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Editor Haansol Rim’s Creativity Lights the Way

Profile_1_by Joseph R Barrett
Haansol Rim shot by Joseph R. Barrett

The creative mind of the filmmaker requires a complex mixture of aesthetic vision, deep technical capability and a passionate devotion to the form itself. For New York-based editor-creative editor Haansol Rim, these are defining characteristics, a dynamic formula which constantly propels him forward.

A true international force—born in Germany to Korean parents—Rim came to cinema through a particularly rich background in the arts, which has ingrained a far reaching depth of knowledge that colors all of his endeavors. It’s been a lifelong pursuit for Rim and his mastery at multiple disciplines provides him a significant advantage.

“I was always an artsy kid, since I was really young,” Rim said. “I used to paint a lot, and I played cello professionally. I went to college for fine art. Simultaneously, I started to produce and compose music—I really enjoyed the two, and didn’t want to give up one over the other, so I found a medium that would allow me to pursue both—motion pictures. I decided to pursue film, since I could focus on both visual and sound art.”

The course was set; after completing training in editing, directing, cinematography and production design and earning a BFA at the Academy of Art University, Rim wasted no time in relocating to Manhattan. The ambitious young editor quickly landed a position at the prestigious creative agency-production company MATTE Projects, where a successive series of film and video assignments—each expertly complemented by the advantage of his sophisticated fine arts background—served as a very fertile proving ground.

Rim demonstrated impressive capabilities as a creative editor and editor on numerous productions, both at MATTE and well known international production company 37thdegree, but the driven young talent was also launching his own personal projects, and his work on Seoul-based electro-pop star Sailli’s 2018 music video “The Light” provides an insight into both Rim’s impeccable methodology and limitless ingenuity. While the project turned out to be far more arduous than anticipated, Rim rose to the challenge with verve and aplomb, creating a unique visual achievement that was chosen as an Official Selection of the 2018 San Francisco **DANCE** Film Festival, the 2019 Atlanta Film festival and the 2019 Bucharest International Dance Film Festival where it earned a Special Mention in the international competition.

 

“I knew Sailli from back when I was producing music,” Rim said. “We ran in the same circles and once I became a creative editor and director, he asked me to make his music video.”

“He explained that the song is about self–discovery—finding the inner light of one’s true self. I held onto that intention and started brainstorming.”

Rim’s invaluable blend of instinct and artistic simpatico—a rare intellectual and emotional proficiency—enabled him to really analyze and elevate Sailli’s concept, refining it to a strikingly impactful and collaborative creation. As editor on the video, Rim undertook a fascinating, less-is-more approach, one reliant on pure visual design, a fixed camera and a single, continuous shot.

“In this work, I wanted to express the sense of a motion picture,” he said. “I wanted to make the film feel literally like a single moving photograph, to encapsulate the idea of ‘a picture paints a thousand words.”

The simplicity and affect of this idiosyncratic, minimalistic work is arresting and heightened further by a very unusual graphic design element, one that broke some important new technological ground, another key aspect of Rim’s far-ranging skill and vision.

“The 2D collage effect was something completely new,” Rim said. “Even my team was hesitant of the feasibility of it, since it was something they hadn’t seen previously.”

While the finished product seems deceptively simple, for Rim it became a trial by fire.

“Pre-production was perfect, but the post-production creative editing was pure hell,” he said. “It was a very effect heavy edit, and as an editor with no experience in CGI, it was painstaking and miserable. I literally cried at one point.”

“Since this was a single take shot film, there wasn’t any room for trial and error–if I was unsatisfied with a frame, I couldn’t simply transition to another one. I had to be very intentional with the whole project and understand the confines of the footage.”

The dedicated auteur nonetheless saw it through, rising to meet each challenge head on and always refusing to accept anything but the full blown realization of his own perfected intention.

“It was very tough, and definitely different from my other works,” he said. “It was also such a memorable process, with lots of emotional ups and downs, efficiency and strain. There is no room for error, and no way to edit the flaws out. You just have to stick it through, and make sure that each frame is as great as could be. We worked on 5000 individual photographs that ended up making this great motion picture. Ultimately, it worked out and all these elements and challenges made this work enjoyable.”

Most importantly, he remained true to himself: “I was able to convey my vision as I had pictured it—which made it all the more satisfying. I made it work, and my first true baby was born into the world.”

Although still at the dawn of his career as an editor-creative editor, Rim has already established himself as a powerhouse force in New York’s highly competitive film and video arena, one whose ability to stand out—from the start—is his professional calling card. Rim’s winning combination of uncompromising creativity, technical knowledge, aggressive trouble-shooting skills and steadfast dedication to pure artistic expression places the editor in a league of his own and accounts for impressive, and his steadily rising, reputation.

“My personal creative philosophy is that there is no single right answer to anything,” Rim said. “The world isn’t black or white, its shades of grey—anything and everything can happen. I think good art is that which you can hear the artist’s unique voice, see the artist’s unique color and perspective. Most importantly, the artist must stay true to himself.”

 

Telling Stories to Spark Social Change: Director Alma Jiménez Ochomogo

Director Alma Jiménez Ochomogo was born in Toluca, a small town about an hour outside Mexico City. Her parents owned and managed a small business, which provided a living for the family but didn’t leave them time for much else, so Jiménez Ochomogo was often left to her own devices. She couldn’t have known it then, but looking back with the clarity of hindsight she can point to her time spent there as the beginning of her lifelong pursuit.

“My family owned a small grocery store in Mexico and my mother used to work there all day long, so I spent most of my time there. I couldn’t really spend a lot of time playing outside because it was on a busy street — and because of insecurity,” she said, reflecting on how it all began.

“One of the only things that I could do was watch movies. I always had a big imagination so I think that was my escape. [It was like] I was in all kinds of places and adventures in the movies. [That] has tremendously impacted my life.”

Though that small town was where she’d discovered her passion, the opportunities there for an aspiring filmmaker were extremely limited. So the ever-driven Jiménez Ochomogo chased her calling to Los Angeles. She flourished in the city, and it immediately became clear she had a rare gift. Her film “The Play” is a testament to that gift, beautifully blending a rich, original narrative with a bold message of perseverance in the face of inequality.

“‘The Play’… tells the story of Kimberly, a transgender actress, who receives her first role as a woman and is struggling to get into character,” Jiménez Ochomogo described. “It was a very difficult endeavor to find someone who could both play a transgender actress and deliver Shakespeare… if I didn’t choose the right person, the character could have become cartoonish.”

Director Alma Jiménez Ochomogo
Director Alma Jiménez Ochomogo (left) and actors Ted Heyck & Aean McMullin (right) preparing to shoot “The Play.” Photo by Sara Marijuan

Written, directed and produced by Jiménez Ochomogo, “The Play” is a brilliant and powerful work that boldly tackles a topic too often swept under the rug. Aean McMullin delivers a masterful performance as Jennifer, deftly embodying the young actress.

“Kim… is cast as Viola/Cesario, the heroine and protagonist of the play ‘Twelfth Night’ by William Shakespeare,” she explained. “Aean McMullin, the actor, did a great job creating Kim. He had the right amount of vulnerability and strength that the character required to feel real. It also helped that he was classically trained so was amazing in delivering Shakespeare.”

In February, Jiménez Ochomogo unveiled her most ambitious project yet. Blurring the line between social media and cinema, L.A. Livfe was a series of three films by three directors which were ‘screened’ using the Facebook Live service. To ensure the project would get off on the right track, Jiménez Ochomogo’s film “The Pair” was chosen to be the first film to air.

“I directed the first short film called ‘The Pair,’ which was a love story about a Palestinian and an Israeli who meet in a Los Angeles bar,” she said. “We rehearsed for hours, but we only broadcast live once… so in many ways it was a make-it-or-break-it type of project.”

To shoot a film and air it live online for the world to see is an immense undertaking. It required countless hours of preparation, and the stakes couldn’t have been higher. But Jiménez Ochomogo had a story in her mind, and she knew exactly how to tell it.

“Our objective was to incorporate film language into live broadcasting, and the thread that joined all of the stories together was the city of Los Angeles,” she explained. “Each of us told a story of a moment in this city.”

At once enthralling and captivating, “The Pair” was a perfect example of what sets Jiménez Ochomogo apart. She is driven to find the unusual, the unorthodox and the unexpected, all of which she brings to life on the screen. Together with her visionary eye, her gift for storytelling puts Alma Jiménez Ochomogo miles ahead of her peers.