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Film, international Talent, Interviews & Features!, Reviews, Interviews & Features!, Screenwriter, Women

Renowned Writer Camilla Sauer Talks Top Projects

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Camilla Sauer is one of Germany’s most successful head writers. Over the past 20 years of her career, she’s been accredited for her remarkable work on over a dozen different TV series, produced by some of the biggest German and European TV and Film production companies.

Getting her start as a creative writer at the young age of 19, Sauer proved early on that she was destined to spend her life creating and telling stories. Just three years after her first professional gig, she went from intern to full-time storyliner on Germany’s second highest rated TV series, Verbotene Liebe (Forbidden Love). With numerous awards won and over 4,5000 episodes aired, Verbotene Liebe circles around the lives of young men and women in Germany, their friends, and their families, and has become well known for its positive representation of LGBT characters and its presentation of controversial issues. The show is produced by UFA Serial Drama (Metropolis and The Blue Angel), one of Germany’s oldest and most distinguished entertainment brands

Sauer worked on Verbotene Liebe for two of its 20 seasons. From there, she climbed the ranks and earned what would be her first of many head writer titles for a season on the crime series Einsatz für Ellrich, of the award-winning production company, Constantin Entertainment.

“Two years later I started working for Alles Was Zählt, where I continued to work for three years,” Sauer said. “I was there from day one and was fortunate enough to be able to create this TV drama with some of the most talented writers. We were all so different, but each and every one of us was passionate about the show. We were encouraged to tell fresh, new, and compelling stories. We all put 100% of our effort into the stories – and it paid off.”

In February of 2008, while Sauer was the head writer on the show, Alles Was Zählt was awarded Blu Magazine’s Best National TV Format award for its portrayal of the relationship between two of its characters, Deniz and Roman. Additionally, Guido Reinhardt, Chief Creative Officer of UFA and producer of the groundbreaking series, provided Sauer with the opportunity to work as a creative producer together with the producer of the TV series Unter Uns, ultimately trusting her to relaunch this show and work with a different team of writers, with a different broadcast station in the process. “Camilla is truly a writer of extraordinary merit and ability,” Reinhardt recently commented of his professional colleague of over 10 years. “She possesses a talent that is rare, and it is her unique combination of talent and experience that has resulted in her becoming one of Germany’s most successful head writers.”

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Camilla Sauer

Having aired in 2006 to the present, Alles Was Zählt is one of the longest running TV dramas in Germany.

While it’s obvious that creative talent is a must-have when it comes to being a successful writer, one of Sauer’s greatest strengths that Reinhardt pointed out: life experience, along with empathy and a sense of structure, are also qualities that mustn’t be overlooked. Sauer is well versed when it comes to all of these, her expansive success as a head writer in the entertainment industry serving as proof. Expanding upon what she’s learned regarding the importance of these assets, Sauer explained, “It takes empathy to create characters and to be able to connect with how they feel and act. Not because you would do so, but because your character with his background, culture, and personality would do so. It takes some life experience because life gives you the best inspiration every day, everywhere. The best stories I’ve ever heard stem from real life experiences. Lastly, structure is needed to be able to take your story to the next level; To create a plot, a script, a scene. I know a lot of writers who are either very creative, but have issues with creating structure, and vice versa. If you have both – you are considered one of the lucky ones.”

In addition to head writer, Sauer has also worked diligently as a creative producer and story consultant on numerous distinguished projects broadcasted on some of the most established networks throughout Europe such as, Soko Familie, Herzflimmern, Unter Uns, the award winning Dahoam is Dahoam, and Lena – Liebe Meines Lebens, the latter which she first began working on a few years post her work on Alles Was Zählt.

“A story consultant in Germany is probably considered a creative producer, or a co-showrunner in the US. It’s someone who works closely with the producer and/or show runner. Together they create the story concept, characters, and the long running plots of the TV series,” Sauer said of her job title. “This particular work is not so much focused on the details like scenes or dialogue, but more so of the development of the whole concept of the TV series. The staff writers break our ideas down into episodes, scenes, and scripts.”

In 2010, Sauer was hired by the academy award winning production company, Wiedemann & Berg (The Lives of Others, WhoAmI, Welcome to Germany, and Dark), to create Lena – Liebe Meines Lebens with showrunner Günter Overman (Storm of Love, Verschollen, and Hinter Gittern – Der Frauenknast). The series title translates to Lena – Love of My Life in English, and is an adaptation of the Argentine series Don Juan y Su Bella Dama, created by Claudio Villarruel and Bernarda Llorente.

It was on Lena – Liebe meines Lebens where Sauer first worked with co-founder and CEO of Wiedemann & Berg, Quirin Berg. Berg, who thinks quite of the writer’s talents, shared, “I have had the pleasure of working with Camilla Sauer and can without a doubt certify that she is an exceptionally talented head writer, and furthermore, one of the best head writers in Germany. Camilla is extremely unique in many aspects. She is outstandingly creative, a very fast thinker, she has a wonderful ability to express her ideas clearly, create deep and three-dimensional characters, and eventually bring them to life. Additionally, she can immediately identify specific problems in a story and articulate a solution to them.”

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Camilla Sauer

Since 2012, Sauer has been staffed as the head writer for Germany’s hit series Schicksale – und plötzlich ist alles anders (Fate – and suddenly everything is different). Produced by Constantin Entertainment, the TV series has been running for eight years, consists of twelve seasons, and was recently picked up for another (1 year).

In Camilla’s words, the idea behind Schicksale – und plötzlich ist alles anders is that, “Things are not happening to you, they are happening for you. Even if it looks like something bad is happening to you, it just creates a new opportunity for us to learn, to grow, and to eventually make better decisions that lead to a better life. ‘Fate’ is about that one single moment, that ‘accident’ that might look like some random situation, that completely changes your life.”

While working on such a long running show for an extended period of time has its challenges, Sauer has demonstrated that she is an expert when it comes to contributing fresh and exciting stories to an ongoing series, and in doing so has played a pivotal role in the success of Schicksale – und plötzlich ist alles anders. Former CEO of Constantin Entertainment Christoph Knechtel raved of the head writer, “Camilla is truly a head writer of extraordinary merit and ability. I was fortunate enough to witness her extraordinary talent in screenwriting when she served as writer, head writer, and showrunner on numerous television series like K-11-Kommissare im Einsatz, Einsatz für Ellrich, Schicksale, In Gefahr, Im Namen Der Gerechtigkeit, and Soko Familie for huge networks such as Sat. 1, RTL, VOX, and more. Her demonstrated skill and unparalleled creativity on these and other projects have earned Camilla widespread recognition and international acclaim as one of German television’s leading writers.”

Presently, Sauer is in development with the German TV production companies, UFA Serial Drama, Constantin Entertainment, and Bastei Media, on a few pilots and television series while continuing to write for Schicksale – und plötzlich ist alles anders.

 

For more information on Camilla Sauer, please visit: http://www.imdb.com/name/nm4646044/?ref_=nv_sr_1
 

Article Written By: Ashley Bower

Behind the Scenes, Film, international Talent, Reviews, Interviews & Features!

YUXIN BOON HEARS THE ART IN FILM

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Sound editor Yuxin Boon works in the film industry but when she is asked exactly what a sound editor does, she often explains that it’s like being in a band. Boon does have a background in music so this isn’t simple conjecture…she knows what she is speaking about. Yuxin describes, “The general public has a view that the only job of a sound editor job is dealing with sound effects. The truth is that editors are divided into different categories of sound, like dialogue, Foley, and ambience. A sound editor is not usually in charge of remaking all the sound the audience hears. Editors are assigned to one particular category of sound but also applying their work to the overall sonic image of the film. It’s like a band; every member has one instrument and task. They need to play their own instrument while also working cohesively as a team to make the music and deliver the emotional intention of the song.”

As a professional female sound editor focusing on dialogue and Foley editing in the film post-production industry, YuXin has created a career path in the industry that includes working with Oscar-Award winners (as she did in “Heavy Rain” with Bill W. Benton) that display nature’s fury, romance films (“Christmas in Mississippi” & “Enchanted Christmas”), Westerns, and a myriad of other genres. A sound editor is required to be creative as well as detailed, which are the characteristics which drew her to this work. While many vocations in the TV and film industry steer professionals towards a certain genre, it’s the absence of this aspect for sound editors which allows professionals like Boon to test themselves to apply their talents a wide variety of story types. While the application of abilities may differ, the means by which they are applied is often universal.

A sound editor must possess a discerning eye, well…perhaps ear is the appropriate body part in this particular scenario. Talent is a requirement and the application of these are a given but Boon believes that this is only a baseline for contributing to a production. One needs only to watch your favorite movie with the sound down to gain an immediate appreciation for the work of a sound editor. Even this simple example does not properly communicate the affect a sound editor has on the entertainment. The work of Boon and her peers involves layers upon layers of sound that weave together a sub-story that most of don’t ever fully appreciate. In Yuxin’s opinion, a good editor not only inspires the other professionals on the production team to perform at the next level but also carries the emotion to the audience for a better understanding. A good sound editor can offer intriguing soundscapes which the director is looking for as well as combining it with creative designs and techniques. Skill is an element that can be used to evaluate editors’ work, but it’s far from the only one. Creativity may be the most important trait a sound editor can bring to those they work with.

It’s likely that Boon’s unique perspective came from her path to sound editing. As a child of parents who were not musicians but great lovers of music, her parents took her to piano lessons and encouraged (but did not push) YuXin towards making music a part of her life. While she thought that her aim would be in the music world, Boon took a film class and discovered that her natural inclination towards detail and her finely tuned ear (thank you piano) made her highly adept at timing and sound editing/design. The process of mixing different elements to create completely new sounds, such as the dinosaurs’ roar in “Jurassic Park” fascinated her and stimulated her creatively. As Boon discovered that a sound editor is given the opportunity to work with aspects like dialogue, Foley, and other sonic presentations of a film, she became increasingly drawn to it. Trail blazers like Singapore’s Ai-Ling Lee (Oscar-Award Nominee for La La Land) continue to reinforce the idea that an Asian woman/professional has a place in the film industry of Hollywood.

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Any art form must grow. To achieve this requires individuals with fresh perspectives who understand and respect the process and individuals which created the template being used. Yuxin Boon has already created a community of peers and professionals who recognize this in her work and her view of her own application of her talent. The very fact that she sees her role in a manner that is simultaneously similar and differs from the traditional idea indicates the reasons why she has found herself so busy with an eclectic set of productions these days.

Chinese Filmmaker, Producer

Dixie Chan talks honor of producing China’s most viewed documentary of 2015

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For as long as she can remember, Dixie Chan recalls having a deep passion for the art of filmmaking. When she was a child, she would actively search for the “behind-the-scenes” footage of her favorite films and study the styles and techniques through which they were created. Particularly, Chan found herself interested in the making of documentaries. There was something so intriguing about how the lives of the individuals or concepts presented in narrative documentary style films would tell themselves. As she got older, Chan began exposing herself to film festivals around the world and her fascination with the visual and narrative power of documentary films grew stronger the more that she watched. She could often be found in the back of a film screening, jotting and scribbling notes about the techniques and ideas that interested her most. Flash forward to today, and Chan has developed a remarkable career as a film producer, exploring her love for documentary style films and forming a livelihood around it.

“What I love is that every documentary project has a certain theme, message, or vision. My role as a producer, then, is to flesh that out by searching for the right people and the right places to tell those compelling stories. In the field of documentary storytelling, you look for these compelling characters and you let their lives tell their stories. With that, preproduction work often involves extensive research, most of which is done in the field with locals. As a producer, I am always the first one to access the location and characters, so a big part of my job is to gather as much intelligence for the shoot as possible. Subsequently, I cast characters and scout out the best filming spots and angles. I also brainstorm with the field director about how we can bring our narrative ideas to life, from the types of scenes that can be shot to the kind of questions that we can raise during interviews,” shared Chan.

During her career as a producer, Chan has worked on some of National Geographic and The Discovery Channels most prestigious documentaries. Her work on documentaries such as Frontier Borneo, The Bridge, Warriors of Wood and Stone, and Expedition X — Silk Road Rising, are the reason that she has earned such a strong reputation amongst her peers. She is well known for her ability to see a project through from conception to post-production and her unique style makes her a force topple reckoned with in the producing community. In fact, the caliber of work that Chan is capable of producing typically earns her a significant amount of praise and award buzz in her field. For instance, it is no coincidence that after Chan produced Frontier Borneo, it went on to receive a nomination for Best Documentary Series at the 2017 Asian Television Awards, as well as an Official Selection for the 2017 Eco Film Festival in Singapore. These awards were little, however, in comparison to the recognition she received for her work on National Geographic’s hit series, China From Above.

China From Above is a 2-part documentary commissioned by the National Geographic Channel which takes an aerial perspective showcasing how China has transformed its cities and infrastructure over the last three decades, whilst still retaining its strong traditions. From the monumental engineering feats of the Great Wall, to innovative and unique farming techniques, and a massive water splashing festival, the show illustrates how these strong traditions have shaped China’s landscape to make it uniquely recognizable around the world and truly magnificent, especially from the air.

Chan began working on China From Above in 2014, partway through the show’s production. Given that aerial cinematography was still a relatively new style of filming, she was eager to explore her own personal production style along with it. At the time that Chan was asked to join China From Above’s production team, management had identified a gap in communication between the show’s Chinese and Australian partners. Fortunately, Chan had experience working on Chinese documentaries and being bilingual, she was able to communicate extensively in both Mandarin and English on all logistical and editorial matters. She was thrilled that she was able to bridge the gab between Chinese and Australian work cultures. Though it was challenging at times, she was rewarded by the opportunity to expand her experience within the field of documentary style film production, as well as to explore her potential as a bilingual producer.

As the show’s lead producer, Chan had a very large task on her hands. Given the fact that aerial documentaries were so new and unexplored, she had few points of reference to go by when researching and planning the film’s production. For this reason, she motivated herself to utilize the skills she had already established throughout her career and adapt them for this new and unfamiliar style of filming. In addition, she had her work cut out for her when it came to scouting characters and locations to feature in the show. She was in constant battle with climate and terrain conditions, travelling through extreme winter and desert conditions at even the best of times. Beyond that, she carefully and considerately searched for characters who would bring a certain degree of unpolished authenticity to the footage. For this reason, she spent countless hours grooming candidates and refused to stop searching until she found the best possible individuals for the job.

“There was one instance where I arrived on location to work on a story about Kazakh Eagle Hunters and realized that the characters that were introduced to us were not ideal for our project, and had to spend another 5 hours traveling in the snow to find a more authentic candidate. I am a perfectionist in that regard. I never take the easy way out especially when it comes to characters and stories,” told Chan.

Though daunting at times, her hard work eventually paid off in the end and Chan considers her work on China From Above to be one of the greatest highlights of her career. For anyone who worked with her on the project, it is no secret why. She placed a great level of dedication and effort into ensuring that each second of film was edited and refined to shed China in the most compelling light possible. Felix Feng, Vice President of Operations: China, Natural History New Zealand, worked very closely with Chan when researching and scouting locations for the show and knows how particular she was about capturing high quality content throughout the duration of the filming process. He credits her as having been the reason that the project was executed so smoothly and considers himself fortunate to have been able to collaborate with such a high performing producer.

“It was a great experience working with Dixie on this award-winning and breakthrough project about China. Her patience, hard-work, smart and creative thinking, persistence, and proper communication skills were very valuable in the production of China From Above. This helped us in an extremely smooth execution in both the research and ground shooting of the production. Today, the show has a viewership of over 200 million people and is one of the best rated documentaries in China. Dixie was a hero behind the scenes and is one of the biggest reasons why it was so successful,” added Feng.

After it premiered, China From Above went on to earn a slew of awards and praise at film festivals across the globe. For instance, the film won the award for Best Camerawork and Best Cultural Issues at the New York Festival Gold Awards in 2016, as well as a Gold Panda Award at the 2016 Sichuan TV Festival, and more. In addition, it received over 130,000,000 views within the first two weeks of premiering in China and was later named China’s most viewed documentary TV series in 2015 by China Mainland Media Research Co., Ltd. Its widespread success and praise was above and beyond what Chan had dreamed of for the series and she feels fortunate to be able to have played such a prominent role in creating it.

Canadian Talent

Ashley Bruzas is Veronika Stealz, Internet Sensation

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Over the last decade, with the rise in presence and popularity of social media platforms, critics have begun to suggest that different means of online technology are working to isolate and hinder human beings on a social level. There has become a large push amongst parents to encourage their children to disconnect from their technological devices in order to properly connect with each other. What these critics often fail to take into consideration, however, is the emergence of online influencers who are taking the digital world by storm, using various online mediums to link together a generation of social media users. They create interest-based communities, and effectively unite the individuals within them. Take Ashley Bruzas, for instance. The Canadian Digital Writer and Content Producer uses the internet to bring together like-minded individuals and interact with them in such a way that transcends social constraints like distance, cultural differences, time zones, and more. Her modern-day adaptation of journalism allows her to share news in a widespread fashion, reaching audiences on a large scale and engaging with followers in an authentic way.

“What I enjoy most about working as a digital writer and content producer is my ability to interact with people. I am a storyteller and through this passion I am able to interact with interesting people, situations and events who are the basis of what I do. I have worked with some of the world’s most well-known and reputable brands and companies as well as some extremely interesting and respected individuals who have shaped me into the person I am today,” tells Bruzas.

Online, followers know her as Veronika Stealz, but in reality, Bruzas is an enthusiastic, talented Digital Writer and Content Producer with an online following that has amassed upward of 85,000 followers to date. Given that her Instagram page had gained a substantial following in the early days of social media use, expanding her personal brand and creating a blog felt like a natural next step in her budding career. Now, using that very blog, WhoIsVeronika.com, Bruzas shares information about different projects she works on, brands that she collaborates with, details about her personal life, captivating images, compelling articles, and much more. The idea for her blog developed in conjunction with the rising popularity of her online alias and when she realized that her followers and other aspiring bloggers could benefit from an in-depth, behind the scenes look at her lifestyle. As a result, she now expertly spearheads an extensive network of fellow bloggers, local influencers, content producers, and writers who engage with her content on a regular basis and communicate with each other accordingly.

As her online influence and popularity rose on social media, Bruzas started to receive requests from a variety of large-scale companies who felt that she was in touch with their target demographic and could help enhance their online exposure. Her expansive network of followers makes her a valuable asset to any company’s marketing strategy and by attending an event or featuring a campaign on her blog, Bruzas helps to adequately grow a company’s online presence and customer base. Since she began incorporating marketing collaborations into her blog, Bruzas has worked with many Canadian brands such as Peace Collective, Converse, Nike, Adidas, Moose Knuckles, and more. Beyond her reach at home, Bruzas has helped enhance the consumer market for international brands like Triangle and Bali Body.

“I have a large network of followers that I grew in Toronto, so attending an event or working on a campaign was valuable for Veronika Stealz to be associated with. I eventually created a media kit that I would pitch to brands, which included some of my past work, relationships, rates, statistics, etc. I would never work with a brand or agency that I do not support and I want my content to be unique and organic in order to keep my follower demographic interested and honest.” she notes

In addition to clothing and apparel companies, however, Bruzas also uses her background in journalism and passion for writing to work with creative agencies like Sweet Dreams Magazine. Marketing gurus within the companies and creative agencies that Bruzas works with are fortunate to foster working relationships with digital writers and content producers like herself as it allows them to appear before an audience they wouldn’t otherwise be able to reach. Typically, they will contact Bruzas and request that she feature their products or services on her social media platforms. The exchange allows her to profit from her business ventures and in turn, allows them to engage with her network of followers. Along the way, she establishes strong business relationships and connections, such as the one she formed with PIQUE, a production studio and creative platform that preserves Canada’s young creative community. When working with PIQUE, founder Imad Elsheikh realized just how valuable Bruzas can be as a brand ambassador and digital writer.

“WhoIsVeronika.com, and Ashley’s social alias, Veronika Stealz, have become a prominent source of knowledge within the world of digital writing in Toronto and she is often involved in producing original content for many of Canada’s fast-growing companies. Working with her is so wonderful not only because she is a social and articulate individual, but because she shows every sign of being able to take on any challenge thrown her way. From working with big name apparel companies, to providing popular event coverage in a way that speaks to a wide audience, she provides exceptional skills in digital writing and content production. Ashley has an impressive work ethic and her ability to create content from start to finish makes her an extremely valuable asset to the creative community in Canada and around the world,” remarks Elsheikh.

For Bruzas, the true joy of being a blogger sets in when she gets to work closely with and appear alongside creative minds like hers. Joining in and standing out within a community that creates and promotes consistently interesting, unique content reminds her that she is maximizing her potential as a writer and blogger. She is proving herself to be a force to be reckoned with in the online world and her sharp work ethic places her amongst some of the top Canadian business women of her generation. If you’re curious to see what this talented social media mogul and blogger has to offer, click here to find out: WhoIsVeronika.com.

 

Photo by Tyler Lord

international Talent, Interviews & Features!

YouTuber Ryan “Bucks” Hughes promotes Cineplex and WorldGaming for large tournament

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When Ryan Hughes made his first video on YouTube, he never expected the fame he would achieve from the platform. At the time he was just 17, growing up in the small town of Horsham, England. Like many at that age, he was dealing with the social stresses of teenage years. He also was struggling with anxiety and depression, dealing with what seemed like unsurmountable personal problems at the time. He turned to YouTube as an escape; making videos under the alias “Bucks Fizz” was a way to make his audience laugh and briefly forget about the struggles he was dealing. Now, five years later, Hughes is known internationally as “Bucks”, a celebrated YouTube content creator and social media influencer, and he attributes those difficult years to the success he has today.

Hughes passions for gaming and making videos has led to his YouTube channel having over 400,000 subscribers from all over the world. When he first began his channel, he played a game called Runescape, which his first couple of years using the platform was focused on. As he began to average more views per video, he started to expand his content, playing more video games and making videos about his thoughts and opinions, as well as day-to-day experiences. Eventually, he found he could make a career out of his favorite hobby, and has never looked back.

“I found YouTube as a platform where you could be creative without having to speak, or even show your face if you didn’t want to. Reaching out to an online audience in a situation like this and receiving compliments and support on your work only motivates you to keep striving forward. Growing up through my teens, I was an avid gamer, I use to play games with my friends all the time, which brought the YouTube world of gaming to life, where we watch YouTube for guides, entertainment and more. This then sparks up personalities that you enjoy watching in relation to what you’re interested in, which is and for me, was a very desirable thing,” he said.

Hughes fame and influential power over his audience allows him to work with relevant brands to help grow their customer base. One of these brands was the North American theatre giant, Cineplex. When hosting their Cineplex WorldGaming Canadian Championships this year, they reached out to several influencers to help gain awareness for the competition, “Bucks” was one of those few.

“It was a pleasure to work with Ryan and his agency of record Studio 71,” said Oliver Silverstein, Marketing Manager at WorldGaming. “Ryan creates compelling content on his channel and has a very loyal following. We look forward to working with Ryan again in the future.”

Hughes promoted the competition through his videos in August and September of this year. Playing the game Counter Strike: Global Offensive, he was able to inform his viewers of the competition and provide them with information of how to sign up and attend. Although he is based in England, Hughes has a large fan base in North America, which the tournament was open to. Through his campaign, he was able to generate over 200,000 impressions and create awareness for the tournament.

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Ryan “Bucks” Hughes

Earlier this year, Cineplex and WorldGaming approached Hughes to promote the competition. They knew with his vast audience and creative videos, he could find a fun and unique way to help promote the tournament. Hughes was happy to generate interest in the tournament, and was invited to the finals in Toronto from September 22nd to 24th, where the winner would take home $90,000. This was the first of its kind for this type of collaboration, as Hughes’ videos are for the entertainment aspect of gaming and are generally watched by those who play for fun, rather than the professionals. The campaign was the ideal way to integrate both the fundamental entertainment side of E-Sports games and the professional side.

“E-Sports is such a huge and increasingly dominating part of our community, and I want to support it in so many ways. Being offered this position to promote such a large tournament was an honor and beneficial to myself to shed my personal light on it. Although I’m more on the entertainment side of CS:GO opposed to the professional scene, I always look up to the professionals who are very talented in what they do. I wanted to make this video to promote a huge tournament and be involved in such a spectacular event,” said Hughes.

Hughes believes it is crucial that both the entertainment and creative side of E-Sports games, where people such as himself create entertaining videos about the games collaborate with the professional side. They are completely different to each other, the professional scene’s target audience are those who take the game very seriously, whereas the entertainment scene has a more relaxed approach, targeting a huge amount of people who just enjoy playing every so often. To combine both these huge audiences together builds our community, both synergise and help each other.

Hughes enjoyed being able to be seen as a professional for the promotion. In his initial video promoting the tournament, Hughes continued his trademark enthusiastic act, but used extensive use of sound and lighting in front of the camera to create an elite atmosphere to give insight into how “crazy” it would be to enter and win such a tournament, with a huge prize pool of $90,000. He also had to have a player photo taken, as well as work closely with other professionals of Counter Strike: Global Offensive, a favorite game for the influencer.

“I took this promotion very seriously as it’s not often to see such a collaboration. I wanted my audience to feel the professionalism, just like an average tennis player would feel how great their sport’s top athletes were,” he said.

Collaborating with Cineplex and WorldGaming was just a fraction of Hughes’ success in the past year. He was sent to Australia with PAX to have a meet and greet with fans and meet other successful social influencers, and he worked with SkinSilo to promote the platform and once again use his brand to create awareness. Despite such success, his humble beginnings are still a part of him, as he is thankful to do what he loves each day.

“If it wasn’t for finding this passion and expanding my hobby into what it has become today, I’m not quite sure where I’d be in life. It’s changed everything, from all those years ago where I feared any form of social confrontation, leaving the house, self-confidence. This has a very big impact on how seriously I take what I do. I know a lot of people that will just simply ‘put off a video’ due to being a little tired or busy, whereas I’ll stay up through all ends of the night if I have to in order to finish a project for my planned distribution time,” Hughes concluded.

Actor, Artist, Dancer, Hip Hop, Music Videos

Dancer Mao Kawakami Glows on Stage and Screen

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Japanese dancer Mao Kawakami’s graceful, kinetic precision and peerless creativity have earned her a fabulous career. Whether appearing on the movie screen, touring with major pop stars or performing show stopping numbers at major televised award shows, Kawakami’s vibrant, high-energy style commands attention. Even in an ensemble troupe setting, the charismatic Kawakami stands out—audiences can’t take their eyes off her.

The Los Angeles based Kawakami’s fascination with dance has been life-long. “At age 3, I was going crazy dancing with my fairy stick at home,” Kawakami said. “So my mom put me into a ballet studio, which turned out to be amazing! I was strictly a ballerina until I joined a dance club in middle school and was introduced to hip hop “

photo: Joseph Cultice

Even at this young age, Kawakami remained focused, steadily expanding upon her foundational training and always progressing. “I moved to Canada when I was 15,” Kawakami said. “I went to dance studio after school almost every day and that’s when I learned all genres in dance, because I wanted to learn more and have fun. I grew a lot as a dancer and teachers and choreographers also started to notice ne. The dance industry world seems really big yet it really is such a small world, so choreographers always talk to each other and you never know who’s watching.”

By the time she arrived in Hollywood, the stars were aligning in Kawakami’s favor, and while the dancer’s professional life is often a fast moving course of one-off freelance gigs, Kawakami easily established a steadily building momentum.

“Once I got to L.A. and started to work with on music videos, the choreographers referred me to other big name choreographers,” Kawakami said. “I was working with Oththan Burnside [MC Hammer, Snoop Dogg, Rihanna] a lot, music videos for Keyshia Cole and some other projects, and she referred me to Jamaica Craft, who choreographs TLC, Usher, NE-YO, Justin Bieber, she was looking for a dancer the FOX Teen Choice Awards. I got the job and that’s when my career grew from small projects to big award shows and tours.”

 

photo: Wes Klain

Things began to move fast for the ambitious young dancer. Before long she was getting assignments for jobs with alternative hip-hop sensations N.E.R.D., interpretive dance collaborations for pop princess Pink and hitting the road with rap superstar Iggy Azalea—some of the best, most high profile performance opportunities in all of show business. Kawakami’s signature combination of high energy, interpretive skill and flawless execution make her an in-demand asset to any dance presentation.

“I have worked with Mao on multiple gigs,” Burnside  said. “She ‘gets’ all aspects of work and has an ability to figure it out, in a matter of seconds, which makes things easier for all of us. Her presence is like a diamond—she brightens up the stage and makes the whole production look better. That’s the reason I keep hiring her.”

Kawakami’s sterling professional reputation professionalism and very impressive roster of credits are the result of one thing—her artistry. Her innate gift for dance colors every aspect of her life on stage, and off stage, and Kawakami embraces her art, life and career as equal parts of a holistic philosophy,

“My career really grew when I started to know myself more as a person,” Kawakami said. “Not only as a dancer, but also as a whole person. That is a big part of any successful career. Even if you’re a really good dancer, if you can’t figure out who you are, you just don’t glow the same. I think you glow the most when everything is aligned; your dance, your personality, character, and your health, mentally and physically. Everything shows from the inside out, and when I figured this out, I definitely started to book more jobs.”

photo: Wes Klain

Kawakami is rarely found relaxing at home between gigs and is constantly expanding her skillset and exploring new avenues of creative expression. “I love touring!! You get to see different cities and countries on top of doing a job you love.” Kawakami said. “But I also love doing movies—I just played the new Bella in Pitch Perfect 3. I got to work with my favorite choreographer Aakomon Jones and also learned to act and took vocal lessons. Singing and dancing require extra energy, so we took boot camp classes at night to keep our shapes. The whole movie experience was so amazing, we got to shoot at the biggest aquarium in the states in front of huge whales and turtles! The process went by so quickly but I would do it all over again.”

Kawakami’s intoxicating mix of raw talent, striking good looks, dynamic moves and limitless enthusiasm for her work places the dancer in a league of her own, one where she has already achieved great success and stands poised to ascend ever higher in the entertainment world.

“Everything is connected,” she said. “One experience fuels another, and that fuels another. It’s a chain reaction. So if you experience a lot, your creative flow just becomes so smooth and colorful. Dance is my job but it always has also been my escape, it is like therapy to me. It helps me express things that I can’t say with words, it is a nonverbal communication. It is art.”

Producer, Reviews, Interviews & Features!

Producer Yayun Hsu talks new film ‘Next Door’

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Taiwan’s Yayun Hsu sees her role as a producer similar to that of a magician; she is often required to make things appear out of nowhere, with the end goal of enthralling audiences and providing a temporary escape, and a source of entertainment. With each new project, this revered producer analyzes what she can do with the resources she has, looking to see how to make things happen no matter the budget. Whenever she wraps a project, she reviews what steps were taken to ensure everything is the best it can possibly be. Despite constant success, she always feels a slight sense of surprise and delight by such good results, giving her the positive power to make more movies and tell better stories, and audiences around the world are thankful for such a commitment to her craft.

Throughout her esteemed career, Hsu has worked on many films and various projects that exemplify what she is capable of. This year alone, Hsu worked on a series of successful endeavors. She created a video for the Westfield Century City Mall Grand Opening Event, made a national commercial for the Whisk Wiper, produced the inaugural American Influencer Awards, and worked on several successful films.

“I give myself the rule of ‘practice what you preach.’ For example, if I expect my actors and crew to be to set on time, then I need to be there even earlier; if I hold a vendor responsible for delivering a quality product, then I need to make sure I’m delivering the same quality both in my word and work ethic. I find this strategy pays off for everyone involved,” said Hsu.

This strategy has indeed paid off for Hsu’s most recent film, Next Door. It is a horror film that conveys the message to not always trust what you see. Next Door follows Lily and Earl, who have just moved into a new home and become Morgan’s neighbor. Lily makes Morgan think her father, Earl, is an abuser, but it turns out Lily has dark secrets of her own The script is what caught Hsu’s interest in the film, and she knows the importance of a good story.

“A good storyline and a plot twist will always make a film memorable. Leaving a lasting impression on an audience is of course the ultimate goal of a filmmaker. I prefer thought provoking storylines and I hope that this one inspires change after viewing,” she said. 

The film had its premiere at the Asian World Film Festival at the beginning of November, and impressed both audiences and critics. It is expected to make its way to several other film festivals over the next year.

“It was amazing to see all the footage we made come together into a real film. It feels nice that it is now doing well at festivals. Receiving recognition from the professional filmmakers is a compliment especially from people I admire. We worked hard on this project for almost half a year, so to see it on the big screen was definitely is a pleasure,” said Hsu.

In her role as Unit Production Manager on Next Door, Hsu was involved in casting, location scouting, applying for permits, arranging catering, controlling the budget, and working on set to solve unexpected problems. In one instance, the Director of Photography realized he forgot to rent camera batteries for the shoot. Hsu knew exactly who to contact at the last minute to help the shoot continue without delay. Additionally, before Hsu joined to the team, the director already had completed casting, but he couldn’t get the right actors for the performance. Hsu then was invited to take part in the casting process, and she posted casting information on different platforms, which led to the right actors being cast for the film. There is no doubt that the film would not have achieved what it already has without her extraordinary talents.

“Yayun is very well-rounded and able to help out the team in numerous different roles. As a producer, Yayun has a strong leadership ability to solve problems. As a partner, she is dependable and reliable when I need support. As a worker, she always does her best to find the best solutions in a time efficient manner. These are all very desirable qualities in a team member. Yayun gives every working partner a relaxed and happy environment, while also supervising the filming process. We have worked on many projects, and I foresee Yayun’s support as an advantage for any team she is on in the film industry,” said Mimi Masters, Producer of Next Door and CEO of IMC Production.

Masters specifically sought out Hsu to work as her partner, as she was working on several films at the same time, and she knew she needed someone like Hsu as an on-set producer to make Next Door a success. Hsu’s commitment to every project she works on was invaluable to not only Masters, but everyone she worked with.

Despite working on many acclaimed films, Hsu had never before produced a horror film. She says it was an adventure everyday on set. They planned many things ahead, but the plans could never keep up with the changes, which is where her ability to work under pressure and problem solve proved vital. After a long 12 hour a day on set, the cast and crew’s energy began to dip, and a happy crew is of course a first priority for Hsu. It was 7 p.m., and she knew the next break wasn’t until 1 a.m. Most of the restaurants were closed by then, and she thought, “How am I going to feed my crew?” Putting her strategic thinking abilities to use, Hsu contacted the catering person she worked with earlier that day, and they made a special hot and fresh meal at midnight and delivered it to set.

“A story about food may not seem too exciting, but I learned that as a producer, the key to any projects success begins with resourcefulness and a full stomach,” she said.

Be sure to check out Next Door and keep an eye out for Producer Yayun Hsu’s future work. It is evident with everything she does that she is a “magician” when it comes to filmmaking.

Chinese Filmmaker, Film, Reviews, Interviews & Features!

Lili Huang casts an honest lens on the life of “Xixi” in award-winning documentary

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Alfred Hitchcock once said, “To make a great film, you need three things: a great script, a great script, and a great script.” For award-winning screenwriter and producer, Lili Huang, these words resonate deeply. If her career has taught her anything, in fact, it is that a well-written script is absolutely essential to the success of a film. For this reason, Huang pours her heart and soul into ensuring that when she writes a script, she fine-tunes each and every detail to perfection, regardless of its size. This dedication to scriptwriting, coupled with her business acumen and knowledge of film production, make her a rarity in the entertainment business and an asset to any project she works on.

“For me, screenwriting is about using my writing skills to take a simple idea and turn it into a gripping story for an audience. I enjoy the entire creative process of writing, from developing each character, to building the structure, planting every small or large detail, and ultimately, of course, presenting a final story that people will eventually fall in love with,” told Huang.

When Huang looks back on her career, however, she recognizes that originally, her passion for screenwriting and producing were not as clear cut as most. On the contrary, they have slowly and progressively built over the course of the last decade and as she continues to explore the film industry, her love for the two professions only grows stronger. To date, Huang has written upward of thirty film and web series scripts and makes no plans to stop any time soon. In addition, she has received a number of prestigious awards for her unique set of skills and techniques. For instance, in 2011, Huang tested her abilities as a screenwriter, director, producer, and editor when she created her film, The Flower of the Future, and earned herself a nomination for Best Screenplay at the Golden Panda Awards in China. For another of her films, Mei Mei, Huang won Best Film at the Golden Rooster and Hundred Flowers Film Festival, earned herself an Official Selection at the IndieFest USA International Film Festival, and more.

To little surprise, Huang is used to receiving a substantial amount of praise for her work from her peers and fellow film-lovers. For instance, well-known Chinese director, Xuehua Hu, acted as both a mentor and colleague to Huang over the years, considers her to be an asset in the industry. When asked about what makes Huang so good at her job, Hu had the following to say:

“Lili Huang has a rare professional dedication and passion for filmmaking. Throughout her career, she has gained a comprehensive understanding of the filmmaking industry, especially as it pertains to the differences between filmmaking in China and in other parts of the world. I can say confidently that she is an invaluable, professional filmmaker.”

After years of developing her skills in the genre of drama, Huang felt that she was ready to branch out of her comfort zone and explore the realm of creating a documentary-style film. Given that documentaries interest her greatly, Huang was confident that this was an area of filmmaking through which her talents could prosper. In 2012, she felt compelled to tell the story of Xixi, a girl who was born in China, immigrated to the United States as a child, and moved back to Shanghai, China, as a young adult. Huang spent the next eight months gathering raw footage of Xixi’s daily life, endeavoring to capture every moment of happiness, hardships, romance, friendship, and more. Ultimately, Huang wanted to shed a light on the Xixi’s unique life circumstances and allow audiences to draw their own conclusions about the intricacies of Xixi’s cultural transitions.

“I wanted to show my audience what her daily life is really like. For her, having had just moved back from the United States to China, she was definitely experiencing life in a very different way than local Chinese people were. I wanted to share her point of view on her new life in Shanghai, on how she was adopting new customs, etc. I also wanted to audience to draw their own conclusions after watching the film,” she said.

Once she had concluded her filming process, Huang edited her footage and eventually, in 2013, Xixi premiered at the Golden Panda Film Festival in China. Later, at that same festival, she received a nomination for Best Director of a Documentary Film, and was overwhelmed with pride. Director Haiying Wu, who acted as an advisor for the project, offered a great deal of praise for Huang and had only positive things to say about the film. Xixi, in conjunction with Huang’s other achievements in her field, have proven that there are very few limits to what she can achieve when she sets her mind to it and fortunately, she intends to continue dedicating her efforts to telling meaningful stories and continuing to help contribute the art of film for years to come.

Producer, Television

Brett Morris sheds insight into his journey from Young Magneto to seasoned producer

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Human beings are known to set limits and work within them. With that, we understand and evaluate the world through binary opposites like black versus white, up versus down, in versus out, and so on. Then, sometimes, positive disrupters emerge and they challenge us to read between the lines; to understand the world’s wonders along spectrums rather than within extremes. They empower us to test the limits that we set for ourselves and to determine alternative understandings of our world that we might not have otherwise considered. More often than not, these disrupters are known as artists, innovators, and pioneers. In the case of Brett Morris, however, titles like “cinematographer,” “editor,” “director,” and “producer” come to mind. For the highly sought-after creative, there are no lengths that he will not go to in order to stimulate the minds of his audiences and allow them to wander into worlds that they have never explored before.

“What I love about producing, in particular, is that, when challenged to produce something, you’re only limited by your own resourcefulness. Not your resources. If there is a will, there is a way and I love being able to solve a multitude of problems. My job is to make the day go as smoothly as possible and appear as if there was never a challenge in the first place,” said Morris.

Having kick started his career as a child actor, Morris has built himself from the ground up, experimenting with just about every role involved in the creation and production of a film or television show. As such, he has earned a certain understanding and appreciation of the intricacies of his art form that other artists may never fully experience. At the age of 12, Morris landed himself the role of Young Magneto in the hit film, X-Men, and was inspired by talented actors like Ian McKellen and Hugh Jackman. What he hadn’t anticipated; however, was how fascinated he became by the role of the director. He was determined to become a part of the directing community and today, he can be credited with producing and directing fan-favorites like Big Brother Canada, Hockey Wives, So You Think You Can Dance, and many more. 

In 2016, Insight Productions were looking to re-boot the widely adored series, Top Chef, for a fifth season with an added “all-star” twist. Top Chef Canada is a Canadian reality competition television series airing on Food Network Canada. Each week, chef contestants compete against each other in culinary challenges and are subsequently judged by a panel of professional food and wine gurus. At the end of each week, one or more contestants are eliminated in order to determine who Canada’s “Top Chef” will be.

For Top Chef Canada All-Star, the show’s production team was intent on finding a field producer with the skill and expertise necessary to take it to the next level without sacrificing any of the elements that made their show the success it is today. Essentially, a field producer is responsible for handling all in-field directing, as well as conducting on-camera competitor interviews. The role typically involves juggling technical in-field directing abilities with achieving optimal story beats in order to effectively craft each episode during post-production. Fortunately for Morris, the decision to select a field producer landed in the hands of a former co-worker and member of Top Chef’s production team, Eric Abboud, who knew that Morris was the ideal candidate for the job. Abboud approached Morris about the opportunity to work alongside the show’s story team, including talented writer, Jennifer Pratt, and highly skilled story-editor, Liam Colle. For Morris, joining such a high performing team acted as further motivation to show Food Network lovers everywhere just what he is capable of.

From the outside looking in, it is easy to see how intense and pressure-ridden each Top Chef competition can be for contestants, whether or not you’re watching a regular season or an all-star edition. What is more difficult to imagine, therefore, is the type of demand that places on a production crew to capture each and every moment as authentically as possible. Morris recalls episodes being shot in the span of two days, across multiple locations. When the chefs were cooking, Morris was behind the camera crew, prompting them to speak loudly about their creative process and having to break their heavy focus in order to heighten the drama-filled, entertainment factors of the show. Other times, while chefs were navigating their weekly budget to shop for groceries, Morris was directing crews of six camera operators and three audio engineers in order to effectively capture all of the suspense. Then, for each episode, he was tasked with keeping track of every action-packed second of filming in order to know which content to probe the chefs about during their interview segments afterward. Despite the demanding nature of this role, Morris loved every moment. Particularly, he enjoyed the unique chance he had to interact with all of the chefs up close and personally.

“These chefs are true all-stars, restaurant owners, and at the top of their field. Any time you get to immerse yourself into the world of an expert, it is exciting. From the way they prepared their ingredients, to the meticulousness of cleaning their work stations, everything was like a rehearsed dance to them. It was exhilarating to watch. I found that I became a “foodie” by proximity and I took that learning with me every time I order at a restaurant or prepare a dish at home. It was an unbelievable experience,” recalled Morris.

Ironically, while Morris found himself fascinated by the opportunity to witness these culinary experts in their element, his co-workers, like Colle, were experiencing similar sentiments while watching him at work. According to Colle, working with Morris was a learning experience in itself and he enjoyed the distinct pleasure he had to learn Morris’ approaches and techniques for his own use. When asked what makes him so great at what he does, Colle had the following to say:

“I’ve never come across anyone else with the skill set and talent of Brett Morris. He is whip-smart, with an uncanny ability to tell compelling stories and deliver polished and professional productions. I think a big part of what makes him so good at what he does is that he’s got the perfect mix of creativity and analytics. Whether it’s in the edit suite or on set, his instincts are always on point and the finished product is never less than impressive,” told Colle.

Despite the fact that Top Chef Canada All-Star was breaking the show’s three-year hiatus from Food Network Canada, the result was better than ever. Canadian audiences still felt a deep connection with the show and Morris’ work was extremely well received. In fact, with the help of Morris, the show earned the green light to be renewed for a sixth season which will air in 2018.

“The fact that the audience loved it and it got picked up for another season means that not only did we do our job well, we were successful. It is always satisfying to see your hard work pay off,” he concluded.

 

Top photo by David Leyes

Featured Actress, Model, Reviews, Interviews & Features!

One to watch: Russia’s Yana GoodDay

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Yana 9
Yana GoodDay

Entertainment comes in many different shapes, sizes, and forms. For instance, actors entertain by temporarily transforming themselves to fit the mold of a specific character description and adopting all of the various mannerisms, personality traits, and quirks that go along with it. In contrast, models entertain by serving as a visual aid for individuals creating works of art, taking photographs, or advertising commercial products. Regardless of how an artist chooses to appeal to their audience and entertain their supporters, it requires an unprecedented amount of hard work, dedication, and perseverance. For Russian model, actress, and television host, Yana GoodDay, it is a commitment to fulfilling a childhood dream and beyond that, entertaining is a career that she wouldn’t trade for the world.

Despite the grueling nature of the modeling industry, GoodDay has managed to rise above her competition and has earned herself work representing a number of prestigious, world-renowned companies such as Huggies, Citroen, KRKA, and more. In 2007, GoodDay began working with one of Europe’s largest lingerie and swimwear manufacturers, Naturana. In fact, she has often been credited with helping enhance Naturana’s signature brand and has been instrumental to their growing customer base over the years.

“After representing Naturana in both print and runway formats, Yana was enlisted to become a spokesperson after each show, where she once again impressed everyone with her sensational gift to push the boundaries of the Naturana line. She has been absolutely critical to a massive increase in sales for Naturana, as well as stirring up even more appeal for the brand across the world. It has truly been one of the main highlights of my career to be in her presence. She is an extraordinary model and I have enjoyed seeing her career skyrocket over the years,” Renata Kowolik, Sales Manager, Naturana.

In addition to her modeling career, GoodDay has worked as a television and radio anchor, reporter, and journalist for media network gurus such as MTV, Channel One Russia, NTV Channel, Russian Radio, and several others. When she sets her heart on a job, she will stop at nothing to secure it and her unparalleled talents, coupled with her feverish passion for entertainment, have helped her build an unbeatable reputation in her industry.

One area of her career that GoodDay takes particular pride in, however, is in her ability to act. Over the years, she has acted in films, television series, as well as commercials. In fact, three years ago, GoodDay began working for a production company called Kino Atelye and in her work with this company, she has earned herself roles acting in several of their productions, such as The Detectives and The Track. Prior to working with Kino Atelye, the largest focus of GoodDay’s career had been on her opportunities to model and host television programs. For this reason, she was thrilled by the prospect of refining her acting skill set and expanding her reach in the acting world. Unlike modeling and television hosting, GoodDay is particularly motivated by the idea that, as an actress, she can assume the lives of unfamiliar individuals and experience new worlds through the characters that she plays.

“I make an effort not just to act, but to really live my character. I want to understand how I might react in their shoes or how I might interact with them if I were to meet them in real life. In addition, I think that extracting elements of your real-life experiences helps enhance your characters but I also appreciate the guidance of a director on set,” said GoodDay.

In 2015, GoodDay landed herself a prominent role in Kino Atelye’s production, The Sled, which tells the story of a new governmental body, FES, created to solve X files and high crime cases. Launched as an experiment, FES trains young professionals to solve crimes, and assists other special organizations to do so. For her role in the series, GoodDay had the opportunity to engage in uniquely intricate scenes involving lots of action and exercise. In one particular scene, her character enters into a physical altercation, for which GoodDay had to act a very rough scene. In reality, she enjoyed all of the action inherent within the scene and considered it to be a very good workout. She embraced every chance she had to let her natural acting instincts guide her through the scene and considers recalls working on The Sled as being one of the many highlights of her career.

In the case of The Sled, GoodDay’s character was pivotal to the storyline but incidentally, GoodDay became instrumental to the cast. The show’s casting director was looking for an actress who could convincingly portray herself as an almost angelic, innocent looking character whilst disguising a twisted, cold-blooded killer within. When it came time to cast this part, he was adamant that GoodDay play the part. In fact, he was so certain that she was the ideal candidate for the job that he did not look elsewhere for comparison. He knew that GoodDay had the skills and the expertise to master the dynamic elements of this character and he was ecstatic to see that his instincts served him well. For GoodDay, on the other hand, the joy of working on this series came with the onset relationships she built and the opportunity to explore every great length of both the script and the visual effects department.

Working with Kino Atelye served as an invaluable opportunity for GoodDay to develop herself both personally and professionally. For the talented entertainer, getting to work with like-minded individuals and receiving praise from others in the entertainment industry is extremely humbling. Stay tuned to see what this versatile, talented entertainer has in store for you next!