The life of a professional entertainer demands the ability to embrace a broad spectrum of formats and platforms. Canadian-born performer Paris Martino excels at nimbly jumping from one to the next, whether it’s a classic Broadway musical comedy or a leap into the bold new world of custom digital content. While she’s a noted player in the New York theater world, Martino has expanded her resume with a new credit: serving as the online voice for the distinguished Gillette brand’s award-winning Venus line of personal grooming tools.
Already an acclaimed actor, singer and dancer—winning the prestigious National Triple Threat Award at the high-profile Onstage New York Talent Competition—Martino’s exceptional versatility and far-ranging capabilities place her in a rarified league of her own. A consummate professional who has had extensive formal training (earning a BFA in Musical Theatre and Dance at the distinguished Boston Conservatory at Berklee and intensive programs at the New York City Dance Alliance and the Performing Arts Project), Martino was a natural fit for Venus.
“In college, I studied voice over for a semester with some of Boston’s most elite VO actors,” she said. “We worked mainly on commercial voice over as this is the largest market in this industry.”
Her singular vocal tone, playful and personable yet coolly authoritative, has an appealing quality ideal for voice over work, and the gig essentially fell into her lap.
“This is my first job in commercial advertising, and I got it through a connection I had at the PR company in charge of the media for Gillette,” Martino said.
The firm, Marina Maher Communications, is a noted institution in Manhattan’s advertising world, well known as a home for ‘artfully persuasive’ talent, a coincidentally perfect description of Martino.
“The connection I had at MMC had heard my voice-over reel and asked me if I’d be interested in recording content they were creating to promote their new razor launch,” she said. “My role is to voice commercial work for the brands social media platform. I’ve already done several of their ads and am contracted to continue doing so.”
Gillette’s new Venus shaver is touted as the most effective pubic & body razor on the market—its unique design features 5 blades for a precise and smooth shave on larger areas of the body and a trimmer on the other end to help access harder to reach areas—and its best claim is no mere PR boast.
“Venus won the Allure magazine’s beauty award,” Martino explained. “The magazine’s beauty editors test the products thoroughly and determine the ‘best’ in each category. This award is a tremendous honor for the brand and their newest product and I’m glad to be a small part of that success.”
Martino effectively got in on the ground floor of the Venus line’s foray into social media, specifically the wildly popular Tik Tok platform, known for its oft eccentric, entertaining content, and her debut for the brand was precisely that.
“A typical recording session usually requires the talent to go into the booth and record their text,” she said. “But this session was a bit unconventional. Creative wanted it to sound like I was in a bathroom so they actually had me go into a sound studio bathroom set and record in that site-specific location!”
Working without a director, Martino typically nailed the assignment and, between her ongoing theatrical and film work (she is currently cast in and actively developing To Family, a new musical comedy), she will happily continue to provide engaging content for the Venus Tik Tok account. It’s a classic win-win, ideal for both Venus and the creative, ambitious performer:
“I really enjoy voice over work,” she said. “And I love helping brands carry out their dreams by way of my art!”
As renewed COVID-19 restrictions have taken over Sydney amidst the delta variant, viewers have once again returned to their screens to find a welcome respite from the stress of it all. Viewing habits have of course turned towards revisiting the comfort of Australian favorites, which lead our editors to speak with one of Australia’s brightest stars, Dan Hamill.
Multi-talented entertainer and actor Daniel Hamill brought his versatile skill-set and experience to the renowned Australian drama television series, Love Child. That performance, along with his appearances as a finalist on Popstars and X-Factor, was one of many which solidified Dan’s place in the Australian screen and television industry, so our writers thought it was befitting – as the series experiences renewed popularity via streaming – to revisit Dan’s work and the continued evolution of his career.
The acclaimed Australian star, who also worked as a series regular across 26 episodes of SheZow and is due to work on an exciting slew of projects in the US in the coming years, is humble and down to earth in person. It’s befitting therefore that he played his role on Love Child with a salt-of-the-earth sensibility that was simultaneously elevated by a distinctly 70s debonair quality.
Love Child follows the lives and staff of the Kings Cross Hospital and Stanton House in Sydney, based on the real-life forced adoption program in Australia. The series beautifully captures the coercion and stigma of unmarried women in Australia and the plight of their children. One of Australia’s most popular dramas, the show was loved for its “70’s style” and its gripping emotion, which Dan was able to realize with his flair and emotional depth. His contributions solidified the show’s continued high-ratings as he became a fan favorite, helping Australia’s Nine Network strengthen its position as Australia’s top network.
“Being part of a hit show like Love Child was such an honour,” Hamill explains. “It was one of those dream roles that fit like a glove and felt like a real extension of self. The reason it was so popular was because it was about WOMEN- 95% of the cast! and that was a really important story to be a part of and told.”
“I loved playing Dr Andrew Patterson as he was such a forward thinking guy for the time, he broke the rules, and was in FULL support of empowerming women and rewriting/opposing the patriarchal and archaic mindset of men in that time. Looking back to when I was a kid, playing a leading man ‘heartthrob’ was such a far off dream. I had to pinch myself a few times saying to myself ‘hey buddy, how fun is this!”
Love Child notably received numerous prestigious accolades in the entertainment industry. At the 2015 Logie Awards, an awards event which celebrates Australian television, the show was nominated for the Most Popular Drama Program Award, and in 2016, the show was nominated for both the Best Drama Program and Most Outstanding Drama Series. Love Child also received a nomination for the Best Drama Series Award at the Golden Nymph Awards, which are the prizes awarded to the winners of the Official Competition of the Monte-Carlo Television Festival, meaning Dan’s work has been enjoyed at the international scale and contributed to awards acclaim.
Hamill elaborates on the experience of what it meant for the show to be recognised internationally.
“For Love Child to be nominated internationally was such a phenomenal nod to the show. We were all in disbelief initially when we heard about this. It’s a really heavy show- we talk about abortion, abandonment, women’s rights and injustice. It just goes to show that this is what the world needs right now.”
Love Child also featured Jessica Marais, Jonathan LaPaglia, and Matthew Le Nevez and was directed by Geoff Bennet, who won the AACTA Award for Best Direction in a Television Drama or Comedy. Hamill’s performance as the charismatic Dr. Andrew Patterson, a continuing fan favorite who impedes Dr. Joan Miller’s (Jessica Marais) efforts to continue her career after the birth of her child, represents the societal resistance towards unmarried women who had children in Australia during the twentieth century.
Hamill joined the team in the show’s fourth season, but made an immediate impact as in the lead male role, claiming that although the loss of Jonathan La Paglia’s talent and role on the cast left big shoes to fill , “the cast was so lovely and welcomed me with open arms, so it was good to be there.”
In one particular scene in the season’s fourth episode, Hamill’s character diagnoses Joan’s baby, Laura, with pneumonia, and does everything within his ability to assist the child but must simultaneously accept the reality that the child could die. Dan gives a showstopping performance by capturing the anxiety and panic of the moment, with fans and critics noting that the episode “drew out the best performances” from Dan. Hamill’s participation on the show made an immediate, demonstrable impact as IMDB indicates that ratings for each episode in the fourth season consistently exceeded 9/10, as opposed to the previous season’s episodes which largely received 8/10 ratings.
Hamill’s character also plays an essential role in the season finale, when he discovers the evidence that proves Joan’s baby was swapped with another mother’s, another cold reminder of the violations of familial bonds that occurred in Australia at the time.
As Hamill explains, “the finale of the show was heavy. I mean in terms of dramatic tension, you can’t really beat a baby swap storyline right? Jess Marais and I had really built a beautiful emotional rapport and trust with each other and had learnt to really support each other in the heavy scenes.”
Acting, particularly in drama, requires a performer to deeply personalise and go deep into memories or imagined circumstances that trick your imagination and nervous system to believe these things are really happening in order to convey truth and emotionally affect audiences.
Hamill elaborates on the dynamic with his scene partner.
“Jess and I as buddies in this, sharing so many scenes together, created a really special space where we would drop into the depth of our emotional world to pay the script justice – you can’t fake that stuff. At the end of a scene or between takes that required deep grief or rage or even intimacy- we would give each other a little look that said ‘I got you mate’.”
Hamill explains further. “That special bond you have with another actor that really goes there, as much as you do is so damn special and makes the whole process super, safe, beautiful and in an odd way healing.”
Hamill also played an important role in the popular Australian television series Jack Irish alongside Guy Pearce. Here, Hamill appears as Wayne Dilthey, a member of the Way of the Cross Church who uncovers the nefarious actions of the church. His eventual murder later becomes the focal point of the show as Jack Irish (Guy Pearce) ends up getting framed for the crime. The show was one of the six most watched programs in all of Australia upon its release, recording nearly 1 million viewers, and Hamill’s popularity amongst television audiences undoubtedly contributed to this significant figure given the importance of his character. Critics praised the show and fans continue to stream it worldwide, and in the US, via Acorn TV.
Hamill versatile skills as an entertainer in film and TV was also confirmed with his performance as a voice actor in the animated series SheZow. He performed in 26 episodes, showing his indispensability to the show as a talent. When watching the series, it’s clear that Hamill is an accomplished performer who can convey emotional depth and entertainment with just his voice, in addition to his skilled performances on television as a singer and actor.
Award-winning Australian icon Noni Hazelhursts says the following of Hamill:
“One of [Dan’s] great strengths as an actor is his “look” – he has the same ability that Heath Ledger did to play anything from a romantic lead to a hitman to a tramp. His looks are hard to define – he could be James Bond, he could be a filthy junkie – his casting potential is enormously wide.”
She elaborates further with reference to his transformational character abilities.
“I can honestly say…[Dan] is one of the hungriest performers I know – constantly striving to stretch his knowledge, to challenge himself and to take risks in his choices. It’s starting to pay off, but his major contribution is yet to come. He could tackle any role. He is so talented and interesting.”
With the enduring popularity of some of his most popular roles, the ubiquity of streaming, and some exciting projects on the horizon, it’s safe to say Dan will continue to shine on screens all over the world.
The Ukrainian brand Terrasse continues its successful path under the leadership of Kostiantyn Vlasenko
Opening a new store in the Retroville shopping center in Kiev, restructuring the brand to meet online sales, a necessity during the pandemic, and expanding the brand’s target audience are just a small list of achievements made by the brand Terrasse since Kostiantyn Vlasenko stepped in as a leader and production manager.
The Terrasse brand was created by an American designer of Ukrainian origin Viktoriia Vlasenko, whose career encompasses both fashion design and costume design for cinema. Several years ago, she transferred the management of the brand into the hands of her brother Kostiantyn, who continues to manage a large production in Kiev while also being integral to helping Victoria implement her new ideas.
“Kostiantyn is literally my right hand, it’s hard for me to imagine how I would have realized all of my plans without his help,” says Viktoriia about her brother. “He has so much energy, he has so much experience, and he’s always finding new opportunities for us to grow, I rely on him for absolutely everything.”
While Viktoriia works from the United States and Kostiantyn from the Ukraine, the distance does not stop the creative collaboration this powerful brother and sister team have created. Over the past few years they have developed and implemented many new collections under the Terrasse brand, whose products are currently sold in seven of their own stores, as well as a number of additional outlets throughout Ukraine.
Kostiantyn previously lived in America where he graduated from the New York Film Academy, as well as starred in more than a hundred films, however he later returned to the Ukraine for familial reasons.
“Despite the fact that my soul remains devoted to the cinema, the production of clothes captures me no less… In addition, Viktoriia is full of ideas, and all of us in Terrasse, even during a pandemic, had no time to get bored,” comments Kostiantyn Vlasenko.
“We are intensively expanding the range of the brand’s clothing, and now it will focus not only on a youth audience, but also on successful and stylish older women, which means a change in concept and a completely different approach to production. All of these tasks are complex and interesting at the same time, especially in an environment where the coronavirus pandemic has caused difficulties in business. However, we have managed to cope with everything, we continue to go forward and this spring we opened another store in Kiev in the Retroville shopping center.”
The family collaboration of Viktoriia and Kostiantyn is famous for more than just the unique clothing innovations that they’ve made with the Terrasse brand, but also for their unusual social and artistic fashion projects. Viktoriia Vlasenko’s largest social project, which received a wide response and drew the attention of the Milanese society to the war in Ukraine, was called “I can’t keep calm: Stop War in Ukraine,” with all of the fashion design created by her.
Within the framework of this project, a collection of women’s clothing was created, as well as a collection of dolls, which were exact copies of the models at the shows. The project also included the release of a book of the same name, which sold 100,000 copies and the creation of the film “No War.” Kostiantyn Vlasenko also took part in the implementation of this large-scale project.
In addition, Kostiantyn and Viktoriia collaborated on the production of costumes for several films. Working together behind the scenes, Viktoriia handles the creative part of this process, including the creation of images, patterns and prototypes for the costumes, while the complex production process, logistics and overall management is headed by Kostiantyn. They’ve spent the last few years carrying out their cinematic creative work simultaneously with their work on the Terrasse brand, but this has by no means meant their fashion brand has become less successful.
Over the past few years, the Vlasenko siblings have received 17 awards from various film festivals for their costumes, and this seems to be the very beginning of a long and prosperous creative journey.
According to Viktoriia Vlasenko, in the near future she and her brother are planning to carry out another large-scale art project, the name of which has yet to be disclosed, but is intended to be released in both the Ukraine and the United States.
International Entertainment, and the Talents that Leave us Buzzing….