Tag Archives: Television

Art Director Phenix Miao helps raise thousands for Itron Battery Crowdfunding

Not many children can grasp the understanding of color and architecture the way China’s Phenix Miao could. At a young age, he was quickly able to spot the small details in furniture and props in daily life. It was a hobby and skill that he quickly realized could transition into a career. Working as a successful Production Designer and Art Director, Miao is now a leader of the industry in China.

Throughout his career, Miao has shown what a dynamic Art Director he is. With his work on films such as Shanghai Sojourner and Lottery, Miao’s attention to detail and vast talent is evident. He also lends his skills to commercial work, recently creating a series of promotional videos for Lepow and another for Itron Battery to promote their crowdfunding. With an outstanding number of viewers online, the Itron Battery commercial is one of his greatest successes in his esteemed career.

“Phenix is a very rare talent with both marketing and artistic sense. We worked closely on the Itron commercial, talking a lot about budget and production. Phenix was vital for the success of the commercial, and even found the location at a very affordable price, which helped the feeling of the film. He helped me to balance the art and budget so well. He is an expert when controlling the costs of everything. Phenix understands the difference between marketing value and artistic value, and he understands people. From his angle and visual aspect, he did a great job making the crowdfunding video look appealing. A crowdfunding commercial should be tangible and amiable, not chasing perfect as a normal TV commercial would. Phenix told me that crowdfunding is not charity, you need to let people feel this is a hopeful product and company. This outlook inspired the team. His outstanding communication skills allowed everyone to clearly understand what we were doing. He is a great leader and creator,” said Alice Fan, Producer.

The Itron Battery commercial advertises the company’s portable battery bank, the world’s fastest portable charger. It completely charges in 18 minutes, and within three minutes, one phone can be charged. The commercial showcases the product while still being comical and informative. It features two leading characters, one explaining the charger, and another looking to purchase one. They run through many different scenarios in which one may need a charger, leaving viewers both entertained and in need of the product.

“All the people that worked on this commercial were so professional. We did our work really fast, because we were so familiar with each other. From scene to scene, people just did everything very naturally. There was such chemistry, everything was as natural as breathing,” said Miao.

This commercial was not Miao’s first experience with a crowdfunding style video. He previously helped to raise $217,501 USD for Pivot Turingsense crowdfunding, achieving 274% of their goal, and for HiSmart crowdfunding, they reached 531% funded after raising $297,106, with the videos being the main source of awareness. That being said, the Itron commercial was by far the most successful, with hundreds of thousands of views online and reaching 706% of their goal by raising $289,472. It was also an Official Selection at the 2016 International Peace & Film Festival in Orlando, Florida.

“I still feel really excited about this commercial. When I hear so many people talk about it, I almost want to run up and interrupt them to let them know that I worked on it. That’s how proud of it I am. It is a big success in three aspects: art, commercial and crowdfunding,” he said.

Miao and the Director of the shoot, Peter “Zhen” Pan, had known each other for ten years when the opportunity to work on the commercial arrived. Miao is the director’s go-to art director and was the first person he reached out to. After reading the script, Miao accepted right away.

“Peter and I are golden partners. He knows I am a great Art Director that is full of ideas and the perfect match for what he wants. He just called me and told me the details about this project and we started working on it that same night. He always gives me enough space and time to design and develop my ideas. He fully respects me,” said Miao.

As the Art Director, Miao was in charge of the overall look for the commercial, selecting the best and most suitable artistic elements while leading the creative team. He designed a concise, natural, and clean aesthetic while controlling the style. He understands the difference between market value and artistic value, setting him apart from his colleagues. For this Itron commercial, he designed the color tone with Pan and knew to keep in mind the difference between a regular commercial and a crowdfunding commercial. He made sure to meet the requirements while planning the artistic elements around the brand, creating a higher brand value for the video. This allowed the product to stick in customers’ minds.

What was perhaps Miao’s most considerable contribution to the commercial, however, was finding the location of Elliston Winery. Miao enjoys working in historical settings, and the winery is no different. When decorating a historical set, Miao plays with the flavor that they bring to the table and plans everything around the atmosphere they possess. His passion for the location was passed onto the entire cast and crew. They treated it like their homes, making sure to respect every piece of furniture and brick in the building. Such respect for his setting and its parts is a main reason Miao is such a formidable artist and leader.

“I have been Phenix’s Assistant for years, but I also see him as my guide in my film career. He is not only in charge of the art department but is also a tremendous team leader. He understands style and perfectly controls the appearance of every image. Phenix is a great mentor and teaches me all of his techniques and knowledge. He is a talent but also very easy going. Phenix always knows how to take a director’s idea and turn it into something special. He knows how to make the effects suitable and always has new, practical ideas that come from his plethora of experience. I think the fact that he has also worked as a director and writer allow him to understand the role of the art director even better, and it sets him apart from the rest,” said Qin Zheng.

Watch the Itron Crowdfunding commercial here.

 

Photo taken by Peak City International Film Festival, Phenix Miao and John Whitaker

By Sean Desouza

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Ask an Expert: Executive Producer Ed Egan provides insight and advice

I’m Executive Producer Ed Egan, and for over 15 years I have worked in the television industry, becoming recognized as one of the leading game show producers in the world. As Executive Producer, I am responsible for leading teams who produce great television shows, but I am also tasked with developing new ideas to create formats which have the potential to sell all around the world. I have worked on many leading gameshow formats around the world, in the US, UK and Australia, for networks such as NBC, ABC, BBC, ITV, Network Ten among others.

Gameshow formats are notoriously difficult to crack and small, seemingly insignificant tweaks can have profound repercussions if they are not discovered through intensive gameplay testing. The last thing you want is to discover a flaw whilst filming a show, as there can be millions of dollars at stake. This is why an experienced Executive Producer, who can put together a strong team, is vital in the production of any new format. I have become well known for working on pilots and first seasons for my ability to tweak gameplay and iron out any potential problems that could arise.

I believe the most important role of an Executive Producer is to lead a team in a way that ensures every member provides their best possible work on a production and feels valued in what they are making.

Here are my quick tips to leading a production team to produce the best shows possible:

Choose the right team

It all comes from having a great team. Not only does it make your life as an Exec easier, it also makes the best product. Meet lots of people and spend time interviewing them. Some people give great interviews, and some don’t, but it’s important to make a distinction between those that can talk well and those that can actually do the job! Make sure to always check as many references as possible. Personality is also important though, as the people you are employing are going to be a team and will need to work well together. Finding a good, balanced mix with strong abilities is the key.

Stay in contact with people you’ve worked with.

It’s important to know what the availability is of people you like that you’ve worked with previously so that you can plan for when productions begin. Sometimes it can take weeks to get a full team on board and the more aware you are of who is and isn’t available at all times, the better prepared you will be.

Note down ideas

Keep notes in your phone when you see something you like or that inspires you. A film, another television show or even the design of a restaurant you happen to be in – if there’s something visual you like it may be useful in a show at some point. Commercials are often very useful starting points when trying to explain your vision of a project to people for the first time. Also, keep notes on possible talent that you see, whether this be TV, film or theatre, as you might want to use them in the future.

Enjoy it

We’re very fortunate to work in a creative industry that often affords us the chance to go to exciting places, meet interesting people and we get to be creative. Enjoy it, encourage it in others and aim to inspire those who you are working with. They will be running teams in the not so distant future, so try to set a good example.

Believe in yourself

Like so many other Execs, we question ourselves and our abilities all the time and that’s not a bad thing. But, you are at the level you’re at for a reason, so make those decisions and stick to them. It’s important to remember that at times, especially when the going gets tough.

And finally…

Work hard and be nice to people!

British Actor Pezh Maan captivates in award-winning French series ‘The Bureau’

Pezh Maan in The Bureau (2016)
Pezh Maan as Houtan Vosoughi in The Bureau

Pezh Maan did not choose to become an actor. For the British native, it was instinctual, similar to waking up each day and going to bed every night. There was never anything else he imagined himself doing, and as a child, he never wondered what his future would hold, he knew. He has always listened to his heart and believes that when one lives by such a rule, success will always follow. It definitely has for Maan, who has become a sought-after actor in the United Kingdom’s film and television industry.

Audiences around the world quickly became enamoured with Maan when he played the Chief Analyst and right-hand man to Christoph Waltz’ Blofeld in the 2015 James Bond movie Spectre. He is also recognized for his outstanding work in the television shows Eastenders and Tyrant. His film Unattended Item went on to critical acclaim, and there is a lot of buzz around his upcoming television series, Deep State, starring Kingsmen’s Mark Strong and Game of Thrones’ Joe Dempsie, which premieres on FOX this Spring.

“I think what I do as an actor is interpret the words of the writer and turn them into all the facets of the living breathing human being that I am being asked to play. I get into the skin of the character whilst still being myself with all my own emotional responses. When the character is somewhat at odds with my own experiences, imagination can come to one’s aid in creating a way to relate to the character. Imagination is the lifeblood of actors’ work and interpreting the text is an imaginative endeavour, and an extremely rewarding one for me,” he said.

Maan’s versatility is endless, and as a multilingual actor, his work in other languages has led to success in countries outside of his home of the United Kingdom. In 2016, he starred in the French television series Le Bureau des Legendes, translated to The Bureau in English. The series went on to become a hit with not only audiences, but French critics as well. At the COLCOA French Film Festival, it took home the TV Series Jury Special Prize and the TV Series Audience Award. At the French TV Critics Association Awards (A.C.S.), it won Best Production. It also won Best French Series at Le Parisien, Best French Series at the Globes de Cristal Award, and was in the Top 10 Series at Télérama: Top 10 Series.

“I think knowing that the season was such a success gave everyone confidence that their ideas could only build on the quality that had already been established. I’m very proud of the work that we did, and it is a great feeling to be part of a universally lauded show. Despite what people say, good reviews and accolades are validation of a standard that you hope to achieve, the excellence that your hard work is aiming for. And it is satisfying that audiences and critics alike have responded to the elements that we worked to create for them. As an actor who is always learning, it gave me some very valuable feedback, especially as the performances were singled out for praise. It validated some of the bolder creative choices I made and that the Director had the bravery to include in the final cut,” said Maan.

The show, now in its third season, is a spy thriller directed by Eric Rochant for Studio Canal +. The Bureau is based upon real accounts by former spies and inspired by contemporary events, and centres on the daily life and missions of agents within France’s Directorate-General for External Security, its principal external security service. It focuses on the “Bureau of Legends”, responsible for training and handling deep-cover agents (operating ‘under legend’) on long-term missions in areas with French interests, especially in North Africa and the Middle East. Living under false identities for years, these agents’ missions are to identify and recruit good intelligence sources.

Maan played Houtan Vosoughi, an Intelligence officer charged with investigating and arresting foreign agents who have penetrated Iran. He has a wife and family who were oblivious to the danger and risk he was facing in his everyday role. As such, he was capable of leading multiple lives successfully without disturbing any of the delicate balances of each, all while still maintaining his sanity. He was a man capable of extreme violence, which was kept very deeply hidden behind an impassive exterior and a sense of decorum. He was a skilled communicator and could use words as weapons to disarm his opponents and reveal information without needing to resort to violence. He was also very self-confident in being able to handle people who were not trustworthy but had vital intelligence. Maan’s character was pivotal to the success of the second season of the show. He was the man who put all the pieces of the puzzle together that had been accumulating as the episodes progressed and discovered double agents that had infiltrated security. Through a series of cleverly crafted scenes and after interviewing a number of suspects he was able to make the arrests that lead to the series climax.

The arrest of Sara Giradeau’s character, Marina, was a pivotal moment in the story that created a climate of fear about the severe consequences that awaited her and her colleagues. Houtan’s arrival in the story as a dark horse and sinister figure was timed to escalate the tension that had been mounting and his quiet probing into the activities of the protagonists, aided by a wonderfully nuanced script, served as the catalyst for the exciting climax.

Maan has been a fan of French Cinema for quite a while, and when the opportunity to audition for the show came about, he eager to partake. After reading for multiple roles, Maan was chosen by the producer for the essential role of Houtan Vosoughi. The producers knew of the actor’s work in Spectre and they wanted to imbue the character of Houtan Vosoughi with a similar kind of cutting edge mentality.

“I watched the first season of The Bureau and was very impressed with the economy of style and the cinematic pace that gave the show a very unique atmosphere akin to some of the great cinematic thrillers. It was brilliantly acted, and I wanted this show to be my first French language production,” he said.

To prepare for his role on the series, Maan studied the first season, making sure to pick up on the details and nuances of the atmosphere, characters, and style of the show. From there, Maan created his character off the pages of the script. He decided Houtan’s actions would be expressed through stillness and facial expression as much as possible, keeping in line with the intelligence operatives holding multiple cards close to their chests. Maan also wanted to generate a lot of tension in the investigation and interrogation scenes, with the idea that he was leading the audience closer to the danger and intrigue of the plot. He executed this to perfection.

Maan also studied similar American shows, such as 24, stylizing his character similar to Jack Bauer. By doing this, he noted the subtlety of the acting and Keifer Sutherland’s ability to portray level-headedness in high stakes scenarios. Maan used this as a reference to find the right tone for his character. He also watched a lot of old crime thrillers in the French language and worked with a dialogue coach to bring out the nuances of the language.

One of the highlight of the experience for Maan was shooting in Morocco, where most of the scenes take place. Not only did it feel authentic, he says it is one of the most beautiful locations he has working in throughout his career. The other highlight, of course, was working with such a tremendous team.

“Working with so many experienced and talented artists was an exciting challenge that definitely motivated me to produce better work. It was such a collaborative experience on set with cast and crew which brought out the best in all of us and the atmosphere was a really lovely one to work in. The level of detail that concerned the Director, Camera team and fellow actors brought a high degree of excellence to the ambition of the project and one that was artistically very satisfying to be part of,” said Maan.

Be sure to watch the second season of The Bureau to witness Maan’s stellar performance as Houtan Vosoughi.

Pauler Lam talks dancing on ‘Steady Mobbin’ and pursuing what makes him happy

It doesn’t feel like that long ago for Pauler Lam that he was working a 9-to-5 in the corporate world. He found that each day sitting behind his desk ate away at his soul. He was working for a pay check, but it wasn’t what made him happy. Then, five years ago, he decided to take his hobby of dancing, which he spent 16 years training for, and transform it into his full-time career. Immediately, he felt a shift in his outlook on life. He was happy, doing what he truly loved. This joy he feels from dancing is contagious, and those who watch him perform, whether live or on television, feel it too.

With an impressive career working on television commercials, Buzzfeed videos, live performances, and various television shows, Lam has become a sought-after Breakdance and Hip-Hop dancer. Originally from Australia, he has taken the American dance industry by storm, and recently was the principle dancer in two national commercial campaigns: one for Hotel Indigo, and the other for American Crew. In both instances, his talents as a dancer and performer are enthralling, grabbing audiences’ attention around the country.

“I am a very driven person who only does what I know will ultimately make me happy and allow me to bring others joy and in turn, give back to the universe. This for me is dance,” said Lam.

One of Lam’s first breakout professional dance roles in the United States was on the television show Steady Mobbin. The series highlights diverse groups of dancers performing various flash mob styles in major cities, empowering the audience to bring out their inner dancer. The surprise element of the flash mob serves as a reminder that art, in this case dance, is all around us in everyday life.

“I loved that the show was about dance. The dancers were the star of the show, not just in the background. The producers understood how important and amazing dancers are and wanted to put us in the spotlight,” said Lam.

The production on the show began in September 2015. In that first season, Lam was featured in episodes 3, 4, 5 and 6. Each episode took a week to film, including rehearsals. Steady Mobbin premiered on The Dance Network both in the United States and worldwide in February of 2016.

As well as being a principle dancer, Lam was also given a feature in an episode where he was interviewed. He was able to explain his background in dance and provide his back story to the viewers. He also had a solo dance moment where he was able to showcase his breakdancing skills.

“It feels amazing to know that people everywhere are able to see me do what I love. It is great exposure for myself as a performer and entertainer in the dance industry. I truly feel blessed to be able to be a professional dancer and the fact that I can do it for a living and put my work out there for the whole world to see is indescribable,” he said.

When Lam first went to audition, he made an error that he now considers to be his saving grace. At the time, he had misread the audition details and went to the venue a day early. No one was there. and it made him very feel very inexperienced as he was new to the industry in those days. However, his mistake actually helped with his nerves, and when he returned the next day all of the initial fear he felt the day before had vanished; he had time to settle down and laugh at himself. When he came back the next day and auditioned, he impressed the Director, Aaron Mostow, as well as the well-known dancer/choreographer Suze Q (known for dancing with the celebrated pop group The Black Eyed Peas) who was running the auditions. While performing, Lam displayed his vast skill and versatility. It was only a week later when he was booked for lead role in the show.

Quickly noticed during the audition process for his unique ability to perform hip-hop choreography as well as bust out exceptional breakdance moves, Lam was essential in the creation process of each episode. In order for the choreography pieces to have a dynamic and recognizable moment, he was frequently featured doing a flip or a trick for the episode’s “wow moment”, keeping the audience captivated. Usually a Bboy would not do the choreography and stick simply to breakdancing, but Lam was able to do it all and help create flawless pieces and smooth transitions for the choreography, and ultimately, the show’s success.

“Pauler is one of the most skilled and versatile dancers I’ve ever come across. He can do Hip Hop choreography and breakdance. That’s a very rare thing for a Bboy to be able to do choreography too. So, I knew right away after seeing him at the audition that he would be perfect for my show. We featured him on an episode and he absolutely killed it in his solo with his crazy tricks and flips. He was so easy and fun to work with and I would love to work with him again,” said Director Aaron Mostow.

Because the show focused on dance, and everyone involved had dance experience, Lam was eager to be part of this experience as one of the first major projects of his career. While on set, he made sure to stay focused, adapt easily, and be professional. Despite the challenge of having to learn many pieces of choreography in a short time frame, with cameras pointed at him and producers watching, Lam shone in each number. Working on the show truly exposed him to working under pressure, something that is common in the industry, and he quickly learned how to excel under such conditions.

“I am, and will always be, very grateful for this opportunity. The other dancers on the show were really fun to work with. Everyone was happy to be in rehearsal and on shoot days. I made some of my first proper LA friends from this show and am proud to still be good friends with them today. I was able to showcase my skills and versatility as a dancer for the first time in the Los Angeles dance industry. I’ve come a long way since then and will continue to push and grow further as a performer. And a special shout-out to Suze Q, Aaron Mostow and all the other dancers from Steady Mobbin,” said Lam.

Being able to showcase his skill on television earlier on in his career opened many doors for Lam, and he is extremely humbled by the experience. Since being on the show, he has become an in-demand dancer in America, with no plans on slowing down. His journey reaffirms that pursuing his dreams full-time was the right choice, and he has never looked back.

I know that this is what I am meant to be doing and truly believe that I am in the right place. I will continue to push myself in this industry to achieve all of my dreams and be the best and happiest version of myself that I can be,” he concluded.

Brett Morris sheds insight into his journey from Young Magneto to seasoned producer

Human beings are known to set limits and work within them. With that, we understand and evaluate the world through binary opposites like black versus white, up versus down, in versus out, and so on. Then, sometimes, positive disrupters emerge and they challenge us to read between the lines; to understand the world’s wonders along spectrums rather than within extremes. They empower us to test the limits that we set for ourselves and to determine alternative understandings of our world that we might not have otherwise considered. More often than not, these disrupters are known as artists, innovators, and pioneers. In the case of Brett Morris, however, titles like “cinematographer,” “editor,” “director,” and “producer” come to mind. For the highly sought-after creative, there are no lengths that he will not go to in order to stimulate the minds of his audiences and allow them to wander into worlds that they have never explored before.

“What I love about producing, in particular, is that, when challenged to produce something, you’re only limited by your own resourcefulness. Not your resources. If there is a will, there is a way and I love being able to solve a multitude of problems. My job is to make the day go as smoothly as possible and appear as if there was never a challenge in the first place,” said Morris.

Having kick started his career as a child actor, Morris has built himself from the ground up, experimenting with just about every role involved in the creation and production of a film or television show. As such, he has earned a certain understanding and appreciation of the intricacies of his art form that other artists may never fully experience. At the age of 12, Morris landed himself the role of Young Magneto in the hit film, X-Men, and was inspired by talented actors like Ian McKellen and Hugh Jackman. What he hadn’t anticipated; however, was how fascinated he became by the role of the director. He was determined to become a part of the directing community and today, he can be credited with producing and directing fan-favorites like Big Brother Canada, Hockey Wives, So You Think You Can Dance, and many more. 

In 2016, Insight Productions were looking to re-boot the widely adored series, Top Chef, for a fifth season with an added “all-star” twist. Top Chef Canada is a Canadian reality competition television series airing on Food Network Canada. Each week, chef contestants compete against each other in culinary challenges and are subsequently judged by a panel of professional food and wine gurus. At the end of each week, one or more contestants are eliminated in order to determine who Canada’s “Top Chef” will be.

For Top Chef Canada All-Star, the show’s production team was intent on finding a field producer with the skill and expertise necessary to take it to the next level without sacrificing any of the elements that made their show the success it is today. Essentially, a field producer is responsible for handling all in-field directing, as well as conducting on-camera competitor interviews. The role typically involves juggling technical in-field directing abilities with achieving optimal story beats in order to effectively craft each episode during post-production. Fortunately for Morris, the decision to select a field producer landed in the hands of a former co-worker and member of Top Chef’s production team, Eric Abboud, who knew that Morris was the ideal candidate for the job. Abboud approached Morris about the opportunity to work alongside the show’s story team, including talented writer, Jennifer Pratt, and highly skilled story-editor, Liam Colle. For Morris, joining such a high performing team acted as further motivation to show Food Network lovers everywhere just what he is capable of.

From the outside looking in, it is easy to see how intense and pressure-ridden each Top Chef competition can be for contestants, whether or not you’re watching a regular season or an all-star edition. What is more difficult to imagine, therefore, is the type of demand that places on a production crew to capture each and every moment as authentically as possible. Morris recalls episodes being shot in the span of two days, across multiple locations. When the chefs were cooking, Morris was behind the camera crew, prompting them to speak loudly about their creative process and having to break their heavy focus in order to heighten the drama-filled, entertainment factors of the show. Other times, while chefs were navigating their weekly budget to shop for groceries, Morris was directing crews of six camera operators and three audio engineers in order to effectively capture all of the suspense. Then, for each episode, he was tasked with keeping track of every action-packed second of filming in order to know which content to probe the chefs about during their interview segments afterward. Despite the demanding nature of this role, Morris loved every moment. Particularly, he enjoyed the unique chance he had to interact with all of the chefs up close and personally.

“These chefs are true all-stars, restaurant owners, and at the top of their field. Any time you get to immerse yourself into the world of an expert, it is exciting. From the way they prepared their ingredients, to the meticulousness of cleaning their work stations, everything was like a rehearsed dance to them. It was exhilarating to watch. I found that I became a “foodie” by proximity and I took that learning with me every time I order at a restaurant or prepare a dish at home. It was an unbelievable experience,” recalled Morris.

Ironically, while Morris found himself fascinated by the opportunity to witness these culinary experts in their element, his co-workers, like Colle, were experiencing similar sentiments while watching him at work. According to Colle, working with Morris was a learning experience in itself and he enjoyed the distinct pleasure he had to learn Morris’ approaches and techniques for his own use. When asked what makes him so great at what he does, Colle had the following to say:

“I’ve never come across anyone else with the skill set and talent of Brett Morris. He is whip-smart, with an uncanny ability to tell compelling stories and deliver polished and professional productions. I think a big part of what makes him so good at what he does is that he’s got the perfect mix of creativity and analytics. Whether it’s in the edit suite or on set, his instincts are always on point and the finished product is never less than impressive,” told Colle.

Despite the fact that Top Chef Canada All-Star was breaking the show’s three-year hiatus from Food Network Canada, the result was better than ever. Canadian audiences still felt a deep connection with the show and Morris’ work was extremely well received. In fact, with the help of Morris, the show earned the green light to be renewed for a sixth season which will air in 2018.

“The fact that the audience loved it and it got picked up for another season means that not only did we do our job well, we were successful. It is always satisfying to see your hard work pay off,” he concluded.

 

Top photo by David Leyes

One to watch: Russia’s Yana GoodDay

Yana 9
Yana GoodDay

Entertainment comes in many different shapes, sizes, and forms. For instance, actors entertain by temporarily transforming themselves to fit the mold of a specific character description and adopting all of the various mannerisms, personality traits, and quirks that go along with it. In contrast, models entertain by serving as a visual aid for individuals creating works of art, taking photographs, or advertising commercial products. Regardless of how an artist chooses to appeal to their audience and entertain their supporters, it requires an unprecedented amount of hard work, dedication, and perseverance. For Russian model, actress, and television host, Yana GoodDay, it is a commitment to fulfilling a childhood dream and beyond that, entertaining is a career that she wouldn’t trade for the world.

Despite the grueling nature of the modeling industry, GoodDay has managed to rise above her competition and has earned herself work representing a number of prestigious, world-renowned companies such as Huggies, Citroen, KRKA, and more. In 2007, GoodDay began working with one of Europe’s largest lingerie and swimwear manufacturers, Naturana. In fact, she has often been credited with helping enhance Naturana’s signature brand and has been instrumental to their growing customer base over the years.

“After representing Naturana in both print and runway formats, Yana was enlisted to become a spokesperson after each show, where she once again impressed everyone with her sensational gift to push the boundaries of the Naturana line. She has been absolutely critical to a massive increase in sales for Naturana, as well as stirring up even more appeal for the brand across the world. It has truly been one of the main highlights of my career to be in her presence. She is an extraordinary model and I have enjoyed seeing her career skyrocket over the years,” Renata Kowolik, Sales Manager, Naturana.

In addition to her modeling career, GoodDay has worked as a television and radio anchor, reporter, and journalist for media network gurus such as MTV, Channel One Russia, NTV Channel, Russian Radio, and several others. When she sets her heart on a job, she will stop at nothing to secure it and her unparalleled talents, coupled with her feverish passion for entertainment, have helped her build an unbeatable reputation in her industry.

One area of her career that GoodDay takes particular pride in, however, is in her ability to act. Over the years, she has acted in films, television series, as well as commercials. In fact, three years ago, GoodDay began working for a production company called Kino Atelye and in her work with this company, she has earned herself roles acting in several of their productions, such as The Detectives and The Track. Prior to working with Kino Atelye, the largest focus of GoodDay’s career had been on her opportunities to model and host television programs. For this reason, she was thrilled by the prospect of refining her acting skill set and expanding her reach in the acting world. Unlike modeling and television hosting, GoodDay is particularly motivated by the idea that, as an actress, she can assume the lives of unfamiliar individuals and experience new worlds through the characters that she plays.

“I make an effort not just to act, but to really live my character. I want to understand how I might react in their shoes or how I might interact with them if I were to meet them in real life. In addition, I think that extracting elements of your real-life experiences helps enhance your characters but I also appreciate the guidance of a director on set,” said GoodDay.

In 2015, GoodDay landed herself a prominent role in Kino Atelye’s production, The Sled, which tells the story of a new governmental body, FES, created to solve X files and high crime cases. Launched as an experiment, FES trains young professionals to solve crimes, and assists other special organizations to do so. For her role in the series, GoodDay had the opportunity to engage in uniquely intricate scenes involving lots of action and exercise. In one particular scene, her character enters into a physical altercation, for which GoodDay had to act a very rough scene. In reality, she enjoyed all of the action inherent within the scene and considered it to be a very good workout. She embraced every chance she had to let her natural acting instincts guide her through the scene and considers recalls working on The Sled as being one of the many highlights of her career.

In the case of The Sled, GoodDay’s character was pivotal to the storyline but incidentally, GoodDay became instrumental to the cast. The show’s casting director was looking for an actress who could convincingly portray herself as an almost angelic, innocent looking character whilst disguising a twisted, cold-blooded killer within. When it came time to cast this part, he was adamant that GoodDay play the part. In fact, he was so certain that she was the ideal candidate for the job that he did not look elsewhere for comparison. He knew that GoodDay had the skills and the expertise to master the dynamic elements of this character and he was ecstatic to see that his instincts served him well. For GoodDay, on the other hand, the joy of working on this series came with the onset relationships she built and the opportunity to explore every great length of both the script and the visual effects department.

Working with Kino Atelye served as an invaluable opportunity for GoodDay to develop herself both personally and professionally. For the talented entertainer, getting to work with like-minded individuals and receiving praise from others in the entertainment industry is extremely humbling. Stay tuned to see what this versatile, talented entertainer has in store for you next!

Ana Lossada inspires children to live healthy lives with work at Disney

Despite having an interest in the arts from an early age, Ana Lossada never really thought she would have a future in the field. As a child, she enjoyed drawing and painting as most children do, but she also enjoyed sports, dance, and playing with friends. Creativity was an instinct for her, she was never conscious of it. As she began to grow, her other interests slowly started fading away, but art was her constant. She started to realize that she could pursue a career in the arts and do what she loved every day. It was this realization that changed her life, and now, as an internationally sought-after motion graphics designer, she has never looked back.

“As a kid, I never really saw it as a ‘this is what I want to do when I grow up’ type of thing. Doing creative things simply came to me very easily and effortless an. Besides being the artsy kid in school, I have always loved watching cartoons and also movies filled with action, sci-fi and a whole lot of visual effects. These tendencies worked out, as my art interests led me to pursue a career in the digital media world,” said Lossada.

Throughout her esteemed career, Lossada has worked with some of the world’s most well-known production companies and television shows. She recently collaborated with Disney to create the opening theme for the new show Raven’s Home, a spin-off of their older classic That’s So Raven. Premiering earlier this summer, the opening garnered a lot of media attention, and Lossada’s work is a large part of that. A similar experience occurred with Lossada’s work on the opening of Netflix’s hit show Atypical, where Lossada perfectly captured the autistic main character’s tendencies and feelings in her work. All that work alongside the designer are impressed with what she can do.

“Throughout my career I have worked with many talented designers and no one comes across like Ana has. Not only does she have amazing technical skills when it comes to handling computer software, she has a natural ability as an artist and illustrator. She is incredibly dedicated and gives her best in every single project. Her hard work will lead her to an incredible career,” said KA Batcha, who worked with Lossada on The Walking Dead: The Journey So Far, a thrilling recap of the first six seasons of AMC’s iconic series The Walking Dead.

Despite such success, one of the highlights of Lossada’s career is her work with Disney Jr. on their “Be Inspired” spot. The concept of the project was to encourage children to live healthy active lifestyles with promotional videos showing easy exercises that kids can follow along with, designed in the setting of the Disney classic The Lion King. The project was an immense success, and at only 23, Lossada showed one of the largest and most renowned production companies in the world, Disney, that she was extraordinarily talented.

After the success of Be Inspired with the Lion Guard, Disney wanted to team up with Lossada once again, this time with the spot Be Your Best with Miles, featuring the character Miles from Miles from Tomorrowland, a popular children’s show for the network. This segment is a 2-minute spot in which cartoon Miles and “real” Miles are compared side to side, teaching us how to live a healthy lifestyle by following a healthy diet and exercising frequently.

“The way children eat from a very young age impacts their growth and health throughout their childhood, and for the rest of their lives. A healthy diet and good nutrition are critical in preventing some of the issues and illnesses that are caused by bad nutrition, such as nutrient deficiencies, poor bone health, increased risk of injuries, poor academic performance and increased risk of eating disorders. Teaching children how important a healthy nutrition is and also the importance of a vigorous fitness routine throughout their childhood years will lay a base for a healthier and fulfilling life,” said Lossada.

The music video with exercises are currently being aired on Disney Junior worldwide. Each exercise video has over 60,000 views on YouTube alone, and the music video “Teke Ruka Teleza” has over 250,000. Such success could not have been possible without Lossada’s contributions.

Working with her team at Big Machine, Lossada helped design and animate the main title for the spot. Additionally, she needed to create modern and stylized split-screen graphics for the spot and also a UI/UX interface graphic that explained what audiences were seeing on screen. She did all this using her own unique style, as she is known for her distinctive artistry. Her artwork speaks strongly to people, and with Be Your Best with Miles, it has resonated with children around the globe.

While creating the video spots, all of Lossada’s skills were put to use, from designing to illustrating and even animating. Not only was she leading the team, but she was also working on the live action set as well, ensuring her graphics would perfectly transition with the live footage.

To generate ideas and inspiration for the project, Lossada watched an episode of Miles from Tomorrowland. Upon doing so, she noticed there were many simple shape designs in the show, primarily hexagons. This is therefore the primary element seen throughout the whole Lossada’s work on Be Your Best with Miles. She used it for overlay shots, for example the scene where Miles analyzes a breakfast kitchen, for transitional designs between live-action Miles and character Miles, and lastly for the split screens where they are seen together. Such attention to detail is what makes Lossada one of the best, and while working on Be Your Best with Miles, her co-workers were able to see all of talents really shine. Not only does she have the technical skills when it comes to mastering any software, but she also possesses the innate natural ability to design and illustrate.

“Working on Be Your Best with Miles was very fun. Mainly, because we had to find activities and exercises performed by the live-action Miles and compared it to the 3D character Miles,” said Lossada.

No matter what she takes on, Lossada puts everything she has into her work. This is not for the accolades or awards, but for a passion for what she does. She is a perfectionist in the best way. When people enjoy what she has produced, she knows she is doing what she was meant to do.

“I take a great deal of pride in my work and do everything I can to ensure every aspect of each project I touch is perfect, so it truly means a lot when people acknowledge the quality of my projects.  Seeing the look of astonishment on their faces as they wonder how exactly I animated and designed these various projects makes all of the hard work worthwhile. I have always believed that the entertainment industry, particularly the creative side of the business, can convey powerful emotions and messages. It is my goal to use my knowledge and skillset to bring these feelings and experiences to the general public and leave an everlasting mark on the industry,” said Lossada.

She is already well on her way. Watch Lossada’s tremendous work in Be Your Best with Miles here.