Tag Archives: Actor

A how-to of staying in shape on set

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Andrey Ivchenko, photo by John Hong

As the brilliant Toni Sorenson once said, “If it was easy, the reward at the end would mean nothing.” This statement comes from a woman, mother, and author, who grew up in an orphanage and on the streets and chose a path to victory.

In the entertainment business, victory means booking a new role in a television series, feature film, producing a project you’re passionate about, selling a script you wrote or getting it optioned and made. Most people don’t realize though how big of a part fitness plays into those, especially with actors.

Hollywood, the entertainment capital of the world, has people from all over the world, near and far, looking to pursue their dreams and to make those dreams turn into a reality. Staying in shape while in pursuit of those dreams is not only important for one’s physical health, but their mental health as well. With rejection being one of the biggest struggles someone just moving to Hollywood will have to deal with, it’s very important to always have a healthy outlet for the ups and downs you will face on your journey.

Being an actor in Hollywood isn’t for people with thin skin. It tends to focus so heavily on what its idea of the “perfect image” is as we see daily from network TV shows, to commercials, to magazines, to models on billboards, you get the idea and know what I’m talking about. This business in particular holds people’s image to a much higher standard than one would face living anywhere else in the world. With that being said, the pressures that come with that responsibility are extremely high especially for an actor that will be seen on the silver or big screen.

The reason I mentioned the above is because throughout my experience of being in Hollywood, being a big guy, everyone is constantly judging. When I began this journey, I got into stunts since it seemed like a natural fit – I’m a big guy, 6 foot 3, built, with an accent, and told I could play bad guys all day because I guess that’s the “tough guy” image I give off. Given that that’s the direction I decided to pursue, I had to make sure that my image lived up to the hype. I was in the gym for several hours a day, 6 days a week, eating 7-8 meals throughout the day that consisted of consuming approximately 5,000 calories a day. Believe it or not, eating that much every day and working out that much isn’t easy, even for the big guys that make it appear that way.

As I transitioned into the acting side of the business, I was often told I was “too big.” Too big? I was just told for years I need to be bigger and tougher looking to be the bad guy and now I needed to become less bulk and leaner because now I would be playing more leading man roles, not just henchman types, and needed to be able to be diversified that way if casting or producers saw fit. So, the process began again and now instead of going to the gym six days a week, I was going four days a week and cutting my calories to 3,000 a day. Having been an athlete my entire life since I was a child, serving in the military, and also having a master’s degree in Kinesiology, made finding the discipline to re-write my fitness programs and stick to them pretty easy for me, but they require a lot of discipline! I’d say having discipline when it comes to fitness is one of the biggest skills one can achieve. Setting goals, making plans, and sticking to them. No one ever said looking “Hollywood” good was going to be easy! However, at the end of the day making all of those challenges and sacrifices can be very rewarding mentally as well as physically.

The entertainment business as a whole has put an emphasis on fitness since it was established. From physical comedy actors like Charlie Chaplin, to Steve McQueen, Ronald, Reagan, to action heroes like Sylvester Stallone, Clint Eastwood, and Dwayne Johnson. In addition, there are also actors who perform their own stunts like Tom Cruise in Mission Impossible, and Jackie Chan. Staying in shape for these guys is essential to their careers. For example, most people don’t realize what Hugh Jackman went through to achieve his transformation to become Wolverine. His training consisted of two or more hours in the gym six days a week and consuming 5,000-6,000 calories a day to gain all that muscle and then had to transition into a much lower calorie diet to lose all the water weight and increase his cardio, so he could get shredded for the role.

Working on Television shows like Nikita,XIII: The Series, and Warehouse 13, I was grateful that I was introduced to martial arts and gun skills at a young age because it really made it an authentic look for the characters I played on those shows. As well as feature films I’ve worked on like Freezerand Way of The Westthat were both very physical and challenging as well but required a lot of those trained skills that I already had.

In regards to stunt work, it’s not just about looking the part, but being able to execute the part. Doing stunts is tiresome work and requires extremely long hours and repeated choreography and actual physical fighting to get it right. Sometimes they change the whole thing altogether and you have to relearn from scratch all over again but staying focused mentally and physically is the key. You have to be really physically and mentally ready to keep up, stay alert, and be on point for every take and also take direction correctly from the stunt coordinator and the director. There are a lot of moving parts while shooting an action scene so it’s very important that it always be executed properly every time. I have worked through injury, blood, sweat, tears, and I can honestly say it was all worth the challenge in the end. Good work is applauded and recognized in the entertainment business and word of mouth about people can spread very quickly and, in some cases, can even lead you to your next job if you remain humble, keep the right mindset, and positive attitude which is the key to success in this business.

When I booked the feature film Freezer, I was eating about 3,000-4,000 calories a day to get bigger because the director wanted me to look big and intimidating in comparison to Dylan McDermott. And when I booked xXx: The Return of Xander Cage, Vin Diesel and the director, DJ Caruso, also wanted my character ‘Red Erik’ to appear really big and tough, but in some of these scenes my character was going up and down flights of stairs, so I made sure to really increase my cardio training, so I wouldn’t fatigue while shooting those scenes over and over. In addition, it required me to learn motorcycle stunt training which I hadn’t done since I was about sixteen years old. But I’d say because of my fitness level and ability it allowed me to re-learn quickly and efficiently. At the end of the day the stunts they decided to go with were so extreme they hired a stunt double for those that you see in the film, but I was still required to go through the training as if I were the one doing the stunts myself as well. Had I not been fit enough to be up to the task of creating the character vision they had and physically doing the stunts they wanted in those scenes, I don’t know if I would have booked the role at the end of the day.

Fitness, especially today, is a constantly growing trillion-dollar business that’s probably more trendy and popular now than it’s ever been before. With social media and all the pressures of having to post images and videos of your personal and professional life constantly, you frequently feel vulnerable to the pressures that Hollywood gives to always look your best. Regardless though of what the trends are, one thing always remains true which is that being healthy is essential so implement it into your everyday life regardless of your schedule or profession, and also make sure you get enough hours of sleep a night which is a key element that’s more important than most people realize. Resting the body keeps a healthy mind and allows the body to recover. Set your goals, make time for yourself and watch how many doors achieving those goals will provide in your life, physically, mentally, and emotionally. Again, as Toni Sorenson once said, “If was easy, the reward at the end would mean nothing.”

 

Written by Andrey Ivchenko

Canada’s Romaine Waite terrifies audiences in sci-fi horror flick ‘Antisocial’

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Canadian Actor Romaine Waite

Romaine Waite has always been an outgoing person, a trait he believes has helped him greatly as an actor. When he was a child, growing up in Canada, he participated in school plays and drama programs, not because he thought it would be his career, but simply because that is what he enjoyed. It wasn’t until his early twenties when he realized he could truly follow his passion, and the second he got his first professional part, he knew that acting was his calling.

“I’ve always had this innate ability to connect with people in some way, making people laugh or causing disruptions, depends on who you ask,” he joked.

Now, Waite is a celebrated actor. His work in television series such as Star Trek: Discovery,Frankie Drake Mysteries, and The Mistimpressed audiences in not only Canada, but the rest of the world. His versatility knows no bounds, and he is always looking for a new way to explore his talents.

“Romaine is great. He makes my job a lot easier. He is the consummate professional and a very dedicated and crafter artist. It is always pleasurable working with him,” said Alan Moy, Producer who worked alongside Waite on Murdoch Mysteries and Usher the Usher.

Waite recalls his first real taste of international success as the sci-fi horror flick Antisocial. The movie follows five university friends who gather at a house party to ring in the New Year. Unbeknownst to them, an epidemic has erupted outside, causing outbreaks around the world. With nowhere else to turn, they barricade themselves indoors with only their phones, laptops, and other tech devices. They use their devices to research the possible cause of this outbreak. Information and video footage over flow their computers as they descend further into the cause and the ensuing chaos. As the virus spreads, the mood in the house changes from fear to paranoia. Who is safe? Who can they trust? Reality becomes blurred as they slowly discover the source of the virus causing the sickness… and there is no going back.

“I thought the story was clever it takes something that everyone was familiar with, being social media, and took it to the extreme. If you take away the gore, it’s basically what we’re experiencing today. Snapchat, Instagram, etc. have become these tools that are allowing people to share every single aspect of their life. In a way, I think the film talks about a very important subject in our society — what are the effects of social media and what are the limits and consequences of sharing too much on social media,” said Waite.

In the film, Waite plays Steve, one of the five friends gathering to celebrate New Year’s Eve. He was jovial and sincere university student. Audiences got to see him enjoy time with his close friends and girlfriend. Unfortunately, he was first in the house to experience the epidemic that trapped them in the house. This is pivotal, as Waite was responsible for getting the audience to truly understand the epidemic, and therefore the film. Within the film, Steve was the only individual who the audience was able to see go through a full transition. With this, the audience knew what the signs were and what would happen if another character was to get infected.

“It was really important to me that people felt the struggle of this character. As he tried to figure out what was happening to him without revealing anything to others in house. Through my portrayal, I hoped the audience would feel like they were a friend to my character and miss this him when he was gone,” Waite described.

The film had its premiere at the Fantasia Film Fest in Montreal back in 2013, and from there went to several high-profile international film festivals, including Calgary International Film Fest, Sitges International Fantastic Film Festival, Toronto After Dark Film Festival, and the Cannes Film Festival. From there, it was distributed through Monster Pictures on DVD, through Super Channel, and on iTunes. Such success could not have been possible without Waite’s portrayal of Steve, hooking audiences to the story early on.

“It’s always nice to see an indie film do well. It takes so many people and long days to make a film. To me the success is in completing the project. I am proud of everyone involved,” said Waite.

Antisocial was Waite’s first horror feature film, and five years later he still looks back and coals the experience amazing. At the time, he was still very curious about the process of filmmaking and how it all would come together, and he could not have been happier with the result. Everyone on set was professional and inspired, creating a contagious energy. He found himself watching everyone on set, from the cinematographer to the special effects make-up artist, taking everything in and reminding himself why he wanted to be an actor in the first place.

“I liked the comradery. Everyone was really passionate about the project. We were all stuck in a house for weeks. Friendships were built, and some good memories were made. I hadn’t done anything like that before. Overall it was a great experience,” he said.

Be sure to check out Antisocial to see Waite’s terrifying performance as Steve.

Actor Kevin Dary talks new film ‘The Chop Shop’ and living his dream

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Actor Kevin Dary

Kevin Dary always knew he wanted to be an actor and has spent his entire life devoted to this artform. Every new character he plays allows him to explore a new part of himself. He knows that through his craft, he can heal wounds, spark new interests, or make one question their own behaviour, and he understands the responsibility behind this. He makes sure to put his entire heart into every project he does, and that is what makes him such a formidable actor.

Known for his versatility and dedication, Dary has worked on several award-winning films throughout his esteemed career, including Pandora’s Box, The Swampand Prego. Through each film, Dary conveys true depth and realism behind his characters. In his most recent film, The Chop Shop, he once again does just that.

The Chop Shop is a passion project made by award-winning director Eric Milzarski. It follows two brothers, Luther and Corey, who are drastic opposites. Luther owns a chop shop that is tied to a group of gangsters and tries to get his do-gooder brother involved. Luther gets beaten for not paying back money. After he finds comfort in his caring brother, Corey, either he must pay them back and risk jail or swallow his pride by turning legitimate.

“I love the idea of apparently terrible, sloppy people actually being a little better than you would expect. That’s why I think this story is important, because themes like forgiveness are universal, and I believe that messages that have a subtler delivery rather than being very on the nose have a stronger impact on audiences. It feels real, just like the world The Chop Shop is set in,” said Dary.

In Chop Shop, Dary plays Johnny, Luther’s right hand at the shop. He has been there since the beginning and he will be there until the end. He also trains the newest recruits. He is the catalyst for a pivotal scene in the story, when Luther has an argument with his brother trying to get him to join the shop, an incident with a rapidly spinning tire costs Johnny a thumb. Luther’s brother, who studied medicine, comes in and offers first aid. Luther jumps on the opportunity to convince him that he is definitely needed here. This moment is key in the film because this is when Luther’s brother starts heavily questioning his possible implication. It is also in that moment when the audience finally sees Luther’s true feelings for Johnny, and Johnny’s physical pain is now nothing compared to the disappointment and resentment he has for his boss. Dary knew the importance of the scene and that he had to deliver, and he impressed all he worked with.

Filming this scene involved a lot of preparation for Dary, first with makeup and visual FX to create the torn apart thumb, but more specifically with the Director, Eric Milzarski. They wanted to be absolutely sure that they could convey the idea of this pain being even stronger from Luther’s attitude towards Johnny in that terrible moment. Milzarski took the time to talk with Dary, one on one, before they even rehearsed this scene. It was an amazing moment of directing and collaboration between the two artists.

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The Chop Shop film poster

“Professional through and thorough, Kevin is the type of actor who welcomes harder roles. As his director on several projects, Kevin will workshop and make every character his own. Kevin is an old soul for today’s world. He will listen for hours, take notes about everything, and asking often the most bizarre questions that build his character. Between takes, he’ll quietly focus on little details like “how would my character hold his bottle?” Then the moment the cameras are on him, it’s truly magical,” said Eric Milzarski, Director of The Chop Shop.

The film premiered in September 2017 in Warner Bros Studios to a private audience of industry professionals. It is currently in the festival circuit, and so far has been in the official selection of The Grove Film Festivalin Jersey City, New Jersey, with a screening on March 28th, 2018, and of the Los Angeles Film And Script Festival, with a screening on April 22nd, 2018 at the Conplex Theater on Santa Monica Blvd. Among the prestigious upcoming film festivals, the project was submitted for is theG.I Film Festival inWashington, D.C, the largest in the Veteran community, of which Eric Milzarski is a proud member.

“Knowing the film has been so successful is both beautiful and heartwarming, because I know this project was made with so much passion towards involving audiences that seeing it succeed at that feels so right. I have heard from the director that the scene with Johnny is often the highlight during screenings, with strong response from the audience, who seem to suffer with and for Johnny in that moment. It’s amazing for an actor when you hear something like that,” said Dary.

Although Dary had little knowledge of what happens in a chop shop prior to getting this role, he made sure to study and understand the environment his character was living in. When filming in an actual auto centre, he talked to the workers and learned how to use the machines. This greatly helped make the environment familiar and made the actor feel that he belonged in there, so he could embrace it as Johnny.

The Chop Shopis the kind of project I love working on because it has an edgy feeling to it, but only to better serve a very relatable story about sibling love and relationships. It has elements of betrayal, deception, but also redemption and forgiveness,” said Dary.

Be sure to check out The Chop Shopand Dary’s enthralling performance.

 

Written by Annabelle Lee

Star Wars Dreams are Reality for Actor Orion Lee

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There are some films which immediately inspire awe and respect everywhere in the world. The Star Wars franchise is one of the most enduring and beloved of all. The world created by George Lucas has spanned four decades now and expanded the possibilities of transporting audiences to a different time and place. Being in these films is the tipping point for actors from being known in their own country to instant global notoriety. Orion Lee is fully aware that his role as officer Suday Bascus in Star Wars: The Last Jedi makes him the envy of Star Wars fans everywhere, as well as a member of a highly exclusive club of actors. This Walt Disney Pictures/ Lucasfilm production includes members of the original first film like Mark Hamill and Carrie Fisher along with the new generation such as Daisy Ridley, Adam Driver, Benicio Del Toro, and of course Orion. While the film’s multiple Oscar and BAFTA nominations, along with nearly $1.5 Billion in WW gross are momentous, it’s the fact that his character will live in the audience’s hearts for decades to come which is the most meaningful to Orion.

The Star Wars franchise is known for not only its iconic main characters but for the embrace of the supporting ones by fans of the films. It’s a badge of honor for them to be familiar with these characters, their backstory, and the actors who portray them. Orion’s presentation of Suday Bascus is that of a member of the First Order military. In the middle of an extensive battle with the Rebellion he is the vital link between captain and crew. Bascus and crew display the timeless scenario of warriors struggling for their lives and what they believe in, whether you agree with their cause or not. As their ship’s defenses go down, they are confronted with the very real possibility that this could be their end. Lee confirms that he didn’t start from zero in becoming familiar with the mindest of a soldier as he had appeared in Columbia Pictures’ Fury starring Brad Pitt, Michael Pena, and Shia LeBeouf. While he rewatched The Force Awakens to get the feeling of the First Order and what they stand for, there was one unexpected factor which benefited his performance that was not completely pleasant. Orion relates, “The First Order costumes had very high necks. As a side effect, if you stood in any other manner than completely and perfectly straight, you’d choke yourself. This was a very effective means of reminding all the cast the way they had to stand in a military context.” He adds, “Being immersed in the world of Star Wars can be jarring at points. The destroyer set is so detailed and complex yet the outside is just wooden slats so it’s funny being in the destroyer and then walking out to see the exterior so plain. Of course, the outside of the destroyer is surrounded by green screen so that the Rebellion bombers can be added in later by the fantastic VFX team.”

Orion thanks casting director Nina Gold (known for her work on Game of Thrones, Les Miserable, The Kings Speech, Jurassic World: Fallen Kingdom and the Star Wars series) for offering him the role without an audition. The role of Suday Bascus simultaneously made him a part of the largest Science Fiction Franchise in history and allowed him to work with acclaimed professionals like director Rian Johnson (Looper, Brick). Lee comments, “I love Rian’s other films. I was really impressed by how well versed he is in the Star Wars history. There was a moment where we were waiting for something technical and Rian was completely up for doing an improvisation to potentially add another scene into the movie. He works so nimbly and knew the universe so well that within a few minutes we had worked together to create a new scene and shot it. It was fantastically exciting to work with such a flexible and knowledgeable professional.”

Though he’s an adult and an accomplished actor with a very impressive resume of roles in well-known films and television programs, it’s obvious that Star Wars: The Last Jedi serves as that same childhood touchstone for this actor as it does for all of us. Orion relates, “As a child, I’d play Star Wars stories with friends, imagining myself piloting spaceships and using the power of the Force. To find myself as a part of creating the stories that will lead another generation to do this; It’s very special being part of that magic and that myth. The most challenging thing was actually balancing the excitement of being on the set of such an iconic story while keeping everything grounded at the same time. It’s easy to think of it as a game, remembering all the times in youth when you and your friends played Star Wars, but it resonates so profoundly with kids and adults because it deals with universal themes in a relatable down to earth way. I’d have to snap out of the ‘Oh my gosh this is so cool. Pew pew pew’ moments and get back to the acting work of the imaginary circumstances.”

Liam Casey Sullivan takes destiny into his own hands

It has been said that destiny doesn’t come down to chance. Rather, destiny is a choice. It isn’t something to wait for, it is something to be achieved. Growing up with actors as parents, Liam Casey Sullivan has always known that entertaining was his destiny; however, rather than wait around for his fate to unfold, Sullivan took matters into his own hands and began doing the very thing he knew he was meant to do. His childhood was charged with exposure to entertainment and other forms of artistic expression. With that, his imagination ran rampant and he was captivated by the world it molded around him. As a result, the talented young actor is no stranger to the stage. Whether he is acting in a theatre production, on a television program, or on the big screen, he is determined to ensure that he never lets his calling escape him. He was born for the screen and knows that with the right amount of hard work and dedication, he will be able to continue along a path to greatness and enjoy it.

Since the outset of his career, Sullivan has earned himself a number of different roles across various entertainment mediums. For instance, when Sullivan was just 10 years old, he felt more than ready to begin his acting journey. The unrepresented, eager young artist had compiled a portfolio of head shots and information about himself, as well as his skill set, and to his avail, was recognized by renowned director, Pat Mills, who wanted Sullivan to act in his upcoming film, 5 Dysfunctional People in a Car. The film comedically follows five individuals during a car ride to drop their grandmother off at her retirement home.

Given his desire to immerse himself into the entertainment industry, Sullivan recalls the experience as feeling absolutely surreal. On top of the excitement of simply getting to act professionally, knowing that his first ever film went on to successfully screen at several North American film festivals, as well as to secure a win for Best International Short Film at FilmOut San Diego, was all the more exciting for the enthusiastic Canadian actor. In addition, he was over the moon when BlogTO named 5 Dysfunctional People in a Car one of the top 8 must-see films at the Toronto International Film Festival.

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LIAM CASEY SULLIVAN AND SHANNON FORD 5 DYSFUNCTIONAL PEOPLE IN A CAR, PHOTO BY PAT MILLS

For the film, Sullivan played a character by the name of Robbie Gordon, intended to be the ultimate heartthrob and the coolest kid in his school. He exists within a constant buzz that results from his popularity, keeping his friends close and turning his nose up at anyone else he crosses paths with. Stereotypically, girls crush on him, his grades lack, and his ego fills every room he enters. In order to play Robbie as convincingly as possible, Sullivan made an effort to channel the excitement of entering the acting world at such a young age and allow him to appear conceited and aware of his reputation. In addition, he seized the project as an opportunity to act as a sponge, absorbing as much information as he possibly could from his experience on set, working alongside other talented actors and under a skilled director. He took note of the hard work and processes evolving around him, vowing to bring his skill set up to par and to start off his career with a bang.

“I was so fortunate to be able to witness a group of people so passionate about what they were doing at the young age of ten. It really solidified my aspiration to continue to do this for the future of my career,” recalled Sullivan.

After working on 5 Dysfunctional People in a Car, Sullivan dedicated himself to pursuing other meaningful roles. He continued to surround himself with like-minded creatives and seizes each new learning experience as ferociously as he did for his first. Since that very first film, Sullivan has gone on to work on a number of other successful projects, such as Mary Goes Round and Degrassi: Next Class. Sullivan is a firm example of the notion that by combining his talent with a willingness to learn and a determination to find work, he can turn his dedication into positive outcomes. For other young actors looking to seize their destiny, Sullivan has the following advice to offer:

“Always challenge your emotional capacity and don’t be afraid to take leaps outside of yourself. It is surprising how well you can do when you consistently test the boundaries of your work. It is really important to always keep in mind how many people go into making a production successful and it is crucial to trust your collaborators. Whether that’s your director or your fellow actors, developing solid trust amongst each other is a great way to achieve results. Be that firmly supporting and believing in your director or fully engaging with another actor in a scene, always remember that achieving greatness in this industry is solely based on the collaboration of many.”

 

Written by Annabelle Lee, top photo by Joshua Augusto

Ben Prendergast creates dystopian world in ‘Post Apocalyptic Man’

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Ben Prendergast

It seems like a long time ago that Ben Prendergast was looking to be a software entrepreneur. The Australian native always had a passion for acting, but the notion of pursuing such a career in Australia is so uncommon, he never felt like it was truly a possibility. Having dreamed of being an actor since he was only a child, it always seemed like just that: a dream. However, when embarking on his technology career, Prendergast decided that he had to pursue his passion, and one day, after landing a role on an NBC television pilot, he decided to turn his dream into a reality. Since that time, he has never looked back, crafting an extraordinary career.

Now, Prendergast is an industry leader in Australia, and seeks to make a difference through his work. With Prendergast as the lead, The Marker aimed to bring awareness to the socio-economic issues in Australia and was funded by the Australian Competition and Consumer Commission. Similarly, his film Punch Drunk shed light on the marginalization of the elderly and mentally unwell. Sometimes, the actor’s love of telling stories is what drives him, which was the case with the feature Predestination. However, no matter what he is working on, his innate talent and dedication to his craft impress audiences, critics, and colleagues alike.

“I’ve worked with Ben on a number of projects. Most recently, we worked on Post Apocalyptic Man. As a writer, usually you’re not working directly with actors, but in the case of this project it became really valuable. Ben’s ability to cold read a scene and bring it to life was a revelation, and something we relied on in the early development right through to final script stage. Ben and I would stay up way too late discussing how we could bring more conflict, more drama, more humanity to this piece and I think it really shows in the final script. But then I was also in the rarified air of watching Ben work on set, and even then, he’s constantly drilling for more in the text, and during shooting I saw him make bolder and more compelling choices. Some of them made it into the final film, some didn’t, but I just remember the feeling on set was electric with every take,” said Daniel Walsh, Screenwriter. “I think Ben just has that thing that you can’t put your finger on. You roll the camera on him and you’re transfixed even before he’s said anything. You think to yourself, “What’s he going to do?” and he always surprises. He’s curious, in a way that most actors are, but he’s curious as the character, which is something else completely. I’m not at all surprised that he’s had the success that he’s had.”

Post Apocalyptic Man tells the story of humanity’s need for survival in a world where they are blind to their own destructive tendencies. The human population is in the grips of decline after genetic modification turns the female population sterile. When it is discovered that a child may carry a gene that is immune to the disease, forces of good and evil converge on a small Australian outback community to find the child and gain control over humanity. Cane Storm, the leader of the evil tyranny, sends his number one henchman Baker, played by Prendergast, to infiltrate the Renegades led by anti-hero Shade. Leathergirl escapes with her brother, who seemingly carries the gene, but is pursued by Baker. Throughout the film, audiences discover that Baker is a genetically engineered mercenary who will show no mercy and is hell bent on finding Shade and the boy who carries the cure.

“This film deals with humanity’s deterioration, something that is on all of our minds, but depicts it with food shortage and the notion of a barren human population. We haven’t been a declining population since World War I, and I think current generations aren’t really aware of that or prepared. This film gave a real sense of a species in decline, and the desperation and hope that springs from that. For me, it’s a fantastic analogy for how we currently look at our food waste, energy production, and government systems,” said Prendergast.

When Walsh and Director Nathan Phillips were looking for a clean-cut super soldier type of actor, they asked Prendergast to audition. Not only was he in incredible shape and fresh off an intensive training program, Prendergast was well-known for his tremendous talent and versatility. After auditioning for the part, he was offered the role immediately.

“From the very beginning it was evident that Ben was a thoughtful and dedicated artist, and he had key elements of his character down at a very early stage. He goes deep within his characters, finding the most truthful elements, but also playing with the duality that most interesting characters possess. We had an absolute blast on and off camera and I now consider him a really close friend. Ben gives over to the madness of filmmaking. He wants to find the gait, the voice, the truth of the human condition as it pertains to his character, but then he goes further than that and wants every other department to function too. He looks after camera department, makeup, wardrobe, etc. As a director, I never have to worry that we’re not going to get the shot,” said Nathan Phillips, Director.

Prendergast was aware, when preparing for the film, that he was not only playing a villain, but also a genetically superior being. Therefore, he wanted to look at the misogynistic and xenophobic nature of historical characters to get into the mindset of Baker. He took particular interest in looking at Nazi-Germany and the horrible beliefs in that time. Physically, he thought he should remain strong, but his vocal quality needed to be gravely and distinctive. Once he had all this figured out, he put on his costume of a trench coat and gloves, and instantly became the character in front of the camera.

“I always believe that even when there are nefarious or even psychopathic characters, they always have righteous reasons for their actions. Baker believes he deserves his place in the future utopia of humanity, and that given his clear genetic advantage he is doing humanity a service by cleansing the world of those beneath him. His narcissism has bred a psychopathic quality, and therefore he can operate in any way that Cane Storm, the leader of empire, needs him to. He’ll take any life and use any means necessary to get what he wants,” said Prendergast. “Strangely, this creates an empathy that an audience can follow, we love our bad guys because they have a mastery over their destiny, they know what they want and how to get it. Don’t we all wish for that?”

Baker was essential to the story of Post Apocalyptic Man, and Prendergast to its success. The film wouldn’t have worked without the conflict that Baker carried. The heroes and antiheroes of the film were struggling for survival in a world without food or the ability to procreate. Baker’s character introduced a final hurdle for the protagonists to take action against the empire, and audiences see that although at first they are terrorized, they eventually find the spark to create the resistance.

“It was such a fulfilling project. We were on a really tight shooting schedule but we made it work, producing something completely unique in the Australian film canon. Now considered a cult film, Post Apocalyptic Man is my favorite punk-film outing ever, and I made a lot of great friends in the process,” said Prendergast.

After premiering at St Kilda Film Festival, Post Apocalyptic Man played at independent theatres in Australia, New Zealand, and the United States. Afterwards, it was distributed digitally and still sees success, eight years after its premiere. If you have the opportunity, be sure to watch the film and see Prendergast terrify and excite audiences.

 

By Sean Desouza

Actor Tony Nash shows off boxing skills in ‘Petrol’

Tony Nash believes that his responsibility as an actor is to find the soul of his character and take on their essence. And for this Canadian actor, he believes that the soul of every character has its seed within his own. The seed of some character’s souls sometimes closely resemble him, and others differ greatly, but the differences are always a result of a difference of choices and environment, not the substance of the soul itself. His soul and every other soul out there are made of the same stuff. This is what makes great acting possible. The potential to take on another’s soul through a character and live and breathe as him is limitless, and for that reason, Nash knew acting was the only path for him.

From the 2015 horror/comedy Secret Santa to the upcoming Audience network series Condor, Nash has shown audiences everywhere that he is not only a talented actor, but extremely versatile as well. Whether he is playing a supportive friend, like in the acclaimed movie Saving Dreams or a complicated, bilingual police officer, which he did in the film Meet the Parents, Nash remains completely committed to his characters. He not only portrays them, he becomes them, and this could not be more evident than with his work on the television show Petrol in 2016.

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Petrol is an action/drama series following five reckless drivers who all work for a mysterious Employer. In the show, Nash plays Jason, an ex-military veteran and boxer who is commissioned by a mysterious figure known as The Employer to plan and execute a gold heist. When it goes wrong and his partner is killed, a plan to execute revenge on the all-powerful and elusive Employer is born.

“I was really excited about Petrol because not only would I be able to let loose with my boxing training on set, but also execute a meticulous and brutal gold heist; every actor’s dream. It sounded really exciting to me because I enjoy playing the mysterious bad guy. It comes naturally to me and I knew this would be really fun. I wanted to experience working on a high-paced action project and I knew this would be different than anything else I had done in the past,” said Nash.

The character of Jason was a very skilled boxer who would go on and lead a heist. As an ex-military commander, he knew how to think on his feet and stay composed in any situation. When the heist goes wrong and his friend gets shot in all the action, Nash’s Jason had to compartmentalize his emotions and complete the mission despite losing his comrade. It was a dramatic loss, but he had to push through to the end. He was brave and extremely determined, able to think fast of imminent danger. Nash was ready for the complex role and executed it to perfection.

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“I worked with Tony on the television show Petrol, where he performed the critical role of Jason the Boxer. Tony’s character is a trained boxer and there are several long scenes in which Jason was to realistically fight an opponent, which provided something of a challenge to the actor who would portray him. On top of that, Jason is also a complicated character who must display the emotions of one whose friend is killed, leading him to desire revenge. I am proud to say that Tony performed beyond my wildest expectations. As a trained boxer, he portrayed Jason’s technique and savagery in the ring perfectly. Not only that, but he was also a fantastic, nuanced actor, bringing the emotional depth of the character to life. His performance enhanced the quality of the entire show. I was extremely impressed with his work,” said Reza Sholeh, Writer and Director of Petrol.

When Sholeh approached Nash about taking on a role as a boxer, Nash was excited about the opportunity and would not let anything get in the way of his delivering a great performance. He was eager to put to use a whole slew of other skills in addition to acting, to take on this explosive role. This is not common, and Nash says that he feels lucky to be able to play such a character. He immediately began training. He had previous experience in boxing, but to be a realistic professional boxer, he wanted to look completely natural. Having already understood many techniques from his previous boxing training, he quickly became an expert for the part, training at the Toronto Boxing Academy in Toronto. It was challenging, training for hours every day, there was a lot of sweat and exhaustion, but Nash knew the importance of the work. He used the long hours spent in the gym to get into the mood and mindset of his character. In one particular boxing scene, Nash steals the show and truly looks like a professional boxer.

“I love boxing and it is one of my favorite sports that I continue to practice even now, years after filming Petrol. I have many inspirations such as Mohammed Ali and Mike Tyson. I studied their techniques and skill and compared them to many other boxers to understand the secret to their incredible success. The day of the shoot for that particular scene, I came in early to warm up and really get into it and focus not only on the technique, but to give the character his own personality as a boxer. I hope I can once again shine in a role not only through acting, but through my other skills and hobbies as well,” said Nash.

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Nash’s work was essential to Petrol and the episodes featuring Jason the Boxer. He was able to bring both his skills as a boxer and talent as an actor to the screen. It is sometimes difficult for actors to be able to do both naturally and simultaneously, but Nash did so flawlessly. He practiced and perfected both boxing and his lines, not forgetting to take the time to understand the character’s mind by finding his soul within him.

“I really liked the fast pace action of this story. I usually opt for deeper and more complex characters, but I loved how my character shared this bond with his friend through boxing and how he was suddenly taken away from him in the heist. I think that is important to portray because it shows both sides of a character. On the outside my character looked tough and intimidating and was willing to put his life at stake in a high-risk situation, but he also had another side of him. That’s important to show because it allows people to understand that there’s more to a tough guy than the way they look on the surface,” he said.

Petrol was released in February 2016 and went on to win several awards including Best Mystery at the Vancouver Webfest and Best Action Adventure at Hollywebfest.

 

By Sean Desouza

Chinese Actor Yifan Luo talks upcoming film ‘Rift’

As a child, growing up in Shanghai, Yifan Luo did not see himself as an actor. In fact, he was very business oriented, and the arts were not a feasible career option for him at the time. However, as a teen, everything changed; when he stepped on the stage for the first time as the lead in his high school play, he experienced the unique sensation that only comes from doing something you truly love. His passion for acting was born at that time, and now, over ten years later, this passion only grows stronger each time he steps onto a new set.

As an in-demand actor in both China and abroad, Luo is constantly looking for different roles than those he has played previously. He aims to portray as many different personalities as possible, from a schizophrenic psychopath in the film SAM to a jokester college freshman in the feature Talentik. His versatility knows no bounds. With the four films he has coming out this year, each character explores a different side of humanity. In the upcoming movie Rift, Luo once again plays a different role than he ever has.

“The character of the psychologist is somewhat complex. Yifan is perfect for the role and his performance is excellent. He is a professional and dedicated actor. I definitely want to work with him again,” said Jing Ge, Producer.

Rift is a compelling science fiction film focusing on a series of characters. It begins with Sergeant Howard receiving a case that Professor Miles is missing. The main character, Yu, is considered as the prime suspect. However, Yu denies everything. According to his testimony, Yu killed Proffesor Miles ten years ago for the professor’s plagiarism of his thesis paper. Yu was sent back to China after he was released from the prison. Through investigation, Howard believes that he is lying about something regarding the case. However, the psychological consultant, Gu Shenming, holds a different opinion. Yu gives them an unbelievable explanation that he comes from a parallel universe. Howard doesn’t believe Yu, but he has no evidence, so he has to release Yu after 48 hours. Yu’s girlfriend Xin bails him out. Howard is shocked when he sees Xin, because this girl was murdered five years ago by a serial killer. When Yu sees Xin, he is also surprised that Xin is still alive. Two days later, different female bodies are found in suburban Los Angeles, related to a serial killer, all while travelling through parallel universes.

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Yifan Luo in Rift

“Science fiction is always what people like to watch. Especially now in China, it is a very popular topic in film/TV shows. In this story, we see different kinds of people, good and bad. It is a real society that the film creates. It brings us a world where the hero is a real man who would never reach his goal without the help of people around him. Of course, the hero gets what he needs in the end, which also encourages the audience to go for what they want,” said Luo.

In Rift, Luo plays Gu Shenming. His character is the psychologist that works for the police. He talks to the suspects and makes the conclusion regarding whether they are lying or not. In the story, when the main character comes from a parallel universe, nobody believes what he says. Therefore, the sergeant sends Gu Shenming to talk with him and expects that he will be proved a liar. As the conversation progresses, Gu gradually believes in what the main character says and starts to suspect that the sergeant actually knows a secret about the case that he doesn’t want other people know. Finally, Gu makes the conclusion that the main character is not lying about anything, which infuriates the sergeant.

Gu Shenming is the only person that believes in what the main character, Yu, says about travelling from the parallel universe. Without the character, the main character would have been sent to prison at the very beginning. It is this character that keeps searching for evidence that proves Yu is not lying about anything, and the psychologist is the one who finally destroys the sergeant’s plan. During the process, Luo’s character is under the immense pressure but never gives give up. He does his duty as a psychologist and prevents the main character from being persecuted.

“I read the synopsis of the story before I went for the audition. I really liked the idea of a parallel universe. The character I auditioned for is a very smart psychologist who works for the police that diagnoses whether the leading guy is crazy or not, since he keeps talking about a parallel universe, which is totally what I’m good at. I believed that I could do a very good job in playing such a role,” said Luo.

As the story has the setting of a parallel universe, the actors were required to frequently move between the universes in the story, meaning the cast and crew had to constantly change the set, costumes, and makeup. Because of this, everyone had to be on top of their game. Luo made sure to be extremely familiar with the script and storyline, even for scenes he was not in. This also created a great sense of teamwork between everyone on set, as they were constantly working to make filming as smooth as possible. For Luo, it was working with everyone on the film that made working on Rift such a great experience.

“It was a great experience to work with Yifan. He is very professional and very passionate. As a partner, he is very considerable. He even helped me read the lines so patiently when I was doing my close-up shots. He always spends a lot of time working on the character before he goes to set. He is also creative at the same time. He has a sense of humor that makes his acting unique.  He is one of my favorite actors I have ever worked with,” said Yun Xie, Lead Actress.

Keep an eye out for Rift at a film festival near you.

British Actor Pezh Maan captivates in award-winning French series ‘The Bureau’

Pezh Maan in The Bureau (2016)
Pezh Maan as Houtan Vosoughi in The Bureau

Pezh Maan did not choose to become an actor. For the British native, it was instinctual, similar to waking up each day and going to bed every night. There was never anything else he imagined himself doing, and as a child, he never wondered what his future would hold, he knew. He has always listened to his heart and believes that when one lives by such a rule, success will always follow. It definitely has for Maan, who has become a sought-after actor in the United Kingdom’s film and television industry.

Audiences around the world quickly became enamoured with Maan when he played the Chief Analyst and right-hand man to Christoph Waltz’ Blofeld in the 2015 James Bond movie Spectre. He is also recognized for his outstanding work in the television shows Eastenders and Tyrant. His film Unattended Item went on to critical acclaim, and there is a lot of buzz around his upcoming television series, Deep State, starring Kingsmen’s Mark Strong and Game of Thrones’ Joe Dempsie, which premieres on FOX this Spring.

“I think what I do as an actor is interpret the words of the writer and turn them into all the facets of the living breathing human being that I am being asked to play. I get into the skin of the character whilst still being myself with all my own emotional responses. When the character is somewhat at odds with my own experiences, imagination can come to one’s aid in creating a way to relate to the character. Imagination is the lifeblood of actors’ work and interpreting the text is an imaginative endeavour, and an extremely rewarding one for me,” he said.

Maan’s versatility is endless, and as a multilingual actor, his work in other languages has led to success in countries outside of his home of the United Kingdom. In 2016, he starred in the French television series Le Bureau des Legendes, translated to The Bureau in English. The series went on to become a hit with not only audiences, but French critics as well. At the COLCOA French Film Festival, it took home the TV Series Jury Special Prize and the TV Series Audience Award. At the French TV Critics Association Awards (A.C.S.), it won Best Production. It also won Best French Series at Le Parisien, Best French Series at the Globes de Cristal Award, and was in the Top 10 Series at Télérama: Top 10 Series.

“I think knowing that the season was such a success gave everyone confidence that their ideas could only build on the quality that had already been established. I’m very proud of the work that we did, and it is a great feeling to be part of a universally lauded show. Despite what people say, good reviews and accolades are validation of a standard that you hope to achieve, the excellence that your hard work is aiming for. And it is satisfying that audiences and critics alike have responded to the elements that we worked to create for them. As an actor who is always learning, it gave me some very valuable feedback, especially as the performances were singled out for praise. It validated some of the bolder creative choices I made and that the Director had the bravery to include in the final cut,” said Maan.

The show, now in its third season, is a spy thriller directed by Eric Rochant for Studio Canal +. The Bureau is based upon real accounts by former spies and inspired by contemporary events, and centres on the daily life and missions of agents within France’s Directorate-General for External Security, its principal external security service. It focuses on the “Bureau of Legends”, responsible for training and handling deep-cover agents (operating ‘under legend’) on long-term missions in areas with French interests, especially in North Africa and the Middle East. Living under false identities for years, these agents’ missions are to identify and recruit good intelligence sources.

Maan played Houtan Vosoughi, an Intelligence officer charged with investigating and arresting foreign agents who have penetrated Iran. He has a wife and family who were oblivious to the danger and risk he was facing in his everyday role. As such, he was capable of leading multiple lives successfully without disturbing any of the delicate balances of each, all while still maintaining his sanity. He was a man capable of extreme violence, which was kept very deeply hidden behind an impassive exterior and a sense of decorum. He was a skilled communicator and could use words as weapons to disarm his opponents and reveal information without needing to resort to violence. He was also very self-confident in being able to handle people who were not trustworthy but had vital intelligence. Maan’s character was pivotal to the success of the second season of the show. He was the man who put all the pieces of the puzzle together that had been accumulating as the episodes progressed and discovered double agents that had infiltrated security. Through a series of cleverly crafted scenes and after interviewing a number of suspects he was able to make the arrests that lead to the series climax.

The arrest of Sara Giradeau’s character, Marina, was a pivotal moment in the story that created a climate of fear about the severe consequences that awaited her and her colleagues. Houtan’s arrival in the story as a dark horse and sinister figure was timed to escalate the tension that had been mounting and his quiet probing into the activities of the protagonists, aided by a wonderfully nuanced script, served as the catalyst for the exciting climax.

Maan has been a fan of French Cinema for quite a while, and when the opportunity to audition for the show came about, he eager to partake. After reading for multiple roles, Maan was chosen by the producer for the essential role of Houtan Vosoughi. The producers knew of the actor’s work in Spectre and they wanted to imbue the character of Houtan Vosoughi with a similar kind of cutting edge mentality.

“I watched the first season of The Bureau and was very impressed with the economy of style and the cinematic pace that gave the show a very unique atmosphere akin to some of the great cinematic thrillers. It was brilliantly acted, and I wanted this show to be my first French language production,” he said.

To prepare for his role on the series, Maan studied the first season, making sure to pick up on the details and nuances of the atmosphere, characters, and style of the show. From there, Maan created his character off the pages of the script. He decided Houtan’s actions would be expressed through stillness and facial expression as much as possible, keeping in line with the intelligence operatives holding multiple cards close to their chests. Maan also wanted to generate a lot of tension in the investigation and interrogation scenes, with the idea that he was leading the audience closer to the danger and intrigue of the plot. He executed this to perfection.

Maan also studied similar American shows, such as 24, stylizing his character similar to Jack Bauer. By doing this, he noted the subtlety of the acting and Keifer Sutherland’s ability to portray level-headedness in high stakes scenarios. Maan used this as a reference to find the right tone for his character. He also watched a lot of old crime thrillers in the French language and worked with a dialogue coach to bring out the nuances of the language.

One of the highlight of the experience for Maan was shooting in Morocco, where most of the scenes take place. Not only did it feel authentic, he says it is one of the most beautiful locations he has working in throughout his career. The other highlight, of course, was working with such a tremendous team.

“Working with so many experienced and talented artists was an exciting challenge that definitely motivated me to produce better work. It was such a collaborative experience on set with cast and crew which brought out the best in all of us and the atmosphere was a really lovely one to work in. The level of detail that concerned the Director, Camera team and fellow actors brought a high degree of excellence to the ambition of the project and one that was artistically very satisfying to be part of,” said Maan.

Be sure to watch the second season of The Bureau to witness Maan’s stellar performance as Houtan Vosoughi.

Dominic Kay terrifies as conflicted veteran in ‘White Settlers’

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Dominic Kay, photo by Ian Thraves

When one asks Dominic Kay why he went into acting, his response is quite simple; he would not have been happy doing anything else. Every day he arrives on set, he is eager to get started. Acting never feels like work to Kay, and the long days and trailer time that some find disheartening just add to the experience for this British native. He humbly feels lucky to do what he loves every day, and audiences around the world feel lucky to watch this talent on both the big and small screens.

Kay’s work in film and television has made him instantly recognizable in the United Kingdom. He has appeared in shows such as Hollyoaks in the City as well as the renowned British soap Coronation Street. His work in film includes the acclaimed historical drama Allies, and many more. However, this actor does not limit himself to just one genre, and as the villain in the 2014 horror White Settlers, Kay’s versatility is evident in every scene.

“This project appealed to me initially due to the fact that it was an opportunity to work with a director and producer that I heard very good things about. Then once I was read the script I was hooked, I read the whole screenplay in an hour, then immediately phoned my agent and told her that I wanted to do it,” said Kay.

White Settlers tells the story of Ed and Sarah’s first night at their new home – an isolated farmhouse on the Scottish borders. This should be a new beginning away from their stressful London lives. And at first it is; come sunset they fall in love all over again on a wander in the woods. But as darkness falls, Sarah suspects they’re not alone, Ed goes to investigate and quickly, the evening becomes a nightmare. It suddenly dawns on them; they do not belong here, and they certainly aren’t welcome.

In White Settlers, Kay plays Local, the antihero. He is an ex-military psychopath, who stops at nothing to get what he wants. He is hard as nails, a bully, and a pack leader. He is definitely not one to be taken lightly. As you get further into the film, audiences see his desperation turn sadistic, forcing him to become more and more ruthless. He thinks nothing of terrorizing people to get what he wants. From when he first enters the feature until the very end, he causes nothing but chaos.

While playing such a menacing role, Kay made sure to maintain the constant barrage of peril and volatility. Particularly in the scenes without dialogue, he managed to be terrifying just with body language and facial expressions. To maintain being threatening and intimidating without being overdramatic can be a challenge, but Kay did so flawlessly. He exudes malice and instills fear into his c audience by doing as little as possible. He always made sure he brought an element of truth into his character. In one particular scene, he acted out of instinct and went off book. The director, Simeon Halligan, loved what the actor did and Kay’s instincts proved fruitful, as that scene made the final cut of the film.

White Settlers gave me the opportunity I had been waiting for a while – to play a real nasty piece of work. I love to play around with characters, and this character was going to be fun, despite being a challenge. I had to be very menacing, intimidating, and scare the life out of my co-stars. Decision making and being brave was key for this character. It was a difficult mindset to get into, so I found that if I wasn’t fully immersed into him it could come across a little forced,” Kay described.

Kay’s work as the leading bad guy helped White Settlers achieve international success at many prestigious film festivals. The film premiered at the 2014 Film4 FrightFest. It was the winner of the ScreamFest Festival Trophy – Best Cinematography 2014. It was then distributed by Falcon films, Grim up North. Many critics were impressed by Kay’s ability to terrify yet still be endearing. The Producer of the film, Rachel Richardson-Jones, credits Kay as being one of the driving forces of the horror film.

“I cast Dominic to play the lead bad guy in the film. He was an integral part of the cast and did a great job. We were hugely impressed by his acting skills and how he adapted to the role. He was a great addition to the cast and was good to work with. He was very professional and hardworking at all times,” said Richardson-Jones.

When casting for the film, Richardson-Jones immediately thought of Kay after seeing the actor in a television show. She invited him in for a meet and greet, and once Kay read the script, it was a perfect match. He was eager to explore a side of himself that he never had before, and working with a team that he knew would be ideal, he immediately said yes to the part.

“This project was great to be part of. Well, having to portray a character that is a complete psychopath was a joy and a challenge to be honest. It was great fun it gave me freedom to express my darker sides and go even further with them. The director was a credit to the production and got the best out of me with ease. The whole cast just performed really well and everyone bounced of each other adding the performances,” said Kay. “It’s not every day you get to be an axe wielding mad man and terrorize innocent people.”

This year, audiences can see Kay on the big screen once again in the feature Walk Like a Panther. The film tells the story of a group of 1980s wrestlers who are forced to don the lycra once last time when their beloved local pub is threatened with closure. Kay is incredibly eager to share this film with audiences around the world.

It is without a doubt that Dominic Kay is an inspiration to those looking to pursue acting not just in the United Kingdom, but around the world. He always knew acting was his passion, and never gave up on his dream, and he has wise words for those who would like to follow in his footsteps.

“Read as much as you can and expand your vocabulary. This understanding gives you so many more places to go with your performance. You can identify subtle changes in scenes and make better decisions based on the information in front of you. Secondly, I would advise that you study yourself and identify exactly who you are deep down – your core characteristics. This understanding of who you are lets you know what you bring to the table, what you are selling. There’s no point in trying to be something you’re not, because people can see through. Lastly, don’t be scared of letting yourself go or looking a fool, and be brave in your decision making. Unless you are very lucky, success won’t come easy, so work hard,” he concluded.

 

Photo by Ian Thraves