Tag Archives: acting

Actress Elysia Rotaru on breaking into performance capture work

ELYSIA_7439My name is Elysia Rotaru and I have been working as a professional actress since 2008. You may recognize me from the hit show Arrow and the voice of Beatrice Villanova in FIFA 2018, FIFA 2019, and FIFA 2020, as well as countless other films and television series.

In 2010, I also began my voice over career. As a voice artist, I have lent my voice to over 1000 projects, ranging from, commercials, animations, video games, promo spots for TV Networks and selected shows, educational videos, phone systems, A.I technologies and operating systems and many more, working with clients in the USA and Canada on a global scale.

The world of voice over is vast, fast and a ton of fun, and is a great compliment to working on camera, if you can maintain the balance and stay open to the opportunities.

Performance capture work is a great way to expand your skill set as an actor. Remember Avatar? Or Gollum in Lord of the Rings? These performances used performance capture technology to blend real life and animation, allowing you to film someone live and transfer them into computerized form. If you are looking to branch out into this genre of the field, but don’t quite know how to get your foot in the door, I’ve included some helpful tips and insider information below.

How to prep

Well there are now classes you can take to get familiar with all the oddities of the performance capture world, and I recommend pairing that with acting classes and voice over classes, if you’re just starting out in the biz in general. Also any extraordinary skills like martial arts, sword work, stunting, dance etc. are a bonus in my eyes. This area is one of the most challenging ones to break into, so having a great voice and/or on-camera agent who is in-the-know about this work would be great. A voice over demo and video reel showcasing your physical skill sets is a huge step up as well and hopefully gets you through the door to an audition.

During the audition

With performance capture video games, they may not only be looking for “realistic, grounded and engaging ” voice performances, they are also looking to hire you for your aesthetic and physical portrayal of your character(s). This area of the voice over world is a unique blend of theater, on camera and perhaps stunt work. Therefore, the more training you have, especially in specific areas like sword work, dance, firearms etc. might give you an advantage.

When it comes time to audition, one must prepare the script to be off-book. They ask that you also show off as much physicality as possible from the given stage directions and if there are none, time to use your imagination to show off your range, creativity and commitment to the work. Also, wear form fitting clothes, as the casting director will usually have that noted in detail.

It’s important to remember the audition is usually a full-body frame, where all your physical life can be seen. I know they also appreciate facial expressions, as that is a huge element to performance capture.

Now also note: the projects are 99.9% of the time super confidential with strict NDA’s and the material you’re auditioning with may not be the actual script. So, it’s really up to you to do the best you can with your prep and bring it to life, fully articulated in voice and body and have fun!

The job

When you book the job and get on to a performance capture set, it’s a magical experience.

Your preparation must be amazing in regards to having the text memorized/off-book. Depending on the project, you can usually figure out what you’re prep work will entail.

However, you should be able to create character choices that support the story ahead of time and bring in your choices, an also be ready to let go of them too, if new direction is presented on the day.

Be ready to work in a Velcro bodysuit, covered in reflective balls with a tiny camera attached to headgear pointed at your face the whole time and dots marked on your face. This isn’t the on camera glam you can experience on a TV or film set so be ready to feel a little vulnerable and out of your comfort zone, that is until you get in the zone.

You will be working with a large group of people: a dev team, make-up artists, producers, a voice director, cinematic director, the rest of the cast, and more, so be ready to learn new rules that are particular to performance capture, that after repeating a few times, will become second nature in that environment.

The crew usually helps build you a basic set, but most often, your imagination and guidance from the directors are what you play by. In some cases, you might be given new lines to memorize on the day, like a soap opera and with a limited number of takes to execute the scenes.

The work takes place in what is normally called a “volume”, a large space with hundreds of cameras lining the walls and ceiling to capture every single movement the actors in the scenes will perform. From a grand gesture like walking and waving, to the tiniest movement, like a pinky finger twisting and the furrow of a brow. Having a great sense of spatial and physical awareness is a great asset, hence why I see a lot of actors with theater training booking work in the performance capture world. That is not to say you must have that as a background, as anyone with a desire to learn and the passion for the craft of acting and voice work can have great opportunities and a fulfilling career working in performance capture.

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Actor Evan Marsh talks the importance of storytelling and loving what you do

For Canada’s Evan Marsh, acting is, at its heart, storytelling. Whenever he embodies a new character, he focuses on the story in the script and the untold story of his character’s life and their world. It isn’t just about believably saying the words on a page, it is becoming someone entirely new, living what they are living and going through entirely new life experiences. With that singular goal in mind, Marsh has quickly risen to the top of Canada’s entertainment industry, becoming a celebrated actor in his home country.

Throughout his career, Marsh has shown audiences all over the world just what he is capable of. Whether he is acting as the comedic relief/heartthrob in the Netflix Original Northern Rescue, or antagonizing the hero in DC’s newest hit Shazam!, Marsh’s versatility and talent is always on full display.

“As a man who gets bored of repetitive things quickly, I think the main thing I love about acting is the excitement of ‘what’s next?’ No single production is the same and each experience is so very different from the next. I also love meeting new people so walking onto a set with 10 new cast mates and 100 new crew members is a dream come true,” said Marsh.

Marsh is always looking for unique and often untold stories to put his touch on, and he found that with the 2017 comedic drama The Space Between. Amy Jo Johnson’s debut feature film is a heartfelt comedy about a proud new father who learns that his wife took his infertility into her own hands with a 19-year old university student and sets out on a journey to find the biological baby-daddy.

“I like this story because it brings both comedy and drama to the screen in a very unique and interesting way. It deals with the very real problem that people deal with that is infidelity but manages to discuss it in a way that still ultimately warms the heart. Amy Jo Johnson is incredible at writing in a way that is bigger than life, but never has a false note and I think that is why I myself and so many others really loved the story of The Space Between,” said Marsh.

On top of its compelling story, Marsh was attracted to the film because of the likeness he shared with his character, Danny Baker. When he first read the script, he was shocked at their similarities and knew there was no one better to play the role. Johnson agreed.

Danny is a very gentle and innocent kid. He is very smart, and when audiences first meet him in university, he explains that he is on his way to becoming a doctor. He cares about his family and puts them before everything. This is all a surprise to the audience because as the lead is trying to find him, they are naturally picturing someone completely different.

“It could be argued that this story wouldn’t even be possible without the character of Danny Baker. When I first read the script, I was surprised at how significant of a role the character played to the entirety of the story as the entire cast are trying to locate Danny. As this is going on the audience is creating its own idea of who my character might be along the journey,” Marsh described.

Because the storyline revolved around his character, Marsh felt a tremendous amount of weight on his shoulders. He loved that feeling and it allowed him to test his ability in a way he hadn’t yet had the chance to do at the time for a feature film. He sat down with the writer and really figured out what she wanted from the character and was sure to bring her ideas and thoughts into his scenes.

“I enjoyed so much about this project, but in particular I enjoyed working with Amy Jo Johnson the director/writer. I believe that because she has held such a long successful career in front of the camera that she developed a great ability to talk to her actors on set and discuss where a scene should be going or why something may or may not be working. She also has an infectious joy that she carries with her every day that made working on this project so fun and rewarding,” he said.

The Space Between was released in theatres on July 6th, 2017. On top of resonating with its audience, it went on to win awards and recognition at many film festivals around the world. Marsh was thrilled to be such a vital part of the film’s commercial and critical success, and still feels grateful to this day.

“It is great knowing a project that read so beautiful in the early stages was able to keep its heart throughout all the filming, editing and cutting. I think each cast member did such a wonderful job bringing their characters to life without losing any of the larger than life comedic aspects and I believe that played a significant part in the film’s success,” he concluded.

 

Written by Sean Desouza
Photo by John Bregar

Kevin Clayette creates troublesome love triangle on Australian hit ‘Neighbours’

With every new role he takes on, Kevin Clayette gets to do something completely different and transform into someone brand new. For the actor, it is immensely fun, like playing make believe. He dives deep into his character’s back stories, journaling their thoughts and researching their backgrounds. With his characters, he gets to challenge himself, doing things that scare him and meeting new people, travelling to different places in time, adopting different cultures, and he loves every minute of it.

I play make believe for a living. I get to be the little five-year-old inside of me who didn’t care what other people would think. I get to be different people and to observe the world around me for a living. I am a storyteller,” said Clayette.

Throughout his esteemed career, Clayette has shown audiences all over the world just why he is such a renowned actor. He captivated audiences in the award-winning science fiction horror Doktor without uttering a single word and sang his way to fans hearts in the cult classic Emo the Musical.

Despite all of his success, Clayette claims the highlight of his career came back in 2016 when he was cast in the iconic Australian soap opera Neighbours. Australia’s longest-running drama series, Neighbours follows the lives and dramas of the residents of Ramsay Street, a quiet cul de sac in the fictitious Melbourne suburb of Erinsborough.

“I like that it’s one of those shows that doesn’t try too hard to be cool. It’s just really simple, it’s about the life of these characters who live on this street and what they go through. It’s obviously an important story because the show has been running for more than 30 years. I think people just find it really relatable which is amazing. We all need to recognize ourselves in something or feel inspired by something. Shows like this allow us to disconnect from real life for a moment. Neighbourshas also been known for dealing with important topics like bullying, depression, and much more,” said Clayette.

Playing the character of Dustin Oliver, Clayette had to transform into a homeless twenty-year-old who spent his life going in and out of foster homes. Dustin becomes best friends with Jack, a main character in the show, but quickly creates drama when he kisses Jack’s girlfriend Paige, creating a love triangle that completely captivated fans of the soap. Later on in the series, Dustin helps Jack remember who he is after he suffers from memory loss, allowing Clayette to become a fan favorite during his time on the show.

“I portrayed my character in many different ways ranging from a light charismatic side to a more dramatic and troubled persona,” Clayette described.

Even though his character is portrayed primarily as a good guy, Dustin has some anger issues because of his rough upbringing, and uses boxing as an outlet for stress relief. Clayette therefore had to learn boxing, which he had never done before, and utilize those new skills in choreographed fight scenes.

“It was truly incredible. When I first learned who I was going to play, I wanted to make it as believable as possible. I started thinking about my character’s background and researched on the show to get more context. Then closer to the shooting dates, I started receiving my scripts, which would have a lot more information about my character. I then proceeded to learn my lines thoroughly and put pieces of the puzzles together in regards to my backstory and who my character was. I loved the challenge,” he said.

Clayette loved every second of his time on Neighbours. Fans of the show still reach out to him, two years later, saying how much they loved his character and his acting on the show. He never grows tired of it and is still honored to have been part of such a wildly popular series.

‘It felt incredible. I’m following in the footsteps of many other amazing actors who were there before me. At the end of the day, I was only a piece in this gigantic machine, but I feel very honored that I was a part of it. The fact that I came from a tiny little French island in the middle of the Pacific, not speaking any English and managed to make it on there is something I’m very proud of,” said Clayette.

Undoubtedly, Clayette has had a career many can only dream of, and at just 25, audiences can continue to expect greatness from this extraordinary actor for years to come. He has many exciting projects in the works and has no plans on slowing down.

For those looking to follow in his distinguished footsteps, he offers some wise words:

“Be proactive about it and don’t let anyone tell you that you can’t do it. The former because luck is not something you want to rely on,” he advised. “There are so many actors out there, you have to create opportunities for yourself. The more you put yourself out there, the more opportunities will come your way. If acting is your dream, then you should not allow anyone to take that away from you. Believing in your dream and yourself is 50 per cent of the job.”

 

Written by Sean Desouza

Britain’s Dionne Neish on timely new podcast ‘Purple Panties’

As a child, when Dionne Neish was being read to, she would imagine she was the main character in the stories, becoming a hero and fantasizing of traveling in spaceships and seeing other worlds, playing warriors and princesses and anything else she could imagine. It was a natural transition to go from playing a role in her head to playing one in front of a camera. She sees her job as an actor as a method to leave a lasting impact on her audience. She has known since the age of five that she was meant to get into acting and has spent every day since in love with the craft.

“I wanted to go into acting to entertain people. I loved the way I could affect another person by not being myself, by playing a role,” she said. “I wanted to be an actor as I felt characters were far more interesting than myself, why not live in another person’s shoes for a while.”

Neish is now known for her tremendous ability to captivate an audience, sometimes with just her voice. She has done just that in renowned productions, such as ABC’s long-running soap opera General Hospital, the 2018 Golden Globe nominated television series Better Things, and more.

Earlier this year, Neish also began working on yet another celebrated project, the podcast Purple Panties. The series, the first of its kind, is a scripted fictionalized erotic drama whose characters were Black female leads from the LGBTQ community, which drew Neish to the show.

“I wanted to be a part of this project because of the interesting and fun storyline, and it highlighted part of the community that I believe hasn’t been given enough main stream platforms. I’ve been lucky enough to work with several female led projects in the past. Being part of an all-Black female cast was refreshing and exciting. This is a story written by a Black woman, told by Black women. Representation matters and when you get to be a part of that it’s like coming home, and the camaraderie is electric. We need more stories from these and other POC perspectives. This is a story about the LGBTQ community without the stereotypes. It’s sexy, it’s funny and you’ll be hooked once you listen to it,” said Neish.

Created by New York Times Best Selling Author Zane, the podcast is based in Atlanta, telling the story of Maddox, Loren and Stephanie, who go against the grain when it comes to sex. But as relationships shift and physical needs change, can they keep up with the facade? This is about the sacrifices people make, the mistakes they make because of pride, and trying to find love in a world where the characters are seen as less because they are women, black, and gay.  Listeners follow them on their journey as they navigate their professional and personal lives.

In Purple Panties, Patricia is a vital role in telling an important and timely story. She is a self-made business woman who thinks she has the upper hand with Stephanie, played by Melissa Williams. Patricia soon realizes that Stephanie is smarter than she looks and isn’t going out without a fight. Professionally, she is big wig in the entertainment industry. She is a successful showrunner with lots of hands in different pies. She’d worked hard to be at the “big boys” table, a space occupied by only white men. She’s had to prove herself time and time again and now she is in a position where she gets offers from attractive women.

STITCHER_COVER_PurplePanties_3000x3000_Final“Obviously with the #MeToo movement, it reminded me of the stories that we’ve heard over the last few years of people abusing their power. This was an opportunity to get inside that mindset, what makes this person tick; why would someone with so much to lose take those chances? It was interesting to explore,” said Neish.

While recording the podcast, Neish found a sudden and unexpected source of inspiration. She walked into the same recording booth that Michael Jackson had recorded his ‘Bad’ album in the eighties. As a massive MJ fan, Neish was immediately taken aback. Knowing she stood in the same place that her idol had once stood, she was excited and inspired to work even harder.

Purple Panties premiered on Stitcher.com, which also premiered Issa Rae’s Strange Fruit, on October 11th 2018, followed by an episode every Thursday. The final episode was December 6th, but the entire series is now available to binge on Stitchers.com.

“I love having the opportunity to tell stories that inspire. Fans have reached out to me on Instagram, telling me how much they love the show and how juicy it’s getting and that warms my heart. That’s really all you wish for as an actor, that the audience is enjoying and coming along for the ride,” said Neish.

The next year promises to be very exciting for Neish. She has two projects coming out that she still can’t discuss. All she can say is that she got to work with two different Oscar winners on two highly-anticipated projects. One will be released soon, and the other on Netflix later in the year.

In the meantime, be sure to check out Purple Panties.

 

Written by Annabelle Lee

Australia’s Mark Davis talks passion for acting and starring in ‘I Want You’

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Mark Davis

Despite having other passions, Mark Davis found himself acting from a young age. Growing up in Melbourne, Australia, his father had an old VHS camcorder, and to pass the time, Davis’ brother and his friend used to use the camera, recording small skits. Being the youngest, Davis was always made to be a bad guy who gets beaten up, or he would be dressed up in his mother’s clothes to play a woman. At the time, he was just happy to be spending time with his big brother, but little did he know he would grow to be a celebrated actor.

Throughout his esteemed career, Davis has been a part of several acclaimed projects, from award-winning movies to prolific commercials. He has starred in films like Lucy and Topdecked, which he also wrote, as well as the upcoming period drama Fallen. Australians also know his face from national commercials for Honda, Crownbet, Interflora, and more.

“I knew acting was always something I had a natural affinity for. Instinctually the acting process made sense to me and even though I was quite shy, I felt freedom when taking on a role. I feel like acting is a culmination of many art forms and for me movement and being in touch with something like your emotions and imagination as a profession just made sense. I like taking a walk in other people’s shoes and to get paid to swear, cry, fall in love and throw chairs is a privilege,” said Davis.

One of Davis’ first tastes of international success came with the 2013 romantic drama I Want You. The story follows Maya, who is deeply in love with a boy who lives in Israel. Maya struggles to maintain her faith in a relationship that unfolds largely on a computer screen after she meets another man who can provide the tangible aspects missing from her relationship. Although tempted, Maya has to ask herself, will this new relationship give her what she truly wants?

“The story really demonstrates that good people can be tempted to do things that are against their morals and who they are. In the end, however, the film is about forgiveness and that message is very strong,” said Davis.

In the film, Davis plays Ethan, a character who was very much the other man in a love story. Ethan had to seduce Maya, who was in a very healthy relationship. He was the protagonist in the film. He came into a healthy environment and had to be the perfect blend of nice and endearing whilst also being the bad guy who is going to ruin a relationship purely for his own sexual gratification. Therefore, Davis had to be extremely charming, and managed to do so in tough shooting conditions. It was extremely hot on set, as they were filming in many different locations during the Australian summer.

“I liked being cheeky and being a person with low morals dressed as a nice guy. I’m more self-deprecating and awkward in real life so I had to channel my inner Brando to pull it off. That’s the joy in acting and I definitely had fun on this film. I’ve always said that no one cares about your enlightenment, the audience will watch because they want to see your darkness. It’s more relatable,” said Davis.

MV5BMjJmNmEyZjItMGIyNS00ZjVjLThiZDctNmViYmU1YWZmOTVjXkEyXkFqcGdeQXVyMzgwNjU4NzE@._V1_SY1000_CR0,0,707,1000_AL_I Want You also stars Australian superstar Viva Blanca, best known for her role on the television series Spartacus. The film marked the actress’ directorial debut, and she felt the pressure. Knowing she had to have the perfect casting to make her film a success, she gave Davis the role of Ethan.

With the help of Davis, the film went on to be screened at the Palm Springs International Film Festival, the Newport Beach film festival and the St Kilda Film Festival, seeing great success around the globe.

“It was one of the first films I was involved with and I’m glad it was so highly regarded. Viva is a great creative mind and an amazing talent,” he concluded.

 

Written by Annabelle Lee

Australia’s Stephanie Evison Williams talks ‘Lazy Boy’ and truthful acting

Stephanie Evison Williams’ day always starts with a coffee. She then will walk her dog and head to a fitness class. She knows how you begin your day as an actress is vital to your success. It is about getting in the right headspace, so when she walks on set she is someone else entirely. She devotes herself completely to those she portrays, even trying to dream about future scenes while embodying her character. That, for Evison Williams, is what being an actress is all about.

From a young age, Evison Williams loved musical theatre, and as an overly creative kid and sometimes, as she describes, a loud child, she found her way into acting. In her high school years, she played Sally Bowles in a small production of Cabaret and that was when she knew. There was nothing else in this world she wanted to pursue, and since that time, she has devoted herself solely to acting, quickly rising and becoming one of Australia’s most sought-after actresses.

“I love the people, like-minded creative people who observe the world slightly differently to most, people who people watch and who go through life with a scalpel trying to understand why people behave like they do. I love the feeling when you are so ‘in’ a moment, it’s the best form of mindfulness or meditation because you are so present, listening and reacting. Creative flow. It’s a drug, acting,” she said.

Known for her work in the Netflix series Rostered On, as well as films such as Playgroundand In the Wake, Evison Williams has had a formidable career, with many highlights decorating her resume. One such project was the award-winning film Lazy Boy, which saw critical acclaim at many prestigious international film festivals, despite being made for the infinitesimal budget of $600 AUD.

Lazy Boy was awarded a 2016 Flickerfest finalist and nominated for the Flickerfest National Tour as well as a SciFi Film festival nomination. It received a Heathcote Film Festival nomination and was an Official Selection and a Top 100 Short Film at the 2016 St Kilda Film Festival. In 2017, it toured theatrically around the United Kingdom with Discover Film.

“It’s fantastic. I am really proud of the film. It’s an amazing story. It’s a great sci-fi-esque, time travel concept with a sinister undertone and a lot of heart,” said Evison Williams.

Lazy Boy tells the story of Ray and when he brings home a new purchase, his pregnant girlfriend is not impressed. Banished to the garage he soon realizes the old La-Z-Boy recliner he bought is in fact a one-minute time machine. Audiences are asked the question: will Ray learn from his mistakes, or is he destined to repeat them forever?

In the film, Evison Williams plays Sarah, Ray’s girlfriend. Although the synopsis may present her as simply hormonal, she is far from it, and she and their unborn baby end up being the catalyst of the story, ultimately affecting Ray’s decision on whether to use the time machine for good. Sarah is trying to hold it all together, and Evison Williams perfectly portrays her struggle. She is pregnant and has a partner who is not rising to the occasion, she hormonal, working and doing all the preparation for the new baby. She is pulled very thin.

To prepare for the role, Evison Williams spent a lot of time working with her scene partner, Steve Carroll, who played Ray. They wanted to ensure they had good chemistry while in front of the camera, as the success of the film hindered on their authentic performance as a couple. For Evison Williams, a large part of her research also went in to studying how a pregnant woman may be feeling when stressed. It would have been easy for her to come off as a “nag” or “buzz kill” and Evison Williams was very conscious of showing her heart and struggle.

“I didn’t want to continue that persistent sexist stereotype. Choices were made to motivate why she is saying and behaving as she is. Not that Dave wrote her like this, but it would have been the easier choice as an actor,” she described.

The Writer and Director of the film, Dave Redman, is a prolific storyteller with a passion for film and television. He has worked in the Australian film and television industry for over 20 years and has established a solid career as a film and television editor, cutting five feature films, 160+ episodes of TV, hundreds of TVCs and more than 45 short films that have played at festivals worldwide. When Evison Williams saw the opportunity to work with him, she was eager to take part. When she read the script, she was hooked.

The story allowed for Evison Williams to dive deep into a character that could have been very two-dimensional if she allowed. In exploring Sarah, her performance was real, and that is what Evison Williams aims for in every performance, a truthful style.

“Even when doing comedy or character I am always aiming for truth. I would prefer watching a scene about ‘what’s for dinner’ more than two people not listening and performing an idea,” she concluded.

 

Written by Sara Fowler

Poland’s Maja Lakomy shines light on mental illness in acclaimed film

Growing up in Kielce, Poland, Maja Lakomy was always fascinated by performing. Whether it be in a film or on a stage, she found herself constantly impressed by what actors were capable of and the effects they could have on the audience. She began to realize even at a young age that she wanted to become like one of those incredible actors and do the same thing to the audience. She was encouraged to choose a career that could make her happy, and acting was therefore the only option for her.

Throughout her career, Lakomy has worked on a number of successful projects. Recently, her award-winning film Diminuendo saw critical acclaim at many prestigious international film festivals and is expected to continue to do so throughout the year. She also shot a music video for Andrea Bocelli, the Grammy nominated and Golden Globe winning Italian musician who has collaborated with greats such as Celine Dion, Ed Sheeran, and more. Lakomy is doing what she wished for as a child and loves every day she steps onto a set.

“I imagine that it hardly ever happens that people are so lucky to do what they love as a career. Nevertheless, I went that direction and knew I would never give up and would always keep working towards my dream. Now, I am one of those lucky people who have their passion as their job,” said Lakomy.

One of Lakomy’s first tastes of international success came from her work on the film Star House. The film was uploaded on Vimeo, the online platform for video-sharing in December 2017 and is available worldwide. The project also received attention from the prestigious Berlin Fashion Film Festival. The representatives of the festival wrote a comment, that’s visible under the video on Vimeo, leaving a compliment about the project and offering participation in the festival under the category “Fashion, Lifestyle and Beauty Film – Emerging Talent”.

Star House follows two girls who break into an intriguing home they come across in the woods and decide to stay until the owner returns. The story is very unpredictable with a fun twist, something for the audience to look forward to. The drama also showcases two distinctive characters, with a disturbing and surprising realness to their psychological construction.

“I think that a lot of women could identify with the story and the message of it. Nearly everybody has some part of themselves that they don’t accept and makes them feel weak. Everybody has somebody like my character in their lives, who let their insecurities drive their mental health to the line where sane meets insane. This story shows how obsessive one can become while pursuing perfection. It’s also a sort of commentary on body dysmorphia and the dynamic among females who have the tendency to constantly compare themselves to one another. I think all of these aspects are very important,” said Lakomy.

Lakomy’s character, Cleo, is very interesting and complex. She lacks everything that the other charactor, Rose, possesses: confidence, beauty, spontaneity. Rose also has a certain type of control over Cleo. Cleo was mesmerized and infatuated by Rose. The irony, however, in this story was that the girls look very alike, but Cleo is only able to notice her own flaws and insecurities that she believes Rose does not possess, which is why she was so compelling and perfect in Cleo’s eyes. The idea of perfection that Rose represented was only in Cleo’s head, and that is what makes this story touching.

Lakomy excelled when presenting Cleo’s feelings and what she goes through, knowing the importance of her character and story for females in the audience who may feel similarly.

“I hope women that watched it or any other film with a similar message realize that being a perfectionist is not healthy and we need to accept ourselves as we are and not let other people criticize us, bring us down and objectify us,” she said.

After being hand selected for the role by the Director, Allison Bunce, Lakomy was eager to begin playing such an insecure and controlled character, offering a challenge she had not encountered yet in her esteemed career. She had previously played a similar character in the play Angels in America, and therefore applied the same principles when it came to portraying Cleo; this time, however, in front of a camera.

“Acting with the other lead actress opposite of me was very interesting when you’re aware her character doesn’t really exist. At the same time, she was one hundred percent real to my character, so I had to focus on remembering that,” Lakomy described.

Star House was also shot on 16mm film and a Super8 camera, so it had a very unique visual style to it. Lakomy had previously never worked with this type of camera equipment and she now says she is a fan of the style. The best part of the experience for the actress, however, was those she worked with.

“Working on this project was truly a magical experience. I loved working with such a professional crew. Every single person on the set has been committed, successful, and excels at what they do. It was a great pleasure to be around them and learn from them. I think we made up a great team,” Lakomy concluded.

Check out Star House on Vimeo to see Lakomy’s outstanding performance.

 

Written by Annabelle Lee

Alina Smolyar to star in upcoming horror ‘Skeleton in the Closet’

photo Valery Sobol
Alina Smolyar, photo by Valery Sobol

Growing up in Odessa, Ukraine, Alina Smolyar always believed she would be a painter. She had been drawing since the age of three and gained recognition for her work around the world. However, at twelve-years-old, she quit it. Even at that age, she knew she did not have the inspiration or the drive to become a visual artist; this was her parents dream, not her own. She knew she had another passion to explore, one that excited her beyond anything else, and that was acting.

As a childhood pastime, Smolyar would put together small plays or sketches with other kids in her neighborhood. They invited audiences of their parents and neighbors, and every time Smolyar would perform she felt an energy that was unparalleled with anything else she had ever experienced.

“When it came to that point when I had to choose my future job I totally knew what I wanted to do. The only problem was that I had to convince my parents that I could do it. They didn’t want me to become a professional actress. They are not related with show business at all,” said Smolyar.

Now, Smolyar has indeed shown not only her parents, but also the entire world just what she is capable of as an actress. She starred in her own filmMolehill, taking home several awards for Best Actress for her performance from many prestigious film festivals around the world. She has been in several national commercials and acclaimed television series. She has worked alongside Hollywood’s elite, like Denise Richards, Val Kilmer, and William Baldwin in the upcoming comedy 1stBorn.

Smolyar’s latest film is the action/thriller feature Skeleton in the Closet. The film tells the story of Jason, 20-something slacker and computer savant who, on a dare, hacks the White House computer servers. He covers his digital tracks, but a hacker buddy boasts of Jason’s exploits online. The FBI tracks down the friend – then breaks down Jason’s door. The events that follow are a race against time, a battle of wits, and a fight to the death for two young computer prodigies pitted against a group of armed, determined criminals who will stop at nothing. In the end, the difference between life and death rests solely upon superior intelligence – and willingness to trust, but as things spiral further and further out of control, the question for us is: will they make it?

Valery Sobol
Alina Smolyar, photo by Valery Sobol

“It’s so fresh right now audiences will love it. It’s going to be a Ukrainian-American project, a thriller with some action elements. I won’t give you details about the story but it’s very hot and new for this particular time. It’s a thriller, you will see a lot of action and of course everything is based on love. You’ll see some drama, elements of comedy. David Ransil is a script writer, you will enjoy it for sure. He definitely knows what he does,” said Smolyar.

In the film, Smolyar plays a pivotal role. At first, her character appears to be very nice and helpful, but she is also very deceiving. She aims to benefit herself in every move she makes. She also is pivotal to the climax of the story, helping audiences better understand every characters’ motives.

Smolyar is very excited to be working on such a unique film. Not only does she like the story, but she loves the team she will be working alongside. Shooting will begin in September, with an expected release date of next year.

“It’s very important to have a great team. I like the script, the idea, my character and the place where we are going to shoot it. It’s a huge mansion with an amazing lake. I am really looking forward to it,” she said.

Smolyar has quite the year ahead with Skeleton in the Closet and1stBorn. With so much going on, she still remembers being a young girl in Ukraine with a dream that her family didn’t support, and now, for others that may be facing the same challenge, she offers the following advice.

“Think wisely before choosing this career. You always have to be prepared to hear no and just move on. The best phrase for that if you can see yourself doing something else besides acting, do it, don’t start an acting career. But if you decide to take this road you have to understand that it takes so much commitment, inside power, taste and knowing what you’re selling. You are a product, know your brand,” she advised.

To stay up-to-date with Skeleton in the Closet, check out the film’s website here.

 

Written by Annabelle Lee

A how-to of staying in shape on set

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Andrey Ivchenko, photo by John Hong

As the brilliant Toni Sorenson once said, “If it was easy, the reward at the end would mean nothing.” This statement comes from a woman, mother, and author, who grew up in an orphanage and on the streets and chose a path to victory.

In the entertainment business, victory means booking a new role in a television series, feature film, producing a project you’re passionate about, selling a script you wrote or getting it optioned and made. Most people don’t realize though how big of a part fitness plays into those, especially with actors.

Hollywood, the entertainment capital of the world, has people from all over the world, near and far, looking to pursue their dreams and to make those dreams turn into a reality. Staying in shape while in pursuit of those dreams is not only important for one’s physical health, but their mental health as well. With rejection being one of the biggest struggles someone just moving to Hollywood will have to deal with, it’s very important to always have a healthy outlet for the ups and downs you will face on your journey.

Being an actor in Hollywood isn’t for people with thin skin. It tends to focus so heavily on what its idea of the “perfect image” is as we see daily from network TV shows, to commercials, to magazines, to models on billboards, you get the idea and know what I’m talking about. This business in particular holds people’s image to a much higher standard than one would face living anywhere else in the world. With that being said, the pressures that come with that responsibility are extremely high especially for an actor that will be seen on the silver or big screen.

The reason I mentioned the above is because throughout my experience of being in Hollywood, being a big guy, everyone is constantly judging. When I began this journey, I got into stunts since it seemed like a natural fit – I’m a big guy, 6 foot 3, built, with an accent, and told I could play bad guys all day because I guess that’s the “tough guy” image I give off. Given that that’s the direction I decided to pursue, I had to make sure that my image lived up to the hype. I was in the gym for several hours a day, 6 days a week, eating 7-8 meals throughout the day that consisted of consuming approximately 5,000 calories a day. Believe it or not, eating that much every day and working out that much isn’t easy, even for the big guys that make it appear that way.

As I transitioned into the acting side of the business, I was often told I was “too big.” Too big? I was just told for years I need to be bigger and tougher looking to be the bad guy and now I needed to become less bulk and leaner because now I would be playing more leading man roles, not just henchman types, and needed to be able to be diversified that way if casting or producers saw fit. So, the process began again and now instead of going to the gym six days a week, I was going four days a week and cutting my calories to 3,000 a day. Having been an athlete my entire life since I was a child, serving in the military, and also having a master’s degree in Kinesiology, made finding the discipline to re-write my fitness programs and stick to them pretty easy for me, but they require a lot of discipline! I’d say having discipline when it comes to fitness is one of the biggest skills one can achieve. Setting goals, making plans, and sticking to them. No one ever said looking “Hollywood” good was going to be easy! However, at the end of the day making all of those challenges and sacrifices can be very rewarding mentally as well as physically.

The entertainment business as a whole has put an emphasis on fitness since it was established. From physical comedy actors like Charlie Chaplin, to Steve McQueen, Ronald, Reagan, to action heroes like Sylvester Stallone, Clint Eastwood, and Dwayne Johnson. In addition, there are also actors who perform their own stunts like Tom Cruise in Mission Impossible, and Jackie Chan. Staying in shape for these guys is essential to their careers. For example, most people don’t realize what Hugh Jackman went through to achieve his transformation to become Wolverine. His training consisted of two or more hours in the gym six days a week and consuming 5,000-6,000 calories a day to gain all that muscle and then had to transition into a much lower calorie diet to lose all the water weight and increase his cardio, so he could get shredded for the role.

Working on Television shows like Nikita,XIII: The Series, and Warehouse 13, I was grateful that I was introduced to martial arts and gun skills at a young age because it really made it an authentic look for the characters I played on those shows. As well as feature films I’ve worked on like Freezerand Way of The Westthat were both very physical and challenging as well but required a lot of those trained skills that I already had.

In regards to stunt work, it’s not just about looking the part, but being able to execute the part. Doing stunts is tiresome work and requires extremely long hours and repeated choreography and actual physical fighting to get it right. Sometimes they change the whole thing altogether and you have to relearn from scratch all over again but staying focused mentally and physically is the key. You have to be really physically and mentally ready to keep up, stay alert, and be on point for every take and also take direction correctly from the stunt coordinator and the director. There are a lot of moving parts while shooting an action scene so it’s very important that it always be executed properly every time. I have worked through injury, blood, sweat, tears, and I can honestly say it was all worth the challenge in the end. Good work is applauded and recognized in the entertainment business and word of mouth about people can spread very quickly and, in some cases, can even lead you to your next job if you remain humble, keep the right mindset, and positive attitude which is the key to success in this business.

When I booked the feature film Freezer, I was eating about 3,000-4,000 calories a day to get bigger because the director wanted me to look big and intimidating in comparison to Dylan McDermott. And when I booked xXx: The Return of Xander Cage, Vin Diesel and the director, DJ Caruso, also wanted my character ‘Red Erik’ to appear really big and tough, but in some of these scenes my character was going up and down flights of stairs, so I made sure to really increase my cardio training, so I wouldn’t fatigue while shooting those scenes over and over. In addition, it required me to learn motorcycle stunt training which I hadn’t done since I was about sixteen years old. But I’d say because of my fitness level and ability it allowed me to re-learn quickly and efficiently. At the end of the day the stunts they decided to go with were so extreme they hired a stunt double for those that you see in the film, but I was still required to go through the training as if I were the one doing the stunts myself as well. Had I not been fit enough to be up to the task of creating the character vision they had and physically doing the stunts they wanted in those scenes, I don’t know if I would have booked the role at the end of the day.

Fitness, especially today, is a constantly growing trillion-dollar business that’s probably more trendy and popular now than it’s ever been before. With social media and all the pressures of having to post images and videos of your personal and professional life constantly, you frequently feel vulnerable to the pressures that Hollywood gives to always look your best. Regardless though of what the trends are, one thing always remains true which is that being healthy is essential so implement it into your everyday life regardless of your schedule or profession, and also make sure you get enough hours of sleep a night which is a key element that’s more important than most people realize. Resting the body keeps a healthy mind and allows the body to recover. Set your goals, make time for yourself and watch how many doors achieving those goals will provide in your life, physically, mentally, and emotionally. Again, as Toni Sorenson once said, “If was easy, the reward at the end would mean nothing.”

 

Written by Andrey Ivchenko

Canada’s Romaine Waite terrifies audiences in sci-fi horror flick ‘Antisocial’

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Canadian Actor Romaine Waite

Romaine Waite has always been an outgoing person, a trait he believes has helped him greatly as an actor. When he was a child, growing up in Canada, he participated in school plays and drama programs, not because he thought it would be his career, but simply because that is what he enjoyed. It wasn’t until his early twenties when he realized he could truly follow his passion, and the second he got his first professional part, he knew that acting was his calling.

“I’ve always had this innate ability to connect with people in some way, making people laugh or causing disruptions, depends on who you ask,” he joked.

Now, Waite is a celebrated actor. His work in television series such as Star Trek: Discovery,Frankie Drake Mysteries, and The Mistimpressed audiences in not only Canada, but the rest of the world. His versatility knows no bounds, and he is always looking for a new way to explore his talents.

“Romaine is great. He makes my job a lot easier. He is the consummate professional and a very dedicated and crafter artist. It is always pleasurable working with him,” said Alan Moy, Producer who worked alongside Waite on Murdoch Mysteries and Usher the Usher.

Waite recalls his first real taste of international success as the sci-fi horror flick Antisocial. The movie follows five university friends who gather at a house party to ring in the New Year. Unbeknownst to them, an epidemic has erupted outside, causing outbreaks around the world. With nowhere else to turn, they barricade themselves indoors with only their phones, laptops, and other tech devices. They use their devices to research the possible cause of this outbreak. Information and video footage over flow their computers as they descend further into the cause and the ensuing chaos. As the virus spreads, the mood in the house changes from fear to paranoia. Who is safe? Who can they trust? Reality becomes blurred as they slowly discover the source of the virus causing the sickness… and there is no going back.

“I thought the story was clever it takes something that everyone was familiar with, being social media, and took it to the extreme. If you take away the gore, it’s basically what we’re experiencing today. Snapchat, Instagram, etc. have become these tools that are allowing people to share every single aspect of their life. In a way, I think the film talks about a very important subject in our society — what are the effects of social media and what are the limits and consequences of sharing too much on social media,” said Waite.

In the film, Waite plays Steve, one of the five friends gathering to celebrate New Year’s Eve. He was jovial and sincere university student. Audiences got to see him enjoy time with his close friends and girlfriend. Unfortunately, he was first in the house to experience the epidemic that trapped them in the house. This is pivotal, as Waite was responsible for getting the audience to truly understand the epidemic, and therefore the film. Within the film, Steve was the only individual who the audience was able to see go through a full transition. With this, the audience knew what the signs were and what would happen if another character was to get infected.

“It was really important to me that people felt the struggle of this character. As he tried to figure out what was happening to him without revealing anything to others in house. Through my portrayal, I hoped the audience would feel like they were a friend to my character and miss this him when he was gone,” Waite described.

The film had its premiere at the Fantasia Film Fest in Montreal back in 2013, and from there went to several high-profile international film festivals, including Calgary International Film Fest, Sitges International Fantastic Film Festival, Toronto After Dark Film Festival, and the Cannes Film Festival. From there, it was distributed through Monster Pictures on DVD, through Super Channel, and on iTunes. Such success could not have been possible without Waite’s portrayal of Steve, hooking audiences to the story early on.

“It’s always nice to see an indie film do well. It takes so many people and long days to make a film. To me the success is in completing the project. I am proud of everyone involved,” said Waite.

Antisocial was Waite’s first horror feature film, and five years later he still looks back and coals the experience amazing. At the time, he was still very curious about the process of filmmaking and how it all would come together, and he could not have been happier with the result. Everyone on set was professional and inspired, creating a contagious energy. He found himself watching everyone on set, from the cinematographer to the special effects make-up artist, taking everything in and reminding himself why he wanted to be an actor in the first place.

“I liked the comradery. Everyone was really passionate about the project. We were all stuck in a house for weeks. Friendships were built, and some good memories were made. I hadn’t done anything like that before. Overall it was a great experience,” he said.

Be sure to check out Antisocial to see Waite’s terrifying performance as Steve.