Dominic Kay terrifies as conflicted veteran in ‘White Settlers’

Photo by Ian Thraves 4
Dominic Kay, photo by Ian Thraves

When one asks Dominic Kay why he went into acting, his response is quite simple; he would not have been happy doing anything else. Every day he arrives on set, he is eager to get started. Acting never feels like work to Kay, and the long days and trailer time that some find disheartening just add to the experience for this British native. He humbly feels lucky to do what he loves every day, and audiences around the world feel lucky to watch this talent on both the big and small screens.

Kay’s work in film and television has made him instantly recognizable in the United Kingdom. He has appeared in shows such as Hollyoaks in the City as well as the renowned British soap Coronation Street. His work in film includes the acclaimed historical drama Allies, and many more. However, this actor does not limit himself to just one genre, and as the villain in the 2014 horror White Settlers, Kay’s versatility is evident in every scene.

“This project appealed to me initially due to the fact that it was an opportunity to work with a director and producer that I heard very good things about. Then once I was read the script I was hooked, I read the whole screenplay in an hour, then immediately phoned my agent and told her that I wanted to do it,” said Kay.

White Settlers tells the story of Ed and Sarah’s first night at their new home – an isolated farmhouse on the Scottish borders. This should be a new beginning away from their stressful London lives. And at first it is; come sunset they fall in love all over again on a wander in the woods. But as darkness falls, Sarah suspects they’re not alone, Ed goes to investigate and quickly, the evening becomes a nightmare. It suddenly dawns on them; they do not belong here, and they certainly aren’t welcome.

In White Settlers, Kay plays Local, the antihero. He is an ex-military psychopath, who stops at nothing to get what he wants. He is hard as nails, a bully, and a pack leader. He is definitely not one to be taken lightly. As you get further into the film, audiences see his desperation turn sadistic, forcing him to become more and more ruthless. He thinks nothing of terrorizing people to get what he wants. From when he first enters the feature until the very end, he causes nothing but chaos.

While playing such a menacing role, Kay made sure to maintain the constant barrage of peril and volatility. Particularly in the scenes without dialogue, he managed to be terrifying just with body language and facial expressions. To maintain being threatening and intimidating without being overdramatic can be a challenge, but Kay did so flawlessly. He exudes malice and instills fear into his c audience by doing as little as possible. He always made sure he brought an element of truth into his character. In one particular scene, he acted out of instinct and went off book. The director, Simeon Halligan, loved what the actor did and Kay’s instincts proved fruitful, as that scene made the final cut of the film.

White Settlers gave me the opportunity I had been waiting for a while – to play a real nasty piece of work. I love to play around with characters, and this character was going to be fun, despite being a challenge. I had to be very menacing, intimidating, and scare the life out of my co-stars. Decision making and being brave was key for this character. It was a difficult mindset to get into, so I found that if I wasn’t fully immersed into him it could come across a little forced,” Kay described.

Kay’s work as the leading bad guy helped White Settlers achieve international success at many prestigious film festivals. The film premiered at the 2014 Film4 FrightFest. It was the winner of the ScreamFest Festival Trophy – Best Cinematography 2014. It was then distributed by Falcon films, Grim up North. Many critics were impressed by Kay’s ability to terrify yet still be endearing. The Producer of the film, Rachel Richardson-Jones, credits Kay as being one of the driving forces of the horror film.

“I cast Dominic to play the lead bad guy in the film. He was an integral part of the cast and did a great job. We were hugely impressed by his acting skills and how he adapted to the role. He was a great addition to the cast and was good to work with. He was very professional and hardworking at all times,” said Richardson-Jones.

When casting for the film, Richardson-Jones immediately thought of Kay after seeing the actor in a television show. She invited him in for a meet and greet, and once Kay read the script, it was a perfect match. He was eager to explore a side of himself that he never had before, and working with a team that he knew would be ideal, he immediately said yes to the part.

“This project was great to be part of. Well, having to portray a character that is a complete psychopath was a joy and a challenge to be honest. It was great fun it gave me freedom to express my darker sides and go even further with them. The director was a credit to the production and got the best out of me with ease. The whole cast just performed really well and everyone bounced of each other adding the performances,” said Kay. “It’s not every day you get to be an axe wielding mad man and terrorize innocent people.”

This year, audiences can see Kay on the big screen once again in the feature Walk Like a Panther. The film tells the story of a group of 1980s wrestlers who are forced to don the lycra once last time when their beloved local pub is threatened with closure. Kay is incredibly eager to share this film with audiences around the world.

It is without a doubt that Dominic Kay is an inspiration to those looking to pursue acting not just in the United Kingdom, but around the world. He always knew acting was his passion, and never gave up on his dream, and he has wise words for those who would like to follow in his footsteps.

“Read as much as you can and expand your vocabulary. This understanding gives you so many more places to go with your performance. You can identify subtle changes in scenes and make better decisions based on the information in front of you. Secondly, I would advise that you study yourself and identify exactly who you are deep down – your core characteristics. This understanding of who you are lets you know what you bring to the table, what you are selling. There’s no point in trying to be something you’re not, because people can see through. Lastly, don’t be scared of letting yourself go or looking a fool, and be brave in your decision making. Unless you are very lucky, success won’t come easy, so work hard,” he concluded.

 

Photo by Ian Thraves

Advertisements

Actor Chris McNally’s Dramatic Trip to ‘Heaven’

Actor Chris McNally’s easy going, amiable demeanor is completely genuine, but the Canadian-born performer is capable of utterly transformative characterizations, fraught with subtle psychological nuance and stark, emotional depth,  It’s an attribute that’s served him well in a fast-moving career which  has taken him from aspiring supporting player to major lead roles, and his striking portrayal of Cal Dennison in Lifetime network’s forthcoming adaptation of the celebrated VC Andrews novel Heaven is a prime example. For McNally, landing the film’s second lead was the almost inevitable conclusion of a lifelong passion. “I just have always wanted to be an actor, ever since I can remember,” McNally said. “I’m not sure what initially prompted my interest, but there really was nothing else I ever thought to pursue.”

 Heaven, which sparked an entire series of best-selling novels, is a sort of glorious throwback to mid-century Peyton Place-era tearjerkers, loaded with melodramatic moral and social conflicts and fraught with scandal and hopelessly romantic entanglements. In the case of titular character Heaven Casteel, a comely teenager who finds herself sold off by her abusive father to a childless couple only to reluctantly submit to the male head of her new household’s seduction, the story line definitely pushes some boundaries.

 As McNally explains, “Heaven follows a teenage girl and her difficult journey through adolescence. The story begins in a dark place—Heaven lives with her alcoholic father, pregnant stepmother, grandmother and siblings in a small, dilapidated house in the mountains. When Heaven’s stepmother loses her baby, it triggers a tragic chain of events, ending with her father selling all his children and separating them. Heaven ends up with Cal and Kitty Dennison, who seem great at first, but life becomes even more complicated when Kitty begins having schizophrenic, abusive tendencies and Cal falls in love with Heaven.”

 To call the role of Cal a challenge would be a tremendous understatement, and McNally approached it with a characteristically canny mix of dramatic craft and emotional restraint.

 “Things become complicated when Kitty begins mentally and physically abusing Heaven, not letting her outside the house, forcing her to clean all day,” McNally said. “Cal finds himself trying to shelter and protect Heaven from Kitty’s actions. During this process though, Cal starts to develop romantic feelings for Heaven. This was the most difficult part to navigate, because we didn’t want Cal to come off as a predator.”

 McNally’s natural, persuasive approach to a role is so convincing that, in fact, he got the part despite the fact that he had to audition remotely, via a tape shot in a friend’s apartment—hardly an ideal circumstance. “I couldn’t attend the audition since I was out of town,’ McNally said. “So I asked a friend for help taping it. We got together in his tiny kitchen and made do with what we had. When I got back to Vancouver, I had a callback, so I went in for a session with the director and producers, and a week later was told that I’d gotten the job.”

 

chris-m-b

After landing the part, McNally got down the very serious business of making his character sympathetic.

 “I tried to prepare for this by using the relativity of the circumstances as structure,’ McNally said. “I doubt anything would ever have transpired between Cal and Heaven if they were in a normal situation. Their reality, though, is that they both find themselves as prisoners in this house arrest-like jail that Kitty has created. So within the walls of the house, we have this warped reality, separate from the real world. In that world, I looked at Heaven as my ally, and I protect her, we bond, and her earnestness and kindness begins to authentically fill a void in my heart that I hadn’t realized, until then, that Kitty never did. I’d say that was my main prep—understanding how and why these feelings came to be, and making it work for me.”

 This precisely reasoned motivation—calling back to Stanislavski’s famed dramatic admonition to “play the life”—is key to McNally’s appeal and success, artistically and professionally. In just over a decade, his continually rising profile has led to a formidable resume of on-screen achievements, with numerous roles, both on television series and small-screen movies and 2018 looks to be a banner year for the actor—he not only has Heaven coming out soon but also a recurring role in the highly anticipated Netflix original series Altered Carbon, already making a significant Hollywood buzz for being one of the most ambitious and highest budgeted series in television history.

 All of this was earned solely by McNally’s dedication. “Chris has a lot of talent and passion which he brings to his work,” co-star Julie Benz said. “He’s disciplined, reliable, passionate about his craft and he really delivers when the cameras are rolling. It was refreshing to work with a young actor who is more interested in the craft of what we do than how many Instagram followers he has.”

 It’s an exciting time for the perpetually driven McNally, who remains a down to earth, affable guy with a winning, attitude.

 “I believe you only have one chance at life, so if you really want something, you need to do everything in your power to make it happen,” McNally said. “I use that philosophy every day and it inspires me to keep going after my goals, to keep training, keep auditioning—and working.”

Cinematographer Guy Pooles’ Intuitive Visual Style

When it comes to movies, the audience always focuses on the actors and plot line, yet there’s one key behind the scenes player who not only captures the entire picture, he also conveys the mood and atmosphere in manner that really puts the entire plot and action across. This, of course, is the cinematographer, an essential contributor to any film and one of the top young guns working behind the camera in 2018 is the talented British-born cinematographer Guy Pooles.

Pooles came to the field through an unlikely conduit, one both poignant and liberating in its unusual nature.

“I’ve always suffered from quite severe dyslexia,” Pooles said. “Growing up, this would make it difficult to consume fiction via the reading of a book. So, films became my primary window into the world of fiction and storytelling. Paired with this fascination for cinema, I also adopted, at a young age, a great love for photography. As both of these interests grew and deepened throughout my life, they slowly evolved to form one entirely consuming fascination with the art and craft of cinematography. I was and continue to be, endlessly amazed at the human ability to tell stories through nothing more than the juxtaposition of images.”

The camera freed Poole from the constraints his condition often imposed and this unusual quality imbues his work with a clarity, vision and overall sense of artistry which really sets him apart. Moreover, Pooles’ approach to cinematography, both as an art and a science, relies on the emotional elements of his assignment, and his ability to blend the aesthetic and technical underscores a uniquely empathic brand of craftsmanship.

“My narrative interests seem to move through all genres, spanning many subject matters, artistic styles and tones,” Pooles said. “I think the one constant that a story I work upon has to possess, is an element of raw human truth. If the film never takes a moment to teach the viewer an emotional truth about his or herself, then I find it very hard to approach the cinematography from an emotional level, and I find it very hard to do my job well.”

Pooles’ always outstanding work is primarily achieved through his own regard for the story and, ultimately, forges an ideal vision of how to present it to the viewer: Case in point, his work on Marko Grujic’s extraordinary short film Unaligned. A tale of unconventional May – December romance between a college student and her one-time female babysitter, Grujic’s story came loaded with exactly the sort of raw psychological components Pooles thrives upon.

“Marko reached out to me after seeing my work on a low-budget web-series called The Ferryman,” Pooles said. “I believe this is because he knew he would require a cinematographer who could execute a complex production without sacrificing the emotive potency of the film’s visual language.”

The director’s instinct was spot-on. “Guy is much more than a common cinematographer,” Grujic said. “He goes deep into the characters psyche and translates it visually on screen with lighting and framing. Guy listens and adjusts to a situation. He understands a director, asks a lot of questions and tries to figure out things from more than one perspective. He is a tremendous talent.”

 

guy-pooles-1

Although a short, the project presented its fair share of challenges. “The budget of film was very small, as was the crew,” Pooles said. “In light of the scope of the screenplay, it is safe to say that the production was quite ambitious. Our schedule was often so tight that, to fall behind even by few minutes, could result in losing the opportunity to shoot key scenes at the end of each day. Marko and I had to work meticulously with the first Assistant Director to ensure that our plan for the schedule was as watertight as possible and that we were prepared for contingencies, should something go wrong.”

Pooles’ used a shrewd, holistic methodology that took into consideration both the film’s logistical and artistic needs. “My approach to lighting was quite different on this project,” he said. ”I worked hard to keep my lighting set ups as simple as possible, often trying to key a scene off a practical lighting unit already on location. I did this knowing that every minute saved from a lighting standpoint would free up more time for the cast to get the performances that they and Marko were striving for. I was very aware that with a story this intimate and character-driven, it would be very hard for an actor to relax into her or his performance if they were constantly under the gun schedule-wise.”

Thanks to the seamless Pooles-Grujic collaboration, the film was successfully completed and will begin screening along the busy festival circuit later in 2018. For Pooles, who won the American Society of Cinematographers Linwood Dunn Student Heritage Award in 2014 for his work on the short film Dirty Laundry, it’s another step forward in his fast moving journey of professional accomplishment. With a raft of credits both in the camera & electrical department and as a cinematographer (including 5 episodes of TV anthology series Two Sentence Horror Stories), Pooles is poised to emerge as one of the leaders in his field.

“My philosophy has always been, that a viewer should never be able feel the cinematographer’s hand upon a film,” Pooles said. “The visual style can be bold and assertive, but the minute this leads a viewer to dwell upon the strength of the cinematographer’s work, rather than the potency of the storytelling, the entire narrative experience will begin to fall apart. The cinematographers that I admire the most are those whose work remains largely unrecognizable from project to project and who guide a viewer, almost subliminally, along the emotional path of a film.”

 

Professional Heavyweight Boxer Turned Actor Larry Olubamiwo is a Knockout On Screen

Larry Olubamiwo
Actor Larry Olubamiwo shot by Karen Scott

As a former professional heavyweight boxer Larry Olubamiwo knows a thing or two about knocking opponents out in the ring; but the successes he’s become widely recognized for in recent years have actually taken place outside of the boxing ring as Olubamiwo’s continued to show what he’s made of on the silver screen.

At 6-foot-4, Olubamiwo looks outwardly dominating, something that undoubtedly lent itself to his benefit in his boxing career and intimidated opponents before the first punch was even thrown. While that naturally strong aesthetic has also led him to be the first choice for a number of commanding lead roles as an actor, his collective work in film and television have revealed his capacity take on multi-layered roles that extend far beyond that of the stereotypical tough guy.

In projects such as Verona Rose’s 2016 dramatic film “Fabric of the Royals” where he stars alongside Alice Fofana from Benjamin Rider’s multi-award winning film “Seven Devils,” and the series “Life of Hers,” which won the Best Ensemble Award at the 2014 Screen Nation Awards, the emotional range and vulnerability that Olubamiwo brings to his characters draw us into the story making it hard to peel our eyes away.

Despite earning extensive praise for his on-screen roles, Olubamiwo remains admirably humble about his career and his talent, but knowing his strengths and capitalizing on them, as is the way for any actor who wishes to ‘make it’ in such a competitive industry, have been imperative to his success.

“My sensitivity and vulnerability as an actor despite my physicality sets me apart,” says Olubamiwo. “I have been told that I’m able to convey a range of emotions with just my eyes, which I am grateful for as acting, a lot of times, is about stillness.”

Though Olubamiwo had a passion for acting during his youth, at that time boxing was where his heart and mind were focused. He spent years undergoing the intense training required of a professional athlete, eventually going on to become a powerful heavyweight competitor in the ring. In 2012 his boxing career ended abruptly, which brought understandable challenges, but in a way came as a godsend as it opened the doors for Olubamiwo to devote himself fully to his work as an actor.

While he’d already played key roles in films such as Jim Dickinson’s comedy “Rough and Ready,” as well as several commercials including a BBC Sport promo for the Rugby World Cup where he played a featured rugby player, and the popular 2007 ‘Bungee’ commercial for the Electoral Commission in the UK, which continued to air during every election until 2013, Olubamiwo was finally in a position to fully immerse himself in his acting training and take his work to the next level. Bringing the same fervent dedication and focus that he gave to his work as a professional boxer, the actor quickly became a sought after force in the entertainment industry.

He explains, “My love for acting and my natural work ethic I have as a boxer allowed me to excel in the training. And while I was training, I was very proactive in searching for acting work and an agent. And the rest is history as they say.”

After landing representation with Imperium Management, Olubamiwo’s captivating talent immediately struck a chord with “Fabric of the Royals” director Verona Rose, who aside from her work as a director, is known for numerous performances on hit series such as the multi-award winning series “EastEnders,” the two-time Primetime Emmy nominated series “Hustle,” and most recently, the Golden Lion Award winning dramatic film “Our Little Haven.”

Rose says, “It was such a pleasure to work with Larry. I had seen his work previously and it’s amazing what range he has despite his size and skills as a fighter. He is able to show such emotion without even saying a word which is true acting. I learned alot from him on set and want to work with him again.”

Nominated for Best Film at the 2016 Screen Nation Digital-iS Media Awards, a prestigious awards ceremony in the UK that’s often referred to as the ‘black Bafta’s,’ “Fabric of the Royals” tells the powerful story of a family who leaves their home in Jamaica to start a new life in the UK in the 1980s. Taking on the starring role of Derek, the head of the family, Olubamiwo gives a captivating portrayal of a man struggling to assimilate to a new culture and rise above the racism and violence he experiences in his new country, in hopes of giving his children a better shot in life.

Told through the eyes of his youngest daughter, “Fabric of the Royals” offers an impactful insight into the many challenges minorities face upon emigrating to a new country.

Revealing Derek as both the strong backbone of the family who commands respect from his children and the fun-loving dad who makes everything alright when they experience truly horrific treatment from the outside world, Olubamiwo endows his character with multiple layers. His performance on screen not only makes his character easy to love and root for as the film unfolds, but it also serves as a testament to his impeccable acting ability.

While Olubamiwo nails the mark in the powerful father-figure roles he plays in both “Fabric of the Royals” and “Life of Hers,” not all of his characters are as easy to love, but they don’t have to be. In the 2016 dramatic horror film “Cat Face” he took on the starring role of Kaka, a priest with mystical powers that brings a murdered woman back to life and gives her the power to track down a violent cult of serial killers and take bloody revenge.

Olubamiwo sends chills down the spines of viewers with his performance, and “Cat Face” went on to be awarded at the Africa Magic Viewers’ Choice Awards (AMVCA) in 2017. Revealing yet another area of the actor’s widespread skill set, Kaka speaks Yoruba in the film, a language Olubamiwo is not only fluent in, but one that makes the character that much more mysterious on screen thanks to the way the actor portrays him.

Larry Olubamiwo is one uniquely talented actor who embodies the beautiful contradiction of being the polar opposite of what outsiders tend to assume at first glance. And while his imposing figure has made it easy for him to play the intimidating, sometimes even criminal role, like Reynolds in the 2015 thriller “Honour Amongst,” it’s Olubamiwo’s incredible emotional depth, dedication and magnetism on screen that makes him someone worthy of the spotlight and international praise.

Up next for this talented actor is the dramatic crime film “The Middle Man,” which is written and directed by Philip Howard and is slated to begin filming late this year.

Renowned Writer Camilla Sauer Talks Top Projects

Camilla Sauer is one of Germany’s most successful head writers. Over the past 20 years of her career, she’s been accredited for her remarkable work on over a dozen different TV series, produced by some of the biggest German and European TV and Film production companies.

Getting her start as a creative writer at the young age of 19, Sauer proved early on that she was destined to spend her life creating and telling stories. Just three years after her first professional gig, she went from intern to full-time storyliner on Germany’s second highest rated TV series, Verbotene Liebe (Forbidden Love). With numerous awards won and over 4,5000 episodes aired, Verbotene Liebe circles around the lives of young men and women in Germany, their friends, and their families, and has become well known for its positive representation of LGBT characters and its presentation of controversial issues. The show is produced by UFA Serial Drama (Metropolis and The Blue Angel), one of Germany’s oldest and most distinguished entertainment brands

Sauer worked on Verbotene Liebe for two of its 20 seasons. From there, she climbed the ranks and earned what would be her first of many head writer titles for a season on the crime series Einsatz für Ellrich, of the award-winning production company, Constantin Entertainment.

“Two years later I started working for Alles Was Zählt, where I continued to work for three years,” Sauer said. “I was there from day one and was fortunate enough to be able to create this TV drama with some of the most talented writers. We were all so different, but each and every one of us was passionate about the show. We were encouraged to tell fresh, new, and compelling stories. We all put 100% of our effort into the stories – and it paid off.”

In February of 2008, while Sauer was the head writer on the show, Alles Was Zählt was awarded Blu Magazine’s Best National TV Format award for its portrayal of the relationship between two of its characters, Deniz and Roman. Additionally, Guido Reinhardt, Chief Creative Officer of UFA and producer of the groundbreaking series, provided Sauer with the opportunity to work as a creative producer together with the producer of the TV series Unter Uns, ultimately trusting her to relaunch this show and work with a different team of writers, with a different broadcast station in the process. “Camilla is truly a writer of extraordinary merit and ability,” Reinhardt recently commented of his professional colleague of over 10 years. “She possesses a talent that is rare, and it is her unique combination of talent and experience that has resulted in her becoming one of Germany’s most successful head writers.”

DSCF2801
Camilla Sauer

Having aired in 2006 to the present, Alles Was Zählt is one of the longest running TV dramas in Germany.

While it’s obvious that creative talent is a must-have when it comes to being a successful writer, one of Sauer’s greatest strengths that Reinhardt pointed out: life experience, along with empathy and a sense of structure, are also qualities that mustn’t be overlooked. Sauer is well versed when it comes to all of these, her expansive success as a head writer in the entertainment industry serving as proof. Expanding upon what she’s learned regarding the importance of these assets, Sauer explained, “It takes empathy to create characters and to be able to connect with how they feel and act. Not because you would do so, but because your character with his background, culture, and personality would do so. It takes some life experience because life gives you the best inspiration every day, everywhere. The best stories I’ve ever heard stem from real life experiences. Lastly, structure is needed to be able to take your story to the next level; To create a plot, a script, a scene. I know a lot of writers who are either very creative, but have issues with creating structure, and vice versa. If you have both – you are considered one of the lucky ones.”

In addition to head writer, Sauer has also worked diligently as a creative producer and story consultant on numerous distinguished projects broadcasted on some of the most established networks throughout Europe such as, Soko Familie, Herzflimmern, Unter Uns, the award winning Dahoam is Dahoam, and Lena – Liebe Meines Lebens, the latter which she first began working on a few years post her work on Alles Was Zählt.

“A story consultant in Germany is probably considered a creative producer, or a co-showrunner in the US. It’s someone who works closely with the producer and/or show runner. Together they create the story concept, characters, and the long running plots of the TV series,” Sauer said of her job title. “This particular work is not so much focused on the details like scenes or dialogue, but more so of the development of the whole concept of the TV series. The staff writers break our ideas down into episodes, scenes, and scripts.”

In 2010, Sauer was hired by the academy award winning production company, Wiedemann & Berg (The Lives of Others, WhoAmI, Welcome to Germany, and Dark), to create Lena – Liebe Meines Lebens with showrunner Günter Overman (Storm of Love, Verschollen, and Hinter Gittern – Der Frauenknast). The series title translates to Lena – Love of My Life in English, and is an adaptation of the Argentine series Don Juan y Su Bella Dama, created by Claudio Villarruel and Bernarda Llorente.

It was on Lena – Liebe meines Lebens where Sauer first worked with co-founder and CEO of Wiedemann & Berg, Quirin Berg. Berg, who thinks quite of the writer’s talents, shared, “I have had the pleasure of working with Camilla Sauer and can without a doubt certify that she is an exceptionally talented head writer, and furthermore, one of the best head writers in Germany. Camilla is extremely unique in many aspects. She is outstandingly creative, a very fast thinker, she has a wonderful ability to express her ideas clearly, create deep and three-dimensional characters, and eventually bring them to life. Additionally, she can immediately identify specific problems in a story and articulate a solution to them.”

Camilla Head7
Camilla Sauer

Since 2012, Sauer has been staffed as the head writer for Germany’s hit series Schicksale – und plötzlich ist alles anders (Fate – and suddenly everything is different). Produced by Constantin Entertainment, the TV series has been running for eight years, consists of twelve seasons, and was recently picked up for another (1 year).

In Camilla’s words, the idea behind Schicksale – und plötzlich ist alles anders is that, “Things are not happening to you, they are happening for you. Even if it looks like something bad is happening to you, it just creates a new opportunity for us to learn, to grow, and to eventually make better decisions that lead to a better life. ‘Fate’ is about that one single moment, that ‘accident’ that might look like some random situation, that completely changes your life.”

While working on such a long running show for an extended period of time has its challenges, Sauer has demonstrated that she is an expert when it comes to contributing fresh and exciting stories to an ongoing series, and in doing so has played a pivotal role in the success of Schicksale – und plötzlich ist alles anders. Former CEO of Constantin Entertainment Christoph Knechtel raved of the head writer, “Camilla is truly a head writer of extraordinary merit and ability. I was fortunate enough to witness her extraordinary talent in screenwriting when she served as writer, head writer, and showrunner on numerous television series like K-11-Kommissare im Einsatz, Einsatz für Ellrich, Schicksale, In Gefahr, Im Namen Der Gerechtigkeit, and Soko Familie for huge networks such as Sat. 1, RTL, VOX, and more. Her demonstrated skill and unparalleled creativity on these and other projects have earned Camilla widespread recognition and international acclaim as one of German television’s leading writers.”

Presently, Sauer is in development with the German TV production companies, UFA Serial Drama, Constantin Entertainment, and Bastei Media, on a few pilots and television series while continuing to write for Schicksale – und plötzlich ist alles anders.

 

For more information on Camilla Sauer, please visit: http://www.imdb.com/name/nm4646044/?ref_=nv_sr_1
 

Article Written By: Ashley Bower

Dixie Chan talks honor of producing China’s most viewed documentary of 2015

For as long as she can remember, Dixie Chan recalls having a deep passion for the art of filmmaking. When she was a child, she would actively search for the “behind-the-scenes” footage of her favorite films and study the styles and techniques through which they were created. Particularly, Chan found herself interested in the making of documentaries. There was something so intriguing about how the lives of the individuals or concepts presented in narrative documentary style films would tell themselves. As she got older, Chan began exposing herself to film festivals around the world and her fascination with the visual and narrative power of documentary films grew stronger the more that she watched. She could often be found in the back of a film screening, jotting and scribbling notes about the techniques and ideas that interested her most. Flash forward to today, and Chan has developed a remarkable career as a film producer, exploring her love for documentary style films and forming a livelihood around it.

“What I love is that every documentary project has a certain theme, message, or vision. My role as a producer, then, is to flesh that out by searching for the right people and the right places to tell those compelling stories. In the field of documentary storytelling, you look for these compelling characters and you let their lives tell their stories. With that, preproduction work often involves extensive research, most of which is done in the field with locals. As a producer, I am always the first one to access the location and characters, so a big part of my job is to gather as much intelligence for the shoot as possible. Subsequently, I cast characters and scout out the best filming spots and angles. I also brainstorm with the field director about how we can bring our narrative ideas to life, from the types of scenes that can be shot to the kind of questions that we can raise during interviews,” shared Chan.

During her career as a producer, Chan has worked on some of National Geographic and The Discovery Channels most prestigious documentaries. Her work on documentaries such as Frontier Borneo, The Bridge, Warriors of Wood and Stone, and Expedition X — Silk Road Rising, are the reason that she has earned such a strong reputation amongst her peers. She is well known for her ability to see a project through from conception to post-production and her unique style makes her a force topple reckoned with in the producing community. In fact, the caliber of work that Chan is capable of producing typically earns her a significant amount of praise and award buzz in her field. For instance, it is no coincidence that after Chan produced Frontier Borneo, it went on to receive a nomination for Best Documentary Series at the 2017 Asian Television Awards, as well as an Official Selection for the 2017 Eco Film Festival in Singapore. These awards were little, however, in comparison to the recognition she received for her work on National Geographic’s hit series, China From Above.

China From Above is a 2-part documentary commissioned by the National Geographic Channel which takes an aerial perspective showcasing how China has transformed its cities and infrastructure over the last three decades, whilst still retaining its strong traditions. From the monumental engineering feats of the Great Wall, to innovative and unique farming techniques, and a massive water splashing festival, the show illustrates how these strong traditions have shaped China’s landscape to make it uniquely recognizable around the world and truly magnificent, especially from the air.

Chan began working on China From Above in 2014, partway through the show’s production. Given that aerial cinematography was still a relatively new style of filming, she was eager to explore her own personal production style along with it. At the time that Chan was asked to join China From Above’s production team, management had identified a gap in communication between the show’s Chinese and Australian partners. Fortunately, Chan had experience working on Chinese documentaries and being bilingual, she was able to communicate extensively in both Mandarin and English on all logistical and editorial matters. She was thrilled that she was able to bridge the gab between Chinese and Australian work cultures. Though it was challenging at times, she was rewarded by the opportunity to expand her experience within the field of documentary style film production, as well as to explore her potential as a bilingual producer.

As the show’s lead producer, Chan had a very large task on her hands. Given the fact that aerial documentaries were so new and unexplored, she had few points of reference to go by when researching and planning the film’s production. For this reason, she motivated herself to utilize the skills she had already established throughout her career and adapt them for this new and unfamiliar style of filming. In addition, she had her work cut out for her when it came to scouting characters and locations to feature in the show. She was in constant battle with climate and terrain conditions, travelling through extreme winter and desert conditions at even the best of times. Beyond that, she carefully and considerately searched for characters who would bring a certain degree of unpolished authenticity to the footage. For this reason, she spent countless hours grooming candidates and refused to stop searching until she found the best possible individuals for the job.

“There was one instance where I arrived on location to work on a story about Kazakh Eagle Hunters and realized that the characters that were introduced to us were not ideal for our project, and had to spend another 5 hours traveling in the snow to find a more authentic candidate. I am a perfectionist in that regard. I never take the easy way out especially when it comes to characters and stories,” told Chan.

Though daunting at times, her hard work eventually paid off in the end and Chan considers her work on China From Above to be one of the greatest highlights of her career. For anyone who worked with her on the project, it is no secret why. She placed a great level of dedication and effort into ensuring that each second of film was edited and refined to shed China in the most compelling light possible. Felix Feng, Vice President of Operations: China, Natural History New Zealand, worked very closely with Chan when researching and scouting locations for the show and knows how particular she was about capturing high quality content throughout the duration of the filming process. He credits her as having been the reason that the project was executed so smoothly and considers himself fortunate to have been able to collaborate with such a high performing producer.

“It was a great experience working with Dixie on this award-winning and breakthrough project about China. Her patience, hard-work, smart and creative thinking, persistence, and proper communication skills were very valuable in the production of China From Above. This helped us in an extremely smooth execution in both the research and ground shooting of the production. Today, the show has a viewership of over 200 million people and is one of the best rated documentaries in China. Dixie was a hero behind the scenes and is one of the biggest reasons why it was so successful,” added Feng.

After it premiered, China From Above went on to earn a slew of awards and praise at film festivals across the globe. For instance, the film won the award for Best Camerawork and Best Cultural Issues at the New York Festival Gold Awards in 2016, as well as a Gold Panda Award at the 2016 Sichuan TV Festival, and more. In addition, it received over 130,000,000 views within the first two weeks of premiering in China and was later named China’s most viewed documentary TV series in 2015 by China Mainland Media Research Co., Ltd. Its widespread success and praise was above and beyond what Chan had dreamed of for the series and she feels fortunate to be able to have played such a prominent role in creating it.

Ashley Bruzas is Veronika Stealz, Internet Sensation

Over the last decade, with the rise in presence and popularity of social media platforms, critics have begun to suggest that different means of online technology are working to isolate and hinder human beings on a social level. There has become a large push amongst parents to encourage their children to disconnect from their technological devices in order to properly connect with each other. What these critics often fail to take into consideration, however, is the emergence of online influencers who are taking the digital world by storm, using various online mediums to link together a generation of social media users. They create interest-based communities, and effectively unite the individuals within them. Take Ashley Bruzas, for instance. The Canadian Digital Writer and Content Producer uses the internet to bring together like-minded individuals and interact with them in such a way that transcends social constraints like distance, cultural differences, time zones, and more. Her modern-day adaptation of journalism allows her to share news in a widespread fashion, reaching audiences on a large scale and engaging with followers in an authentic way.

“What I enjoy most about working as a digital writer and content producer is my ability to interact with people. I am a storyteller and through this passion I am able to interact with interesting people, situations and events who are the basis of what I do. I have worked with some of the world’s most well-known and reputable brands and companies as well as some extremely interesting and respected individuals who have shaped me into the person I am today,” tells Bruzas.

Online, followers know her as Veronika Stealz, but in reality, Bruzas is an enthusiastic, talented Digital Writer and Content Producer with an online following that has amassed upward of 85,000 followers to date. Given that her Instagram page had gained a substantial following in the early days of social media use, expanding her personal brand and creating a blog felt like a natural next step in her budding career. Now, using that very blog, WhoIsVeronika.com, Bruzas shares information about different projects she works on, brands that she collaborates with, details about her personal life, captivating images, compelling articles, and much more. The idea for her blog developed in conjunction with the rising popularity of her online alias and when she realized that her followers and other aspiring bloggers could benefit from an in-depth, behind the scenes look at her lifestyle. As a result, she now expertly spearheads an extensive network of fellow bloggers, local influencers, content producers, and writers who engage with her content on a regular basis and communicate with each other accordingly.

As her online influence and popularity rose on social media, Bruzas started to receive requests from a variety of large-scale companies who felt that she was in touch with their target demographic and could help enhance their online exposure. Her expansive network of followers makes her a valuable asset to any company’s marketing strategy and by attending an event or featuring a campaign on her blog, Bruzas helps to adequately grow a company’s online presence and customer base. Since she began incorporating marketing collaborations into her blog, Bruzas has worked with many Canadian brands such as Peace Collective, Converse, Nike, Adidas, Moose Knuckles, and more. Beyond her reach at home, Bruzas has helped enhance the consumer market for international brands like Triangle and Bali Body.

“I have a large network of followers that I grew in Toronto, so attending an event or working on a campaign was valuable for Veronika Stealz to be associated with. I eventually created a media kit that I would pitch to brands, which included some of my past work, relationships, rates, statistics, etc. I would never work with a brand or agency that I do not support and I want my content to be unique and organic in order to keep my follower demographic interested and honest.” she notes

In addition to clothing and apparel companies, however, Bruzas also uses her background in journalism and passion for writing to work with creative agencies like Sweet Dreams Magazine. Marketing gurus within the companies and creative agencies that Bruzas works with are fortunate to foster working relationships with digital writers and content producers like herself as it allows them to appear before an audience they wouldn’t otherwise be able to reach. Typically, they will contact Bruzas and request that she feature their products or services on her social media platforms. The exchange allows her to profit from her business ventures and in turn, allows them to engage with her network of followers. Along the way, she establishes strong business relationships and connections, such as the one she formed with PIQUE, a production studio and creative platform that preserves Canada’s young creative community. When working with PIQUE, founder Imad Elsheikh realized just how valuable Bruzas can be as a brand ambassador and digital writer.

WhoIsVeronika.com, and Ashley’s social alias, Veronika Stealz, have become a prominent source of knowledge within the world of digital writing in Toronto and she is often involved in producing original content for many of Canada’s fast-growing companies. Working with her is so wonderful not only because she is a social and articulate individual, but because she shows every sign of being able to take on any challenge thrown her way. From working with big name apparel companies, to providing popular event coverage in a way that speaks to a wide audience, she provides exceptional skills in digital writing and content production. Ashley has an impressive work ethic and her ability to create content from start to finish makes her an extremely valuable asset to the creative community in Canada and around the world,” remarks Elsheikh.

For Bruzas, the true joy of being a blogger sets in when she gets to work closely with and appear alongside creative minds like hers. Joining in and standing out within a community that creates and promotes consistently interesting, unique content reminds her that she is maximizing her potential as a writer and blogger. She is proving herself to be a force to be reckoned with in the online world and her sharp work ethic places her amongst some of the top Canadian business women of her generation. If you’re curious to see what this talented social media mogul and blogger has to offer, click here to find out: WhoIsVeronika.com.

 

Photo by Tyler Lord