All posts by lgreenbaulm

Profile: Leading Actor Giselle van der Wiel

Leading Australian actress Giselle van der Wiel, who has just been cast in two series shooting in the United States, is not as intimidating in person as one might expect. In a career that spans different mediums (TV shows like “Hendrix” with “Neighbours” actor Chelsea Jones) and characters (and Spanish exchange student in “In the Land Farthest From”), Giselle has built a reputation as a powerful presence in camera that would lead one to assume she’s overawing in person. In the best possible way, Giselle retains her strength upon our meeting but also possesses an incredibly personable nature that makes it no surprise her acting career continues to go from strength-to-strength.

We’re sitting down with Giselle to discuss two feature films in which she appears in critical roles, “On Halloween,” a new feature film with “2:22” actor Ezekiel Simat and “Reaching Distance,” with “Unbroken” actress Morgan Griffin. It’s the night after a glitzy film premiere and Giselle has just walked the red carpet with fellow Aussie A-listers. “All part of the routine of being an actor,” she says humbly, with a laugh. It could be easy to get distracted by talking about the behind-the-scenes glamour of a blockbuster premiere, but Giselle likes to focus on the work. So we resume our conversation about her upcoming projects and how she has achieved such great things in her eclectic career.

“I’m constantly working at growing as a person – I feel that unless I really know myself, and if I don’t experience life and meet new people, I can’t really grow as an actor.”

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Giselle van der Wiel on the red carpet for a film premiere.

When contacted about Giselle’s performance, “On Halloween” director didn’t need to be prodded to heap praise on Australia’s answer to Kristen Stewart. “Giselle has a crazy unique ability to own every frame she’s in,” Timothy Boyle enthusiastically explained.” There are moments where an actor gives more than you, as the writer and director, ever intended. It’s in these moments that the film takes on an extra level of depth. It’s what good actors do. It’s what Giselle did for me every day of the shoot.” Timothy, whose feature “The Half Dead” starred “Lord of the Rings” star John Rhys-Davies, clearly speaks from a position of authority. He goes on to compare Giselle’s unique appeal to that of other mega-star Australians Yvonne Strahovski (“The Handmaid’s Tale”) and “Avatar” star Sam Worthington.

While we lose focus laughing about the ironically funny moments that come with shooting a horror film, we briefly touch on her key character in “Reaching Distance,” from award-winning director David Fairhurst. In the role of “Chell,” Giselle shares the screen with BAFTA-nominated actress Tara Morice, best known for her work opposite twice-Oscar-nominated Emily Watson and her part in Baz Luhrmann’s “Strictly Ballroom.” Giselle explains “the beautiful thing about this industry is that it’s really collaborative, so everyone’s connected and everyone knows each other. It helps everyone lift their game.”

On the topic of those two TV shows Giselle is due to start filming in the US, she has to stay quite mum. “Unfortunately I’m not able to go into too much detail about my characters, but I can say that my character’s name in “Masculinity in Crisis” season 2 is Joanna.” “Masculinity” series is an award-winning co-production between Joseph Gordon Levitt’s production company HitREcord and successful outfit Nix Film, and is distributed by Amazon Studios. Series creator and lead actor Alex Cubis (“Dear White People”) explains that Giselle was cast because there was no other actor who could play her role. “The character was specifically written to possess the ability to perform in Australian and American accents, and speak Spanish. Aside from her X-factor, Giselle was the only girl who auditioned who could play the role.”

When asked about her character in “Dipsticks,” Giselle laughs. “That project is going to be fun because it’s a comedy; I don’t want to reveal too much about that. But I’m really happy to have a chance to play a lead in a comedy series.” That series also stars NBC “Community” actor Dominik Musiol, so it’s safe to say that Giselle is in fine company when it comes to her career.

“I feel really lucky that I get to continue working in different countries and in different styles – that was always my goal when I started acting. I’m very grateful.”

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Filmmaker & Journalist Liliya Anisimova Reveals Her Fashionista Side on TheSTYLEtti

Journalist Liliya Anisimova
Journalist Liliya Anisimova

From her time as a news anchor for local Moscow news stations Doverie and Teleinform, to working as the host of several hit TV programs on the popular Russian Travel Guide (RTG), journalist and filmmaker Liliya Anisimova has spent a lot of time in front of the camera, and she always looks stunning. Granted, she’s a natural beauty, but her keen eye for fashion truly makes her stand out.

My mom likes to tell this story all the time of how when I was about three putting clothes on for daycare. I put my yellow track suit on, I remember that suit, it was chic yellow with colorful stars, a Juicy Couture style tracksuit. And my mom gave me pink socks,” Liliya recalls with a smile. “I looked at her and said, ‘I’m not going anywhere in a yellow suit and pink socks. I need yellow socks’… I wouldn’t go anywhere until my mom found me yellow socks. She always tells this story saying, ‘who told you about matching colors, nobody taught you how to pair colors’.”

As a journalist and filmmaker, Liliya Anisimova’s accomplishments are beyond impressive– to the point of making of us wonder if she has some super human power giving her the ability to accomplish more in a day than most. As the writer and director of the films “From Real to Reel,” “Magic of the Underground,” which earned the Best Experimental Film Award at the 2013 Hollywood Reel Independent Film Festival, and the poignant documentary “Love is the Highest Law,” which screened internationally and earned numerous awards including the Award of Merit from the 2015 IndieFEST Film Awards, she’s made a strong name for herself as a talented storyteller.

Ironically though, it was Liliya’s chic style, not her seemingly endless accolades, that first caught the attention of The STYLEtti Editor-In-Chief Janea Mastrandrea. Janea recounts on TheSTYLEtti blog, “I was shooting street style in New York one day when I came upon this woman with fabulous shoes. I met filmmaker and shoe-lover Liliya Anisimova. And the next day, we began collaborating.”

Charline De Luca black and white heels
Liliya’s Charline De Luca black and white heels

Wearing her Charline De Luca black and white heels, black skinny jeans and a light pink-beige soft wool cardigan jacket, Liliya was rushing to meet a friend in midtown NYC when she was approached by Janea, who ironically had no idea that she was already a celebrated journalist. 

“[Janea] was a very beautiful classy lady, one of those editor-in-chief looks. She asked about my shoes and complimented my style, and that’s how I met Janea.. and that’s how I started writing for The Styletti. It was such a privilege and joy to start writing column regularly in a fashionable glossy magazine style,” recalls Liliya.

“I’ve since written around a hundred articles about traveling, attending events, meeting outstanding people and of course, fashion.”

Since that fated encounter three years ago, which is proof that you never know who you’re going to meet out there in the world so you might as well opt for looking your best, Anisimova has continued to be a lead fashion columnist on the site.

Janea adds, “[Liliya’s] posts are among our most read.”

Growing up in Volgograd, former Stalingrad, Russia, Liliya’s love for fashion and the desire to express herself through her own unique style was something she developed early on in her youth.

She recalls, “When I was growing up it was the time when the USSR had just crashed and we didn’t have a big clothing or shoe selection in stores. So everyone pretty much looked the same, and I hated it, so I would come up with my own ideas and ask my grandmother to sew and knit me different pieces. I remember she did a knitted 100% light wool sweater and matching knitted sweatpants which I loved!”

It was only a few years later, at the age of 13, that Liliya first began working as a contributing journalist to local newspapers such as the Russian national newspaper Komsomolskaya Pravda’s Volgograd regional edition, Volgogradskaya Pravda and Vecherniy Volgograd aka Evening Volgograd.

She admits, “I’ve loved to write since I was a little girl. I used to ‘publish’ my home-made magazine, I published multiple school papers while in high school, and collaborated with some local papers in my hometown before I started my undergrad in broadcast journalism.”

Liliya went on to earn her Bachelor’s in journalism, another Bachelor’s in translation in professional communications and her MFA in Journalism from Moscow State University before relocating to the states where she earned another MFA in Social Documentary Filmmaking from New York’s School of Visual Arts.

As a local news anchor in Russia Liliya covered a wide range of subjects. Occasionally those subjects intersected with her love for fashion, such as covering Moscow Fashion Week; but The STYLEtti has given her a platform to reveal her fashionista side in a different way.

Liliya explains, “For me, writing a column is very much a get away from my daily video work, I write it once a month, sometimes two if the schedule permits. I love attending events, art gallery openings, fashion shows of course, meeting photographers, designers, artists, models and other interesting people. It’s genuinely very inspiring.”

From her articles covering NYFW where she’s interviewed international designers and covered the runway, to those about attending gallery openings, such as Karim Rashid’s exhibit featuring his new design collaborations in Manhattan last Spring, Liliya writes about fashion in a way that makes the reader feel like they’re one of her close pals.

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Karim Rashid and Liliya Anisimova at Rashid’s Exhibit in NYC

Dressed to impress, Liliya wore her sensible, but classy black peep-toe Gucci flats, a red Kate Spade knee length coat (featured in another post you can check out here) and her white boatneck sleeveless Raoul dress to Karim Rashid’s exhibit. With over 300 awards under his belt, Karim Rashid is considered one of the world’s most famous industrial designers; and, with the images of Liliya looking chic and stylish at the opening being featured on The STYLEtti site, the post became highly popular and offered readers insight on how to dress one’s best in such a high profile environment.

She often does #OOTD and #OOTN posts as well, which show her personal style for everyday and nightly outings, and serve as a great source of inspiration for those looking to making their wardrobe more fashion forward.

“I like to write about every day simple events, something that anyone can relate to…. I normally get more inspired to find beauty in everyday life in regular people… I think it is my background in journalism and filmmaking that makes me have the same approach to that column.”

On a personal level, Liliya’s natural style is simple, but classy, which makes sense considering her fashion icon is Audrey Hepburn. A little black dress, which she says is ‘as old as time,’ classic nude heels, which work with everything, a silk pastel colored blouse,  ajean shirt and black skinny jeans are among the basic selection of items she says are ‘must haves’ for any fashion forward female reader.

While she’s made a name for herself covering hard-hitting news and travel stories, as well as through her work as a documentary filmmaker, where she primarily focuses on human interest stories relevant to present times, fashion has been a part of Liliya Anisimova’s life all along. So, having her own fashion column is not only the perfect grounds for her talent and personal interests to intersect, but it also continues to draw readers to The STYLEtti site.

Janea says, “Liliya’s sense of humor and understanding of what interests our audience has helped grow our exposure and keeps readers coming back for her influence and entertainment.”

Professional Heavyweight Boxer Turned Actor Larry Olubamiwo is a Knockout On Screen

Larry Olubamiwo
Actor Larry Olubamiwo shot by Karen Scott

As a former professional heavyweight boxer Larry Olubamiwo knows a thing or two about knocking opponents out in the ring; but the successes he’s become widely recognized for in recent years have actually taken place outside of the boxing ring as Olubamiwo’s continued to show what he’s made of on the silver screen.

At 6-foot-4, Olubamiwo looks outwardly dominating, something that undoubtedly lent itself to his benefit in his boxing career and intimidated opponents before the first punch was even thrown. While that naturally strong aesthetic has also led him to be the first choice for a number of commanding lead roles as an actor, his collective work in film and television have revealed his capacity take on multi-layered roles that extend far beyond that of the stereotypical tough guy.

In projects such as Verona Rose’s 2016 dramatic film “Fabric of the Royals” where he stars alongside Alice Fofana from Benjamin Rider’s multi-award winning film “Seven Devils,” and the series “Life of Hers,” which won the Best Ensemble Award at the 2014 Screen Nation Awards, the emotional range and vulnerability that Olubamiwo brings to his characters draw us into the story making it hard to peel our eyes away.

Despite earning extensive praise for his on-screen roles, Olubamiwo remains admirably humble about his career and his talent, but knowing his strengths and capitalizing on them, as is the way for any actor who wishes to ‘make it’ in such a competitive industry, have been imperative to his success.

“My sensitivity and vulnerability as an actor despite my physicality sets me apart,” says Olubamiwo. “I have been told that I’m able to convey a range of emotions with just my eyes, which I am grateful for as acting, a lot of times, is about stillness.”

Though Olubamiwo had a passion for acting during his youth, at that time boxing was where his heart and mind were focused. He spent years undergoing the intense training required of a professional athlete, eventually going on to become a powerful heavyweight competitor in the ring. In 2012 his boxing career ended abruptly, which brought understandable challenges, but in a way came as a godsend as it opened the doors for Olubamiwo to devote himself fully to his work as an actor.

While he’d already played key roles in films such as Jim Dickinson’s comedy “Rough and Ready,” as well as several commercials including a BBC Sport promo for the Rugby World Cup where he played a featured rugby player, and the popular 2007 ‘Bungee’ commercial for the Electoral Commission in the UK, which continued to air during every election until 2013, Olubamiwo was finally in a position to fully immerse himself in his acting training and take his work to the next level. Bringing the same fervent dedication and focus that he gave to his work as a professional boxer, the actor quickly became a sought after force in the entertainment industry.

He explains, “My love for acting and my natural work ethic I have as a boxer allowed me to excel in the training. And while I was training, I was very proactive in searching for acting work and an agent. And the rest is history as they say.”

After landing representation with Imperium Management, Olubamiwo’s captivating talent immediately struck a chord with “Fabric of the Royals” director Verona Rose, who aside from her work as a director, is known for numerous performances on hit series such as the multi-award winning series “EastEnders,” the two-time Primetime Emmy nominated series “Hustle,” and most recently, the Golden Lion Award winning dramatic film “Our Little Haven.”

Rose says, “It was such a pleasure to work with Larry. I had seen his work previously and it’s amazing what range he has despite his size and skills as a fighter. He is able to show such emotion without even saying a word which is true acting. I learned alot from him on set and want to work with him again.”

Nominated for Best Film at the 2016 Screen Nation Digital-iS Media Awards, a prestigious awards ceremony in the UK that’s often referred to as the ‘black Bafta’s,’ “Fabric of the Royals” tells the powerful story of a family who leaves their home in Jamaica to start a new life in the UK in the 1980s. Taking on the starring role of Derek, the head of the family, Olubamiwo gives a captivating portrayal of a man struggling to assimilate to a new culture and rise above the racism and violence he experiences in his new country, in hopes of giving his children a better shot in life.

Told through the eyes of his youngest daughter, “Fabric of the Royals” offers an impactful insight into the many challenges minorities face upon emigrating to a new country.

Revealing Derek as both the strong backbone of the family who commands respect from his children and the fun-loving dad who makes everything alright when they experience truly horrific treatment from the outside world, Olubamiwo endows his character with multiple layers. His performance on screen not only makes his character easy to love and root for as the film unfolds, but it also serves as a testament to his impeccable acting ability.

While Olubamiwo nails the mark in the powerful father-figure roles he plays in both “Fabric of the Royals” and “Life of Hers,” not all of his characters are as easy to love, but they don’t have to be. In the 2016 dramatic horror film “Cat Face” he took on the starring role of Kaka, a priest with mystical powers that brings a murdered woman back to life and gives her the power to track down a violent cult of serial killers and take bloody revenge.

Olubamiwo sends chills down the spines of viewers with his performance, and “Cat Face” went on to be awarded at the Africa Magic Viewers’ Choice Awards (AMVCA) in 2017. Revealing yet another area of the actor’s widespread skill set, Kaka speaks Yoruba in the film, a language Olubamiwo is not only fluent in, but one that makes the character that much more mysterious on screen thanks to the way the actor portrays him.

Larry Olubamiwo is one uniquely talented actor who embodies the beautiful contradiction of being the polar opposite of what outsiders tend to assume at first glance. And while his imposing figure has made it easy for him to play the intimidating, sometimes even criminal role, like Reynolds in the 2015 thriller “Honour Amongst,” it’s Olubamiwo’s incredible emotional depth, dedication and magnetism on screen that makes him someone worthy of the spotlight and international praise.

Up next for this talented actor is the dramatic crime film “The Middle Man,” which is written and directed by Philip Howard and is slated to begin filming late this year.

Charlotte Chimes On Acting Real: Playing Real-Life Characters

Charlotte Chimes has always believed that the best acting performances are those which are ‘real.’ Others might choose the words ‘truthful’ or ‘believable’ for the same effect, but whichever term is used, it’s clear that Charlotte has carved quite the niche for herself as a leading Australian actress regularly called to play real-life people in gripping dramas.

Such is the impressive significance of her reputation in Australia, Charlotte played the key role of Katrina in the acclaimed Channel Nine movie, “Schapelle.” Directed by award-winning “Better Man” filmmaker Khoa Do, “Schapelle” tells the story of Australia’s most notorious and high-profile convicted drug smugglers in the nation’s history. Schapelle Corby spent nine years in an Indonesian jail cell, and maintained her innocence that she did not plant marijuana found in her bodyboard bag by Indonesian airport security. The case drew international headlines and remains as one of Australia’s most well-known real-life stories, and was therefore the country’s most highly-anticipated television event when it aired, drawing millions in viewers.

Any actor who would be involved in the narrative production documenting Schapelle’s story could easily therefore be called successful, because the story is so well-known; the fact that Charlotte Chimes played a key role “Schapelle” therefore puts her in the top echelon of Australian actors.

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Charlotte, with director Ben Mathews, on the red carpet for the prestigious Sydney Film Festival last year.

Co-star Krew Boylan, well-known for her roles in Logie-winning series “Molly” and international favourite “A Place to Call Home,” speaks very highly of Charlotte. “I had the pleasure of working with Charlotte [on SCHAPELLE]. Charlotte is a gifted actress…I highly recommend her skills, dedication, craft and talent for any work both in Australia and abroad.” Boylan, who is also one of the founders of the Dollhouse Production company alongside Golden-Globe nominated star Rose Byrne, played Schapelle herself. “Krew was lovely to work with,” Charlotte explains. “We had a great time exploring the story from all different angles.”

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“Schapelle” was a highly-anticipated movie on Australia’s #1 network, Channel Nine.

In addition to her work in “Schapelle,” Charlotte is also well-known for her role as Anya Habschied in “Catching Milat.” Charlotte explains her character well. “Anja Habschied was one of Ivan Milat’s seven victims  –  it was so important that all of his victim’s stories were told in this mini -series…to honour them.” The mini-series was especially important in the Australian film industry because it was directed by Peter Andrikidis, Australia’s most prolific television director also responsible for helming the award-winning ABC series “Janet King” and the feature film “Alex and Eve” with “Chasing Life” star Richard Brancatisano.  

In another strong reflection of her truly unique talent and incredible accomplishments, Charlotte featured as Erin Everett in the successful series “Deadly Women.” Her performance was therefore available to 300 million Netflix subscribers all over the world who watch the popular program. For her role in the chapter titled “Green Eyed Monsters,” Charlotte explains the importance she placed on bringing truth and giving justice to the real-life story of her character. “Female murderers are rarer than male murderers and often become quite famous for their crimes, as the media sensationalises them. It was important to portray her not simply as a one dimensional monster but a three dimensional heart-broken woman who made some very grave choices.”

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Charlotte in a gripping scene from an episode of “Deadly Women.”

Charlotte, who has also given critical turns in film “Loco” (with “Neighbours” star Taylor Glockner) and TV series “The Verge” (with “Twilight: Eclipse” actor Matt Deane), warmly expresses her gratitude when it comes to her career success.

“At the end of the day, I feel very lucky that I’ve been able to give voice to such interesting and complex, real-life characters.”

Through Motion Visualization Captures and VFX Zhaoyu Zhou Creates Innovative Film “Last Dance”

VFX artist and director Zhaoyu Zhou23592110_10215392853721198_2657579445691441541_o
VFX artist and director Zhaoyu Zhou

From manipulating the imagery of live-action footage to creating characters like the titular bear in “Paddington,” the CGI Autobots in “Transformers: Age of Extinction,” and even bringing former ones back from the dead, such the “Rogue One: A Star Wars Story” character Grand Moff Tarkin, the advances in visual effects technology has given filmmakers exponential freedom to literally create anything they can imagine.

A perfect example of the unique power and possibilities that new digital technologies have brought to modern filmmaking is Chinese VFX artist and film director Zhaoyu Zhou’s recent film “Last Dance,” which earned the Best Experimental Film Award at the Miami Short Film Festival and was chosen as a Semifinalist by the 2017 Adobe Design Achievement Awards.

An experimental motion capture visualization film, “Last Dance” tells the ancient Chinese romance story “Farewell My Concubine” in the way of Peking Opera, a traditional Chinese performing art that combines music, vocal performance, mime, dance and acrobatics.

"Last Dance"
Poster for “Last Dance”

”I came up with this idea and concept back in 2015 since I have family and relatives engaged in Peking Opera performances, and I have also been influenced by this traditional performing arts since childhood,” explains Zhou. “By creating this film I wanted to depict Peking Opera in a new form, while also giving audiences the opportunity to experience this traditional Chinese performing art.”

Zhou shot “Last Dance” using famous Peking Opera artist Zhang Ming, who assisted in the choreography and performed the dance as both the King and the Concubine simultaneously on a motion capture stage. Zhou then transferred the motion capture data into Houdini where he created the dynamic simulation effects we see on screen. A data intensive film, Zhou also brought in Houdini FX artist Debra Isaac, who’s known for her visual effects work on the documentary films “Holy Man: The USA VS. Douglas White” and “Wildest Weather in the Solar System.”

“Motion visualization is a newer form of storytelling, and it utilizes the most advanced VFX techniques. The final visual look is achieved through the effects of dynamic simulation. I used Mantra to render and Nuke to composite,” Zhou explains. “There are no texture maps on the two characters, so in order to achieve the elegant look I had to tweak the light and shader material.”

The film, which has also been chosen as an Official Selection of the 2018 USC First Look Film Festival, is visually beautiful, with Zhou’s master skill in VFX making it possible for the figures to dance gracefully across the screen. Zhou’s minimalist style in “Last Dance” provides a lot of space for the viewer’s imagination. The dynamic fluidity of the characters, their bright colors– a key representation of the costumes in Peking Opera performances, and they way he structures the two characters, with the King coming across with a level of sharpness and the Concubine with smooth rounded edges, make “Last Dance” a rich expression of innovation and a homage to tradition at the same time.

Another key element to the film, one that helps create an emotional experience for the viewer, gives life to the characters and drives Zhou’s concept of blending the traditional with the modern is the accompanying music.

He says, “This kind of experimental work using motion capture and CG not only require a unique visual style, but they also need to be fully integrated with the music to achieve the best audio visual experience. I am so grateful to my composer Meizhen He for creating the music.”

Zhou, who’s originally from Qingdao, China, began his career a little over five years ago, and what he’s accomplished since is nothing short of amazing. Lately Zhou has been pulling in award after award for his films, which for the most part, are either animated or created through motion visualization techniques. His seasoned skill as a VFX artist is definitely one of his most powerful assets, one that is matched only by his unique creativity and the stories he’s driven to tell.

Some of Zhou’s other films include the 2017 animated film “Karma,” which earned more than nine Best Animation Awards at festivals including the Los Angeles Film Awards and Asians on Film Festival, as well as the Award of Distinction at Greece’s Athens Animation Festival, the 2016 film “Spherical,” which was chosen as an Official Selection of the Melbourne International Animation Festival, the Adobe Design Achievement Awards and more, as well as “Reunion,” “Dancing Blue” and others.

Considering Zhou had already proven his strengths as a narrative storyteller through his previous work, and being someone who’s driven to push his personal creative boundaries, “Last Dance” was the perfect opportunity for the VFX artist and filmmaker to experiment with his craft and create something new.

“This time I wanted to try something new. I saw a lot of experimental works in the beginning. The ones I found most inspirational are the series of motion visualization films by Universal Everything in the UK and WOW studio in Japan,” explains Zhou. “Minimalism combined with surrealism, and integrated with the Chinese Opera is such an innovation. Being able to innovate and combine traditional art with modern technology has always been my pursuit.”

Thanks to his vast knowledge and experience with VFX, Zhou was able to translate an age old form of performance and storytelling into the experimental and wildly creative concept that he envisioned in his mind; and created something audiences across the globe could enjoy.

“It was such an amazing journey for me. My favorite part was transferring the design and concept to the final look through the way of VFX by using Houdini. I couldn’t imagine making this happen without VFX,” says Zhou, adding that, “motion visualization has never been easy but it has challenged me to move forward without fear.”

 

Alastair Osment on His Craft And Working With Oscar-Winners

Not every actor gets to spend most of their time employed. Even more rare is an actor who gets to spend time on a critically lauded TV series. And even rarer than that? Acting opposite Academy-Award winners. Fortunately for him, Alastair Osment can say he has achieved all three, as this busy leading man recounts his rewarding experiences on highly esteemed shows like “Deadline Gallipoli”, “Home and Away” and “Top of the Lake” – all shot in Australia, and all loved the world-over.

Most recently, Alastair offered a scene-stealing turn playing the role of Morgan in the Golden-Globe winning series, “Top of the Lake: China Girl.” Besides two of his highlights being that he shared screen time with “The Handmaid’s Tale” and “Mad Men” star Elisabeth Moss, as well as “Game of Thrones” fan-favorite Gwendoline Christie, it’s no surprise that a huge part of this project’s appeal was his chance to join a cast that included Oscar-winning superstar, Nicole Kidman. “Nicole is obviously a world-renowned actress with a huge career behind her; to meet her would be an honour for any actor, but to be in the same cast list as hers is an accomplishment of which I’m very proud.” Although it’s significant, Alastair’s role in “Top of the Lake” isn’t the only acting accomplishment for which he receives kudos in his native Australia. “Although the show winning awards is impressive, my job as an actor and in playing Morgan was to bring as much life to the character written on the page.”

Prior to his work on “Top of the Lake,” Alastair also played an incredibly important role in “Deadline Gallipoli,” a big-budget Australian mini-series that aired on the ‘Australian Home to HBO’, the Showcase network. “I personally love the Showcase network, so I was very excited to be working with them, along with the production company “Matchbox Pictures.” Also produced by “Avatar” superstar Sam Worthington, who also starred in the series, “Deadline Gallipoli” tells the story of journalists who struggle to report the true story of events occurring at Gallipoli during WWI in 1915. The period drama, which further featured Oscar-nominee Rachel Griffiths and Emmy-nominee Hugh Dancy in the cast, gave Alastair the opportunity to explore his country’s history and represent the ‘Australian everyman’ in the character of Melvyn.

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Promotional shot for season 2 of the critically acclaimed drama, “Top of the Lake.” 
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Alastair has a strong relationship with the Australian ‘Showcase’ network, Australia’s “home of HBO.”

The production, which was awarded multiple AACTA-Awards (Australia’s equivalent to the Oscars), was especially important to Showcase and Matchbox because it involved telling a story about an event that helped birth Australia’s identity. Alastair felt a responsibility to bring humanity to his character, as his character’s actions resulted in a monumental turning point in the psychology of the main character Charles Bean, played by actor Joel Jackson who stars opposite “Harry Potter” star Daniel Radcliffe in the upcoming film “Jungle.” Producers frequently talk deep respect when discussing the critical importance Alastair played in not only the success of the production, which averaged incredibly high ratings in Australia, but also story-wise.

“I brought pathos in the form of human loss and the loss of friendship, the scene where my best friend Arthur dies in my arms was described as one of the mini-series’ most heartbreaking and moving scenes.”

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Alastair Osment in a moving scene from “Deadline Gallipoli,” where he played the key role of Melvyn.
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Alastair worked with “Game of Thrones” actor Charles Dance in “Deadline Gallipoli.”

It’s clear that Alastair embodies the typical Australian man, given his characters that live in the time of WWI up until modern day. In the hugely popular series “Home and Away”, a show on which “Thor” star Chris Hemsworth appeared in a lead role and a series that is sold in over 100 countries around the world, Alastair played the important role of Cal Jackson.

Alastair therefore not only shared his acting talents with viewers in Australia, but with countries like Ireland where “Home and Away” is the number one TV show and entertains millions with its storylines about the residents of a seaside town called “Summer Bay.” “I felt very fortunate to play Cal, because the trajectory of two other main characters hinged on my performance.” Indeed, as Cal, Alastair plays a university student who causes something of a love-triangle when Summer Bay High students visit an art gallery where Cal exhibits his artwork. The emotional depth Alastair portrayed in the storyline provided the foundation upon which writers and producers built a major story arc around the two leads’ relationship.

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Alastair caused quite the stir when he joined the cast of “Home and Away”

“Home and Away” star Nic Westaway, who appeared in 387 episodes of the show over four years, offers his thoughts for what makes Alastair a successful actor. “What makes Alastair truly extraordinary to work with is his generosity as an actor. He is always willing to work collaboratively to achieve the greatest outcome for the story and the production.”

The importance of Alastair’s roles in such highly-regarded television productions ironically seems small when compared to the rest of Alastair’s hugely impressive career. Alastair gives credence to the notion that actors are not merely ‘performers’, but storytellers and artists who need a finely-tuned instrument and highly refined understanding of the craft to inject humanity into what is otherwise just words on a page. The fact that Alastair Osment has worked on the same productions as Oscar, Golden-Globe and Emmy-winners is obviously impressive, but he has also shown how in the age of social media and Kardashian-culture, pedigree and skill build integrity and success.