Sonia Bajaj realized her true calling while in Pune, India. During this period of transition, she was introduced to people from different cultural backgrounds and varied interests. She was in constant touch with daily happenings in the world and she also began to have a better understanding of art forms like music and literature. She was introduced to several films, television series and documentaries from all over the world, thereby exposing her to different styles of filmmaking. She began experimenting, and soon these experiments translated in experiences. She knew she had to be a filmmaker.
Originally from Mumbai, Bajaj has been able to travel the world doing what she loves. She thoroughly enjoys the aspects of making a film. As a producer, she is responsible for overseeing all five stages of filmmaking: development, pre-production, production, post-production and distribution. She creates a business plan, budget, and schedule, handle creative and business affairs, and gather cast and crew. But that is not all she does, she also is a successful director.
“While making multiple short films, I realized how thoroughly I enjoy myself during the entire process of making a film. Being a director is similar to being the captain on a ship. You have your entire team helping you, yet the responsibility of a successful sail lies entirely on your shoulders. When I direct a film, I have the opportunity to take the audiences to the world of my characters through my eyes. That’s what I like about being a director,” she said. “I look forward to narrating stories that touch the heart, that inspire an individual to overcome obstacles and live his dream, stories that educate and entertain.”
As both a director and producer, Bajaj has had a formidable career. She has worked on award-winning films such as Rose, Hari, The Best Photograph, A Broken Egg and Impossible Love. She is also the curator for the women in film series at Downtown Los Angeles Film Festival, where her responsibilities include reviewing and judging films around the globe. She has an esteemed reputation, and is respected by all she works with.
“Sonia is a professional and a pleasure to work with. She has a superb eye for truth when it comes to filmmaking and making an actor feel connected and safe on set. I would work with her again in an instant,” said Tony Ruiz, who worked alongside Bajaj on her film Rose.
With her new film Bekah, Bajaj is impressing both audiences and critics yet again. The film was just completed in May, and was first recognized at LA Shorts Awards where it won an award for Best Drama. Since that time, it has already been an Official Selection at the UK Monthly Film Festival, a Semi Finalist at Hollywood International Moving Pictures Film Festival and Los Angeles Cine Fest and a Finalist at Eurasia International Monthly Film Festival. It won the Award of Merit at Accolade Global Film Competition, the Gold Award at NYC Indie Film Awards, and the Platinum Award at Mindfield Film Festival, with many more film festivals expected for the powerful film.
“With Bekah, I had the opportunity to direct and produce the story of a young African American woman. Our entire cast comprised of African American Actors, and crew from different parts of the world, giving me the opportunity to work in a culturally diverse project. Our goal was to inspire and encourage our viewers through Bekah’s eyes. We’ve been successful in achieving that in a short span of time,” said Bajaj.
Bekah is the story of an idealistic young writer and college dropout who pursues her dream of becoming a full-time writer, motivated by the spirit of her deceased fiancé. She leaves her dysfunctional home and goes it alone facing a world that is less idealistic.
“The story focuses on the struggles of a young writer trying to break into the real world. It’s a tale of overcoming the loss of love, by fulfilling a promise that was made. At the end, it becomes all about how families need to be connected and support each other. We wanted to tell this story to encourage families to support each other, encourage youngsters to pursue their dreams despite the difficulties that they may face,” Bajaj described.
After looking at Bajaj’s success of her other films, the main lead and co-producer Charlie Cakes, also known as Charlotte Makala, asked her to be a part of the project, knowing her needed someone of her caliber to make the film the success it has already become. Looking at the diverse nature of the film, Bajaj instantly got on board. As they began producing the film, they realized that 80 per cent of the cast and crew were all women.
“This definitely was refreshing experience to produce a film made by women and about women,” said Bajaj. “The very fact that our team was so diverse, it was essential to have a director who wasn’t familiar with the culture of the characters. I had my own take to the production, which helped us to create a fresh outlook to the story we wanted to convey.”
There were many rehearsals, and script revisions, and Bajaj, both the director and producer of the film, experimented with different techniques before filming. This enabled her to create a fast-paced productive environment on set, allowing her to get all the shots she set out for in a skilled and quick manner.
“I enjoyed directing my actors in their accent. The lingos were so different that it was a learning experience to get out of my comfort zone, learn a different style of talking and build emotions out of that. It helped to broaden my horizon and work on building varied layers to the characters,” Bajaj described.
Bekah is just one of many films that Bajaj has put her winning touch on. She is a formidable director and producer, and one that audiences can expect to continue hearing about for years to come.