No Limits: Dance Artist Faustine Lavie’s Cross Cultural Excellence

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Photos courtesy SLP Official

By Joseph West

Dance artist Faustine Lavie not only excels in one of the most demanding disciplines in all the arts–classical ballet–she also has an extraordinary ability to take on, and easily master, a diverse number of disparate styles which span the entire dance spectrum. 

Whether it’s modern, jazz or esoteric contemporary hybrids like An Nuo Spiritual Dance & Art, the French-born Faustine’s limitless capacity to learn and grow as a dance artist has solidly established her as noted and in-demand force in the high pressure dance scene.  

A prime example of this versatility is her membership in the acclaimed KADA (Korean American Dance Association) troupe.  Founded in 2011 by Korean dancer-choreographer Mee Jung, it’s a contemporary dance company focusing on cultural exchange through the arts. Jung and co-director Ae-Soon Kim, the co-director aim to fuse dance–the primary element–with visual arts, music, singing, painting, and photography presented at stage shows and festivals. 

“I wanted to be a part of this company because I love their vision and the cultural mix they are trying to achieve,” Faustine said. “I like discovering new cultures, performing to music from different parts of the world and dancing different styles of movement.” 

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For the New York based Faustine, dance has always been her passion, one that manifested itself when she was just 3 years old–when she stunned her mother by asking to be enrolled in the local dance school in her native Toulon. 

“Since she wanted me to do sports or some kind of physical movement, she agreed,” Faustine said. “I honestly can’t remember how I became interested in dance because I was so young, but I loved it so much that I’ve never stopped.” 

Later, When the Lavies relocated to Paris, Faustine enrolled in the famed l’Ecole du Ballet National de l’Opéra de Paris, moved on to attend the esteemed Ecole Supérieure de Danse de Cannes Rosella Hightower as well as the notable contemporary Parisian dance school ACTS.. With a solid grounding in ballet, modern, jazz and the Graham technique, Faustine naturally pursued a spot in revered choreographer-dancer Alvin Ailey’s world famous Ailey Certificate Program in Manhattan as the ultimate component of her training.

Blessed, after three years of rigorous study, with Ailey’s formal professional imprimatur and bringing her own boundless store of creative and athletic dance skills, Faustine quickly established herself as a reliable asset not only in i KADA, but in nearly half a dozen other high profile companies (The DynamitExperience, Arim Dance, Nathaniel’s Dance Collective, Bloodline Dance Theatre and An Nuo Spiritual Dance & Art).

The i KADA company’s almost kaleidoscopic pan-cultural style has a special place in her heart: “With i KADA, the dance stays contemporary, but with a different influence in every choreography we do,” Faustine said. “Of course, some have influences from Korea and Asia in general, but not exclusively. Last season, for example, Kim choreographed a piece with an Hispanic influence–that’s very interesting for a dancer, to go from one register to another one like that.” 

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Faustine thrives on the challenges this exotic blend offers. “Some of the pieces include movements taken from the traditional Korean dance vocabulary,” she said. “We had to work hard, especially on hand details, because we were not familiar at all with this style. It was very interesting for me to learn something new like this, that we don’t have the opportunity to try or even see in Western countries.”

 The highlight for any i KADA dancer is the annual KoDaFe (Korean Dance Festival), a four day event featuring performances, workshops and competitions held at the Ailey Studio and the famed Ailey Citigroup Theater, a unique state-of-the-art performance space located in New York’s historic Hell’s Kitchen district.

“KoDaFe was created by i KADA’s Artistic Director Mee Jung to provide a cultural exchange to artists from all over the world,” Faustine said. “For KoDaFe 2019, the company performed four different pieces and I was in two of them. The first, ‘Muse,’ was about the inspiration we have as artists and each dancer represented a different musical instrument, with its unique sound, like each dancer has their own unique way to move. The second piece ‘ChunHyang,’ was inspired by a 13th century Korean story about a noble and commoner who fall in love.” Both were choreographed by Jung and actually evolved during the rehearsal process, like a living organism all its own. 

“These were new pieces in the process of creation, so the rehearsals and preparation were very demanding,” Faustine said. “Being a part of the creation of the piece connects you more deeply to it. We dancers had to be extremely focused to capture every detail right away, as we were learning new movements. It was hard work but done with cheerfulness, always with a smile.”

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“My favorite part of the festival was the amazing people and talented dancers I shared the stage with,” Faustine said. “We became not just friends, but family. The festival is not just about art, but also humanity and love.”

Faustine’s precision, dedication, unflagging pursuit of perfection and fierce tenacity have earned a prominent position as a dance artist of remarkable creativity and interpretive prowess in New York’s very competitive dance community. She wouldn’t have it any other way. 

“What I really like about dance is how you can be a different person every time you take the stage,” Faustine said. “I love exploring diverse styles and growing as an artist, because we never stop learning. Even with a great career and a lot of experience, we always have something to learn.”

Costume Designer-Wardrobe Stylist Paola Erazun’s Winning Style

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Paola Erazun with actor Martin Starr

By Dean Evans

With a deep background in both the demading world of high end haute couture and on-set experience in film and video, Costume designer/Wardrobe stylist Paola Erazun is a powerhouse force. Her combination of audacious originality, comprehensive understanding of an assignment’s full spectrum needs and ability to troubleshoot unexpected challenges with the lyric grace of a master  jazz musician’s improvisation have established Erazun as an in-demand top hand.

The Madrid-based, Argentine-born Costume designer’s affinity for fashion has been a lifelong romance. “Even when I was a child, I always loved wardrobe and I’m very creative,” Erazun said. “I am always looking at people’s outfits and I love to make people look good!”

\With degrees from Italy’s famed Istituto Europeo di Design and Madrid’s venerable Universidad Complutense, she quickly built up a resume studded with such stellar clients as Dior Cosmetics, Guerlain Paris, Audi, Givenchy, Cartier, Burger King and Chase Bank, Erazun’s flexible capacity and intuitive style allows her to take on a broad variety of platforms, from music videos to television commercials to virtually any type of branded content.

Her transition from fashion to film and video was a natural extension of Erazun’s far- reaching talents. As lead costume designer for the Spanish edition of  ‘X Factor,’ Erazun’s team created costumes for contestants, styled the judges and dressed the X Factor girls, invaluable experience that led her to a career path as costume designer.

“Working in fashion was a dream come true,” Erazun said. “I love the fashion world and everything that surrounds it but after 15 years there was a moment where I felt that something was missing. At this point, I started doing more costume design and wardrobe styling in commercials and music videos. I realized that I like storytelling more than fashion world.”

After her X Factor stint, Erazun suited word to action. “I did creative production and styling in London,” Erazun said. “I was working with many high end brands there for five years and then moved to Los Angeles.”

Relocating to Hollywood to work full time as a Costume designer/Wardrobe stylist was an ideal professional evolution, as her recent work with the acclaimed British electro-pop septet Hot Chip on their “Hungry Child” music video makes clear.

“This was a fantastic opportunity because I love this band,” Erazun said. “Such great songs, they get stuck in my head and I can dance to them all day. I’d met [director] Saman Kesh the late last year and we did some jobs together. Then he called me and said ‘I have a music video with Hot Chip and I know you will be great for this!’”

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It was practically a family affair: “When Saman told me that [actor] Martin Starr would star in the video I was very excited,” she said. Not only because I’m a big fan, but after this video I styled him for events several times and he’s such a great, professional and funny guy. Now, definitely, this video was a dream come true!”

“As Costume designer, music videos are always challenging because of budgets and timing is always tight but we made it work,” Erazun said. “I was concentrating on the wardrobe styling end, and the video’s focus was on the story line, so we wanted something very real, normal, wardrobe that, really, is not even noticed.”

“Martin and Milana played a couple and their colors were mostly in browns, green and beige,  but the other characters added a lot–the Uber driver was in a Hawaiian shirt that was great for that scene. popping some colors and a cool pattern inside the car. The therapist wore an African print shirt, we wanted her to be a kind of a guru someone a bit weird, so that shirt was the one–it couldn’t be more perfect for the story!”

Erazun’s meticulous attention to 8detail and unflaggingly creative approach were significant factors in the finished product.

“I really enjoyed it,” she said. “Working with Martin Starr and Milana Vayntrub a great experience, although it was stressful because it was such a long day shoot but the actors made my life easy, the entire team was fantastic. We all are very proud of this project.”

It was very well received, winning the prestigious 2019 Association of Independent Music’s best independent video award, and also garnering a best dance music video nomination from the UKMVA [Music Video Awards], significant events widely recognized as the premier celebrations of global music video and filmmaking.

For Erazun, it was another winning step along her colorful, steadily ascending career path.

“Right now I’m into more creative projects, colorful ones, projects with strong, engaging themes,” she said. “I really want to get into storytelling, create deeply emotional characters, based on what they feel, what the story’s situation is. And I love period pieces, recreating past eras, doing more of that is also a goal.”

With her exceptional roster of impressive credits, far-reaching versatility and profound dedication to her craft, Erazun lives and breathes the essence of the wardrobe stylist’s demanding skill set. For her, it’s the natural order of things.

“”My philosophy is always treat small and big projects exactly the same—and always put the absolute best of myself into the job.”