Tag Archives: Entertainment

Varunn Pandya talks finding the right dream and pursuing it

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Varunn Pandya, photo by Chaaritha Dheerasinghe

When Varunn Pandya, 21, was growing up, he watched all kinds of movies and found himself enamored by the different journeys they took him on and the different perspectives he felt towards the world. Today, he can proudly say that love for film has only flourished and he has since established a reputation as a talented, unique screenwriter and director. He finds the concept of writing down his thoughts and ideas to be cathartic and he has spent years attempting to learn as much as possible about the arts in order to better himself for the benefit of his eventual audiences. For Pandya, the true luxury that his profession affords him is the luxury of getting to explore different characters and different worlds. Not only is this what attracted him to writing in the first place, but it is also what keeps him coming back for more time and time again.

Throughout his career, Pandya has allowed himself to pour his heart and soul into a number of phenomenal scripts. He is his own toughest critic and his own strongest motivator, pushing himself to ensure that he only brings high quality content before his viewer’s screens. For Pandya, there is no room for slacking in screenwriting and he feels as though giving 99 per cent just simply doesn’t do justice to the tales he aims to tell. He is well known for stories like Dilemma and Homeless and he has made a prominent name for himself in the industry. He has even earned a number of competitive awards, including Best Short Screenplay at Five Continents International Film Festival and at the Calcutta International Cult Film Festival in 2018. What the talented young man lacks in years of experience, he makes up for in sheer talent and so long as he has a pen and paper, he hopes to continue creating compelling stories to share with the world.

Later on in September of this year, Pandya earned himself even more recognition when his script XYZ was chosen as an Official Selection at the Trujillo International Independent Film festival and also when he won the award for Best Sci-Fi Short Screenplay at the Hollywood Just4Shorts Film and Screenplay Competition. When he sets his sights on a script, there is very little he won’t do to make it a success and these awards are a testament to that commitment.

Alongside his friend and colleague, Bader AlShuaib, Pandya developed a concept for XYZ and carefully but considerately determined how best to showcase it before the eyes of thousands. XYZ is about the human tendency to be inherently racist and biased towards people with a certain body type or complexion. In an uncertain future, it centers around Martha, a newly-wed African-American woman who convinces her husband to make her dream of having Caucasian children come true. To achieve this dream of hers, they undergo a special experimental procedure so as to be able to select each and every trait of their future children. Slowly, Martha realizes that in the process of making her dream come true, she ends up destroying everyone around her.

When AlShuaib and Pandya began brainstorming for the script, they pulled inspiration from films and shows like Ridley Scott’s Blade Runner and Black Mirror. As both works have successfully done, AlShuaib and Pandya wanted to delve into the scientific fiction genre and determine a way to challenge the minds of their audiences with a thriller-like, psychological spin. Ultimately, they wanted to explore a deeply human story against a futuristic setting. It was unlike anything Pandya had done in the past and he was awoken by the enjoyment it brought him.

“Unlike my previous work such as The House, a futuristic setting was something I hadn’t ever tackled before. The novelty of this itself made this script an interesting challenge. Even my co-writer, Bader, had not written anything like this before and, hence, was equally passionate about diving into a new world and figuring it out. The writing process was very different to my previous projects. This was the first time I was collaborating with someone and it was important to make sure that I wasn’t curbing his creativity. In my opinion, our writing relationship was very smooth. I would write a draft and send it over to him. After a week or two, he’d tweak it and send it to me. This back and forth eventually resulted in the final script – one that we’re both very proud of” shared Pandya.

Writing XYZ and having it achieve such success in its early days served as a reminder that Pandya has what it takes to pave a change in the film industry. He considers himself fortunate to have found what he truly loves to do so early on in his career. To others out there aspiring to follow their dreams and do so with success, Pandya had the following advice to offer:

“To anyone looking to pursue a career in this industry, I would advise them to be ready to have sleepless nights, go a few months without decent work or pay, and face rejection. If they can accept this, theirs is going to be a smooth ride. I would also ask them to only pick this industry if there’s nothing else they would do even if it paid better. This industry demands that kind of a passion.”

 

Written by Annabelle Lee

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Motion Graphics Designer Rupa Rathod talks working with Kylie Minogue and living her dream

Being a motion graphics designer gives Rupa Rathod the opportunity to channel her vast creativity. While designing and creating LED screen content for pop tours, events, television performances, and awards shows, she has the freedom to create anything and everything while working with some of her musical idols. Each treatment differs from the last, and she is always challenged to interpret a client’s concept, something that she finds hugely fulfilling. For this English native, there’s nothing that can’t be achieved, and she enjoys all aspects of the journey; it’s a feeling of achievement that she doesn’t think will ever go away, and what keeps her constantly motivated.

“Combining the two passions I have; music and the creativity of motion graphics design was like taking two perfect past times and fusing them together. It seemed like a natural progression in my career, to channel my creativity as a motion graphics artist into music. I was determined to make this happen any way I could,” said Rathod.

Rathod started working for Blink in 2014, where she was employed as an editor initially focused on screens for music festivals. She pushed herself to prove her talent and was quickly given an opportunity to work on a high-profile tour with Robin Thicke. Since that time, her work in creating graphics for concerts has gone from strength to strength and is now well recognized and well respected at the top of the industry.

“My style of designing is always very much influenced by the music I’m working to, whether it’s a pop song, metal, drum and bass, indie, it all determines the style the content needs to be in.

I’m fascinated by light installations and lighting design which is always very sharp, bright and tightly timed to music, so everything I design always has that accuracy to beat responsiveness and the biggest moments in music always need to be visually bigger. I focus on making obvious moments in a track very obvious on screen and the ability to be able to do that is what I would define as my own style,” she said.

This past September, Rathod worked alongside Kylie Minogue for a second time on her most recent European tour, Golden. Rathod had previously worked with the pop icon on her “Kiss Me Once” Tour in 2014, and the two formed a close professional relationship when working on her Sleepwalker film.

Having turned 50 this year, Kylie’s new album channeled her country side, and “Golden” was released. The album was recorded mostly in Nashville, giving it a very authentic country feel and setting the tone for her new tour. The concept for this 2018 “Golden” Tour revolved around a journey from a desert landscape to Nashville, which would eventually all come together in a 70’s spaghetti Western style movie interpreted on stage with Kylie as the protagonist. Rathod was brought onto the team right away, creating content for the tour while Kylie promoted the album, and the motion graphics designer was extremely excited about the concept.

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Kylie Minogue performing “All The Lovers” on her “Golden” tour

“I loved the conceptual idea of creating a 1970’s movie executed through the medium of a full multi-sensory concert and working with filmed content to create a cinematic visual was a beautiful piece of art,” said Rathod. “This tour was a completely new direction for Kylie and her dedicated team. It was a bold new move for everyone involved and to see it met with such positivity was gratifying.”

While working on the “Golden” tour, Rathod worked closely with Creative Director Rob Sinclair, who she has worked with on many projects throughout her career, including Kylie’s “Kiss Me Once” tour. Sinclair trusts Rathod’s ability to take his references and turn them into more graphical visual concepts. They understand each other’s styles and they work well developing them. For the “Golden” tour, there was a lot of filmed content, which is not often done; it adds a decadent touch and requires a large scale of planning. Rob and Kylie’s vision featured a lot of filmed content, which is what made the show so rich and so bespoke. It spoke for itself and helped to narrate the journey the audience were being taken on. The desert scenes at the beginning half of the show were filmed in California and Nevada deserts which was handled by Kylie’s longterm Video Producer, Tom Colbourne and the Blink team in Los Angeles. The second half of the show was shot in a London studio which was handled by Producer, Kirsten McFie and and Rupa in London. Rathod worked closely with Sinclair on the shoot, who was feeding his thoughts and notes to her on the day, which helped her get a sense of how it would sit in the show. She ended up working across all the content through the London post production and onsite rehearsals near Birmingham right up to opening night in Newcastle.

“This tour was an incredible experience to be a part of, not only because Kylie’s team remain wonderfully warm and welcoming, but also because Kylie herself has a huge amount of input into every aspect of her shows and she’s always so grateful to everyone involved. Her enthusiasm and excitement make all the hard work and devotion worthwhile. Kylie is genuinely just a very lovely artist who appreciates the hours of hard work and dedication that everyone puts into creating her shows with her,” said Rathod.

Having just wrapped up this latest tour, Rathod has a lot to look forward to. She recently won a prestigious award for her work on rock band The Killers’ most recent tour, and she has a lot more in the pipeline. She has worked hard to get where she is now, and for those looking to follow in her footsteps, she offers some wise words.

“For those looking to pursue a career in motion graphics, my advice to them would be to not be afraid of having your own style. It may take you a while to develop it, but you’ll have one and to have conviction in the work that you do, because if you don’t, no one else will,” she advised.

 

Written by Sean Desouza

Producer Chandra daCosta takes viewers around the world with ‘Cruise Buzz’

As a Producer, Chandra daCosta wears many hats. She is a manager, financial analyst, filmmaker, and storyteller. It is the latter that she most enjoys in her role and combining creativity with business drives her. Development is a large part of the process, which entails finding interesting stories, people, or cultures, as well as coming up with new angles/spins on ideas that are already successful. In production, it’s all about details, logistics and ensuring things run smoothly and everything is taken care of. DaCosta excels at all aspects of producing, and her talent has led her to being a respected producer in Canada’s entertainment industry.

DaCosta finds herself drawn to the “Lifestyle” genre when it comes to her work, working on shows involving real estate, food, dating, and more. Such projects include Oxygen Network’s A Wedding and a Murder, Global TV’s The Stanley Show, and Animal Planet’s Biggest and Baddest.

“Chandra is a pleasure to work with. She is a skilled negotiator and effective producer. She knows the television industry well and is good at leveraging her many contacts within the industry. She is also a remarkable creative producer. She was the driving force behind Cruise Buzz from both a business and creative perspective in addition to being the on camera host,” said Lori Massini, who worked with daCosta on Cruise Buzz. “Chandra is intuitive and knowledgeable.  She brings skills as both a business and creative producer to her projects. She has a sense for what works and doesn’t work and has great ideas for content.  In addition to being a skilled producer, Chandra is magnetic on camera and makes an excellent host.  Cruise Buzz was a terrific show and I have no doubt Chandra will continue to develop and produce top-notch content.”

It was Cruise Buzz that daCosta calls the highlight of her esteemed career. It was her show; she created it, developed it, found a production company to produce it, and put all the teams together. She was in charge of all the creative and business aspects for the show.

“I remember being on the Windstar cruise in the middle of the ocean and realizing that this was all because of my efforts. It was a real sense of accomplishment because it seemed like we were faced with road block and road block, but I just kept ploughing through. Being on the cruise ship, shooting our pilot episode was epic to me,” she said.

Cruise Buzz highlights the world of cruising, from big ships to small river cruises, all over the world.The premise of the series was “there is a cruise out there for everyone.” daCosta truly believes that. There are so many different types of cruises and itineraries to choose from, and daCosta wanted to show viewers their options. From a River Cruise through China, to the Baltic Cruise on a luxury liner, there is something that can win the heart of any traveler. Whether they want to explore the ports of call or visit foreign ports from the comfort of their stateroom deck. It’s a great and safe way to travel.

“This project was one of the best and challenging projects I’ve ever done. The idea of a travel cruise show was the perfect way to combine my love for travel and TV,” she said.

Every day daCosta worked on Cruise Buzz was an exciting and unique experience. She began with working on the pitch documents, episode ideas and brand integrations. Everyone she approached about being involved was excited about the show.

When she was trying to decide where to shoot the pilot, it was important to daCosta that the pilot episode was shot on a cruise ship that wasn’t the massive passenger cruise. She aimed to find a cruise that had an exciting and exotic itinerary and also show another side of cruising. She ultimately chose the Windstar in the Caribbean, a ship for 300 guests rather than the usual 3000 on large cruise lines. The ship had great visual appeal on camera, complete with sails, and an itinerary that visited ports that were familiar to many travelers, and also some hidden gems.

DaCosta spent almost four years of her life working on cruise ships, and she is extremely passionate about travelling. Being about to share this passion with the world was extremely rewarding for the producer.

“Getting the pilot episode made against all odds was a huge accomplishment. It was such a great feeling to know that Windstar was highlighted in such a great way that appealed to so many different travelers,” she said.

You can watch the pilot of Cruise Buzz here.

 

Written by Annabelle Lee

Cinematographer Majd Mazin shares impactful LGBTQ story in award-winning film

As a Cinematographer, Majd Mazin is responsible for the visual side of a film. It is his responsibility to collaborate with filmmakers to achieve his or her vision and bring it to life, using camera, lighting and movement. He recognizes the challenges of his field, with a lot of responsibility and very little limelight, but he truly loves what he does. He builds relationships with those he works with, making sure a director’s vision is satisfied and an actor’s talent is the showcase of a scene. As a camera assistant, he approaches each new project with the same determination. He is truly a master behind the camera.

“Cinematography is an art form and a technical craft, and both aspects should be balanced and worked on respectively,” he said.

Mazin is a celebrated cinematographer and camera assistant. His work extends to films like The Fat One, web series such as The Millionaires, and music videos for hit bands like Fall Out Boy and Red Velvet. With every project, he aims to make a lasting impression to his audience, which to him, is what filmmaking is all about.

This is best exemplified with his film Prodigal Son. The film tells the story of a closeted gay teenager coming out to a conservative Latino family. Mazin believes it is an important story to be told for LGBTQ teens and their relationships with their families. The lead and writer of the film Juan Felipe Restrepo, had deep connection to the script, as it was his brother’s story, and Mazin took on the responsibility of telling it in the best way visually possible.

“The story of the film is significant to any LGBTQ teen trying to come out to their friends and family. I believe that teens are faced with a very hard choice and adversity. This film helps accompany many of these individuals, reassuring themand telling them that they are not alone in this. By bringing these LGBTQ issues to the forefront, as saturated as that field might be, I believe that it helps bolster the prominence of these issues and makes them feel like they are less on the fringes,” said Mazin.

The film premiered at Warner Bros Studios in Burbank earlier this year. It is still making it’s film festival rounds, but has already impressed audiences all over the world. It won Best LGBTQ film at Festigious International Film Festival, Silver Award Best Drama at the LA Shorts Awards, Best LGBTQ Film at the Los Angeles Film Awards, Best LGBTQ Film at the Top Shorts Film Festival, and was recognized at the Actors Awards. Such success could not have been possible without Mazin behind the camera.

“It is very gratifying to me to know that a project that I invested so much in and worked so hard on, something that I was a part of is getting the recognition that it is getting. In proxy it is reassuring that my work means something and I am making films for people to see, not to sit on someone’s hard drive,” said Mazin.

Mazin came on board during pre-production. He knew they had a very short period of time to shoot, edit and color and release the project, and he wanted to make the most of it. The experience was united with the director and he was given a heavy say in the choice of the visual language. He wrote the shot list with the director, scouted the locations, and hired his crew. Overall, the experience was not only meaningful for Mazin, but also very collaborative.

“I very much enjoyed working with Director Amalia Ramirez. I felt that I was working with a very competent and visionary director. She has provided a comfortable and collaborative environment for me and the rest of the cast and crew. I enjoyed my crew as we worked as efficiently as possible while coming up with innovative ways to attack problems that we faced on the day,” he said.

A cinematographer’s work is essential to the success of any film. Without Mazin’s work, the idea that the director and writer are trying to portray cannot be told in a believable and truthful way. It is his job to not only use the visual language and style, but to make an uninterrupted visual experience that keeps the audience engaged and furthermore, expand on the story and plot. Prodigal Son was no different, and Mazin’s emotional connection to the story just made him that much more determined.

So, what’s next for Mazin? He is currentlyworking on a feature film titled The Keeper. Be sure to keep an eye out for it.

 

Written by Annabelle Lee

China’s Jie Meng creates award-winning visual effects for ‘Guardians of the Galaxy Vol. 2’

Jie Meng is consistently fascinated by his craft. The power of visual effects, to use different algorithms and physics theories to recreate something natural, or even create something that does not exist in the real world, is enchanting to the Chinese native. With a creative imagination and a deep understanding of computer science, an FX artist can create anything, turning fantasy into reality.

“With different algorithms and techniques, FX artists can do a lot of research and develop all different kinds of effects. As an FX artist, I also enjoy coming up with my own algorithms and methods to create new effects elements when I am at home. I feel I can create anything in my mind into the CG world, which is super fun to me,” said Meng.

Meng is an internationally sought-after visual effects artist, having contributed to blockbuster films, iconic video games, and prolific commercials. Earlier this year, audiences were enchanted with his work on the record-breaking film Avengers: Infinity War and the successful TV movie Freaky Friday, just as they were previously with Captain America: Civil War and King Arthur: Legend of the Sword. He is also recognized around the world for his work on video games, including Call of Duty: Black Ops III and Quake Champions.

Despite such success, Meng calls the highlight of his career his work on Marvel’s hit Guardians of the Galaxy Vol. 2. He worked on countless shots and different kinds of effects elements in several sequences, designed and final locked over a hundred shots in only a couple of months, and finally, saw recognition for his work from the Academy with an Oscar nomination. The moment he saw his name in the movie credits, he knew that all those late nights have paid off.

“This is a milestone film project for me. It was my first time designing a procedurally generated CG environment in the film production, and it was my first time working so closely with other CG departments. I was inspired by all different artists around me, from their hard work and how they think and solve problems. There were a lot of late nights in this film project, but I was fully charged every morning, and just could not wait one second to keep working with my VFX crew members,” said Meng.

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Meng’s vast contributions to Guardians of the Galaxy Vol. 2 helped bring the film to critical acclaim around the world. Not only did it take in over $860 million at the worldwide box office, but it was recognized at prestigious award ceremonies around the world. The highpoint for Meng was when the film was nominated for Best Visual Effects at the Academy Awards.

“When the news of the Oscar nomination had spread out, all the team members that worked on this film cheered into tears. We were so proud of ourselves that we achieved a VFX masterpiece. This film motivates and encourages me to keep on going as a VFX artist and also a filmmaker in the future,” said Meng.

Meng worked on many effects shots in several different sequences in the film. His main focus was the “normal” and “angry” Ego planet sequences. Those two sequences have a huge volume of the shots, which required the artists to design and finish the effects elements in a very short amount of time. Meng was not only building effects elements, but also helping in procedural modeling, shading/look-dev, lighting, procedural layout, and digital assets sharing aspects.

He designed and finished every shot containing Ego’s environment, all thruster effects elements for Quadrant Ship and jetpack in the “angry” Ego planet sequence. This included designing and finishing every shot containing aurora effects elements in the “normal” Ego planet sequence, such as the dust and leaves blowing in the Ego ship landing sequence. He also created taser gun lightning effects in a hero shot when Rocket Racoon shoots Gamora and did some early Rocket Racoon fur tests in the Guardians squat night talk scene.

Overall, Meng contributed over 20 different kinds of effects elements and CG contents in a total of four different sequences for the film. He designed and finished over 100 shots and related to 200 shots. The technical solutions that he came up with saved a great amount of time and made sure the entire team finished every shot before the deadline. His visual effects undoubtedly brought a stronger visual impact to the film and made the film a masterpiece of sci-fi fantasy artwork.

“I had the pleasure of working with Jie on Guardians of the Galaxy Vol. 2. He is absolutely exceptional at what he does and is always striving to better himself and his craft. He is hard working, detail oriented, reliable and goes above and beyond when helping out others. He is always open to collaboration and feedback. I highly think that his skill and expertise would be a great fit for any project he works on. I look forward to working with him again on future projects,” said Dennys Herman, Lighting and Look Development Artist at MPC.

Meng had always been a big Marvel fan, and above all else, creating such a timeless film meant more to him than anything. He was determined to achieve greatness with every effect he created as he knew Guardians of the Galaxy Vol. 2 was more than just a visual spectacle.

“I like the story of this film, as the core it is about family. The plot twists when Starlord (Peter) met his father Ego, and finally found out his father is an evil creature who killed his mother. The family theme is also relevant when Gamora and Nebula fight against Ego together, and Yondu sacrifices himself to save Peter. It’s a comedy sci-fi fantasy movie, but this core is very deep. The film is not some regular comedy where people laughed and forgot about it, but something that will be remembered,” he concluded.

Australia’s Mark Davis talks passion for acting and starring in ‘I Want You’

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Mark Davis

Despite having other passions, Mark Davis found himself acting from a young age. Growing up in Melbourne, Australia, his father had an old VHS camcorder, and to pass the time, Davis’ brother and his friend used to use the camera, recording small skits. Being the youngest, Davis was always made to be a bad guy who gets beaten up, or he would be dressed up in his mother’s clothes to play a woman. At the time, he was just happy to be spending time with his big brother, but little did he know he would grow to be a celebrated actor.

Throughout his esteemed career, Davis has been a part of several acclaimed projects, from award-winning movies to prolific commercials. He has starred in films like Lucy and Topdecked, which he also wrote, as well as the upcoming period drama Fallen. Australians also know his face from national commercials for Honda, Crownbet, Interflora, and more.

“I knew acting was always something I had a natural affinity for. Instinctually the acting process made sense to me and even though I was quite shy, I felt freedom when taking on a role. I feel like acting is a culmination of many art forms and for me movement and being in touch with something like your emotions and imagination as a profession just made sense. I like taking a walk in other people’s shoes and to get paid to swear, cry, fall in love and throw chairs is a privilege,” said Davis.

One of Davis’ first tastes of international success came with the 2013 romantic drama I Want You. The story follows Maya, who is deeply in love with a boy who lives in Israel. Maya struggles to maintain her faith in a relationship that unfolds largely on a computer screen after she meets another man who can provide the tangible aspects missing from her relationship. Although tempted, Maya has to ask herself, will this new relationship give her what she truly wants?

“The story really demonstrates that good people can be tempted to do things that are against their morals and who they are. In the end, however, the film is about forgiveness and that message is very strong,” said Davis.

In the film, Davis plays Ethan, a character who was very much the other man in a love story. Ethan had to seduce Maya, who was in a very healthy relationship. He was the protagonist in the film. He came into a healthy environment and had to be the perfect blend of nice and endearing whilst also being the bad guy who is going to ruin a relationship purely for his own sexual gratification. Therefore, Davis had to be extremely charming, and managed to do so in tough shooting conditions. It was extremely hot on set, as they were filming in many different locations during the Australian summer.

“I liked being cheeky and being a person with low morals dressed as a nice guy. I’m more self-deprecating and awkward in real life so I had to channel my inner Brando to pull it off. That’s the joy in acting and I definitely had fun on this film. I’ve always said that no one cares about your enlightenment, the audience will watch because they want to see your darkness. It’s more relatable,” said Davis.

MV5BMjJmNmEyZjItMGIyNS00ZjVjLThiZDctNmViYmU1YWZmOTVjXkEyXkFqcGdeQXVyMzgwNjU4NzE@._V1_SY1000_CR0,0,707,1000_AL_I Want You also stars Australian superstar Viva Blanca, best known for her role on the television series Spartacus. The film marked the actress’ directorial debut, and she felt the pressure. Knowing she had to have the perfect casting to make her film a success, she gave Davis the role of Ethan.

With the help of Davis, the film went on to be screened at the Palm Springs International Film Festival, the Newport Beach film festival and the St Kilda Film Festival, seeing great success around the globe.

“It was one of the first films I was involved with and I’m glad it was so highly regarded. Viva is a great creative mind and an amazing talent,” he concluded.

 

Written by Annabelle Lee

Colorist and Editor Cynthia Chen artistically portrays grief and loss in ‘The Last Page’

“To me, filmmaking is like making a delicious meal. The process of shooting is like gathering the ingredients for the food, whereas post editing is like cooking. Editors reorder the different materials, and create different dishes through proper dressing and seasoning,” she said.

Chen is recognized around the world for what she does. Having edited highly successful films such as Slingshot Prince, Offsprung, and most recently, I Don’t Want to Sleep Alone, Chen is an industry leading editor in China with her work celebrated both there and abroad.

Chen is also a celebrated colorist, often combining her roles on many films. She has enhanced many films through color with her work, including Maskand The Last Page. The latter was a motivational project for the Chinese native, as she was telling a true story about another artist.

The Last Page is a short film that follows the story of a once famed comic book writer Emanuel Delgado. After a long career of award winning comics, and a mega fan base, it’s been nearly a decade since Emanuel abruptly ended his career because of the death of his brother. He is living in a house littered by the drunken debris of his depression until one of his fans show up who is the same age as his brother and encourages him to restart drawing comic books.

“I like this film because it carries positive energy and is both motivating and encouraging. It’s a story about a person coping after the big mental trauma of losing everything to picking himself up and changing his miserable life. It encourages people to never give up on their dreams, reminding them there are always other people supporting and caring about them. We need to cherish our own lives and do more meaningful things in the limited time that we have. I was totally touched when I finished watching this film. It is not only about remembering the people we’ve lost, but also encourages those people who lost their hope from losing the one they love to get out of the deep sorrow and tell them that there is always somebody else supporting and caring about them,” said Chen.

The film premiered at the Los Angeles Independent Film Awards 2017, where it took home the top prize. Chen was both happy and surprised when she heard that The Last Page was an award-winning film, knowing that it touched audiences the same way it touched her.

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“I remembered those countless nights that I was talking with the director about the color grading ideas and how we could make this film into a better piece of art. And right now, we can all be proud of ourselves that we made it to the end, although it was just a small step on a long road ahead of me, I will keep up and be more creative as a filmmaker,” she said.

Chen was in charge of all the color grading for this project. The director described what kind of color effects he wanted for each scene after showing her the editing. Chen marked down every detail he mentioned and spent weeks turning his vision into a reality.

There are a lot of scenes in the film that express a decadence and hopeless feeling, and Chen used color to enhance these emotions. She used a heavy yellow and green color tune for showing the messy house environment. After the character’s internal emotion changed, she used some bright and clean color tunes to represent the delightful changes in his life. The whole color tune changed from cold to warm. Her color grading works highlighted the transitions of the moods and echoed the arc of the story, different color rhythms made this whole film vivid and lifelike. Her work took the film to a new level.

“The film had a big creative space for me to do the color grading, through the discussion with the director, I understood what he wanted and started to do the individual color design. Throughout the whole process I had a chance to use the color analyse from other different film types and apply them to this film project. I like the color tunes from Fight Club very much, and I was always trying to get a chance to apply them into my film projects. This short film fulfilled the wish for me by using the Fight Club dirty color tunes to highlight the messy house when the main character was at his lowest point. Also, it created a big comparison later when the main character was back into his normal life,” she said.

Be sure to watch The Last Page to see Chen’s outstanding work and be moved by Emanuel Delgado’s story.

 

Written by Annabelle Lee