Producer Gaurang Bhat terrifies audience with horror flick ‘Vengeance’

As a celebrated film producer in his home country of India, for Gaurang Bhat, the most fundamental aspect of his role is simple: storytelling. Every captivating film tells a powerful story, and Bhat never takes on a project unless he believes in the script. He knows that the filmmaking process is a collaboration, and he always makes sure his team has the same goal as he does, to create a great film that entertains the masses, and to tell a great story.

This devotion to his craft is evident on every project he takes on. He has been pivotal to the success of many acclaimed films, including Never Too Late, Sushi Man, Nimbus, and SPARSH: A Leprosy Mission, which has received great praise at many prestigious international film festivals. He also has contributed to popular television shows, including Netflix’s hits Chefs Table Season 6and Street Food Asia as a consultant.

One of Bhat’s first tastes of international success came back in 2015 with his film Vengeance. The horror flick tells the story of four friends who, when a common friend dies in a car accident, decide to go in a house away from the city to film their own eulogies before the funeral. The situation turns dark when a fifth person menaces to kill them.

Vengeance“I always wanted to be part of a horror film. I have been a fan since I was a kid. I wanted to try my hand at a fun slasher movie, but this film has so much more than just gore, blood, and violence. That’s why as soon as Luca Ripamonti completed the script, I knew I was working on the film. This story takes a little bit of a different approach as its more about the creeping human fear of a mysterious masked figure. You rarely see the masked figure in the film. It’s all very grounded and psychological,” said Bhat.

From the moment Bhat began working on Vengeance, everything was smooth sailing. He and his team completed the project with ease. Bhat had a lot of creative inputs on the project. He worked on securing the funds and marketing and was involved in making sure that they completed the film as efficiently as possible, overlooking the whole development and production of the film. Based on the ease of filming, he more than did his job.

“It was a very good experience and it’s always great to work with friends. Luca and I have known each other for the longest time now. We still speak every day discussing films and new projects,” said Bhat.

Bhat’s work in marketing the film made it a tremendous success, as the film was selected for many prestigious film festivals, including Infinity Film Festival, Roma Doc and Visionaria, and the world-renowned Cannes Short Film Corner.

“I am ecstatic that the film was such a success. Not everyone can say that their project has been to Cannes. It’s such an honor. I am delighted beyond words. It’s sure been a long project but we got there, and it was great. It was always a dream to have film at Cannes,” said Bhat.

Needless to say, Bhat is at the top of his game as a producer, constantly creating successful projects that captivate audiences in India and around the world. He spends every day living his dream, and although it wasn’t always an easy road to get to the esteemed point in his career he is at now, he knows that working hard does indeed pay off.

“If you too want to be a producer, just keep working and do whatever odd jobs you get. Keep making connections in the field, keep being productive. You never know when you’ll meet someone who might offer you their next project, sometimes it just depends on luck and being there at the right moment. Also, be nice to everyone and be patient, it’s the most important thing in this industry, I can’t stress enough. When I was young, I might have burned some bridges, but I hope others don’t make the same mistake,” he advised.

 

By John Michaels

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Graham Fortin talks passion for editing and working on ‘Roam’

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Graham Fortin, photo by Katrin Braga

Growing up in Chilliwack, British Columbia, Graham Fortin enjoyed putting puzzles together from a young age. He felt a rush when he would connect two pieces together, slowly creating a beautiful picture. As a teen, when he was taking a film class in school that required him to make a match cut of someone opening a cupboard door, he was instantly satisfied. He felt the same thrill from when he would make a puzzle, and he knew in that moment he found his passion in life.

Now, Fortin is an internationally sought-after editor, working on many hit films and television shows. Best known for his work on Viceland’s The Wrestlers and Mister Tachyon, Khalid’s Free Spirit, and the award-winning Pour Retourner that premiered at the iconic Tribeca Film Festival, Fortin has had a tremendous career, living his childhood dream.

Fortin enjoys working on many different types of projects, which is evident when you glance at his resume. Whether working on a hit film or unique passion project, he puts his heart and soul into his work. The 2017 drama Roam is a perfect example of this determination.

Telling the story of one dark night on the road to adulthood, where a teenage boy must choose between his friends and his future, Roam is a passion project of Writer/Director Michael Milardo. Milardo had a very clear vision as to what he wanted and Fortin enjoys that as an editor. If he knows what the director is going for ahead of time, it helps him feel incredibly comfortable signing on, knowing he is in good hands.

“I like Michael’s story, that it reminded me of my own youth. It reminded me of moments where I was peer pressured into being part of the group. I think it’s important to reflect on those moments and consider that maybe you’ve got to fight that even as an adult. It’s easy to just go with the flow in life. Sometimes you’ve got to listen to that inner voice and create some conflict to move forward,” said Fortin.

Fortin heavily related to the story, who had similar teenage years and tapped into that. He remembers roaming the streets as a teenager aimlessly with friends. He wasn’t the alpha male of the group, so he related to Jacob, the main character. At the end of the film, Jacob kind of stands up for himself a bit, or is at least on the road to it, and Fortin used his own experiences to hit those emotional beats.

roam_short_film_bobby_shore“I liked the subject matter of the film. I liked the vulnerability of the main character. The project was well thought out look and style wise, and I had a lot of options in terms of footage, so it was a great puzzle to put together. I’m into films that take place during one night, as I find it’s a cool headspace to be in. The role technology plays in our lives is also part of the story. It takes place in the 90s and you forget what it was like to have to rely on landlines,” said Fortin.

Fortin’s connection to the film ended up touching the hearts of its audience. The project was a Vimeo Staff Pick, and for the editor, it was amazing to see all that hard work pay off. He always hopes that his projects will be a success, but seeing that “Staff Pick” sticker on the corner of the video was an amazing feeling.

“I’m happy to get it out there and hear people enjoy it. Having people connect emotionally with the story is the most important thing. I think people related to the main character and cared about his arc. I’m incredibly proud of the story we told and how it turned out. Sometimes you work on projects that don’t quite connect and this one did,” he said.

Watch Roam here and see Fortin’s heartfelt editing.

 

By John Michaels

Editor Shuo Wang tells impactful LGBTQ story in award-winning documentary

Film is a window for audiences to feel emotions and experiences that they may never have the chance to otherwise. The editor plays a fundamental role in the filmmaking process, the storyteller behind-the-scenes. Whenever Shuo Wang sits in the editing room to begin her work, she feels she is in her own space to create a compelling story. It is her time to express her creativity, where she can explore endless possibilities to captivate audiences all around the world.

As a sought-after editor in her home of China and abroad, Wang knows just how to tell a good story. This is evident with her films like A Mistake, Outlander, Mire, 100 Days Under, and more. She uses editing to entertain and educate her audiences on various concepts and loves every moment of it.

“As an editor, I like to try different possibilities and to see different results. Under my editing, I want to make the individual clips into a live and vivid story. The story may have some life experience, suggestions and principles that could share with the audience and give them inspiration. Every time I am editing different narrative films or documentaries, I also meet different characters and real people with their own stories. I want to use my editing ability and thoughts to make every story look more alive,” she said.

Wang strives to tell impactful stories through her work, which is just what she did with her recent documentary Somewhere Between. This true life story is about a Christian living a double life. On one side, she is a devote Christian, and on the other side, she is homosexual. Her life is battled back and forth, and she continues to find the answers of it. The story is about self-identification and finding the balance between two different sides in one person’s life.

“The interviewee Farrahn is not the only person in this situation that has this confusion about her life. There must be a large group of people in similar situations and might have different struggles in their life. This is an ordinary everyday story that could happen to many people around the world. People who see this story will hopefully feel some encouragement and hope to overcome their struggles and difficulties and become who they want to be,” said Wang.

Wang was there during shooting over the course of two months, understanding Farrahn’s life and how to best tell the story when it came to editing. When it came time to create the first cut of editing, she had a good idea of the interviews and the timeline which made for a seamless editing experience. However, after watching the film, she realized there needed to be more information about her life before the documentary started shooting, and wanted to include information about her childhood that Farrahn described as horrible. Therefore, Wang added b-rolls and included more of Farrahn’s internal struggles and changes. B-rolls are the cutaway shots that play an important role in any documentary. After the second cut, she decided to add a scene of the interviewee singing, to allow audiences to truly understand the emotion behind the story. Her editing played a fundamental role in the shaping of the story.

“As the editor in this project, I am the visual storyteller and kind of the second writer to create a live and vivid story. Sometimes, I am more familiar with the footage than the director. Therefore, under most circumstances, I have the accurate ability and observation to make decisions about shot choices. And also, as the editor, I have the ability to find a unique story through all the footage I received and put all useful clips together to create the story in a visual way,” she said.

Somewhere Between premiered early 2019, and has since gone on to win several awards, including Best Documentary Short at the London Independent Film Awards and an Official Selection at the Oceanside International Film Festival. Wang is thrilled for the success of the film, but the greatest reward for the editor comes from sharing such an important story with audiences around the world.

“Although it is a sad and heartbreaking story from the perspective of an outsider, it is also a story that shows how she struggles and tries to find herself from the perspective of the interviewee. As an editor, I consider myself a visual storyteller behind the scenes. Making this documentary is not only about getting awards, but more importantly, this emotional story could have a positive influence on those people who see it,” she concluded.

 

By John Michaels

Cinematographer Shuntian Jiang works alongside one of China’s biggest stars for new Descente commercial

When Shuntian Jiang decided he wanted to make movies, he considered being a director. However, he discovered quickly that directing is often more managing and hustling than it is creating. Jiang knew that lifestyle wasn’t for him; he is an artist. He quickly fell in love with cinematography, because the only thing that makes him happy is to tell a good story with emotional images.

Throughout his career, Jiang has shown the world why he is such a celebrated cinematographer in China. His contributions to countless productions, including La Pieta, Path to Salvation, and No Home for Young Man, have impressed the masses, with his passion and determination shining through in every shot.

“When I was growing up, I never felt like I could work a regular office job. Just the thought of it killed me. I think I’m very blessed to become a working cameraman. I love to wake up each morning and go to a strange location and make it look nice. I also love the vibe of a production, people with the same passion making movie magic happen,” he said.

One of Jiang’s more recent projects is a commercial for the Japanese sports clothing and accessories company Descente. The purpose of the commercial series is to promote the 2019 spring/summer apparel, featuring international movie and TV star Daniel Wu.

As the cinematographer, Jiang worked closely with the client and director as well as the still photographer to come up with the look to best showcase their product and the charisma of super star Daniel Wu, best known for the Netflix series Into the Badlands. Wu is a legend in Hong Kong cinema, and Jiang was honored to work with such an icon and create a series of commercials for a famed brand like Descente, which was formed in 1935.

“Descente is a good combination of fashion and function. The quality is very good, the fabric texture is very hi-tech, which is great for extremely close up shots. The designer has included many details in the clothing, so I can get a lot of different close ups for different looks. Basically, there are a lot of options for how I can show the products,” said Jiang.

Descente bts with star Daniel Wu gaffer Guoqing FuThe commercial features Wu participating in a variety of sports in different Descente outfits to showcase the function of the product through his charisma. There were eight different looks, and they had to shoot everything in a singular day, which was an enormous challenge but one Jiang looked forward to. It was a daylight shoot, so he didn’t use any lights. He had a grip team just to hold all of the equipment to follow the star so he could move quickly without sacrificing quality. In a shoot with such a short time frame, this approach was essential to the commercial’s success. Jiang had everything planned perfectly during pre production to ensure a smooth shoot. He scouted the location and took photographs of each possible frame beforehand to show the director. His work ethic was outstanding.

“I liked the working style of this commercial; it is a little different than other shoots, but it was still a very interesting experience. We really needed to focus to make sure there were no mistakes, but once a look was completed, we relaxed a bit while we planned out the next one. This made it feel more like 30 minutes of intense work here and there rather than an exhausting 12-hour day,” described Jiang. “Another thing I really liked was working with Daniel, he is such a big star but he is very humble and professional.”

The Descente commercial was distributed on the WeChat page. WeChat is the most popular Chinese chatting/social media app and has more than 1 billion users. The commercial is also displayed on the front page of Descente’s official Chinese website. All the site visitors see it immediately, where it links directly to the products.

“Even though everyone was expecting this project to be a success, because it’s a very well-known brand with a very well-known star, I’m still really happy when my friends and family see the commercial. They just see it randomly on WeChat, without me sharing it to them. It’s such a great feeling,” he concluded.

By John Michaels

China’s Yihan Xu animates for sold out European concert tour

As an internationally sought-after motion designer, Xu combines her passions of animation and illustration to bring captivating and artistic graphics to various projects all over the world. She specializes in two-dimensional character animation, which involves bringing small characters to life on every project she embarks on. She begins by taking a script or basic description of the character and plays with lines, shapes, and color until she eventually has created an all new being. It is truly magical.

Xu had worked as an animator with many high-profile design and animation studios for countless renowned clients, including Apple, Samsung, T-Mobile, HBO, AirBnB, and more. However, one thing she loves about her job is that in addition to working on television shows, movies, commercials, and videos, she also gets to work on concerts for some of the world’s biggest stars.

Pop music has always been one of my interests. I am a sucker for almost all the mainstream music. I love listening to music and I am usually stuck in one to two hours of traffic every day, so I pass the time by doing car karaoke while driving. It is exciting to get to work with well-known pop stars on their music videos and graphics projects,” she said.

Xu worked with Possible Inc., a leading design company, as one of the lead animators/compositors on the project. She worked closely with Creative Director Michael Figge to design, shoot, animate, and edit together 27 custom full-song scenics for artist Chris Brown’s European tour. The concept was to use different graphics elements and textures for each song to convey different moods to the fans at the concerts.

Each artist was assigned five songs and needed to create visual elements for the music videos first and combine those elements into After Effects software for compositing. Xu was responsible for “Don’t Judge Me”, “New Flame”, “Five More Hours”, “Ayo” and “Loyal”, some of Brown’s biggest hits. She combined visual elements for the songs and put them together onto one screen, making sure that all those elements were part of the same scene and matched with the themes of the music videos.

“I like Chris Brown’s music. It is thrilling to get to work on some animation and compositing for something you listen to every day. Also, I like doing composting work for music videos. It is amazing to see how visual elements synchronize with the beats, tempo, and the whole style of the music. For example, in the song “New Flame”, we created lots of different shapes and forms of flames for the song. It was fun to composite different shapes of fire to get the best result for the music videos,” said Xu.

Xu’s graphics were played in 15 different cities in Europe during the “One Hell of a Night Tour” including Munich, Paris, Hamburg, Oslo, and more. The tour and its animation received a lot of public attention and they delivered a successful sold out tour to the fans. For Xu, knowing so many around Europe saw her beautiful artwork is reward enough, because she simply loves doing what she does.


By John Michaels