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Actor Tennille Read’s Award Winning Style

Actor Tennille Read’s rising star is powered by a very particular brand of creativity, one that’s equal measures sensitivity and swagger, a super-charged dramatic formula that spans the entire emotional spectrum with undeniable in-the-moment veracity. Read truly inhabits her characters, always delivering a performance subtly imbued with the full depth and breadth of the human experience. Her award winning performance in the dramatic 2018 short “I Lost My Mind” is as ideal example of her impressive natural talent, a rich gift which, ironically, she almost didn’t take seriously.

“I did a lot of school before I could accept that I actually wanted to be an actor,” Read said. “I did my undergrad in film and theatre at Queen’s University, and then a Graduate program in Communications at Concordia University. But acting always called me back. So to step up my game, I did a three year Acting Conservatory in Toronto. That was where I learned how to approach my work with discipline, unending curiosity and playfulness, and where I really committed to being a professional actor.”

Tennille Read photo by Hamish Birt 2
Tennille Read photo by Hamish Birt

Try as she might to resist the impulse, the seed had been planted years earlier. “I was about 10 and I was watching a re-run of Growing Pains—the season where Leonardo DiCaprio is on the show,” Read said. “In that episode, he has this huge emotional scene that I was spellbound by. He just seemed so raw and vulnerable. I had a lot of pre-teen hormones bubbling up inside me at the time and acting seemed like the perfect way to let them out. I remember asking my mum if I could get an agent—I’m sure that made her heart stand still for a moment. So, instead I started doing little skits and storytelling performances for my grade five class.”

With a solid grounding in live theater and on-set film experience, the Toronto-based Read specializes in spiritually liberated, audacious characters. “I’m excited by female-driven stories and a lead character that overcomes big obstacles by discovering their own potential,” Read said. “There’s a common thread with the films I adore. They usually explore different dimensions or alternate worlds, be it space or expanding possibility. I’m a bit of a nerd about that stuff. I love the idea of tapping into something that is bigger than ourselves but that is still in harmony with us when we get out of our own way—that sparks my imagination in every way.”

This distinctive approach made her an ideal choice for “I Lost My Mind”’s leading role.

“I played the character of Penelope who facilitates a community workshop on filmmaking,” Read said. “One of her students, Wolfy, becomes fascinated by her and finds his thoughts objectifying her in her class. Penelope is pure intelligence, aspiration, with a vast knowledge of her craft, based on her own directing experience. But Wolfy is stuck on her appearance and he can’t focus on what she’s teaching the group. His thoughts get LOUD, but Penelope’s intuition and smarts have him figured out and she puts him in his place with one elegant move.”

“It was easy to relate to Penelope,” Read said. “Her situation was of a woman being objectified by the male gaze. I think every woman can relate to that in some capacity. I’ve been that woman—feeling like I wasn’t being heard and but instead being seen through a narrow lens. I loved playing Penelope because she’s firm and steady in front of this group of young filmmakers and genuinely wants to teach them and have them realize their own potential. Even when she calls out Wolfy at the end, she does it from a place of kindness and good humor, but with enough pointedness to drive her message home.”

Read’s formidable skill as a dramatic interpreter significantly elevated the film’s impact and made “I Lost My Mind” a popular entry on the busy North American film festival circuit. Along the way Read was honored with the Hollywood North Film Awards 2018 Best Actor award. Director Michael Tobin sunned up the actor’s artistic essence “Her perspective on the story that I wanted to tell was invaluable to the final cut. My process has always been a collaborative one, and Tennille brought so much of her own experience to the table that not only fit the role she played, but also enhanced it beyond my expectations. Tennille brings a compelling depth to the characters she plays that I think is a result of her own authenticity.”

That authenticity has become a professional calling card for the n-demand actor. “I recently did a season on ‘Workin’ Moms,’” Read said. “It was my first fleshed-out character who had her own multi-episode story arc. Television shoots move fast and I really like the pace—you don’t have time to get stuck in your head. But I would also like to do more film, on top of the TV work I’ve been booking.”

As an actor, Read has the perfect attitude: “The simplest way is usually the best way. Try something different with each take. Use the nerves to fuel the preparation and then let go of the work.”

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Varunn Pandya talks finding the right dream and pursuing it

XYZ_Headshot
Varunn Pandya, photo by Chaaritha Dheerasinghe

When Varunn Pandya, 21, was growing up, he watched all kinds of movies and found himself enamored by the different journeys they took him on and the different perspectives he felt towards the world. Today, he can proudly say that love for film has only flourished and he has since established a reputation as a talented, unique screenwriter and director. He finds the concept of writing down his thoughts and ideas to be cathartic and he has spent years attempting to learn as much as possible about the arts in order to better himself for the benefit of his eventual audiences. For Pandya, the true luxury that his profession affords him is the luxury of getting to explore different characters and different worlds. Not only is this what attracted him to writing in the first place, but it is also what keeps him coming back for more time and time again.

Throughout his career, Pandya has allowed himself to pour his heart and soul into a number of phenomenal scripts. He is his own toughest critic and his own strongest motivator, pushing himself to ensure that he only brings high quality content before his viewer’s screens. For Pandya, there is no room for slacking in screenwriting and he feels as though giving 99 per cent just simply doesn’t do justice to the tales he aims to tell. He is well known for stories like Dilemma and Homeless and he has made a prominent name for himself in the industry. He has even earned a number of competitive awards, including Best Short Screenplay at Five Continents International Film Festival and at the Calcutta International Cult Film Festival in 2018. What the talented young man lacks in years of experience, he makes up for in sheer talent and so long as he has a pen and paper, he hopes to continue creating compelling stories to share with the world.

Later on in September of this year, Pandya earned himself even more recognition when his script XYZ was chosen as an Official Selection at the Trujillo International Independent Film festival and also when he won the award for Best Sci-Fi Short Screenplay at the Hollywood Just4Shorts Film and Screenplay Competition. When he sets his sights on a script, there is very little he won’t do to make it a success and these awards are a testament to that commitment.

Alongside his friend and colleague, Bader AlShuaib, Pandya developed a concept for XYZ and carefully but considerately determined how best to showcase it before the eyes of thousands. XYZ is about the human tendency to be inherently racist and biased towards people with a certain body type or complexion. In an uncertain future, it centers around Martha, a newly-wed African-American woman who convinces her husband to make her dream of having Caucasian children come true. To achieve this dream of hers, they undergo a special experimental procedure so as to be able to select each and every trait of their future children. Slowly, Martha realizes that in the process of making her dream come true, she ends up destroying everyone around her.

When AlShuaib and Pandya began brainstorming for the script, they pulled inspiration from films and shows like Ridley Scott’s Blade Runner and Black Mirror. As both works have successfully done, AlShuaib and Pandya wanted to delve into the scientific fiction genre and determine a way to challenge the minds of their audiences with a thriller-like, psychological spin. Ultimately, they wanted to explore a deeply human story against a futuristic setting. It was unlike anything Pandya had done in the past and he was awoken by the enjoyment it brought him.

“Unlike my previous work such as The House, a futuristic setting was something I hadn’t ever tackled before. The novelty of this itself made this script an interesting challenge. Even my co-writer, Bader, had not written anything like this before and, hence, was equally passionate about diving into a new world and figuring it out. The writing process was very different to my previous projects. This was the first time I was collaborating with someone and it was important to make sure that I wasn’t curbing his creativity. In my opinion, our writing relationship was very smooth. I would write a draft and send it over to him. After a week or two, he’d tweak it and send it to me. This back and forth eventually resulted in the final script – one that we’re both very proud of” shared Pandya.

Writing XYZ and having it achieve such success in its early days served as a reminder that Pandya has what it takes to pave a change in the film industry. He considers himself fortunate to have found what he truly loves to do so early on in his career. To others out there aspiring to follow their dreams and do so with success, Pandya had the following advice to offer:

“To anyone looking to pursue a career in this industry, I would advise them to be ready to have sleepless nights, go a few months without decent work or pay, and face rejection. If they can accept this, theirs is going to be a smooth ride. I would also ask them to only pick this industry if there’s nothing else they would do even if it paid better. This industry demands that kind of a passion.”

 

Written by Annabelle Lee

Actor Jolie Chi’s Rising Star

Born and raised in Taipei, Taiwan, actor Jolie Chi is now internationally recognized for her award-winning roles. She is currently featured in the Sony family adventure feature “Destined to Ride,” 0pposite award-winning Hollywood talents Denise Richards and Joey Lawrence, the latest step in an impressive career.

A highly talented actor, Jolie Chi has established a reputation for being an invaluable asset to every production she takes part in—and many of these projects have received awards specifically because of her involvement and exceptional performances. Chi’s lead role as the title character in offbeat indie release “My Lunatic Lucy” accounts for more than half of awards which the film received, including Best Actress at the Independent Short Awards, Best Actress at the Top Shorts Film Festival, Best Actress in a Comedy at the Actor Awards, and Best Actress at the LA Short Awards.

Despite some fierce competition, Chi’s appealing charisma and high energy style practically guaranteed her being cast as “Destined to Ride”’s Amy Tsai. The character was written as much younger than Chi, a challenge which the skilled actor eagerly rose to.

“The key to portraying a character that’s younger than me was to review every little thing I went through when I was growing up,’ Chi said. “While doing that, I would write down my emotional state—excited, spoiled, easily embarrassed—and also, of course, go through the changes I have made since I have grown. I sat down, closed my eyes and thought back to how I was as a kid because I was a wild and fun one so I thought playing my younger self will make Amy stand out the most.”

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“Destined to Ride” represents a critical upshift in Chi’s already fast-moving career, one where she worked alongside, held her own and learned from a stellar roster of established stars. It was a golden opportunity which the ambitious young actor definitely made the most of.

“The interaction between Madeline Carroll and myself was so much fun,” Chi said. “She’s so positive and really inspired me. Madeline taught me to really learn about every human being so that you’ll know how to specifically mimic them.
A remarkably versatile actor, Chi also recently made a music video appearance in pop sensation Justin Timberlake’s 2018 hit single “Filthy,” and has also played lead roles in numerous high-profile commercials, including Momo (a Chinese instant-messaging service) that was featured in movie theatres and on billboards across China. Expect to see much more from Jolie Chi.

Motion Graphics Designer Rupa Rathod talks working with Kylie Minogue and living her dream

Being a motion graphics designer gives Rupa Rathod the opportunity to channel her vast creativity. While designing and creating LED screen content for pop tours, events, television performances, and awards shows, she has the freedom to create anything and everything while working with some of her musical idols. Each treatment differs from the last, and she is always challenged to interpret a client’s concept, something that she finds hugely fulfilling. For this English native, there’s nothing that can’t be achieved, and she enjoys all aspects of the journey; it’s a feeling of achievement that she doesn’t think will ever go away, and what keeps her constantly motivated.

“Combining the two passions I have; music and the creativity of motion graphics design was like taking two perfect past times and fusing them together. It seemed like a natural progression in my career, to channel my creativity as a motion graphics artist into music. I was determined to make this happen any way I could,” said Rathod.

Rathod started working for Blink in 2014, where she was employed as an editor initially focused on screens for music festivals. She pushed herself to prove her talent and was quickly given an opportunity to work on a high-profile tour with Robin Thicke. Since that time, her work in creating graphics for concerts has gone from strength to strength and is now well recognized and well respected at the top of the industry.

“My style of designing is always very much influenced by the music I’m working to, whether it’s a pop song, metal, drum and bass, indie, it all determines the style the content needs to be in.

I’m fascinated by light installations and lighting design which is always very sharp, bright and tightly timed to music, so everything I design always has that accuracy to beat responsiveness and the biggest moments in music always need to be visually bigger. I focus on making obvious moments in a track very obvious on screen and the ability to be able to do that is what I would define as my own style,” she said.

This past September, Rathod worked alongside Kylie Minogue for a second time on her most recent European tour, Golden. Rathod had previously worked with the pop icon on her “Kiss Me Once” Tour in 2014, and the two formed a close professional relationship when working on her Sleepwalker film.

Having turned 50 this year, Kylie’s new album channeled her country side, and “Golden” was released. The album was recorded mostly in Nashville, giving it a very authentic country feel and setting the tone for her new tour. The concept for this 2018 “Golden” Tour revolved around a journey from a desert landscape to Nashville, which would eventually all come together in a 70’s spaghetti Western style movie interpreted on stage with Kylie as the protagonist. Rathod was brought onto the team right away, creating content for the tour while Kylie promoted the album, and the motion graphics designer was extremely excited about the concept.

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Kylie Minogue performing “All The Lovers” on her “Golden” tour

“I loved the conceptual idea of creating a 1970’s movie executed through the medium of a full multi-sensory concert and working with filmed content to create a cinematic visual was a beautiful piece of art,” said Rathod. “This tour was a completely new direction for Kylie and her dedicated team. It was a bold new move for everyone involved and to see it met with such positivity was gratifying.”

While working on the “Golden” tour, Rathod worked closely with Creative Director Rob Sinclair, who she has worked with on many projects throughout her career, including Kylie’s “Kiss Me Once” tour. Sinclair trusts Rathod’s ability to take his references and turn them into more graphical visual concepts. They understand each other’s styles and they work well developing them. For the “Golden” tour, there was a lot of filmed content, which is not often done; it adds a decadent touch and requires a large scale of planning. Rob and Kylie’s vision featured a lot of filmed content, which is what made the show so rich and so bespoke. It spoke for itself and helped to narrate the journey the audience were being taken on. The desert scenes at the beginning half of the show were filmed in California and Nevada deserts which was handled by Kylie’s longterm Video Producer, Tom Colbourne and the Blink team in Los Angeles. The second half of the show was shot in a London studio which was handled by Producer, Kirsten McFie and and Rupa in London. Rathod worked closely with Sinclair on the shoot, who was feeding his thoughts and notes to her on the day, which helped her get a sense of how it would sit in the show. She ended up working across all the content through the London post production and onsite rehearsals near Birmingham right up to opening night in Newcastle.

“This tour was an incredible experience to be a part of, not only because Kylie’s team remain wonderfully warm and welcoming, but also because Kylie herself has a huge amount of input into every aspect of her shows and she’s always so grateful to everyone involved. Her enthusiasm and excitement make all the hard work and devotion worthwhile. Kylie is genuinely just a very lovely artist who appreciates the hours of hard work and dedication that everyone puts into creating her shows with her,” said Rathod.

Having just wrapped up this latest tour, Rathod has a lot to look forward to. She recently won a prestigious award for her work on rock band The Killers’ most recent tour, and she has a lot more in the pipeline. She has worked hard to get where she is now, and for those looking to follow in her footsteps, she offers some wise words.

“For those looking to pursue a career in motion graphics, my advice to them would be to not be afraid of having your own style. It may take you a while to develop it, but you’ll have one and to have conviction in the work that you do, because if you don’t, no one else will,” she advised.

 

Written by Sean Desouza

Producer Chandra daCosta takes viewers around the world with ‘Cruise Buzz’

As a Producer, Chandra daCosta wears many hats. She is a manager, financial analyst, filmmaker, and storyteller. It is the latter that she most enjoys in her role and combining creativity with business drives her. Development is a large part of the process, which entails finding interesting stories, people, or cultures, as well as coming up with new angles/spins on ideas that are already successful. In production, it’s all about details, logistics and ensuring things run smoothly and everything is taken care of. DaCosta excels at all aspects of producing, and her talent has led her to being a respected producer in Canada’s entertainment industry.

DaCosta finds herself drawn to the “Lifestyle” genre when it comes to her work, working on shows involving real estate, food, dating, and more. Such projects include Oxygen Network’s A Wedding and a Murder, Global TV’s The Stanley Show, and Animal Planet’s Biggest and Baddest.

“Chandra is a pleasure to work with. She is a skilled negotiator and effective producer. She knows the television industry well and is good at leveraging her many contacts within the industry. She is also a remarkable creative producer. She was the driving force behind Cruise Buzz from both a business and creative perspective in addition to being the on camera host,” said Lori Massini, who worked with daCosta on Cruise Buzz. “Chandra is intuitive and knowledgeable.  She brings skills as both a business and creative producer to her projects. She has a sense for what works and doesn’t work and has great ideas for content.  In addition to being a skilled producer, Chandra is magnetic on camera and makes an excellent host.  Cruise Buzz was a terrific show and I have no doubt Chandra will continue to develop and produce top-notch content.”

It was Cruise Buzz that daCosta calls the highlight of her esteemed career. It was her show; she created it, developed it, found a production company to produce it, and put all the teams together. She was in charge of all the creative and business aspects for the show.

“I remember being on the Windstar cruise in the middle of the ocean and realizing that this was all because of my efforts. It was a real sense of accomplishment because it seemed like we were faced with road block and road block, but I just kept ploughing through. Being on the cruise ship, shooting our pilot episode was epic to me,” she said.

Cruise Buzz highlights the world of cruising, from big ships to small river cruises, all over the world.The premise of the series was “there is a cruise out there for everyone.” daCosta truly believes that. There are so many different types of cruises and itineraries to choose from, and daCosta wanted to show viewers their options. From a River Cruise through China, to the Baltic Cruise on a luxury liner, there is something that can win the heart of any traveler. Whether they want to explore the ports of call or visit foreign ports from the comfort of their stateroom deck. It’s a great and safe way to travel.

“This project was one of the best and challenging projects I’ve ever done. The idea of a travel cruise show was the perfect way to combine my love for travel and TV,” she said.

Every day daCosta worked on Cruise Buzz was an exciting and unique experience. She began with working on the pitch documents, episode ideas and brand integrations. Everyone she approached about being involved was excited about the show.

When she was trying to decide where to shoot the pilot, it was important to daCosta that the pilot episode was shot on a cruise ship that wasn’t the massive passenger cruise. She aimed to find a cruise that had an exciting and exotic itinerary and also show another side of cruising. She ultimately chose the Windstar in the Caribbean, a ship for 300 guests rather than the usual 3000 on large cruise lines. The ship had great visual appeal on camera, complete with sails, and an itinerary that visited ports that were familiar to many travelers, and also some hidden gems.

DaCosta spent almost four years of her life working on cruise ships, and she is extremely passionate about travelling. Being about to share this passion with the world was extremely rewarding for the producer.

“Getting the pilot episode made against all odds was a huge accomplishment. It was such a great feeling to know that Windstar was highlighted in such a great way that appealed to so many different travelers,” she said.

You can watch the pilot of Cruise Buzz here.

 

Written by Annabelle Lee

Cinematographer Majd Mazin shares impactful LGBTQ story in award-winning film

As a Cinematographer, Majd Mazin is responsible for the visual side of a film. It is his responsibility to collaborate with filmmakers to achieve his or her vision and bring it to life, using camera, lighting and movement. He recognizes the challenges of his field, with a lot of responsibility and very little limelight, but he truly loves what he does. He builds relationships with those he works with, making sure a director’s vision is satisfied and an actor’s talent is the showcase of a scene. As a camera assistant, he approaches each new project with the same determination. He is truly a master behind the camera.

“Cinematography is an art form and a technical craft, and both aspects should be balanced and worked on respectively,” he said.

Mazin is a celebrated cinematographer and camera assistant. His work extends to films like The Fat One, web series such as The Millionaires, and music videos for hit bands like Fall Out Boy and Red Velvet. With every project, he aims to make a lasting impression to his audience, which to him, is what filmmaking is all about.

This is best exemplified with his film Prodigal Son. The film tells the story of a closeted gay teenager coming out to a conservative Latino family. Mazin believes it is an important story to be told for LGBTQ teens and their relationships with their families. The lead and writer of the film Juan Felipe Restrepo, had deep connection to the script, as it was his brother’s story, and Mazin took on the responsibility of telling it in the best way visually possible.

“The story of the film is significant to any LGBTQ teen trying to come out to their friends and family. I believe that teens are faced with a very hard choice and adversity. This film helps accompany many of these individuals, reassuring themand telling them that they are not alone in this. By bringing these LGBTQ issues to the forefront, as saturated as that field might be, I believe that it helps bolster the prominence of these issues and makes them feel like they are less on the fringes,” said Mazin.

The film premiered at Warner Bros Studios in Burbank earlier this year. It is still making it’s film festival rounds, but has already impressed audiences all over the world. It won Best LGBTQ film at Festigious International Film Festival, Silver Award Best Drama at the LA Shorts Awards, Best LGBTQ Film at the Los Angeles Film Awards, Best LGBTQ Film at the Top Shorts Film Festival, and was recognized at the Actors Awards. Such success could not have been possible without Mazin behind the camera.

“It is very gratifying to me to know that a project that I invested so much in and worked so hard on, something that I was a part of is getting the recognition that it is getting. In proxy it is reassuring that my work means something and I am making films for people to see, not to sit on someone’s hard drive,” said Mazin.

Mazin came on board during pre-production. He knew they had a very short period of time to shoot, edit and color and release the project, and he wanted to make the most of it. The experience was united with the director and he was given a heavy say in the choice of the visual language. He wrote the shot list with the director, scouted the locations, and hired his crew. Overall, the experience was not only meaningful for Mazin, but also very collaborative.

“I very much enjoyed working with Director Amalia Ramirez. I felt that I was working with a very competent and visionary director. She has provided a comfortable and collaborative environment for me and the rest of the cast and crew. I enjoyed my crew as we worked as efficiently as possible while coming up with innovative ways to attack problems that we faced on the day,” he said.

A cinematographer’s work is essential to the success of any film. Without Mazin’s work, the idea that the director and writer are trying to portray cannot be told in a believable and truthful way. It is his job to not only use the visual language and style, but to make an uninterrupted visual experience that keeps the audience engaged and furthermore, expand on the story and plot. Prodigal Son was no different, and Mazin’s emotional connection to the story just made him that much more determined.

So, what’s next for Mazin? He is currentlyworking on a feature film titled The Keeper. Be sure to keep an eye out for it.

 

Written by Annabelle Lee

The Lost Soul: Victorian Horror/Thriller Premiering Next Week on Amazon Prime Streaming.

 

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NEVER MAKE A DEAL WITH THE DEVIL, NO MATTER HOW SMALL…

 PREMIERING OCTOBER 23, 2018

STREAM INSTANTLY ON AMAZON PRIME

How do you get your soul back after you sell it? You steal it.

 LOS ANGELES, CA (October 20, 2018) THE LOST SOUL, a mysterious look into the afterlife follows a man grasping at life and narrowly escaping death. Available now to stream on Amazon Prime. Distributed by Sun and Moon Films, the film is created by filmmaker Jeff Caroli (“BALI: BEATS OF PARADISE”).

 The Lost Soul is a fantasy mystery film that has been screen all around the world. The premiere was held in New York City, USA. Since, it has been screened both in Europe and Africa. The film was nominated for best cinematography for Jeff Caroli.

Jeff Caroli is an accomplished cinematographer. For the past 11 years Caroli has been a cinematographer and has garnered millions of views on Youtube.His works include “Queen of the Hill” a music video starring Grammy award winner Judith Hill and the upcoming feature films, “Bali: Beats of Paradise” and “Insight”.

 

ABOUT SUN AND MOON FILMS:

Sun and Moon Films is a US-based production company producing films locally and internationally. The company has produced in the US, China, Indonesia, and Thailand. Sun and Moon Films has had theatrical distribution as well as screenings in various film festivals around the world. The company’s film Bali: Beats of Paradise is premiering at the Academy of Motion Picture Arts and Sciences in Beverly Hills, November 7, 2018. Upcoming projects include Insight, starring Madeline Zima, Tony Todd, Keith David, and Sean Patrick Flannery.