Manifesting a Shop of Eternal Life with Dara Zhao

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Creating a mood, an emotional atmosphere; this is the immense contribution of a production designer in the film world. The audience, the actors, and the crew are all required to do less belief suspension when the PD cultivates the world envisioned by the director. Dara Zhao is asked to glimpse the vision of her collaborators through their eyes, whether that be a dark one or one of optimism. It’s something she’s known for doing exceedingly well. She has been sought out by Indie filmmakers and massive production companies, as evidenced by her current work on the live-action version of The Little Mermaid. Her role as PD on Shop of Eternal Life skews to a tale much more about the foreboding and menacing topic of mysticism and the afterlife. Regardless of the subject matter, those who collaborate with an exceptional leader in the film community like Dara are eager for the opportunity because they know that her eyes can see their way to replicating the artists’ imaginings.

 

Many films are about sacrifice but Shop of Eternal Life is an original and cultural take on the specific cost of this. Every culture has its version of Aesop’s Fables, Grimm’s Fairytales, and the like; stories of foibles and redemption. Shop of Eternal Life takes place in the not so distant Twentieth Century and depicts the personal cost of trying to do something to help others. The plot follows a poor man who approaches a pawnshop owner about buying his wedding ring. Explaining that he needs money to pay medical expenses for his sick wife, the man’s offer is countered by a covertly sinister one from the shop’s owner. Rather than a small sum of money for the ring, the pawnshop owner suggests the man sell his soul for more than enough to cover all the hospital bills. When the man returns to the shop many years later, to collect his heart, the events which transpire are both shocking and telling about the potential for danger we all possess. There’s an obvious occult/metaphysical component but this applies aptly to the human character as well.

 

Shop of Eternal Life culminated in a DGA award for director/producer Yizhou Xu, who in turn praised Zhao for her ability to help realize the world he envisioned. The film which stars Award-Winning actor Jesse Wang (of the film God’s Not Dead and CBS series Code Black) as Chaofeng, Allen Theosky Rowe as Mr. Song, and Gengru Liu as Xiao Dong. Taking place in the 1920s and 1950s with nearly all of the action occuring in a pawnshop, the aging of the characters as well as the advancements in technology is subtly visible. Beyond the aesthetic challenges of manifesting this are the budgetary constraints for a smaller Indie production such as this. Dara remarks, “Yes, the most substantial obstacle for a smaller film is always the financial one. Ha. The freedom you experience is what you balance this against. I’m proud that we created two different decades in such an authentic manner. This was a really interesting environment which offered great potential. I wanted to create a narrow and isolated space; one with an unspecified location which seemed very real, especially with a sense of hopelessness at moments. Even thought this was a period piece, it was more like an allegory; a Faustian story. It was hard to combine these fantasy elements into a realism society environment. I used a lot of metaphors to support the storytelling. We used authentic props and set decorations from China but created what we needed when it didn’t exist.” The results are dramatic. Dara’s dedication and skill resulted in the world of Shop of Eternal Life transporting the looming anxiety of its characters directly into the psyche of the audience. The slow impending sense of doom and the constant comfortability one experiences when watching Shop of Eternal Life is a testament to the expertise of Dara Zhao to fully realize the world the film’s director aspired to display. Viewers don’t want to contemplate budget or lighting, or any other facet of the production process. Dara Zhao makes that concept a part of her equation when working on every production. It’s for this reason that you’ll find her working on productions throughout many different countries for quite some time.

 

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