that the campaign was interactive not only made it unique, but also challenging, as it was updated live during each stream. As the lead editor, this is one area where Denis’s technical expertise proved invaluable, as his work helped ensure that the campaign’s design remained consistent across every channel and update.
Not only was Denis responsible for video editing the campaign, as well as working on some of the motion graphics and animation, but he worked with the other designers to build VFX templates that were capable of being updated on the fly.
“He’s very proactive when it comes to finding solutions and is never one to sit around wasting time,” says his ‘Twitch January Drop’ coworker Hondo Logan, who is head of production at Color and Motion.
“He’s also great at working with and coordinating larger teams. When the workload gets split up and everyone has their own job to do, I never have to worry about Denis’s part, I know he’ll always deliver polished work.”
While it’s no surprise that Denis was called in for the project as he is one of the best at what he does, there’s still a little something uniquely special about being tapped to work on the Twitch campaign.
He recalls, “Back in school I was always fascinated by both computers and art, I was always interested in video game development, photography and all that.”
With his long-time interest in video game development the Amazon Twitch job proved to be thoroughly exciting for Denis, but there’s no question that he put in an unfathomable amount of hours developing his craft in order to go from his humble beginnings in Italy to get to where he is in Hollywood today.
Denis’s career really started to kick off back in 2014 when he landed a competitive internship at Reset, an acclaimed production company founded by Oscar Award nominated director David Fincher (“Se7en,” “The Social Network,” “Gone Girl”) and Dave Morrison (“Oblivion,” “Gully”). He got his bearings in the industry at Reset where he was responsible for curating treatments to support their directors’ pitches. That early work had him utilizing a range of software such as Premier, Avid, DaVinci Resolve and Autodesk Flame in order to translate the director’s visions from the early storyboard phase right on through to the final editing stages.
That use of software and being able to translate the director’s vision through the storyboard phase have been integral to his success today. Since his time with Reset, Denis has come to be known as something of an industry “unicorn,” in layman’s terms– someone who’s an expert in an incredible range of areas.
Considering that the commercial and film industries rely heavily on the ever-changing world of technology, having such a broad technical skill set like Denis’s has been an advantage that has kept him ahead of the game.
And when Covid hit he was able to adapt better than most, as his established digital career allowed him to remain on the precipice of change as the entire industry shifted towards working online.
“With technology being the great equalizer, it is more and more possible to achieve professional industry level work from the comfort of your own home, and the current pandemic we are living through has accelerated this process,” he explains.
“Having built a brand of reliability and efficiency has allowed me to work on my own terms before the pandemic, which allowed me to transition to working remotely instead of in-house quite smoothly.”
While the pandemic has proved to be an extremely difficult time for so many, Denis brings a humble and kind-hearted approach in order to support the industry he loves, something that proves him to be the exact kind of creative talent that any media outlet wants to have driving their team.
He says, “I’m happy to say that I’ve been able to get four of my US colleagues work recently, so it’s nice to be able to give back.”
Having collaborated with so many critically acclaimed filmmakers and global production companies, and led numerous companies to success with his work as a video artist, Denis Ogorodov has made a significant mark on an international level– and we can’t wait to see what he comes up with next.
Growing up in China, Xin Yi always had a passion for drawing, but always considered it to be a hobby rather than a career. However, when she first saw the Pixar hit Up, everything began to change. She was instantly attracted to the stunning animation, with its fresh style, characters, and colors, with a beautiful story to tell. She immediately began envisioning creating similar content one day, combining her passion for the arts with her desire to tell stories. That was when she began considering a career in animation and visual effects, and the rest, as they say, is history.
As an industry-leading Editorial and Marketing Designer with Deadline Hollywood, Otavio Rabelo works with typography, colors, images and other design elements to create unique graphic layouts that are printed or used digitally. He designs conceptual layouts to all sections of a magazine using all the mentioned elements on computer software, and he is responsible for checking and sending final files to printers and making sure that everything is going to be printed correctly. It is a pivotal role in the success of each issue of a magazine he touches, and he knows this well. He remains dedicated to his craft at all times, a true perfectionist.
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