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Producer Chandra daCosta takes viewers around the world with ‘Cruise Buzz’

As a Producer, Chandra daCosta wears many hats. She is a manager, financial analyst, filmmaker, and storyteller. It is the latter that she most enjoys in her role and combining creativity with business drives her. Development is a large part of the process, which entails finding interesting stories, people, or cultures, as well as coming up with new angles/spins on ideas that are already successful. In production, it’s all about details, logistics and ensuring things run smoothly and everything is taken care of. DaCosta excels at all aspects of producing, and her talent has led her to being a respected producer in Canada’s entertainment industry.

DaCosta finds herself drawn to the “Lifestyle” genre when it comes to her work, working on shows involving real estate, food, dating, and more. Such projects include Oxygen Network’s A Wedding and a Murder, Global TV’s The Stanley Show, and Animal Planet’s Biggest and Baddest.

“Chandra is a pleasure to work with. She is a skilled negotiator and effective producer. She knows the television industry well and is good at leveraging her many contacts within the industry. She is also a remarkable creative producer. She was the driving force behind Cruise Buzz from both a business and creative perspective in addition to being the on camera host,” said Lori Massini, who worked with daCosta on Cruise Buzz. “Chandra is intuitive and knowledgeable.  She brings skills as both a business and creative producer to her projects. She has a sense for what works and doesn’t work and has great ideas for content.  In addition to being a skilled producer, Chandra is magnetic on camera and makes an excellent host.  Cruise Buzz was a terrific show and I have no doubt Chandra will continue to develop and produce top-notch content.”

It was Cruise Buzz that daCosta calls the highlight of her esteemed career. It was her show; she created it, developed it, found a production company to produce it, and put all the teams together. She was in charge of all the creative and business aspects for the show.

“I remember being on the Windstar cruise in the middle of the ocean and realizing that this was all because of my efforts. It was a real sense of accomplishment because it seemed like we were faced with road block and road block, but I just kept ploughing through. Being on the cruise ship, shooting our pilot episode was epic to me,” she said.

Cruise Buzz highlights the world of cruising, from big ships to small river cruises, all over the world.The premise of the series was “there is a cruise out there for everyone.” daCosta truly believes that. There are so many different types of cruises and itineraries to choose from, and daCosta wanted to show viewers their options. From a River Cruise through China, to the Baltic Cruise on a luxury liner, there is something that can win the heart of any traveler. Whether they want to explore the ports of call or visit foreign ports from the comfort of their stateroom deck. It’s a great and safe way to travel.

“This project was one of the best and challenging projects I’ve ever done. The idea of a travel cruise show was the perfect way to combine my love for travel and TV,” she said.

Every day daCosta worked on Cruise Buzz was an exciting and unique experience. She began with working on the pitch documents, episode ideas and brand integrations. Everyone she approached about being involved was excited about the show.

When she was trying to decide where to shoot the pilot, it was important to daCosta that the pilot episode was shot on a cruise ship that wasn’t the massive passenger cruise. She aimed to find a cruise that had an exciting and exotic itinerary and also show another side of cruising. She ultimately chose the Windstar in the Caribbean, a ship for 300 guests rather than the usual 3000 on large cruise lines. The ship had great visual appeal on camera, complete with sails, and an itinerary that visited ports that were familiar to many travelers, and also some hidden gems.

DaCosta spent almost four years of her life working on cruise ships, and she is extremely passionate about travelling. Being about to share this passion with the world was extremely rewarding for the producer.

“Getting the pilot episode made against all odds was a huge accomplishment. It was such a great feeling to know that Windstar was highlighted in such a great way that appealed to so many different travelers,” she said.

You can watch the pilot of Cruise Buzz here.

 

Written by Annabelle Lee

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Cinematographer Majd Mazin shares impactful LGBTQ story in award-winning film

As a Cinematographer, Majd Mazin is responsible for the visual side of a film. It is his responsibility to collaborate with filmmakers to achieve his or her vision and bring it to life, using camera, lighting and movement. He recognizes the challenges of his field, with a lot of responsibility and very little limelight, but he truly loves what he does. He builds relationships with those he works with, making sure a director’s vision is satisfied and an actor’s talent is the showcase of a scene. As a camera assistant, he approaches each new project with the same determination. He is truly a master behind the camera.

“Cinematography is an art form and a technical craft, and both aspects should be balanced and worked on respectively,” he said.

Mazin is a celebrated cinematographer and camera assistant. His work extends to films like The Fat One, web series such as The Millionaires, and music videos for hit bands like Fall Out Boy and Red Velvet. With every project, he aims to make a lasting impression to his audience, which to him, is what filmmaking is all about.

This is best exemplified with his film Prodigal Son. The film tells the story of a closeted gay teenager coming out to a conservative Latino family. Mazin believes it is an important story to be told for LGBTQ teens and their relationships with their families. The lead and writer of the film Juan Felipe Restrepo, had deep connection to the script, as it was his brother’s story, and Mazin took on the responsibility of telling it in the best way visually possible.

“The story of the film is significant to any LGBTQ teen trying to come out to their friends and family. I believe that teens are faced with a very hard choice and adversity. This film helps accompany many of these individuals, reassuring themand telling them that they are not alone in this. By bringing these LGBTQ issues to the forefront, as saturated as that field might be, I believe that it helps bolster the prominence of these issues and makes them feel like they are less on the fringes,” said Mazin.

The film premiered at Warner Bros Studios in Burbank earlier this year. It is still making it’s film festival rounds, but has already impressed audiences all over the world. It won Best LGBTQ film at Festigious International Film Festival, Silver Award Best Drama at the LA Shorts Awards, Best LGBTQ Film at the Los Angeles Film Awards, Best LGBTQ Film at the Top Shorts Film Festival, and was recognized at the Actors Awards. Such success could not have been possible without Mazin behind the camera.

“It is very gratifying to me to know that a project that I invested so much in and worked so hard on, something that I was a part of is getting the recognition that it is getting. In proxy it is reassuring that my work means something and I am making films for people to see, not to sit on someone’s hard drive,” said Mazin.

Mazin came on board during pre-production. He knew they had a very short period of time to shoot, edit and color and release the project, and he wanted to make the most of it. The experience was united with the director and he was given a heavy say in the choice of the visual language. He wrote the shot list with the director, scouted the locations, and hired his crew. Overall, the experience was not only meaningful for Mazin, but also very collaborative.

“I very much enjoyed working with Director Amalia Ramirez. I felt that I was working with a very competent and visionary director. She has provided a comfortable and collaborative environment for me and the rest of the cast and crew. I enjoyed my crew as we worked as efficiently as possible while coming up with innovative ways to attack problems that we faced on the day,” he said.

A cinematographer’s work is essential to the success of any film. Without Mazin’s work, the idea that the director and writer are trying to portray cannot be told in a believable and truthful way. It is his job to not only use the visual language and style, but to make an uninterrupted visual experience that keeps the audience engaged and furthermore, expand on the story and plot. Prodigal Son was no different, and Mazin’s emotional connection to the story just made him that much more determined.

So, what’s next for Mazin? He is currentlyworking on a feature film titled The Keeper. Be sure to keep an eye out for it.

 

Written by Annabelle Lee

The Lost Soul: Victorian Horror/Thriller Premiering Next Week on Amazon Prime Streaming.

 

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NEVER MAKE A DEAL WITH THE DEVIL, NO MATTER HOW SMALL…

 PREMIERING OCTOBER 23, 2018

STREAM INSTANTLY ON AMAZON PRIME

How do you get your soul back after you sell it? You steal it.

 LOS ANGELES, CA (October 20, 2018) THE LOST SOUL, a mysterious look into the afterlife follows a man grasping at life and narrowly escaping death. Available now to stream on Amazon Prime. Distributed by Sun and Moon Films, the film is created by filmmaker Jeff Caroli (“BALI: BEATS OF PARADISE”).

 The Lost Soul is a fantasy mystery film that has been screen all around the world. The premiere was held in New York City, USA. Since, it has been screened both in Europe and Africa. The film was nominated for best cinematography for Jeff Caroli.

Jeff Caroli is an accomplished cinematographer. For the past 11 years Caroli has been a cinematographer and has garnered millions of views on Youtube.His works include “Queen of the Hill” a music video starring Grammy award winner Judith Hill and the upcoming feature films, “Bali: Beats of Paradise” and “Insight”.

 

ABOUT SUN AND MOON FILMS:

Sun and Moon Films is a US-based production company producing films locally and internationally. The company has produced in the US, China, Indonesia, and Thailand. Sun and Moon Films has had theatrical distribution as well as screenings in various film festivals around the world. The company’s film Bali: Beats of Paradise is premiering at the Academy of Motion Picture Arts and Sciences in Beverly Hills, November 7, 2018. Upcoming projects include Insight, starring Madeline Zima, Tony Todd, Keith David, and Sean Patrick Flannery.

Award Winning Actor Missy Malek’s Midas Touch

British actor Missy Malek is a remarkably self-possessed artist, one who takes her craft so seriously that even as a teenager she aggressively pursued a life in acting. Becoming a member of the renowned National Youth Theatre of Great Britain, Malek’s dedication and natural skill allowed her to reach an elevated level of creative theatrical expression starting when she was just 14. Adept at manifesting vivid, wholly identifiable characterizations, the multi-faceted Malek is so driven that after completing the script for her award–winning 2017 short Laughing Branches, she felt compelled to personally oversee almost every aspect of the production.

“I didn’t actually intend to write, direct and produce it, but that’s exactly what I ended up doing,” Malek said. “I had a clear image in my head of what I wanted it to be like and didn’t see any reason why I shouldn’t go ahead and direct it myself.”

The offbeat project, starring Tom Hanson, Leo Suter and Malek, is an engaging, philosophical comedy-drama with a fantasy/sci-fi twist, and relates the stories of two struggling actors who contemplate—and live out—alternative futures both together and apart.

“It was obviously really challenging—I had no directing experience whatsoever,” Malek said. “But my cinematographer, David Raedeker, and my co-producer, Oliver Page, really guided me. Tom is also a really amazing actor, so he made the acting side of directing much easier. It was a very collaborative process.”

Malek’s sure-footed ambition and audacity gave Laughing Branches a unique depth, one rooted in a very personal experience.

“I came up with the idea at a time in my life where everything seemed to become a lot more ‘real,’” Malek said. “I was barely out of my teenage years and I, along with all my friends, suddenly realized that the choices we were making were very important and would have an impact on the rest of our lives. As a result, I found myself panicking, questioning every choice I was making and tried to control my future as much as I could by not allowing myself room to make mistakes.”

By the time she completed the script, written at Oxford University where she was studying philosophy, the unusual concept had grown into a thoroughly engrossing premise.

“’Laughing Branches’ is primarily about the anxiety of being young and ambitious, incorporated with a philosophical theory about infinite universes that have always fascinated me,” Malek said. “I’ve always been attracted to mind-game films that have an element of groundlessness and irresolution, yet still maintain a sense of heart and lightness.”

That twist of cosmic fantasy enabled Malek, who divides her time between hometown London and Hollywood, to really challenge herself as an actor.

“Out of all my film work, my character in Laughing Branches probably had the most range,” she said. “The element of parallel universes in the film means she goes through so many vastly different outcomes and we get peaks into the most dramatic and intense moments in those universes, so there was quite a lot to do.”

Malek’s training and experience provided an ideal context for such far reaching perspective, particularly her rich resume of live theater— at the Chelsea Theatre, she played Beatrice in Shakespeare’s ‘Much Ado About Nothing’ followed by  Brecht’s ‘Caucasian Chalk Circle,and, at the Burton Taylor Studio, in ‘The Lesson’ and as lead character Myra in ‘Deathtrap,’ along with Cat on a Hot Tin Roof” at The Simpkins Lee Theatre—affording her the skill to craft a persuasive series of tangible personae imbued with the full spectrum of nuance, traits and emotion as her character caroms through disparate scenarios.

“I wanted to convey the message that if you’re an ungrateful person, you’ll always look at what you don’t have and nothing will ever be enough,” Malek said. “If you’re miserable in one universe, there’s a high chance you’ll be miserable in any universe. On top of that, I wanted to show how as much as we may try to control our future and make the right choices, it really isn’t possible to do that. There’s nothing you can say and no way of intellectualizing things that will make you happy. Happiness is a perspective.”

Reaction to the film brought everyone involved a great deal of happiness—it took multiple awards at festivals around the globe, taking the Best Short awards at the Mexico International Film Festival, Lady Filmmakers Film Festival and Key West Film Festival’ best short awards and the IndieFEST Film Awards Award of Excellence for Malek’s performance as leading actress.

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“The IndieFest award I got for my acting was a huge honor,” Malek said. “Because, at times you really don’t like my character, she can be really vindictive and has a lot of anger and conflict in her. But despite that, at other times you do empathize with her.

Personally, the most rewarding experience of making the film was the confidence it gave me. To receive such a positive response from people high up in the industry meant so much. It’s a big step forward in an artist’s career to get that reassurance, to have people say ‘you’re good, keep going.’ That was the most rewarding thing.”

China’s Jie Meng creates award-winning visual effects for ‘Guardians of the Galaxy Vol. 2’

Jie Meng is consistently fascinated by his craft. The power of visual effects, to use different algorithms and physics theories to recreate something natural, or even create something that does not exist in the real world, is enchanting to the Chinese native. With a creative imagination and a deep understanding of computer science, an FX artist can create anything, turning fantasy into reality.

“With different algorithms and techniques, FX artists can do a lot of research and develop all different kinds of effects. As an FX artist, I also enjoy coming up with my own algorithms and methods to create new effects elements when I am at home. I feel I can create anything in my mind into the CG world, which is super fun to me,” said Meng.

Meng is an internationally sought-after visual effects artist, having contributed to blockbuster films, iconic video games, and prolific commercials. Earlier this year, audiences were enchanted with his work on the record-breaking film Avengers: Infinity War and the successful TV movie Freaky Friday, just as they were previously with Captain America: Civil War and King Arthur: Legend of the Sword. He is also recognized around the world for his work on video games, including Call of Duty: Black Ops III and Quake Champions.

Despite such success, Meng calls the highlight of his career his work on Marvel’s hit Guardians of the Galaxy Vol. 2. He worked on countless shots and different kinds of effects elements in several sequences, designed and final locked over a hundred shots in only a couple of months, and finally, saw recognition for his work from the Academy with an Oscar nomination. The moment he saw his name in the movie credits, he knew that all those late nights have paid off.

“This is a milestone film project for me. It was my first time designing a procedurally generated CG environment in the film production, and it was my first time working so closely with other CG departments. I was inspired by all different artists around me, from their hard work and how they think and solve problems. There were a lot of late nights in this film project, but I was fully charged every morning, and just could not wait one second to keep working with my VFX crew members,” said Meng.

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Meng’s vast contributions to Guardians of the Galaxy Vol. 2 helped bring the film to critical acclaim around the world. Not only did it take in over $860 million at the worldwide box office, but it was recognized at prestigious award ceremonies around the world. The highpoint for Meng was when the film was nominated for Best Visual Effects at the Academy Awards.

“When the news of the Oscar nomination had spread out, all the team members that worked on this film cheered into tears. We were so proud of ourselves that we achieved a VFX masterpiece. This film motivates and encourages me to keep on going as a VFX artist and also a filmmaker in the future,” said Meng.

Meng worked on many effects shots in several different sequences in the film. His main focus was the “normal” and “angry” Ego planet sequences. Those two sequences have a huge volume of the shots, which required the artists to design and finish the effects elements in a very short amount of time. Meng was not only building effects elements, but also helping in procedural modeling, shading/look-dev, lighting, procedural layout, and digital assets sharing aspects.

He designed and finished every shot containing Ego’s environment, all thruster effects elements for Quadrant Ship and jetpack in the “angry” Ego planet sequence. This included designing and finishing every shot containing aurora effects elements in the “normal” Ego planet sequence, such as the dust and leaves blowing in the Ego ship landing sequence. He also created taser gun lightning effects in a hero shot when Rocket Racoon shoots Gamora and did some early Rocket Racoon fur tests in the Guardians squat night talk scene.

Overall, Meng contributed over 20 different kinds of effects elements and CG contents in a total of four different sequences for the film. He designed and finished over 100 shots and related to 200 shots. The technical solutions that he came up with saved a great amount of time and made sure the entire team finished every shot before the deadline. His visual effects undoubtedly brought a stronger visual impact to the film and made the film a masterpiece of sci-fi fantasy artwork.

“I had the pleasure of working with Jie on Guardians of the Galaxy Vol. 2. He is absolutely exceptional at what he does and is always striving to better himself and his craft. He is hard working, detail oriented, reliable and goes above and beyond when helping out others. He is always open to collaboration and feedback. I highly think that his skill and expertise would be a great fit for any project he works on. I look forward to working with him again on future projects,” said Dennys Herman, Lighting and Look Development Artist at MPC.

Meng had always been a big Marvel fan, and above all else, creating such a timeless film meant more to him than anything. He was determined to achieve greatness with every effect he created as he knew Guardians of the Galaxy Vol. 2 was more than just a visual spectacle.

“I like the story of this film, as the core it is about family. The plot twists when Starlord (Peter) met his father Ego, and finally found out his father is an evil creature who killed his mother. The family theme is also relevant when Gamora and Nebula fight against Ego together, and Yondu sacrifices himself to save Peter. It’s a comedy sci-fi fantasy movie, but this core is very deep. The film is not some regular comedy where people laughed and forgot about it, but something that will be remembered,” he concluded.

Ken Zheng: Indonesia’s Action Star Phenomenon

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Actors like Tom Cruise and Jackie Chan are famed worldwide for their talent and their drive. Artists of this ilk are deeply involved in the productions they star in, evident in their performances. Many are referring to Indonesian actor and writer Ken Zheng in a similar manner as the aforementioned celebrities. His work as an action star and as a screenwriter has made him an international sensation in the last few years. Athlete (Zheng was part of the Indonesian National Team for Kickboxing and became the youngest Champion in Indonesia’s history) turned stuntman turned marquee name, this talent from Indonesia seems to revel in the action genre. His roles in US films and those abroad have seen him starring alongside long-established actors, vetting him as a peer and a major force in the international film industry.

2017’s Down by the River stars Zheng as a prison escapee making his way through the wilderness to the Rio Grande river while being hunted by a killer. It’s a classic tale of survival driven by a small cast. No less frightening is the film Hitman in which a woman inadvertently witnesses a drug deal gone wrong and pays the price for doing the right thing. Second Chance pits two hired killers against each other. Zheng is perfectly paired in this tale, starring alongside Trent Moore (of the Coen Brothers multiple Oscar-winning films No Country for Old Men). Concerning his work in these thrilling productions, Ken communicates, “I see the beauty in action and I love bringing thrills to the audience when they watch a movie. The action itself is always supplementary to the story and the visuals help the audience integrate to the world of the movie”

Currently, in post-production, Ken starred in the upcoming feature film he wrote called Insight. The story goes beyond the label “action film” as it is centered on two siblings who possess the gift of clairvoyance. Escaping an abusive home, they are recruited by a counter-terrorism agency. The brothers grow apart as they enter adulthood and this motivates the action of the story. As Qiang, the younger of two siblings, Ken delivers an emotional and visceral performance alongside such celebrated talents as Keith David (multiple Primetime Emmy winner) and John Savage (The Deer Hunter-winner of five Oscars, Hair-winner of two Golden Globes). Zheng concedes, “There’s always room to learn as an actor. Working with John and Keith was an opportunity to learn from their experience and talent. They’ve both been in so many extraordinary films; to see them creating on set like that…it was an incredible learning opportunity. As an actor who is also a writer, it also gave me the chance to see what I could do with the script to help the actors. When I first moved to the United States I tried to bridge the East and West as each has its own unique stories. Moreover, I always try to keep my stories rooted and grounded to real emotion and real relationship between the characters. The movie itself is not always self- contained but the relationship between the characters is always clearly defined in my stories.”

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Australia’s Mark Davis talks passion for acting and starring in ‘I Want You’

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Mark Davis

Despite having other passions, Mark Davis found himself acting from a young age. Growing up in Melbourne, Australia, his father had an old VHS camcorder, and to pass the time, Davis’ brother and his friend used to use the camera, recording small skits. Being the youngest, Davis was always made to be a bad guy who gets beaten up, or he would be dressed up in his mother’s clothes to play a woman. At the time, he was just happy to be spending time with his big brother, but little did he know he would grow to be a celebrated actor.

Throughout his esteemed career, Davis has been a part of several acclaimed projects, from award-winning movies to prolific commercials. He has starred in films like Lucy and Topdecked, which he also wrote, as well as the upcoming period drama Fallen. Australians also know his face from national commercials for Honda, Crownbet, Interflora, and more.

“I knew acting was always something I had a natural affinity for. Instinctually the acting process made sense to me and even though I was quite shy, I felt freedom when taking on a role. I feel like acting is a culmination of many art forms and for me movement and being in touch with something like your emotions and imagination as a profession just made sense. I like taking a walk in other people’s shoes and to get paid to swear, cry, fall in love and throw chairs is a privilege,” said Davis.

One of Davis’ first tastes of international success came with the 2013 romantic drama I Want You. The story follows Maya, who is deeply in love with a boy who lives in Israel. Maya struggles to maintain her faith in a relationship that unfolds largely on a computer screen after she meets another man who can provide the tangible aspects missing from her relationship. Although tempted, Maya has to ask herself, will this new relationship give her what she truly wants?

“The story really demonstrates that good people can be tempted to do things that are against their morals and who they are. In the end, however, the film is about forgiveness and that message is very strong,” said Davis.

In the film, Davis plays Ethan, a character who was very much the other man in a love story. Ethan had to seduce Maya, who was in a very healthy relationship. He was the protagonist in the film. He came into a healthy environment and had to be the perfect blend of nice and endearing whilst also being the bad guy who is going to ruin a relationship purely for his own sexual gratification. Therefore, Davis had to be extremely charming, and managed to do so in tough shooting conditions. It was extremely hot on set, as they were filming in many different locations during the Australian summer.

“I liked being cheeky and being a person with low morals dressed as a nice guy. I’m more self-deprecating and awkward in real life so I had to channel my inner Brando to pull it off. That’s the joy in acting and I definitely had fun on this film. I’ve always said that no one cares about your enlightenment, the audience will watch because they want to see your darkness. It’s more relatable,” said Davis.

MV5BMjJmNmEyZjItMGIyNS00ZjVjLThiZDctNmViYmU1YWZmOTVjXkEyXkFqcGdeQXVyMzgwNjU4NzE@._V1_SY1000_CR0,0,707,1000_AL_I Want You also stars Australian superstar Viva Blanca, best known for her role on the television series Spartacus. The film marked the actress’ directorial debut, and she felt the pressure. Knowing she had to have the perfect casting to make her film a success, she gave Davis the role of Ethan.

With the help of Davis, the film went on to be screened at the Palm Springs International Film Festival, the Newport Beach film festival and the St Kilda Film Festival, seeing great success around the globe.

“It was one of the first films I was involved with and I’m glad it was so highly regarded. Viva is a great creative mind and an amazing talent,” he concluded.

 

Written by Annabelle Lee