Tag Archives: Filmmaking

Australian actress Natasha St. Clair-Johnson stars in new film ‘Incall’

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Natasha St. Clair-Johnson, photo by KAT TUOHY PHOTOGRAPHY

“Acting is the one way that I feel free to be myself,” said Natasha St. Clair Johnson. The Australian native has an innate talent, and has loved performing for almost her entire life. As a child, she wanted to be like the people she saw on-screen, but as she grew, this desire became much fiercer. She wanted to tell stories; she wanted to show the wonderful and painful aspects of what it means to be human; she wanted to make a difference with the best way she knew how. Acting became her focus, and performing her way of life. Now, she is one of Australia’s leading actresses, and the passion she feels for what she does is the same as it was when she began her career.

While working her way to the top, St. Clair-Johnson worked on several extremely successful projects, showing her home country and the world why she is so formidable. In the feature film Birthday, the actress has the critical role of a social-worker. Her work led the film to be selected for the highly-prestigious Cannes Film Festival, where it took home the top award for Best Actress in a Foreign Film. Similar success followed with her film Prized, where she co-stars with ‘Twitch’ aka Stephan Boss from So You Think You Can Dance and currently the popular DJ on The Ellen Degeneres Show, as well as the movie Shang, playing a seductive vampire and showing audiences how versatile of an actress she truly is.

“The thrill of performing is like nothing else for me. With film and theatre being such different mediums, they both still give me joy. Being on set has an intimacy, a rawness, and a realism to it,” said St. Clair-Johnson.

Audiences can also look forward to St. Clair-Johnson’s performance in the highly-anticipated film Incall. The film tells the story of a wealthy house wife who gets more than she bargained for when a call girl changes the course of her day into something completely unexpected. It explores ideas of sexuality, power, feminism, and manipulation, with three women all appearing as different facets of what is it to be the modern woman.

“Not many films like to show women that are sexual and strong. It’s considered taboo, and commonly mistaken to be either an excuse for woman to behave in an explicit nature or to get attention. Our film is more about the mind games between people. It’s not about seeing anything happen but the suggestion,” St. Clair-Johnson described.

The film is centered around St. Clair-Johnson’s character and what happens to her over the course of one day. It is a window into the perverse intimacy she enjoys. She is an elegant, well-dressed, poised woman with a dark side. Although she appears to be one way to others, her inner desires are quite different from the persona she displays. She has a certain way about her that can be disarming, which is what the directors were looking for in St. Clair-Johnson’s performance. She perfectly personifies the complicated character, with a hint of possible danger, as you can’t always be sure where the character might take the conversation or situation she is in.

While many films explore a male and female dynamic, Incall involves two strong female characters. These characters are not necessarily attracted to each other, but rather show how they manipulate, judge, and control each other. It is about ego and power. St. Clair-Johnson’s character is the instigator of the events. Therefore, when the director was looking for someone for such an important and complicated role, she knew she had to find someone with immense talent.

“Natasha is gifted and hard working. She always gives 100 per cent to every take and patience beyond what would be required of her. It is a pleasure working with her on and off set. She is very personable. Her unique choices make her an outstanding actress. She has a subtle but compelling ability to seek the nuances in her characters’ behavior, with an unlimited range and keen understanding of the complexities of the characters’ relationships,” said Rachael Murphy, Writer and Director of Incall.

Murphy approached St. Clair-Johnson when she began casting. She knew that she wanted the actress as her leading character to make her film a success. St. Clair-Johnson was happy to take on a role in an all-female film. During the shoot, she found herself being taken away with what was happening. She knew exactly where to go with her character, completely embodying her. She would utilize subtle and exciting exchanges between her co-star and herself, opening up her creative juices. With every script she works on, the actress takes the time to analyze it. She figures out the exact motives behind each of her characters’ choices. For Incall, she worked those choices into her performance flawlessly, displaying intimacy, and passive-aggressive behavior simultaneously.

In addition to acting, St. Clair-Johnson also took on an executive producer role for the film. Although she had never done this before, she was excited to learn about the job, knowing the experience behind-the-scenes would help make her an even better actress. She was able to find the perfect balance between her role as an actress and her executive producing responsibilities, and found herself watching every take and staying engaged in all areas of the film production.

“This project gave me artistic freedom to play with whatever choices I wanted. I was to carry the film and I loved the responsibility of that. Especially showcasing myself in a film that is strongly focused on women. My team and I knew that it would be topical and the LGBT community would also be interested. We were recently approached by a film festival exclusively showcasing films produced and starring woman. It’s an honor,” said St. Clair-Johnson.

Incall is currently in post-production with a release date set for 2018 into the film festival circuit, and then onwards to national release in the United States and Australia. It is also expected to make its way to several Australian television networks, and streaming services such as Amazon Prime, Netflix, YouTube, and Hulu in the short film category. If you get a chance, make sure to check out St. Clair-Johnson’s stellar performance.

Filmmaker Alice Esposito pays tribute to old school cinema with new film

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Poster for The Mockingbird that Fell from the Highest Branch

Alice Esposito sees life through the lens of a camera. Everywhere she looks, she knows exactly how an image could be framed perfectly, whether in a photograph or video. Her artistic instincts have been her fortitude throughout her career, and her determined work ethic sets her apart from the rest. There is little doubt as to why she is one of Italy’s best recent photographers and filmmakers.

While working on successful projects, such as Thend, Esposito has exemplified versatility and artistry. As both a filmmaker and a photographer, she is internationally sought after. Her work consistently tells a story in a beautiful way, which is exemplified by her film The Mockingbird that Fell from the Highest Branch.

The black and white silent comedy tells the story of a cynical, socially inept mime that lives a life of tiny distractions. Yet, even indulging in his smallest fantasies drives him to fits of rage and despair. A chance encounter with the woman of his reverie compels him into a series of humorously tragic attempts at wooing her. A romantic picnic, a windy walk on the beach, and multiple passes at capturing her beauty through art all backfire, with harrowing consequences.

“I feel like nowadays the stories are told so fast and full of action or sex that people do not have time for simplicity and realness anymore. With this movie, I wanted to stop time and let you live the moments with the main character, which is why some sequences of the movie are slightly slower than the normal parameters of cinema. I wanted to challenge the viewer to stay with me, to feel all these feelings that we usually escape from. There’s also a lack of technology and space/time that I wanted to use to give the audience this sense of peace, but with a little anxiety behind that. Technology made us impatient, and I wanted to analyze this concept. And love, this incredible feeling that keeps everything together; the expectation of love, its course, the ups and down, and the real and the fantasy,” Esposito described.

After premiering at The Prince of Prestige Film Festival where it was nominated for Best Short, Best Actor and Best Actress, The Mockingbird that Fell from the Highest Branch went on to tremendous success. It won the Festival Prince of Prestige Academy Award as Best Comedy (Comedy Gold).

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Phil Ristaino as the mime in The Mockingbird that Fell from the Highest Branch

“When the film first started having success, I was like ‘cool’, but after I began telling the cast and crew, it really hit me. This wasn’t the first time I won something, but it was the first time I won something where I worked with so many people and coordinated with them all together to create a project. It felt like all the family won and that everybody’s work was recognized. I was and still am so proud and grateful of them,” said Esposito.

Esposito’s idea for the film came from working with her friend and main actor in the film Phil Ristaino. Ristaino created character routines for fun, and his “Bad Luck Mime” stood out to Esposito. The two decided to make a movie that would be a tribute to the origin of cinema. Having already worked together on the film Dinamicity, which saw similar success, they were eager to work together again.

Working with Alice is very collaborative. Alice is an extremely enthusiastic director. She gets caught up in whatever idea has currently caught her fancy and will talk at great length about all the ideas she has for a particular story. Often, she will call me about a project she wants to make and tell me about some visual or story ideas, and these conversations will usually result in us meeting up to discuss the next project and see if it appeals to us both. We are both very visual people, and her ideas will spark images in my own mind, and vice versa,” said Ristaino.

Esposito was the producer, writer, and director of the film, and therefore greatly responsible for its success. She wanted to make the perfect film, and thought of every last detail. Half of the post-production took place in Italy, and the other half in California. Normally, coordinating this would be immensely difficult, but Esposito’s management capabilities are exceptional.

Location scouting was also vital for the production, and this turned out to be one of Esposito’s favorite parts of filming. She was able to discover different parts of Los Angeles, like Eagle Rock and Griffith Park, Malibu, and Echo Park. Her love for the setting overcame any challenges that come from working outside, like wind and natural light. In order to film like this, a filmmaker must be fast and precise, characteristics that Esposito embodies.

She also wanted to find the perfect team to take charge. She knew how important the music would be in a silent film, and therefore found not just composer, but two, Simone Anichini and Davide Alberto Centolani.

“A big part of making this movie this successful I think was to have the right people around me. It all always comes down to the talents you work with. I learned a lot about delegating and asking for want I needed. I was able to put all the pieces of production together and have exactly what I wanted. Many of the things were planned ahead, but you need to be ready for something not working out and be able to go around it. The secret is to be always ready to change and compromise but never give up,” she advised.

The last piece of the puzzle for the filmmaker was the title. She wanted something that would encapsulate her film. It was when she remembered that in Italian, a mockingbird is also called “the mime” that she realized she had a title.

“I remember I was in the car with Phil and we started to throw titles around, it was hilarious,” she described. “The mockingbird is known to mimic the songs of other birds and the sounds of insects, and this is how it started to come together. Being in love is like being above every physical experience I know, but at the same time when you heart gets broken the impact to the ground is hard. You could say the title represents this feeling but with a tragic romanticism with a pinch of irony in it. I think we got it right!”

That they did. Keep an eye out for Esposito’s work. With talent like hers, we can expect to keep seeing her name for quite some time.

Watch The Mockingbird that Fell from the Highest Branch here.

Top photo by Unknown

Actress Marysia Peres dives into ‘The Mystery of Britannic’

In life, one must constantly be learning. No one will ever know everything there is to know, and this realization is what keeps us humble. For Marysia Peres, acting is the very same. She constantly sees what she does as a learning opportunity. This acceptance and realization is what makes her so extraordinary. There is no role that doesn’t excite her, as each comes with its own set of challenges to overcome. She is constantly working at being better, and as she is already one of Malta’s best actresses, this is no easy feat.

Whether it be modelling or acting, Peres is always at the top of her game. As a model, she has worked all around the world, showing off fashion trends and styles with large brands in many countries. As an actress, she has impressed international audiences, whether in the blockbuster Assassin’s Creed alongside Michael Fassbender and Marion Cotillard, or the romantic travel tale Love to Paradise. No matter what she embarks on, she impresses both audiences and colleagues. Jonathan Pyatt, a fellow actor, has worked work Peres on four short films, as well as a commercial photoshoot for Vodafone. He believes she is a one-of-a-kind actress.

“It is always a pleasure to work with Marysia because she’s very professional, focused and dedicated to giving her best performance. She is very good at receiving feedback from directors and incorporating it onto her performance, as well as at communicating with her fellow actors. She has a good combination of intense focus and seriousness while also incorporating a nice sense of humor when appropriate, which is an important trait to help keep moods light at times during long filming days. I am always grateful when I sign on to be part of a project in which she’s also taking part because I know that it will help to elevate my performance,” said Pyatt. “Compared to other young actors that I’ve worked with locally, Marysia is the most dedicated and hard working. She also has a strong passion for the craft of acting and sees it not only as a job, but also as an art form. Due to the fact that she enjoys the process so much, she can perform at a very high level. She has a willingness to bring parts of herself into every role, which leads to authentic performances.”

Most recently, Pyatt and Peres worked together on the upcoming TV documentary mini-series The Mystery of Brittanic. The series, produced by U-Film, tells the story and research of the wreckage of the Britannic, the sister ship of Titanic, which shared the fatal fate of its predecessor during the World War I. The ship sank near Kea in the Aegean Sea on the 21st of November 1916. The project has two parts: underwater footage of the Britannic, the sister ship of Titanic that sank in 1916 near Kea in the Aegean Sea, and the re-enactment part of the tragic events. The reenactment portion follows the adventures of the volunteer nurse Eleonora Morrison (Nelly), played by Peres.

“The entire world knows about the Titanic, and I believe the Britannic deserves the same honor. It is a sister ship of the Titanic, it was used as a hospital vessel during WWI, and its story is both terrifying and fascinating. I am very happy that U-Film researched the wreckage site and decided to tell the story of this ship. I believe it will be both educational and entertaining for the audiences,” said Peres.

The character of Nelly was very complex and interesting for Peres to dive into. She is from an upper-class family, but against her family’s wishes she joins the Brittanic as a volunteer nurse. Her eagerness to help people takes her on a journey that changes her life forever. There is both strength and vulnerability to the character of Nelly; shy and introverted on the surface, she is brave and full of love and empathy on the inside. In the show, Nelly is the main character of the story. The re-enactment part of the docudrama is told from her perspective, and she is always in the center of events. The script follows her adventures, relationships, accomplishments and struggles. For Peres, is great to see such a female-driven story, and her embodiment of the character is essential for the show’s audience engagement. Her portrayal already impressed those she worked with, and will undoubtedly do the same with viewers.

“Marysia is a very easy-going and friendly person. Whilst shooting scenes it turned out to be very natural for both of us as we have already had a good chemistry. It was an honor working with Marysia and I do hope we will cross paths again in the near future. She is a very focused, ambitious, determined person and a very talented actress to say the least,” said Jeanette Cutajar, Actress.

Peres has always loved historical films, and when she had the opportunity to be a part of the show, she knew she had to take it. Initially, she was interested in a supporting role, but the director was so impressed with her talents, he wanted her as the lead. Peres was eager for the challenge, as she had never been a part of a docuseries before.

The Mystery of Britannic was a big budget production with a lot of comprehensive sets and filming in the open waters. It was the biggest local project of the year in Malta. Some days provided unique challenges for Peres: the cast was soaking wet in the cold, swimming and overcoming obstacles while trying to escape the sinking ship. She also had a day in the open sea, where her character swam in a dress while carrying along her best friend. Peres wanted to do the role justice, and extensively prepared. She researched the history of the time period, especially regarding Vera Brittain, a volunteer nurse on the Brittanic, reading her memoir Testament of Youth. These first-hand experiences greatly impacted the way Peres portrayed Nelly, and the authenticity is evident in the show. For Peres, her passion for the project eclipsed everything else.

“One of my favorite days on the project was when we filmed Nelly leaving her home and family to volunteer on the Britannic. The location was Palazzo Parisio, a beautiful venue in Malta, usually used for weddings and specials events. It was a spectacular day, full of beautiful costumes, family drama and decision-making for the character of Nelly. I also clearly remember the day we filmed in the open sea. The water was cold, and the sun was burning, we were filming the sequence when Nelly and her friends finally reach the lifeboat. It was such an emotional moment for all the characters, and although challenging to film in the open waters, it was truly special and memorable for me too,” said Peres.

The Mystery of Brittanic is currently in post-production and with the distribution company Fairway Film Alliance in Los Angeles. It will be released early next year.

 

Photo by AJ Singh

Leading Chinese Composer Min He transports audiences to North China in ‘Jin Zhu Xi Yan’

When watching your favorite movie, the score is what truly creates the emotion behind each scene. Check out videos on YouTube where iconic clips from films have different music in the background, completely changing the feeling you have when watching. As a composer, Min He sees her role in filmmaking as more than simply writing music. For the Chinese native, a score is a second layer of dialogue. Her notes strung together act as sentences in their own way, making you laugh or cry, and feel scared, happy, or suspenseful; she is a dramatist. This understanding of such nuances is what makes He so talented at what she does, and it is why she is so sought-after around the world.

“I wanted to be a professional composer because music is such a beautiful thing in my world. I wanted to be able to create any kind of music I felt like,” said He.

Although He is a classically trained composer, she has created a distinctive and unique sound that separates her from her peers. She composes in a hybrid style, combining tradional instruments with a synthesizer, and even designs her own sounds to feature in her compositions. Examples of this can be heard in her work for the popular iPhone game Pursuit of Life 2, and the films Princess Eun Hwa, and Snow. Her work on the animation film Ever Star lead to outstanding success, and resulted in the film being an Official Selection at the Official Selection- Northwest Animators Showcase, Animex Awards 2015, 10th Annual Children’s Film Festival Seattle 2015, Sarasota Film Festival, International Animation Festival CHILEMONOS 2015, Festimation Festival, The World Animation Celebration, and the Geneva International Film Festival.

“I had the immense pleasure working of working with Min on Ever Star. I like how delicate her music is, and all the melodies she composed are all from deep within her heart, it was so touching, and many audience members approached me after watching the film to ask to listen to more of Min’s music. Without Min’s beautiful music, my movie is nothing,” said Yawen Zheng, the animator and director of Ever Star.

This trend of captivating fans with her music occurs with every project the award-winning composer works on. On the film No Smoking (Jin Zhi Xi Yan, 禁止吸烟) He once again provided audiences the wonderful sense of escapism that comes from listening to her compositions. The film, directed by Xinwen Dong and Gang Wu, was an opportunity for He to work in one of her favorite genres: comedy.

The film premiered in January of 2014, and was released in theatres in China. It was extremely well-received, screening at the Shanghai Film Festival 2014 where the directors were nominated for the Asian New Talent Award. The film then went on to be broadcasted on the very popular Chinese television station CCTV-6 (China Central Channel). Now, it is on the famous live streaming service, 1905.com, where it holds a record of 1,750,000 views.

When the directors were looking for a composer to help bring their film to great success, they immediately thought of He and the esteemed reputation she holds not only in China, but internationally as well. She is not only a composer, but also an orchestrator, and knowing this, they approached her to work on the film. They had immense trust in her work ethic and music, and that faith was justified. Without her, the film could not have achieved what it did. Her music brought the audience into the world that the movie presents, and because this is a comedy, many funny scenes that make audience laugh out loud did so with He’s compositions. She tried to make funny sounding melodies to add a fun part to the movie, and she succeeded.

“I really like to explore new area of music style that I never touched and working with different instrumentalists and learning new instruments are very fun parts of music creation. Every time I delivered some cues to the directors, I not only got approval, but also praise. It was very satisfying,” she said.

The story of the film takes place in North West China, an exotic part of the country with beautiful natural scenery, and a different culture than the rest of the country. He wanted her music to represent the geography in the film. She extensively researched the area’s music, including their folk songs, and native instruments. The composer enjoys expanding her realm of knowledge, learning about new styles that she has never encountered before, keeping her humble. This research was fruitful, and her score truly transports audiences to the area of China. To find out more, however, He says you will have to watch the movie.

“I think the film is such a good story and everyone should see it,” she concluded.

Head to 1905.com to laugh out loud watching No Smoking and listen to He’s beautiful work.

Stay Tuned for Britain’s Francesca De Luca in ‘Midnight Daughter’ and ‘Espresso’

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Francesca De Luca

When actress Francesca De Luca stands before a camera, every fiber of her being comes to life. Her soul awakens when she transforms into an unfamiliar character, adopting all of the dynamic elements that makes them who they are. She is driven by the unique challenge of taking a character’s description from a script and bringing them to life. It is a journey unlike any other and a privilege to call it a job. For De Luca, her work is about transporting her viewers into a different world. It’s about allowing them to escape from real life, or to explore elements of their being in ways they might not have otherwise done. She finds that films can be therapeutic, offering relief from our everyday lives. They enlighten and entertain us in such a way that molds our thoughts, our passions, and our dreams in the same way that acting has molded her.

“I love to make an audience feel something, whether it’s through comedy or drama, and the emotion or truth of a character. I love making people laugh, feel and think, and I love to sink my teeth into a script where the character has depth, contrasts, and experiences an emotional journey,” told De Luca.

Every time that De Luca sets her sights on a script, there is no doubt that she will make it a success. She has had a profound impact on every film she has ever worked on, and she is a known asset in the industry. Her performance as Margot Fonteyn in the film, Jeremiah Tower: The Last Magnificent, gained broad recognition when it featured at the Tribeca Film Festival just this past year, and again when it was selected for the Hamptons Film Festival and Key West Film Festival. The film’s success, however, did not stop there. It earned widespread critical acclaim when it was released in theatres across Canada and the United States, receiving immeasurable praise from prestigious publications like the New York Times. Later on this year, viewers carried it to number one in the ITunes Documentary category and were the reason that it featured in the top ten slots of the Independent Movie category.

Another of her major successes was working on the film Passports which won the 1st Place Audience Award at the California Women’s Film Festival, as well as the Award of Merit at The Accolade Global Film Competition. The film also went on to receive official selections at the aforementioned festivals, as well as Atlanta Shorts Fest, Laughlin International Film Festival and Film Invasion LA.

This sort of success is not unheard of for talent as unparalleled as De Luca’s and it only motivates her to expand her reach in the industry. Her drive is unprecedented and for this reason, filmmakers are drawn to her when looking to cast an actor that will carry their script or storyline to greatness. Fortunately for cinematographers all over the world, she is attracted to well-written scripts and eager to do their characters justice. When producers like Annie C. Wright, who worked with De Luca on her digital series, Down & Out, get to experience working with De Luca, they are often astounded by the depths of her talent.

“Francesca is not only talented in her craft, she’s professional, driven, and willing to put in the work required to succeed in this industry. She is a joy to have on set and I hope to be able to work with her again in future productions,” said Wright.

Jeremy Pion Berlin, who directed Passports, was intrigued by her exceptional on-screen presence and her improvisation skills. He knew that he had to work with her and his experience working with her pushed him to want to work with her again for his upcoming film, Midnight Daughter. When Berlin approached her about starring in his first feature length film, the British-Italian actress was thrilled. For Midnight Daughter, De Luca will be playing the lead role, Shawna. The psychological thriller is to be set in an old-age facility where Shawna works. De Luca, who loves playing dark, dramatic roles, is ecstatic about the depth of Shawna’s character and the opportunity to keep her audience on their toes for the duration of the emotional roller coaster that the film will depict.

In addition to Midnight Daughter, De Luca will also be starring in the romantic comedy Espresso. She is very excited to be diving further into the comedic genre once again. Her versatility as an actress allows her to transform herself into characters living through all kinds of experiences. She is not typecast and she does not limit herself to any specific range of characters. She seizes the challenge of becoming whomever a script needs her to be. If her history of excelling in every role she has accepted is any indication, she once will be perfect for the part in Espresso.

“I love the challenge of playing different roles and brining parts of myself to a character. It is my passion and I am lucky to get to do what I love over and over again. I can’t wait to see how both projects turn out,” concluded De Luca.

Michelle Howarth on starting difficult conversations through the art of film

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Michelle Howarth

What Michelle Howarth loves most about being an actress is having the opportunity to submerge herself into the lives of other people. She is fascinated by human beings and thrives on any opportunity to learn about unfamiliar cultures and places around the world. For Howarth, acting is a chance to walk a mile in someone else’s shoes. When her characters feel pain, she wants to understand it. When they feel fear, she wants to know why. Beyond the empathetic nature of connecting with her characters, however, Howarth is grateful to work in a profession that provides a platform to channel untold stories and bring them to life. Oftentimes, this means shining a global light on a social, political, or socio-economic issue that the world may not fully understand, or even be aware of. It is one of the few occupations in the world with the potential to start important, controversial conversations and ultimately, change perspectives, minds, and lives.

“Acting can take you into a world with the potential to transform, educate and initiate conversations. It can affect audiences in different ways, whether you’re making them laugh or challenging their beliefs. Acting also allows the audience to escape into a different realm for an hour or two and experience a world beyond themselves… I think that’s really beautiful,” tells Howarth.

Howarth has taken her audiences on a number of journeys throughout her career, allowing them to escape their own realities for hours at a time and simply immerse themselves in her talents. She regards herself as a naturalistic actress, lending her authentic style to a number projects in television, film, and theatre. The esteemed actress is well known for her ability to convincingly transform into any character she sets out to play and is well known for her roles in television mini series such as OCD Mayhem, as well as film shorts like Mad House and The Comments. Recently, Howarth earned herself a role in the television series Hummingbird, and credits landing this role as being one of the greatest highlights of her careers.

Earlier on this year, Howarth auditioned for and won the role of Kelly in a psychological thriller called Madness Descending. The film, directed by Jimmy Cenci, tells the chilling tale of a brooding artist and writer, Devon, and his quest to complete his own novel. In the film, Kelly is Devon’s girlfriend and the story depicts the tole Devon’s creative process takes on their happy and loving relationship. One day, during the Christmas holidays, the couple experience a strange encounter with their landlord and the storyline spirals downward as Devon investigates the haunting truth inside their basement.

Playing Kelly was Howarth’s first experience within the horror genre and she was particularly eager to explore this new territory. She is very keen on the idea of expanding her skill set wherever possible and jumps at any opportunity to develop herself for the better of not only her career, but the entertainment industry as a whole. Cenci, who is used to working with extremely talented actors and actresses, was particularly impressed with the quality Howarth added to the film and knows that she was an integral cast member.

“Working with Michelle was a terrific and wonderful experience. She is extremely talented and a fantastic, professional actress – even in situations of great stress. I subjected her to some miserable situations and she rose to the occasion, exceeding all of my expectations. She is quick-witted, understands character development and takes direction well. All in all, she is a wonderful person, an exquisite actress, and a joy to work with. I’d be honored to work with her on any project in the future,” states Cenci.

What makes Howarth such a dream for a director to work with is her unwavering commitment to getting into character and to playing her part to the absolute best of her ability. Having only a week to learn the script before filming, Howarth meticulously learned her lines and ensured that she acquainted herself with the script in such a way that gave her a thorough understanding of how her character would think and act in the situations she was placed in. In the film, Kelly turns out to be a figment of Devon’s imagination. For this reason, Howarth dedicated her initial character analysis to learning Devon’s psyche, in order to grasp how he would’ve interacted with the character and which parts of his personality she would showcase.

Through this process of learning about Devon and about how he envisioned Kelly, Howarth was able to juxtapose the elements of his character that Kelly was supposed to highlight. In addition, she flawlessly mastered Kelly’s transition from Devon’s bubbly, fun-loving girlfriend into a fear-ridden, anxious character toward the end of the film. It takes an actress with unprecedented talent to be able to transform a character so drastically within the parameters of a single film, but Howarth did so with ease. There are no bounds to the quality of her skills and she was instrumental to the quality of the film.

“I liked the fact that I got to experience being the figment of someone’s imagination and having the challenge of portraying that as a reality for the film. I also like the arch of Kelly’s character and how she transforms from being the sweet, lovable girlfriend to a terrified mess, to an ultimately empty vessel devoid of emotion by the end of the film,” recalls Howarth.

The underlying message of the film is that Devon’s mind is a much more powerful tool than he knows, much like Howarth’s talents are far more profound than she may realize. The film is currently in post-production and is set to premiere in 2018. As for Howarth, however, her career is in full swing. She hopes to be a series regular on Hummingbird, as well as working on as many independent and feature films as her schedule will allow. She is also currently in production for two different films, one of which she helped write and produce. In all, she hopes to continue to act for the rest of her working days in order to keep telling stories that are worth telling. As far as she is concerned, the film industry is one of the greatest ways to initiate difficult conversations and she is honored to raise awareness to the important aspects of humankind.

Scott Michael Wagstaff talks new film ‘Pendulum’

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Scott Michael Wagstaff, photo by Kim Hardy

Creativity has always been a guiding force in Scott Michael Wagstaff’s life; it is his fuel. From a young age, he channeled that into performing. The buzz he would get from standing on a stage in front of a live audience was addicting. As he grew, performing was no longer about the thrill, but rather living in a place of honesty for himself, and inspiring audiences to do the same. It is this understanding that makes Wagstaff such an extraordinary actor today. He acts not only because he wants to, but because he needs to. There has never been an alternative for him.

Throughout his career, Wagstaff has taken not only his home country of England, but the world by storm. With memorable roles in BBC’s Doctors, 6 Days, The Time of Their Lives, and Final Reflection, audiences can see exactly why Wagstaff is at the top of his field. Recently, his accolades grew yet again, with a nomination for “Best Supporting Actor” at the FilmQuest Film Festival for his role in the new film Pendulum.

“Playing the role of Gwilym was a very fulfilling and a great challenge. The role required me to be a man of few words which is tougher than what it sounds. As an actor, you feel at times the words do the work for you, so when I found I had little to say to honor this role, and furthermore the story, it always seemed challenging. I had to just completely trust that I had everything going on already,” said Wagstaff

Pendulum is a film about two friends who seek spiritual salvation in India in advance of the impending collapse of the cosmos. It is a spiritual science fiction tale with a deep message, telling audiences the importance of being okay with themselves, who they are, and to stop attaching to everything else to distract from who they really are. Wagstaff plays the pivotal role of Gwilym. Gwilym is a very cold man, but has great care and love for his best friend Cerys. The role was entirely improvised, with no script. Wagstaff had to ensure that whatever he improvised would not only keep true to the story, but enhance it.

“What helped is knowing why Gwilym is so cold. He didn’t agree with the hedonistic and disconnected world in London, a result of the end of the world upon them, and had given up on connecting himself, thinking he’s better off alone without joining in the numbing of the end of the world. Once I understood that part of myself that wanted to numb from certain things in life did that then help me embody this character,” Wagstaff described.

In addition to Wagstaff’s nomination, the film is in competition at Encounters Film Festival at the end of the month, making the film BAFTA and Oscar qualified. It is an Official Selection at the Stranger With My Face Festival, NOLA Horror Film Festival, PUNE Film Festival, and of course, the FilmQuest Festival. It has just begun its film festival run, so it will likely be recognized much more around the world. None of this could have been possible without Wagstaff’s understanding of his character and his dedicated and captivating portrayal of Gwilym. He also produced the film.

“Scott is a generous and kind-hearted team member, who really wants the best for each member of the cast and crew and will go to lengths to let people shine. As a performer, he is able to deliver deep and emotionally connected performances in the trickiest of circumstances, always putting vast amounts of work in, and with the confidence to let his talents dazzle,” said Lauren Cooney, the Director, Writer, and Producer of the film. “As an actor Scott has a deep emotional well, on which to draw from, and is able to deliver truthful and complex performances in the moment. As a producer Scott is fully up for taking big risks, and jumping on board adventures. He seeks out collaborators who he is excited by, and is very committed to long-term work in this much-loved industry.”

Cooney initially invited Wagstaff to work on her film, knowing she needed the best actors to make her film a success, especially when it came to Gwilym. He is the catalyst for the lead female role Cerys to see that everything she has been searching for is right there within herself. Even though he comes across cold and disconnected, he breathes a truth into Cerys’ life about him being okay with being alone without him saying anything. He has a love for Cerys that helps her to see that love ultimately between human beings is what matters most – love of self and then love of others. The road trip to India wouldn’t have happened if Gwilym wasn’t there with her, as she wasn’t capable of being physically alone.

“On a deeper level, Gwilym represents people in this world who have great moral beliefs and want change, but don’t speak up until they feel they really do have to. It would be great if these people would speak up from the get go,” said Wagstaff.

Wagstaff had full creative freedom to create such an in-depth character. His instincts were almost always right, and very little was changed without his input. There was a great sense of teamwork on the film, and that is what Wagstaff loved.

“It was the ultimate meaning of collaboration to me and the people in the cast and crew were fantastic. I also loved that I got to travel around India with this film, I see the most radical and powerful sights and even ended up on a train for over three days travelling from one location to another,” he concluded.

Be sure to keep an eye out for Wagstaff in Pendulum.

Antonio Vigna talks adopting mindset of a serial killer

The first time that Antonio Vigna stepped onto a stage, he realized that he has a passion to entertain flowing through his veins. As he began to take on more prominent roles, he learned that there wasn’t a single part of acting that he didn’t enjoy. To this day, he thrives on the opportunity to step into the shoes of a new, different character every time he shoots a film or television show. He feels empathy for the unique situations that his characters encounter and he delves so deeply into his roles that he often catches himself feeling as though he is actually living through their eyes. The true joy of his job, however, comes from inspiring his audiences to overcome the hardships in their lives that are similar to those of the characters he portrays. For Vigna, knowing that he may be the source of hope in even a single viewer’s life is what motivates him to continue acting.

Vigna’s relentless desire to act has earned him a variety of diverse roles in several films and television series. During his work as an actor, however, he developed a profound appreciation for all of the intricate roles involved in creating a film and found himself intrigued to learn more about each one. Eventually, he realized that he enjoyed producing films just as much as he enjoyed acting in them, and his audiences are all the more fortunate for it. His talents as a producer are unparalleled and his works have landed him in several film festivals around the world. In fact, two films that he is particularly fond of, Dia de Muertos and In a Heartbeat were featured at the prestigious Cannes Short Film Corner in 2017. Despite his esteemed career as a producer, Vigna is still an actor and balances the two professions seamlessly.

In 2015, Vigna wrote the script for Perfection which depicts the unique, thrilling tale of a young artist struggling to find the missing piece for his masterpiece. It isn’t until the artist has an accident and discovers the solution to his masterpiece is human blood, which leads him on a terrifying murder spree. When Vigna pitched the script to his director, they knew that they were going to need a high calibre actor to take on the part of the artist. Fortunately, they didn’t have to look any further than Vigna, who had the exact skill set and on-screen presence that the lead role demanded. For the highly sought-after actor, this character presented a unique opportunity to flavour his career in a newfound way and he was eager to bring his own story to life.

“Actors often find themselves playing interesting, dynamic characters; however, one of the most complicated character types to play is a serial killer. I saw this as both an opportunity and a challenge to master the complexity of his mind. I knew that I had to find element of his personality that I could relate to in order to become him on screen in a believable way, which was extremely difficult but rewarding in the end,” said Vigna.

The film’s first assistant director, Markel Goikoetxea was just as pleased with Vigna’s performance as he was. Goikoetxea, being the first assistant director, witnessed the film’s progress from conception to the finished product and he knows better than most about the value that Vigna brings to his roles. His unprecedented talents were the reason that the film showed at prestigious film festivals such as the Hollywood Screenings Film Festival and Los Angeles Cinefest. He was even nominated for Best Actor at the Barcelona Planet Film Festival for his work on Perfection.

“From the very first time I saw the director and Antonio talking about the role, I knew that he was going to nail it. He is so detail-oriented and he gives his best no matter what role he is playing. His work is a reflection of the level of care and consideration he takes to develop his characters flawlessly. He is one of the most talented and hard-working actors that I have ever met,” told Goikoetxea.

The opportunity to play such an intricate, troubled character was a thrill for Vigna. The artist, much like Vigna, is passionate beyond comprehension about his work. As the story progresses, it becomes increasingly apparent that the artist’s determination to bring perfection to his masterpiece pushes him to lose touch with reality and to be blinded by his quest for greatness. Vigna was drawn to the complexity of the role and enjoyed searching for the parallels between his passion for acting and the artist’s passion for his masterpiece. Playing the artist was a journey in itself.

So, what’s in store for the highly esteemed actor? Vigna hopes to continue acting in and producing the highest quality films possible. When asked about the highlight of his career to date, the talented actor and producer humbly replied that his career is a highlight in itself and that the best is yet to come.

Actress Isabella Richardson captivates in ‘Next of Kin’

For Isabella Richardson, acting is pushing boundaries. She throws her emotions into her characters, and therefore evokes viewers emotions, allowing them to see themselves in her portrayal. She is aware of the importance of her work and how it can impact the lives of her audience, and this knowledge allows her to fully commit to each and every role she takes on. The Australian actress is internationally sought-after, with an esteemed career at just nineteen years of age.

Working on projects such as the sketch comedy show You’re Skitting Me, and commercials for Beyond Blue and Sprite, Richardson has won audiences over with her naturalistic approach to her craft. She never overacts, and that is what makes her such an outstanding talent. This is exemplified yet again with her work in the acclaimed film Next of Kin.

“The story of the film is a relatable, but yet complicated interpretation of frustrations towards loved ones. We may get annoyed at the smallest things that someone you love does, but in the end, you adore them no matter what and should never take the little annoying things for granted, because you don’t know when they might be taken away from you,” said Richardson.

The short film follows a policewoman whose job is incredibly straining on her relationship with her husband, who is also her partner in the police force. She has moments in the film of annoyances towards her husband, but in the end, realizes not to take the people she is surrounded by for granted, due to receiving a call about a young boy who was caught up in a terrible accident causing his death.

“I really loved the director and his passion for movie making. The storyline of the film was incredibly deep, but also very simplistic that anyone who were to watch it would relate to the main character. I also believed that it would be an interesting character to try and put myself into,” she described.

Richardson plays Kristine, a character whose boyfriend has just fallen off a bridge and died after doing daring tricks on his skateboard. Kristine is undeniably devastated and has to come to terms with just seeing her boyfriend fall to his death. She is comforted by the police officers and asked questions of the accident immediately following it. Kristine had a broken outlook on life until she met David, but he was rebellious and would sometimes do things that made Kristine uneasy. He was thoughtless at times when it came to how Kristine felt about certain activities he took apart, specifically the people he hung out with. Kristine is the kind of person who needs someone there at all times, she is very co-dependent due to her late family’s careless upbringing, and she relies on a safety blanket, that being David. Kristine is quickly faced with another death leading her to start living an independent lifestyle with the hopes of recovering any day now from all the loss she has experienced in such a short time. It was the first moment of a turning point that led to the rest of the films outcome. It was a pivotal moment of emotion that was needed to spark the main characters and their involvement with each other, and Richardson more than met the task at hand.

“Working on Next of Kin was a truly interesting experience. I had never cried on camera, so that was probably the biggest challenge for me. I got into the mindset of this character by putting myself into her shoes. She had just seen her boyfriend fall to his death right before her eyes, so placing my own thought process into that situation brought up a lot of external emotion which I was able to translate into my characters own emotion,” she said.

When looking for an actress who could convincingly capture the vital role of Kristine, director Nicholas Carlton immediately thought of Richardson. The two had worked together previously on the moving coming for Beyond Blue, titled ‘Preventing Youth Suicide.’ Richardson’s portrayal of a seventeen-year-old troubled skateboarder greatly impressed the director, and he knew her talent would be perfect for Kristine.

“Isabella is featured in a short film that I directed called Next of Kin, and she played the character of a young girl who had just experienced her boyfriend’s death right before her eyes. Isabella brought a realistic aspect to this character. The situation is a devastating ordeal for a young girl to manage. She applied her training and techniques that she has learnt through her short years to reveal a compelling outlook of a simplistic character without any scripted lines. She worked with the me to fully understand the feelings that her character would have felt in that moment, as if she was in the characters shoes,” said Carlton.

Next of Kin went on to receive praise as an Official Selection at the Byron Bay Film Festival where it premiered. Without Richardson’s authentic portrayal of Kristine, such acclaim may not have been possible, but for the actress, she simply enjoyed working alongside great people.

“I loved being able to work with a great crew and cast. They all were incredibly lovely and I was met only with helpful, kind people. We all were there because we loved doing what we do and that was one of the things that made the whole experience so much fun,” she said.

There is little doubt that Richardson will continue to be a name to watch out for on both the big and small screen for years to come.

Actress Liya Shay is the voice in your head in film ‘From Within’

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Actress Liya Shay, photo by Collin Stark

“Taking on a new role, transforming into a new character is like a drug to us actors,” said Liya Shay. The Russian native has enjoyed acting since she was just a child, knowing she would never want to do anything else; she can’t live without it. She believes she is one of the luckiest people on the earth, getting to do what she loves every day. She is also one of the best actresses to recently come out of Russia.

Throughout her career, Shay has worked on a series of esteemed projects, solidifying her reputation as a true professional. Her portrayal of the sister in The 4th Person caught the attention of both audiences and critics, a trend that continued for her roles in Musician Evan Blum’s “Won’t Be Alright” music video, and the short film Greek Yougurt.

“If you don’t truly love acting, you would not be able to do it,” she said.

Shay has become an international success, with producers and directors looking to have her in their films. Just last year, this happened when producer Nikita Sapronov reached out to the actress to be in the film From Within. The two had worked together on the film Forever, and Sapronov knew Shay would be ideal for the role of Louise. The two have now worked on four projects together, and Sapronov is always impressed with the skill that Shay holds despite her young age. He was very impressed with how fluently she switches between accents and dialects. He helped the casting directors of the television series Cyberia find their lead character Dr. Alina Petrovska, knowing that Shay can speak Russian and do an authentic Russian accent. In the near future, Sapronov yet again will be working with the actress on the mockumentary feature film Homeschool Graduation, and believes that her talent as an outstanding actor will make her a wonderful asset to his film.

“Liya created a unique character in From Within. Fictional, yet so familiar to everybody who faces the struggle of their perfectionist self. The combination of her strong deep melodic voice together with the British accent that she portrayed flawlessly due to her background living in the UK, created a character that was unforgettable. The character was an antagonist, but Liya was able to play on different notes of the character, making her performance so unique,” said Sapronov.

From Within tells the story of Caleb, a musician who stands up to his perfectionist inner voice, accepts his faults and embraces his inner creativity, taking his performance beyond the technique. Shay believes the film tells an important story, as many people struggle with trying to be perfect and constantly feel not good enough. From Within tackles these issues.

“Our world is so reliant on competition in everything we do. There is always someone better or stronger or cleverer and we always have this voice in our heads that tells us that we are not good enough, and often this voice is the reason why we give up. In this story, we wanted to remind the audience that doing something from your heart is more important than doing it perfectly. That what we do and the way we do it is so unique to every person, that simply that makes us equally special. Trusting your instincts and not comparing yourself to anybody else is the key to success,” said Shay.

Shay’s character Louise was extremely crucial to the story of From Within, as she leads Caleb through his self-discovery. She pushes him beyond his boundaries, and makes him realize that he can achieve greatness on his own, if only he embraces his mistakes. Shay was able to portray how three dimensional her character became, despite being written as a simple antagonist.

“I loved playing around with this character. I tend to get cast in roles that show vulnerability and a lot of emotions. This character was the opposite. She was strong and in complete control over Caleb. it’s definitely a lot of fun to be the boss. Also, I was always moving around as opposed to Caleb who is always at the piano in our scenes. It gave me an opportunity to really play the devil who is always behind, always whispering in your ear. The gorgeous red dress was the icing on the cake,” said Shay.

The audience’s sympathy for both the pianist and the muse helped the film achieve such success on domestic and international film festivals. It was an Official Selections at the Mission Viejo Film Festival, Oasis Film Festival, VOB Screening Series, and Austrian International Film Festival. None of this could have been possible without Shay’s intense portrayal of Louise. She knew the importance of building a believable relationship with the character of Caleb. Because Louise was an imaginary character, Shay had to create a sense that she was not a real person, but a product of Caleb’s imagination. Although it was mainly achieved through montage in the film, she had to carry the sense of it throughout the film. She chose to often walk around in circles close to Caleb, intruding his personal space, which emphasized that they had a very close relationship, and that she was holding some sort of power over him.

“Louise has a strong mindset that can’t be changed or meddled with. Unlike Caleb, she knows exactly what she wants from him and how to get him there. Although she is the antagonist, the audience is compelled to listen to her because of the intensity that she holds in every moment,” Shay described.

Audiences should be sure to check out Shay’s portrayal of Natasha in the upcoming film Jet Lag. Check out the trailer here.