Tag Archives: Actor

Q&A with Leading Colombian Actress and ‘Therapy’ star Juliana Betancourth

Juliana Betancourth, industry-leading actress in Colombia, is known for her talent and versatility. She has starred in countless acclaimed productions, from Bite! to La Reina de Sur. Her most recent project, Therapy, allows worldwide audiences to once again appreciate her outstanding acting capabilities.

After the great reception that the short theater play Terapia had, winning several awards of the Short & Sweet: Hollywood 2017, an adaptation of the script was made. Betancourth in the lead role of Marina, is a self-sacrificing wife who during couples therapy is discovering disturbing secrets about her husband, which causes a turning point in the story to show us a darker side of this character. Each one has a secret to reveal that seems to indicate that there is no way to fix the marriage, but the perverse sexual hobbies and fetishes of both end up uniting them and committing the greatest monstrosities; impacting the life of the person who tried to help them: their therapist. Betancourth develops an exquisite multidimensional, sensual and violent character.

The film crew is composed of successful filmmakers in Los Angeles, such as director Jhonatan Tabares, director of photography Jaime Salazar, Producer Yaniv Waisman, among others. A group that has been developing different audiovisual pieces for the Latin American industry in Hollywood.

The premiere was at the Panamanian International Film Festival, where the film took home the top prize. It then did the same at the Panamanian International Film Festival 2018 and the ELCO Film Festival, with many more expected this year.

We had a chance to sit down with Betancourth to talk about the making of this critically-acclaimed film.

IFR: Why did you want to work on this project?

JB: I already had an emotional connection with the project, and with the character of Marina who had allowed me to access very deep places acting wise.

The premise of this artistic piece was wonderful. It had a completely unexpected turning point, which was exciting for me, and as an actress it allowed me to play practically two roles in one.

I also liked working with the team involved that was composed of producers, director, cinematographer, and actors whom I’ve always admired.

IFR: Why did you want to work on this project?

JB: Therapy started as a theater play, and was directed by Jhonatan Tabares. Due to the great success it had, the Super Hero Latina production company run by Tanya Mordacci wanted to turn it into a film.

Everyone involved in the project already knew my acting work. They had seen me in the lead role in the Virginia Casta movie, and many other projects that were seen in Mexico and the United States. Also, with Jhonatan, we had already worked on previous pilots for TV shows. He knew me personally. We had already worked together in the stage version of Therapy.  It is very important when accepting a project to not only like the script, but also the quality of people who are part of it.

IFR: What do you like about the story?

JB: The story of this project is one of the most interesting in which I have worked. It is fiction, but it is an experiment that brings us closer to the understanding of human psychology. To that infinite universe of our mind, of the decisions we make and our behavior towards society.

I love that the story is transgressive. That it is perpetuated in the mind of the audience. That they want to stop seeing it, but they cannot look away. I am fascinated by social experiments.

This is why the premise of this story is important, it is also not far from reality. Within our communities are these types of dangerous individuals that are the product of our shortcomings as a society; of our injustices and oppressions; but each viewer is free to draw their own conclusions.

IFR: What was it like working on this project?

JB: The process with the director Jhonatan Tabares was special. There were many hours of rehearsals, finding the characters, their motivations, their actions, and their arcs through the written words and physical work.

I studied the behaviors of the most dangerous serial killers in world history, especially couples like Charlene & Gerald Galician, Raymond Fernandez & Martha Beck, Bonnie & Clyde, among others. I wanted to know the reasons why they killed their victims, the way they did it, and the satisfaction they found in it.

One of the things that I liked most about this project was working alongside my colleagues Ramón Valdez and Fernanda Kelly, two great Mexican actors. Also, the producer Tanya Mordacci, producer Yaniv Waisman, and the always supportive Vange Tapia. Director of photography Jaime Salazar, still photo Elena Rojas, and all those who were part of this family made this an unforgettable experience.

IFR: What was your character like?

JB: Marina is a supposed self-sacrificing woman. A Latina who lives in the United States, and who depends economically and emotionally on her husband, but this is just an act and part of a macabre game she carries out with her partner. At the turning point, we will see the real Marina, a psychopath, who finds sexual pleasure in seeing her victims die.

It is a dark character, with complex psychology, special motivations and very different from conventional characters. Marina all the time is playing at being another woman different from who she is. She is a kind of actress, but her performances hide macabre intentions.

It was very interesting to work on this character because the unexpected turning point leaves the audience surprised based on how Marina was from the beginning.  She plays the role of a sheep beautifully, but in reality, she is a hungry wolf.

IFR: How did your character fit into the story?

JB: There are only three characters in the whole movie. Marina, although initially playing the role of victim in therapy with the couple’s psychologist, crying and accusing her husband of being abusive, ends up being the mastermind with a criminal plan.

Driven by her desires and impulses, she mentally dominates her partner to commit the homicides while she enjoys the process and destruction it causes. It is an incredibly complex character, one that generates uncomfortable feelings from the audience when they realize the true objective of the two main characters.

Without Marina, there is no Therapy.

IFR: What did you like about working on this project?

JB: Working on this project has been one of the best experiences of my life. Connecting with so many talented people, who have become my friends, and will be people I plan to work with again in my future projects. It was great to work and build this character, to keep experimenting until we found what worked best, and have direct and honest communication with the director.

Art projects fascinate me because it is not about business and how much money we can make, but more about character, story, and connections with the cast and crew to make a film or TV show that moves people and makes them think. That is always a beautifully motivating factor for me.

IFR: What else did you like about working on this project?

JB: We filmed in one location. The office of the psychologist. The final scene was exhausting and dramatic, that we could only film in two sequences. We both were spent when the director finally called cut.

In the play, there was no character of the psychologist. It was just a voice, and we broke the fourth wall when speaking to the voice, which made it feel like to the audience that we were speaking with them. In the film, Fernanda Kelly played the role of the psychologist, and she was marvelous in it. It was amazing to act opposite her, and it lifted our performances to another level.

IFR: How does it feel knowing the project has been such a success?

JB: I knew it would be a resounding success since I had first read the script, and saw the reaction when performing it as a theater piece. I fully trusted the director’s work, and my own. I had no doubt about the success it has had and will have for the next few years.

When you do a project, you do not think about prizes, you know if the project is good or not regardless of the recognition or criticism you receive, but I would be wrong if I said that it is not rewarding to receive the accolades.

Each time we have received these awards for Therapy I have celebrated them. I feel proud. It fuels my fire, and I long to do more great work with excellent projects.

 

Written by Annabelle Lee

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Britain’s Dionne Neish on timely new podcast ‘Purple Panties’

As a child, when Dionne Neish was being read to, she would imagine she was the main character in the stories, becoming a hero and fantasizing of traveling in spaceships and seeing other worlds, playing warriors and princesses and anything else she could imagine. It was a natural transition to go from playing a role in her head to playing one in front of a camera. She sees her job as an actor as a method to leave a lasting impact on her audience. She has known since the age of five that she was meant to get into acting and has spent every day since in love with the craft.

“I wanted to go into acting to entertain people. I loved the way I could affect another person by not being myself, by playing a role,” she said. “I wanted to be an actor as I felt characters were far more interesting than myself, why not live in another person’s shoes for a while.”

Neish is now known for her tremendous ability to captivate an audience, sometimes with just her voice. She has done just that in renowned productions, such as ABC’s long-running soap opera General Hospital, the 2018 Golden Globe nominated television series Better Things, and more.

Earlier this year, Neish also began working on yet another celebrated project, the podcast Purple Panties. The series, the first of its kind, is a scripted fictionalized erotic drama whose characters were Black female leads from the LGBTQ community, which drew Neish to the show.

“I wanted to be a part of this project because of the interesting and fun storyline, and it highlighted part of the community that I believe hasn’t been given enough main stream platforms. I’ve been lucky enough to work with several female led projects in the past. Being part of an all-Black female cast was refreshing and exciting. This is a story written by a Black woman, told by Black women. Representation matters and when you get to be a part of that it’s like coming home, and the camaraderie is electric. We need more stories from these and other POC perspectives. This is a story about the LGBTQ community without the stereotypes. It’s sexy, it’s funny and you’ll be hooked once you listen to it,” said Neish.

Created by New York Times Best Selling Author Zane, the podcast is based in Atlanta, telling the story of Maddox, Loren and Stephanie, who go against the grain when it comes to sex. But as relationships shift and physical needs change, can they keep up with the facade? This is about the sacrifices people make, the mistakes they make because of pride, and trying to find love in a world where the characters are seen as less because they are women, black, and gay.  Listeners follow them on their journey as they navigate their professional and personal lives.

In Purple Panties, Patricia is a vital role in telling an important and timely story. She is a self-made business woman who thinks she has the upper hand with Stephanie, played by Melissa Williams. Patricia soon realizes that Stephanie is smarter than she looks and isn’t going out without a fight. Professionally, she is big wig in the entertainment industry. She is a successful showrunner with lots of hands in different pies. She’d worked hard to be at the “big boys” table, a space occupied by only white men. She’s had to prove herself time and time again and now she is in a position where she gets offers from attractive women.

STITCHER_COVER_PurplePanties_3000x3000_Final“Obviously with the #MeToo movement, it reminded me of the stories that we’ve heard over the last few years of people abusing their power. This was an opportunity to get inside that mindset, what makes this person tick; why would someone with so much to lose take those chances? It was interesting to explore,” said Neish.

While recording the podcast, Neish found a sudden and unexpected source of inspiration. She walked into the same recording booth that Michael Jackson had recorded his ‘Bad’ album in the eighties. As a massive MJ fan, Neish was immediately taken aback. Knowing she stood in the same place that her idol had once stood, she was excited and inspired to work even harder.

Purple Panties premiered on Stitcher.com, which also premiered Issa Rae’s Strange Fruit, on October 11th 2018, followed by an episode every Thursday. The final episode was December 6th, but the entire series is now available to binge on Stitchers.com.

“I love having the opportunity to tell stories that inspire. Fans have reached out to me on Instagram, telling me how much they love the show and how juicy it’s getting and that warms my heart. That’s really all you wish for as an actor, that the audience is enjoying and coming along for the ride,” said Neish.

The next year promises to be very exciting for Neish. She has two projects coming out that she still can’t discuss. All she can say is that she got to work with two different Oscar winners on two highly-anticipated projects. One will be released soon, and the other on Netflix later in the year.

In the meantime, be sure to check out Purple Panties.

 

Written by Annabelle Lee

Ken Zheng: Indonesia’s Action Star Phenomenon

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Actors like Tom Cruise and Jackie Chan are famed worldwide for their talent and their drive. Artists of this ilk are deeply involved in the productions they star in, evident in their performances. Many are referring to Indonesian actor and writer Ken Zheng in a similar manner as the aforementioned celebrities. His work as an action star and as a screenwriter has made him an international sensation in the last few years. Athlete (Zheng was part of the Indonesian National Team for Kickboxing and became the youngest Champion in Indonesia’s history) turned stuntman turned marquee name, this talent from Indonesia seems to revel in the action genre. His roles in US films and those abroad have seen him starring alongside long-established actors, vetting him as a peer and a major force in the international film industry.

2017’s Down by the River stars Zheng as a prison escapee making his way through the wilderness to the Rio Grande river while being hunted by a killer. It’s a classic tale of survival driven by a small cast. No less frightening is the film Hitman in which a woman inadvertently witnesses a drug deal gone wrong and pays the price for doing the right thing. Second Chance pits two hired killers against each other. Zheng is perfectly paired in this tale, starring alongside Trent Moore (of the Coen Brothers multiple Oscar-winning films No Country for Old Men). Concerning his work in these thrilling productions, Ken communicates, “I see the beauty in action and I love bringing thrills to the audience when they watch a movie. The action itself is always supplementary to the story and the visuals help the audience integrate to the world of the movie”

Currently, in post-production, Ken starred in the upcoming feature film he wrote called Insight. The story goes beyond the label “action film” as it is centered on two siblings who possess the gift of clairvoyance. Escaping an abusive home, they are recruited by a counter-terrorism agency. The brothers grow apart as they enter adulthood and this motivates the action of the story. As Qiang, the younger of two siblings, Ken delivers an emotional and visceral performance alongside such celebrated talents as Keith David (multiple Primetime Emmy winner) and John Savage (The Deer Hunter-winner of five Oscars, Hair-winner of two Golden Globes). Zheng concedes, “There’s always room to learn as an actor. Working with John and Keith was an opportunity to learn from their experience and talent. They’ve both been in so many extraordinary films; to see them creating on set like that…it was an incredible learning opportunity. As an actor who is also a writer, it also gave me the chance to see what I could do with the script to help the actors. When I first moved to the United States I tried to bridge the East and West as each has its own unique stories. Moreover, I always try to keep my stories rooted and grounded to real emotion and real relationship between the characters. The movie itself is not always self- contained but the relationship between the characters is always clearly defined in my stories.”

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Australia’s Mark Davis talks passion for acting and starring in ‘I Want You’

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Mark Davis

Despite having other passions, Mark Davis found himself acting from a young age. Growing up in Melbourne, Australia, his father had an old VHS camcorder, and to pass the time, Davis’ brother and his friend used to use the camera, recording small skits. Being the youngest, Davis was always made to be a bad guy who gets beaten up, or he would be dressed up in his mother’s clothes to play a woman. At the time, he was just happy to be spending time with his big brother, but little did he know he would grow to be a celebrated actor.

Throughout his esteemed career, Davis has been a part of several acclaimed projects, from award-winning movies to prolific commercials. He has starred in films like Lucy and Topdecked, which he also wrote, as well as the upcoming period drama Fallen. Australians also know his face from national commercials for Honda, Crownbet, Interflora, and more.

“I knew acting was always something I had a natural affinity for. Instinctually the acting process made sense to me and even though I was quite shy, I felt freedom when taking on a role. I feel like acting is a culmination of many art forms and for me movement and being in touch with something like your emotions and imagination as a profession just made sense. I like taking a walk in other people’s shoes and to get paid to swear, cry, fall in love and throw chairs is a privilege,” said Davis.

One of Davis’ first tastes of international success came with the 2013 romantic drama I Want You. The story follows Maya, who is deeply in love with a boy who lives in Israel. Maya struggles to maintain her faith in a relationship that unfolds largely on a computer screen after she meets another man who can provide the tangible aspects missing from her relationship. Although tempted, Maya has to ask herself, will this new relationship give her what she truly wants?

“The story really demonstrates that good people can be tempted to do things that are against their morals and who they are. In the end, however, the film is about forgiveness and that message is very strong,” said Davis.

In the film, Davis plays Ethan, a character who was very much the other man in a love story. Ethan had to seduce Maya, who was in a very healthy relationship. He was the protagonist in the film. He came into a healthy environment and had to be the perfect blend of nice and endearing whilst also being the bad guy who is going to ruin a relationship purely for his own sexual gratification. Therefore, Davis had to be extremely charming, and managed to do so in tough shooting conditions. It was extremely hot on set, as they were filming in many different locations during the Australian summer.

“I liked being cheeky and being a person with low morals dressed as a nice guy. I’m more self-deprecating and awkward in real life so I had to channel my inner Brando to pull it off. That’s the joy in acting and I definitely had fun on this film. I’ve always said that no one cares about your enlightenment, the audience will watch because they want to see your darkness. It’s more relatable,” said Davis.

MV5BMjJmNmEyZjItMGIyNS00ZjVjLThiZDctNmViYmU1YWZmOTVjXkEyXkFqcGdeQXVyMzgwNjU4NzE@._V1_SY1000_CR0,0,707,1000_AL_I Want You also stars Australian superstar Viva Blanca, best known for her role on the television series Spartacus. The film marked the actress’ directorial debut, and she felt the pressure. Knowing she had to have the perfect casting to make her film a success, she gave Davis the role of Ethan.

With the help of Davis, the film went on to be screened at the Palm Springs International Film Festival, the Newport Beach film festival and the St Kilda Film Festival, seeing great success around the globe.

“It was one of the first films I was involved with and I’m glad it was so highly regarded. Viva is a great creative mind and an amazing talent,” he concluded.

 

Written by Annabelle Lee

Alina Smolyar to star in upcoming horror ‘Skeleton in the Closet’

photo Valery Sobol
Alina Smolyar, photo by Valery Sobol

Growing up in Odessa, Ukraine, Alina Smolyar always believed she would be a painter. She had been drawing since the age of three and gained recognition for her work around the world. However, at twelve-years-old, she quit it. Even at that age, she knew she did not have the inspiration or the drive to become a visual artist; this was her parents dream, not her own. She knew she had another passion to explore, one that excited her beyond anything else, and that was acting.

As a childhood pastime, Smolyar would put together small plays or sketches with other kids in her neighborhood. They invited audiences of their parents and neighbors, and every time Smolyar would perform she felt an energy that was unparalleled with anything else she had ever experienced.

“When it came to that point when I had to choose my future job I totally knew what I wanted to do. The only problem was that I had to convince my parents that I could do it. They didn’t want me to become a professional actress. They are not related with show business at all,” said Smolyar.

Now, Smolyar has indeed shown not only her parents, but also the entire world just what she is capable of as an actress. She starred in her own filmMolehill, taking home several awards for Best Actress for her performance from many prestigious film festivals around the world. She has been in several national commercials and acclaimed television series. She has worked alongside Hollywood’s elite, like Denise Richards, Val Kilmer, and William Baldwin in the upcoming comedy 1stBorn.

Smolyar’s latest film is the action/thriller feature Skeleton in the Closet. The film tells the story of Jason, 20-something slacker and computer savant who, on a dare, hacks the White House computer servers. He covers his digital tracks, but a hacker buddy boasts of Jason’s exploits online. The FBI tracks down the friend – then breaks down Jason’s door. The events that follow are a race against time, a battle of wits, and a fight to the death for two young computer prodigies pitted against a group of armed, determined criminals who will stop at nothing. In the end, the difference between life and death rests solely upon superior intelligence – and willingness to trust, but as things spiral further and further out of control, the question for us is: will they make it?

Valery Sobol
Alina Smolyar, photo by Valery Sobol

“It’s so fresh right now audiences will love it. It’s going to be a Ukrainian-American project, a thriller with some action elements. I won’t give you details about the story but it’s very hot and new for this particular time. It’s a thriller, you will see a lot of action and of course everything is based on love. You’ll see some drama, elements of comedy. David Ransil is a script writer, you will enjoy it for sure. He definitely knows what he does,” said Smolyar.

In the film, Smolyar plays a pivotal role. At first, her character appears to be very nice and helpful, but she is also very deceiving. She aims to benefit herself in every move she makes. She also is pivotal to the climax of the story, helping audiences better understand every characters’ motives.

Smolyar is very excited to be working on such a unique film. Not only does she like the story, but she loves the team she will be working alongside. Shooting will begin in September, with an expected release date of next year.

“It’s very important to have a great team. I like the script, the idea, my character and the place where we are going to shoot it. It’s a huge mansion with an amazing lake. I am really looking forward to it,” she said.

Smolyar has quite the year ahead with Skeleton in the Closet and1stBorn. With so much going on, she still remembers being a young girl in Ukraine with a dream that her family didn’t support, and now, for others that may be facing the same challenge, she offers the following advice.

“Think wisely before choosing this career. You always have to be prepared to hear no and just move on. The best phrase for that if you can see yourself doing something else besides acting, do it, don’t start an acting career. But if you decide to take this road you have to understand that it takes so much commitment, inside power, taste and knowing what you’re selling. You are a product, know your brand,” she advised.

To stay up-to-date with Skeleton in the Closet, check out the film’s website here.

 

Written by Annabelle Lee

A how-to of staying in shape on set

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Andrey Ivchenko, photo by John Hong

As the brilliant Toni Sorenson once said, “If it was easy, the reward at the end would mean nothing.” This statement comes from a woman, mother, and author, who grew up in an orphanage and on the streets and chose a path to victory.

In the entertainment business, victory means booking a new role in a television series, feature film, producing a project you’re passionate about, selling a script you wrote or getting it optioned and made. Most people don’t realize though how big of a part fitness plays into those, especially with actors.

Hollywood, the entertainment capital of the world, has people from all over the world, near and far, looking to pursue their dreams and to make those dreams turn into a reality. Staying in shape while in pursuit of those dreams is not only important for one’s physical health, but their mental health as well. With rejection being one of the biggest struggles someone just moving to Hollywood will have to deal with, it’s very important to always have a healthy outlet for the ups and downs you will face on your journey.

Being an actor in Hollywood isn’t for people with thin skin. It tends to focus so heavily on what its idea of the “perfect image” is as we see daily from network TV shows, to commercials, to magazines, to models on billboards, you get the idea and know what I’m talking about. This business in particular holds people’s image to a much higher standard than one would face living anywhere else in the world. With that being said, the pressures that come with that responsibility are extremely high especially for an actor that will be seen on the silver or big screen.

The reason I mentioned the above is because throughout my experience of being in Hollywood, being a big guy, everyone is constantly judging. When I began this journey, I got into stunts since it seemed like a natural fit – I’m a big guy, 6 foot 3, built, with an accent, and told I could play bad guys all day because I guess that’s the “tough guy” image I give off. Given that that’s the direction I decided to pursue, I had to make sure that my image lived up to the hype. I was in the gym for several hours a day, 6 days a week, eating 7-8 meals throughout the day that consisted of consuming approximately 5,000 calories a day. Believe it or not, eating that much every day and working out that much isn’t easy, even for the big guys that make it appear that way.

As I transitioned into the acting side of the business, I was often told I was “too big.” Too big? I was just told for years I need to be bigger and tougher looking to be the bad guy and now I needed to become less bulk and leaner because now I would be playing more leading man roles, not just henchman types, and needed to be able to be diversified that way if casting or producers saw fit. So, the process began again and now instead of going to the gym six days a week, I was going four days a week and cutting my calories to 3,000 a day. Having been an athlete my entire life since I was a child, serving in the military, and also having a master’s degree in Kinesiology, made finding the discipline to re-write my fitness programs and stick to them pretty easy for me, but they require a lot of discipline! I’d say having discipline when it comes to fitness is one of the biggest skills one can achieve. Setting goals, making plans, and sticking to them. No one ever said looking “Hollywood” good was going to be easy! However, at the end of the day making all of those challenges and sacrifices can be very rewarding mentally as well as physically.

The entertainment business as a whole has put an emphasis on fitness since it was established. From physical comedy actors like Charlie Chaplin, to Steve McQueen, Ronald, Reagan, to action heroes like Sylvester Stallone, Clint Eastwood, and Dwayne Johnson. In addition, there are also actors who perform their own stunts like Tom Cruise in Mission Impossible, and Jackie Chan. Staying in shape for these guys is essential to their careers. For example, most people don’t realize what Hugh Jackman went through to achieve his transformation to become Wolverine. His training consisted of two or more hours in the gym six days a week and consuming 5,000-6,000 calories a day to gain all that muscle and then had to transition into a much lower calorie diet to lose all the water weight and increase his cardio, so he could get shredded for the role.

Working on Television shows like Nikita,XIII: The Series, and Warehouse 13, I was grateful that I was introduced to martial arts and gun skills at a young age because it really made it an authentic look for the characters I played on those shows. As well as feature films I’ve worked on like Freezerand Way of The Westthat were both very physical and challenging as well but required a lot of those trained skills that I already had.

In regards to stunt work, it’s not just about looking the part, but being able to execute the part. Doing stunts is tiresome work and requires extremely long hours and repeated choreography and actual physical fighting to get it right. Sometimes they change the whole thing altogether and you have to relearn from scratch all over again but staying focused mentally and physically is the key. You have to be really physically and mentally ready to keep up, stay alert, and be on point for every take and also take direction correctly from the stunt coordinator and the director. There are a lot of moving parts while shooting an action scene so it’s very important that it always be executed properly every time. I have worked through injury, blood, sweat, tears, and I can honestly say it was all worth the challenge in the end. Good work is applauded and recognized in the entertainment business and word of mouth about people can spread very quickly and, in some cases, can even lead you to your next job if you remain humble, keep the right mindset, and positive attitude which is the key to success in this business.

When I booked the feature film Freezer, I was eating about 3,000-4,000 calories a day to get bigger because the director wanted me to look big and intimidating in comparison to Dylan McDermott. And when I booked xXx: The Return of Xander Cage, Vin Diesel and the director, DJ Caruso, also wanted my character ‘Red Erik’ to appear really big and tough, but in some of these scenes my character was going up and down flights of stairs, so I made sure to really increase my cardio training, so I wouldn’t fatigue while shooting those scenes over and over. In addition, it required me to learn motorcycle stunt training which I hadn’t done since I was about sixteen years old. But I’d say because of my fitness level and ability it allowed me to re-learn quickly and efficiently. At the end of the day the stunts they decided to go with were so extreme they hired a stunt double for those that you see in the film, but I was still required to go through the training as if I were the one doing the stunts myself as well. Had I not been fit enough to be up to the task of creating the character vision they had and physically doing the stunts they wanted in those scenes, I don’t know if I would have booked the role at the end of the day.

Fitness, especially today, is a constantly growing trillion-dollar business that’s probably more trendy and popular now than it’s ever been before. With social media and all the pressures of having to post images and videos of your personal and professional life constantly, you frequently feel vulnerable to the pressures that Hollywood gives to always look your best. Regardless though of what the trends are, one thing always remains true which is that being healthy is essential so implement it into your everyday life regardless of your schedule or profession, and also make sure you get enough hours of sleep a night which is a key element that’s more important than most people realize. Resting the body keeps a healthy mind and allows the body to recover. Set your goals, make time for yourself and watch how many doors achieving those goals will provide in your life, physically, mentally, and emotionally. Again, as Toni Sorenson once said, “If was easy, the reward at the end would mean nothing.”

 

Written by Andrey Ivchenko

Canada’s Romaine Waite terrifies audiences in sci-fi horror flick ‘Antisocial’

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Canadian Actor Romaine Waite

Romaine Waite has always been an outgoing person, a trait he believes has helped him greatly as an actor. When he was a child, growing up in Canada, he participated in school plays and drama programs, not because he thought it would be his career, but simply because that is what he enjoyed. It wasn’t until his early twenties when he realized he could truly follow his passion, and the second he got his first professional part, he knew that acting was his calling.

“I’ve always had this innate ability to connect with people in some way, making people laugh or causing disruptions, depends on who you ask,” he joked.

Now, Waite is a celebrated actor. His work in television series such as Star Trek: Discovery,Frankie Drake Mysteries, and The Mistimpressed audiences in not only Canada, but the rest of the world. His versatility knows no bounds, and he is always looking for a new way to explore his talents.

“Romaine is great. He makes my job a lot easier. He is the consummate professional and a very dedicated and crafter artist. It is always pleasurable working with him,” said Alan Moy, Producer who worked alongside Waite on Murdoch Mysteries and Usher the Usher.

Waite recalls his first real taste of international success as the sci-fi horror flick Antisocial. The movie follows five university friends who gather at a house party to ring in the New Year. Unbeknownst to them, an epidemic has erupted outside, causing outbreaks around the world. With nowhere else to turn, they barricade themselves indoors with only their phones, laptops, and other tech devices. They use their devices to research the possible cause of this outbreak. Information and video footage over flow their computers as they descend further into the cause and the ensuing chaos. As the virus spreads, the mood in the house changes from fear to paranoia. Who is safe? Who can they trust? Reality becomes blurred as they slowly discover the source of the virus causing the sickness… and there is no going back.

“I thought the story was clever it takes something that everyone was familiar with, being social media, and took it to the extreme. If you take away the gore, it’s basically what we’re experiencing today. Snapchat, Instagram, etc. have become these tools that are allowing people to share every single aspect of their life. In a way, I think the film talks about a very important subject in our society — what are the effects of social media and what are the limits and consequences of sharing too much on social media,” said Waite.

In the film, Waite plays Steve, one of the five friends gathering to celebrate New Year’s Eve. He was jovial and sincere university student. Audiences got to see him enjoy time with his close friends and girlfriend. Unfortunately, he was first in the house to experience the epidemic that trapped them in the house. This is pivotal, as Waite was responsible for getting the audience to truly understand the epidemic, and therefore the film. Within the film, Steve was the only individual who the audience was able to see go through a full transition. With this, the audience knew what the signs were and what would happen if another character was to get infected.

“It was really important to me that people felt the struggle of this character. As he tried to figure out what was happening to him without revealing anything to others in house. Through my portrayal, I hoped the audience would feel like they were a friend to my character and miss this him when he was gone,” Waite described.

The film had its premiere at the Fantasia Film Fest in Montreal back in 2013, and from there went to several high-profile international film festivals, including Calgary International Film Fest, Sitges International Fantastic Film Festival, Toronto After Dark Film Festival, and the Cannes Film Festival. From there, it was distributed through Monster Pictures on DVD, through Super Channel, and on iTunes. Such success could not have been possible without Waite’s portrayal of Steve, hooking audiences to the story early on.

“It’s always nice to see an indie film do well. It takes so many people and long days to make a film. To me the success is in completing the project. I am proud of everyone involved,” said Waite.

Antisocial was Waite’s first horror feature film, and five years later he still looks back and coals the experience amazing. At the time, he was still very curious about the process of filmmaking and how it all would come together, and he could not have been happier with the result. Everyone on set was professional and inspired, creating a contagious energy. He found himself watching everyone on set, from the cinematographer to the special effects make-up artist, taking everything in and reminding himself why he wanted to be an actor in the first place.

“I liked the comradery. Everyone was really passionate about the project. We were all stuck in a house for weeks. Friendships were built, and some good memories were made. I hadn’t done anything like that before. Overall it was a great experience,” he said.

Be sure to check out Antisocial to see Waite’s terrifying performance as Steve.