Category Archives: Film

From Class Clown to International Actor, Daniel DelHoyo

In film, theater and television, it’s the writers who create the characters; their personas, their lines and even their fates are predetermined, written down before cameras ever start rolling. But it requires a skilled actor to embody a fictional hero or villain, and there is nobody more skilled in personifying a character than Daniel DelHoyo. Building on the foundation of the writer’s words, DelHoyo immerses himself in his roles. Through him, words on a page come to life and become the living, breathing manifestation of the writer’s creative vision.

Born in Mexico City, DelHoyo’s love of performance began in high school when an opportunity arose for him to write, direct and act in a production showcased to an audience of his peers. The experience awoke in him an immense talent, which had been lying dormant. DelHoyo’s charisma and witty humor had long been recognized by his peers, but the play marked his first foray into drama and serious performance. From the moment he first sat down to write the script, he realized he was destined to pursue a career as an actor.

“As soon as I started writing the story I felt connected and fully plugged into this world like I had never felt with anything else,” DelHoyo recalled. “The play ended up being presented among the best ones at the drama competition in school, and from that moment I knew I wanted to act.”

Since those early days, he has become one of the most sought after actors in the business. Though there was a time when he applied his natural charm and jovial personality almost exclusively to comedic endeavors as a sort of class clown, he has far exceeded that old niche. Now, there is no production mood or genre he cannot expertly adapt to, and he is as at home in the horror and suspense genres as in comedy. His latest role as Danny in “Por Sofia” is a perfect example of how diverse his talents are.

 A tale of intrigue and an endless pursuit of justice, “Por Sofia” follows a detective intent on solving a decades-old murder. The film stars Kary Musa (“Iron Man 3,” “What Lies Beyond… The Beginning”) as Alexa, a young woman whose mother’s murder 20 years earlier continues to haunt her. DelHoyo delivers a knockout performance as Danny, a night shift server at a restaurant and one of the detective’s prime suspects in the crime.

Jack Elliot
Still of Daniel DelHoyo (left) & Mauricio Mendoza (right) in “Por Sofia” shot by Jack Elliot

The director of “Por Sofia,” Alfredo Ibarra (“Classroom 6,” “Processing”), chose to cast actors in the film who had personalities similar to those of their characters. DelHoyo, however, was an exception. But playing a character so different from himself is his wheelhouse, and the challenge allowed him to exhibit his invaluable gift for shining brilliantly when pushed out of his comfort zone.

“[Alfredo Ibarra] wants you to be yourself and deliver your own persona and emotions to the story. During the pre-production I would ask him questions and he would just answer back ‘What would you do?’” said DelHoyo, explaining how he adapted to the role. “My character is a very quiet and mysterious guy, which I’m really not. But throughout the shooting I realized what Alfredo wanted, and toward the end it all made sense. I learned that the more you trust the people you work with, the better results you’ll deliver performance-wise.”

The intense twists and turns in “Por Sofia” ensure audiences remain firmly on the edge of their seats, and DelHoyo’s gripping portrayal of Danny is an absolute marvel of suspense that keeps viewers questioning his guilt until the very end. The film is in post-production and will be released early this year.

 One of DelHoyo’s most fascinating roles, and the one he says is his favorite, was in the 2015 film “Ilusiones SA,” an adaptation of Spanish author and playwright Alejandro Casona’s 1949 play “Los Árboles Mueren de Pie.” His character, known only as Mailman, is part of a shadowy-yet-benevolent organization called The Illusionists. The group specializes in staging well-meaning hoaxes and deceptions and is comprised of equally mysterious codenamed figures, such as The Director, played by Jaime Camil (“Jane the Virgin”). The film tells the story of a man who commissions the group’s services to keep his wife from learning that their grandson has died en route to visit them.

Ilusiones SA film
Daniel DelHoyo as the Mailman in “Ilusiones SA” shot by Serguei Saldivar

 “My character is essential to the story,” DelHoyo excitedly explained. “The grandpa hires The Illusionists to set up a whole scenario with a fake grandson. My character delivers the letter to the grandpa, letting him know that his ‘grandson’ and his ‘grandson’s fiancé’ will be getting there in a couple of days.”

As an exceptionally dedicated and professional performer, DelHoyo was determined to do the role justice. He went to great lengths to embody the part and in the process put the role ahead of his own safety.

“The script is very adamant about the Mailman being exhausted. It’s been a long hot day of work for him, and it’s not over. So, as a perfectionist, I run back and forth on my bike in pretty intense morning heat, added push-ups to get my blood flow pumped-up, and did running sprints too,” said DelHoyo, describing what he called a funny experience. “We do take one and by the end of it I’m practically suffocated, sweating so much my uniform is soaking wet, and feeling sick.”

In preparation, DelHoyo completely immersed himself in the role. His sleepless nights were spent studying 1950’s Campeche, Mexico, the film’s setting, and listening exclusively to music played in the region during that era. He even went so far as to volunteer at the Post Office to better understand the character. Over 1,000 people auditioned for the role, but that level of commitment is what made him the obvious choice. It’s also what made his character so memorable and integral to the film. “Ilusiones SA” was released in Oct. 2015 to audiences in Mexico, and will be released in the U.S. later this year.

There are actors who are defined by a role, and there are roles that are defined by the actor, and careers often hinge on this subtle distinction. Daniel DelHoyo is without question the latter, an asset to every production whose chameleon-like talent for transformation has enabled him to deliver awe-inspiring performances time and time again. When watching him in any of the roles he’s played, it’s not an actor that audiences see on the screen; his characters become actual, living people, with flaws and virtues so compellingly human they become as real as anything else. That quality is the mark of a truly great actor, and it is what has established DelHoyo as one of the most prominent figures in the highly competitive industry.

Director Michelle Castro Flexes His Cinematography Skills

Gloria Trevi
Director and cinematographer Michelle Castro shot by Alejandro Ibarra

 Audiences around the world will recognize Michelle Castro from the plethora of directorial accomplishments he’s made to date, which span the likes of music videos for renowned artists, award-winning narrative films and commercials.

Castro’s reputation as a highly skilled director became increasingly well-known throughout the Latin American entertainment industry after he directed the music video for Mexican pop star Gloria Trevi’s hit song ‘El Favor De La Soledad.” Trevi, who is often referred to as the “Mexican Madonna,” is also the subject of the biopic “Gloria,” which was released in February 2015.

Michelle Castro’s strength as a director has undoubtedly earned him international acclaim over the years, but his work as a cinematographer is another area of his genius that deserves notice.

As his film “When Negatives Collide,” which he both wrote and directed, was making waves as an international hit at festivals last year including being chosen as an Official Selection of the 2015 Cannes Court Metrage du Festival de Cannes, Castro was busy immersing himself as the cinematographer of several new film projects.

One such project, “The Destroyer,” a documentary film directed by Rupert Luis Sanchez (“Moktane”), follows MMA fighter Sean Loaffler as he prepares for a fight that could make or break the future of his career.

After spending 16 years as a strong competitor in the sport, Loaffler finally got his chance to make it big in 2012 when he was scheduled to fight in the UFC against Buddy Roberts; however, after suffering a massive ankle injury and being deemed unfit to fight, it was back to the drawing board for Loaffler. The film follows Loaffler after the accident up through his fight comeback, which if he wins, will give him another shot at the UFC.

Director Rupert Sanchez explains, “Michelle and I have been working together for years so when I started developing the idea for ‘The Destroyer’ he was a part of the process from day one. We both decided that being a documentary, in order for the film to stand out visually,  it needed to feel cinematic. He suggested to film at an extremely shallow depth of field and with a free flowing camera; it proved to be the most important decision for the over all look and feel of the film. His undeniable eye for the human moments and complete understanding of my intention for the film is felt in the cinematography.”

Castro’s creative vision for the shots within the film coupled with his expert versatility behind the camera was a huge asset to “The Destroyer,” as he was able to get up close and capture the action of the fight scenes and the deeply emotional struggle Loaffler experiences in this very real story.

“We shot this with DSLRs because of the mobility that they provide. Also when [Sean] was either training or fighting you are very close to the action and you really need to be able to move away if they are throwing punches at each other,” says Castro.

“The Destroyer,” which is currently in postproduction, will begin making its rounds on the festival circuit later this year.

For Michelle Castro the last few years have been incredibly busy, in fact, since 2013 he has lent his ingenious creative skill as a cinematographer to more than 15 films. From his most recent foray into the documentary film format with “The Destroyer” to dramatic narratives like Álvaro Ortega’s “Waltz” and Anish Dedhia’s “Chypre,” and the experimental mystery feature “Los Títeres de Belial,” Castro has revealed his remarkable ability to capture the visual story of each film, bringing each tale to life in a totally different way.

The film “Chypre,” which stars Svetla Georgieva (“Kantora Mitrani,” “A Punishment to Some, To Some a Gift”) and Christoff Lombard (“Waiting for the Miracle,” “Deguello”) takes audiences inside the cold relationship of one couple and examines how a young wife, who is sadly ignored by her husband, begins to desire a woman she encounters on the train. Castro sets the tone of the film with his visual approach in a way that, combined with the actor’s expressions and body language, allows the story to come across without relying heavily on dialogue.

The film, which had its world premier at the New York Indian Film Festival, earned the Best Film Award at the 2014 Los Angeles Thriller Film Festival, in addition to being chosen as an Official Selection of the India International Film Festival of Tampa Bay, the Third Eye Asian Film Festival, the Rainier Independent Film Festival and many more.

Castro admits, “‘Chypre’ is one of the projects that I hold close to my heart… From train stations to mock up trains this was an exciting film to shoot. Anish Dedhia, the director, is a good friend and did an amazing job writing the script. Another reason that I’m grateful for this project is because I got to work with Svetla Georgieva, which marked our third collaboration. I consider her to be one of the best actresses I’ve ever worked with.”

Prior to working as the cinematographer on “Chypre,” Castro directed actress Svetla Georgieva in his dramatic mystery film “Succubus,” which earned the Honorable Mention Award at the Los Angeles Movie Awards in 2014, as well as a nomination for Best Short Film at the Studio City Film Festival.

As for what’s on the horizon, Michelle Castro, who recently wrapped production as the cinematographer on the films “Charlie,” “Sleep,” “The Four Horseman,” “O1” and “The Delicious,” is slated to work as the cinematographer on three new film projects as well as direct an upcoming feature, with more information to be disclosed at a later date.

 

Q & A with Dynamic Actress Erica Deutschman!

Karen Benedict
Canadian Actress Erica Deutschman shot by Karen Benedict

Today audiences around the world will probably recognize actress Erica Deutschman best from her role as Beth in the dramatic fantasy series Being Human, where she transforms from the innocent girl next door to an eerie hauntress who makes the main character’s life unbearable. Never failing to captivate her audience, Deutschman’s impressive range coupled with her drop dead gorgeous looks have made her a leading lady for a long list of film and television productions across genres including The Howling Reborn, Hidden, Reign, Fatal Vows, Blue Mountain State, Sex Addict/Love Addict and others.

Earlier in her career Deutschman starred in Christos Sourligas dramatic feature film Happy Slapping, which premiered at the Montreal International Film Festival in 2011.

According to The Hollywood Reporter the film was the world’s first feature length project to be shot entirely using Apple’s iPhone 4. Happy Slapping revolved around five suburban teens that roam the streets at night attacking random victims and recording the assaults with their phones. Deutschman’s character Belle, who’s the polar opposite of most of the characters the actress has taken on over the years, was the antagonizing one of the bunch who continually eggs the other four, upping the ante and leading each action to be more atrocious than the one before.

Shortly after the release of Happy Slapping Deutschman went on to guest star on the hit television show Lost Girl, as well as A Stranger in My Home, before landing the recurring role of Beth on SyFy’s multi-award winning series Being Human. This year Deutschman wrapped production on multi-award winning director Deepa Mehta’s film Beeba Boys, which was chosen as an Official Selection of the prestigious 2015 Toronto International Film Festival where it had it’s world premier on September 13.

While Deutschman has undoubtedly made her name known as an actress in hit film and television productions, she has also proven her capacity to command the stage through her roles in high-profile theatre productions including “Nutcracker,” “Sleeping Beauty,” “Coppelia,” and “The Comedy of Love and War.”

With a collective body of work that spans the gamut, Deutschman has displayed herself as the kind of actress who can take on virtually any role with ease and natural finesse. The actress is currently working on the upcoming comedy series Cross Rhodes where she will take on the starring role of Erica Rhodes.

To find out more about her and what’s next on the horizon for this talented Canadian beauty make sure to check out our interview below. You can also find out about more of her work on screen through her IMDb page: http://www.imdb.com/name/nm4264669/

 

Where are you from? 

ED: I’m from Montreal, Canada.

When and how did you get into acting?

ED: I always knew I wanted to be an actress. I must have been 6 when I decided that it was my dream. But I was first a ballet dancer, and so I waited on the acting thing until I was 18, which is when I got an agent and really started doing it professionally.

Can you tell us about some of the film projects you’ve done?

ED: One of the film projects that I am most excited about is an indie I did in Montreal called Happy Slapping. It was the super gritty project with some really well developed and troubled characters. I played Belle; one of the five leads in the film. She is a party girl with a troubled family life, who turns to her vices too often for solace and definitely has a lot of issues but, she is also very charming and lots of fun.

Playing Belle was crazy, it’s sort of like exploring a side of yourself that doesn’t exist but when you think of certain scenarios, you wonder if it could really come out. I got to play and have lots of fun, but I also had to find this darkness and this trouble within and I really enjoyed doing that work. She completes part of the puzzle in this story, she is a bad influence on the kids around her and she pushes them into doing things that they might not be completely comfortable with—things they may even regret.

Mostly all of the shoots during the production were night shoots and we were exhausted a lot of the time, so by the time of the wrap party, I was passed out by midnight. I just couldn’t wait to sleep through the night again. But I wouldn’t change my experience for anything and I made some lifelong friends in the process. I look back on it really fondly. Look for Happy Slapping on IMDb and iTunes!!

My latest project was Academy Award nominated director Deepa Metah’s film, Beeba Boys. I played one of the boy’s girlfriends at the beginning of the film. First of all, what an awesome movie! It’s about the Sikh gangs in British Columbia and it follows their intense pursuit for power no matter what it takes. It was so exciting to work with Deepa Mehta, she’s insanely talented and I’m a really big fan of hers. The film premiered at the Toronto International Film Festival, and that’s something that I’m really proud of.

How about television projects?

ED: My favorite television project I’ve worked on has to be Being Human. It shot in my home city of Montreal and it was an awesome set to be on and a really cool project to be a part of. I recurred in seasons 2 through 4 and I played a ghost who was killed by Aidan, the vampire, and I come back to haunt him throughout the rest of the series. Not only was it a really fun and sassy role to play, but it was also great to get to know all of the amazing cast and crew we got to collaborate with. It was a really excellent experience.

Being Human PhotoImogen Hayworth and Connor Price
Still shot of actors Imogen Hayworth (left), Connor Price and Erica Deutschman (right)  in “Being Human”

You get approached all the time to work on projects with people, what makes you pick one role over another?

ED: What I look for in a project is first and foremost an interesting character. The parts that I enjoy playing the most are characters that either have a sordid past or interesting personality. Of course that requires good writing, but when I read something and think I can really make it my own, that’s when I get the most excited.

What as been your most challenging role?

ED: I think my most challenging role was Belle in Happy Slapping. She had so many dimensions underneath and it was definitely challenging to be able to portray all of that. I find that it makes a character so much more interesting when you give them layers and as challenging as it can be, character development is so important for the general outcome of the film.

What is your favorite genre to work in as an actor?

ED: I would have to say that my favorite genre not only to watch but also to play in is comedy. I am currently working on a really funny series called Cross Rhodes. I would say one of my favorite things to do as an actress, and in general, is to make people laugh! And in comedy, I get to laugh and make people laugh. I just get so much joy out of it, as you should.

Can you list some of the theatre projects you’ve participated in up until now, and the roles you’ve played? From your perspective how does performing in the theatre differ from performing in on camera projects?

ED: I haven’t done theatre in a little while but as a young dancer, I did productions of the “Nutcracker” for eight consecutive years. I actually snagged the lead role of Clara when I was in high school. I also got to perform on stage a bunch when I was in school, which was a really awesome experience. I got to play the leading lady in “Commedia dell’arte,” the leading part in our Christmas Wishes Play, since I am bilingual, I also got to perform in all the French productions that we put on and in my last year, and I won the school’s drama award! As much as I enjoyed theatre though, my real passion is in film and television. I love the realism it captures and it’s also nice that you get to do more than one take so you can try different things.

What separates you from other actors? What are your strongest qualities?

ED: I think to be an actor, first and foremost, you have to have really tough skin. You have to let things roll off your back because with all the amazing parts you do get, there will also be a lot of really cool parts that you don’t get. The most important thing is to believe when one door closes another door opens and that some amazing opportunities are right around the corner. I think the fact that I’ve never lost sight of why I’m doing what I’m doing is also another key to surviving in this industry. Because at the end of the day, no matter how competitive it gets and no matter how critical some people can be, it is what I love to do so that’s really all that matters.

I’ve also been training for a really long time. A quality that I possess is that I really love going to class, learning from others and a desire to continue to grow as an actor. I think I’ve grown a lot over the past few years and I also know that I will continue to grow as an actor in the future. I think it’s really important to stay sharp by continuing to work, and I think that’s what really gives me my edge.

Have you been in any commercials?

ED: I have been in a bunch of commercials over the years. Actually, my first real project as a professional actor was a promo video for D-Box, you know, those movie theatre seats that move. That was so cool, because I didn’t have to audition. My agent called me up and was like ‘The D-Box people saw your demo on my website, they love your enthusiasm, they’re going to get you in the union.’ It was awesome, thank you D-Box!

I also did a PSA to raise awareness about rape for the Canadian Women’s Foundation, and commercials for Tax Free Credit Report, Samcon condos, as well as a couple videogames with UB Soft and Gameloft… I’m pretty much all over the map.

What projects do you have coming up?

ED: I am very very excited to announce my upcoming series Cross Rhodes. We just got the green light on it and we actually start shooting tomorrow! I play a character named Erica Rhodes (which is where the series gets its witty title) and she plays an actress who is followed by a documentary film crew. It’s a mockumentary, which is one of my favorite types of comedy so it’s basically a dream come true. My friend Jesse and I have been working on it becoming reality for about a year now, so the fact that it’s actually happening and we get to work with so many amazing actors as well, is just so fantastic.

What do you hope to achieve in your career as an actor?

ED: I’m headed to LA for my next round of pilot season in January and I’m psyched because I also get to work on a really cool indie film while I’m out there called Ice. I can’t say much more than that about the project, but I think it’s going to be really cool, no pun intended. I just want to go out and work on as much as I can and continue to learn from some more great directors and fellow actors. It’s hard to put into words how much I would like to achieve, but at the moment the sky is the limit and I am very excited to see what kind of projects will be coming my way. I would love to do a funny movie next, seeing as that is my favorite genre and I think I have a knack for it.

Why is acting your passion and chosen profession?

ED: Before I had ever acted professionally, I knew it was what I wanted to do. There was something about the way movies and television made me feel that made me decide I needed to be a part of the magic. Every since my first job up until now, there is no better feeling for me than being on set. I love the environment, the people and the whole process. As an actor, you work so hard on your off time, it is so exciting when you also get to show the world what you can do. There is no better feeling than booking that big part you wanted and once you do have it, challenging yourself and pushing yourself to be the best version of that character that you can be. I could go on, but that’s basically it in a nutshell.

 

 

 

Dawn Climie: Going to Incredible Heights to Keep Costume Continuity on Set

Dwan Climie
           Colin O’Donoghue (left) and Dawn Climie (right) on set of the series ‘Once Upon a Time’

In any film or television production, the wardrobe department is responsible for designing and selecting costumes and attire for the cast. Regardless of setting or genre – whether it’s a Victorian or space age period piece, tragic drama, spy thriller or college comedy – costume design is an immense task that requires countless hours of planning, research, budgeting and acquisition.

The job of actually designing the costumes, dressing the cast and then watching over the wardrobe and preventing malfunctions when it comes to the shoot is too big for any one person, so the costume designer is usually unable to be on location during filming. In their stead, at least in Canadian productions, they appoint a costume set supervisor who they rely on to ensure that everything goes off without a hitch.

That’s where Dawn Climie comes in. Climie grew up in the industry; her father worked at a TV station in her native Alberta, Canada, and as a child she would sit in the sound stages and watch him work. She was fascinated by the hustle and bustle of the sets, by the lights and cameras and most of all, by the glamorous costumes and the cast’s ornate hairstyles.

“For a kid this is beyond imagination. This is magic, and it still is for me,” Climie recalled. “Costumes became my favorite expression of that magic. The transformation that occurs in a performer when they don a costume designed to be the outward expression of their character is truly a gift to behold. I wanted to be a part of that.”

That childhood dream has been Climie’s reality for 25 years now. Climie received a 2006 Primetime Emmy nomination for her work on Once Upon a Mattress, and has been key to the success of such films as 50 Shades of Grey, Horns, The Bourne Legacy, Mission: Impossible – Ghost Protocol, The Thing, The A-Team, Tron Legacy, The Fog, Fantastic Four (2005), Blade 3 and The Chronicles of Riddick, among countless others.

The long list of Climie’s credits is so impressive not just because her projects are myriad and hugely varied, but because so many of them are high-profile big-budget productions which have been widely publicized and boasted casts packed with household names.

Working on Tron Legacy, Climie worked as the bridge between director Joseph Kosinski and designer Christine Clark, who was nominated for the 2011 Costume Designers Guild Award for her work on the film. The high-tech digital world at the center of the ambitious sequel was the result of hundreds of hours of careful planning and design. Much of what audiences saw in theaters was computer generated, and the eye-catching costumes worn by Tron Legacy’s stars Olivia Wilde (House M.D., Her, Cowboys & Aliens) and Academy Award winner Jeff Bridges (Crazy Heart, The Big Lebowski, True Grit) were painstakingly designed to complement that fantastical and visually-stunning environment.

“The costumes were an amazing advancement that had never been tried in film costuming before,” Climie said. “Light in a costume was something that had never crossed my path before. So learning about a dressing a light grid suit, dealing with the replacing of broken lights, and re-patching broken wires was something that we all had to grasp on the fly.”

As a set costume set supervisor, she acts as the go-between for the costume designer and the director, makes sure there are no malfunctions in the wardrobe department and ensures that both the director’s and costume designer’s combined aesthetic vision is met and brought to life on camera.

In Mission: Impossible – Ghost Protocol the explosive action, breakneck speed and adrenaline-pumping stunts made the project one where every contingency had to be accounted for. Capturing the sophisticated spy-couture aesthetic was a huge challenge for Climie and the wardrobe department. The designer worked hard to balance the practical necessity of costumes which could handle the wear-and-tear of the film’s many crashes, jumps and rolls, but also didn’t restrict the actors’ mobility or cramp their style.

One of the most tense scenes of M:I – Ghost Protocol was filmed at (and on) the Burj Khalifa in Dubai, the tallest building in the world. The iconic scene features Ethan Hunt, played of course by three-time Academy Award-nominated superstar Tom Cruise (Top Gun, A Few Good Men, Born on the Fourth of July, Jerry Maguire), climbing the massive skyscraper with nothing but a pair of high-tech gloves. Climie was integral in the scene’s visual success, as well as its safe execution.

“Myself and a few other crew members had to spend our days in five-point harnesses attached to the cement ceiling of the building, while helping strap Tom into the different harnesses that would be needed to do each piece of the stunt,” Climie said. “I spent a lot of time with the stunt and rigging teams. We had to plan and prepare each harness, pad and costume piece that would be needed to get the shots safely and seamlessly for the sequence.”

That careful planning and preparation paid off, and the scene went off almost without a hitch. But Climie certainly felt the pressure of having the safety of an actor – one of the world’s best known and highest grossing actors, no less – reliant upon her and her team’s work. And when the inevitable glitch did rear its head, Climie leaped into action, so to speak.

“I can still remember the feeling of lying on my stomach leaning out of an open window on the 123rd floor as myself and the props person tried to repair a malfunctioning light on one of Tom’s climbing gloves,” Climie recalled. “The view was astounding but my prayers were, ‘Oh lord, don’t let me let go of the glove.’”

One of Climie’s latest projects is the Amazon Original Series The Man in the High Castle. A period piece set in an alternate timeline, the acclaimed series meets at the dark crossroads of science fiction dystopia and socio-political philosophy. Adapted from the novel by sci-fi legend Philip K. Dick, both the series and the book take place in 1962. However, in this timeline the Allies lost World War II and the United States has been under Japanese and German occupation for 14 years.

The costumes in The Man in the High Castle are not what you would expect from a period piece set in 1962. Because the series takes place in a timeline where the U.S. lost, the ‘50s and ‘60s styles we know today had be reimagined for a world where the Axis powers became the dominant superpowers. It fell on Climie to make sure that the show’s creative team and designer Audrey Fisher’s careful and deliberate wardrobe decisions were faithfully adhered to, and that no costume mishaps delayed shooting. Of course when those mishaps do happen, the director, designer and crew are always glad Climie is on hand – as they were when a hiking scene caused one cast member’s pants to tear under pressure.

“The result was an exploded inseam with some alarming exposure! Thankfully we had a wonderfully understanding cast member and my amazing crew ran out to the woods with a sewing machine and some fabric so we could repair the pants on site,” Climie said. “Rebuilding a pair of pants in the woods was not the original plan, but the show must go on.”

Every film and TV series she has been involved in has benefited from her invaluable expertise, quick thinking and creative problem solving. She has one of the most demanding jobs on any production, but because of her dedication and poise under pressure her talents are always in high demand. The first season of The Man in the High Castle will be available on Amazon Nov. 20, 2015. Many of her other projects can be seen on streaming services like Netflix and Hulu, and most are available on DVD and Blu-Ray.

Producer Richard Moore Makes His Mark Across Platforms

Richard Moore
                                                      Producer Richard Moore shot by Charlie Hyams


Producer Richard Moore has been responsible for some of the most thought-provoking films, powerful documentaries and successful advertising campaigns of our time. He got his start while still in high school, has spearheaded hugely profitable production companies, and has worked with award-winning directors and multi-billion dollar corporations. Through all of it, he has maintained a level of professionalism and natural talent, which have allowed him to maintain stringent standards when choosing all of his projects.

The roots of Moore’s drive and determination can be seen in the beginnings of his career, when at just 19 he personally organized the funding of a full-scale Universal Records music video production for all-girl band The Saturdays. In addition to overseeing budgeting and set building, Moore was tasked with hiring and managing more than 70 cast and crew members.

“This was my real introduction to what it to took to be a producer,” Moore said. “With managing pressure, dealing with a lot of people in different positions and different environments, while simultaneously supporting your director and helping him or her to achieve their creative vision.”

Moore served as the senior producer at Big Balls Films, the company behind the wildly popular Copa90 YouTube channel. Funded through an investment by Google, Copa90 quickly became the most successful sports YouTube channel in Europe, in no small part because of Moore’s prowess as its head of production. Geared toward the much sought-after 12-to-30 year old audience, Moore was in charge of courting advertisers for the channel, which received a hefty annual operating budget from Google.

“For Copa90, I was responsible for the launch and channel management, with an annual budget of $3 million to spend on programming,” said Moore, describing his critical role in the project.

“I, alongside the creative team at the channel, was key in pitching, selling and executing brand-integrated shows while also building our original slate of programs, which we would then sell to third party platforms.”

Among Moore’s other notable advertising productions are campaigns for clients including the financial services group HSBC and Mexican tequila giant el Jimador.

Working with the cross-platform production company Unit9, Moore produced the #ispossible campaign for HSBC, a London-based international banking and financial services company. The campaign consisted of three commercials, each of which follows a young entrepreneur who found success through the backing and guidance of HSBC.

“The campaign documents [the entrepreneurs] as they reveal the people that helped them realize their ambitions and explain how to achieve yours through inspiration and mentorship,” he said.

Also while working with Unit9, Moore produced the “Mexology” campaign for el Jimador tequila. Moore, who admits that a huge factor for him in choosing a project has to do with his impression of the director, was personally requested by the director of the “Mexology” campaign, Martin Stirling. Moore had previously worked with Stirling on the Most Shocking Second A Day campaign for the Save the Children Fund, so when Moore was contacted by Stirling for the “Mexology” campaign, he promptly accepted.

“I worked with the recent Cannes Gold Lion-winning director Martin Stirling, who specifically requested me on the project due to my background and experience in documentary-style films and as someone who has the ability to manage global clients in a very high-pressured and time-sensitive environment,” Moore said.

The campaign took an innovative approach through its examination of Mexican culture in America, which ultimately promoted el Jimador’s trademark laid-back appeal to youthful consumers, which comprise the company’s target audience.

Mexology was a commercial campaign for el Jimador tequila about four artists who were challenged to collaborate on the creation of an event that embraced the Mexican spirit of enjoying life,” Moore said. “They were tasked with re-imagining the legendary Michigan Building, an abandoned theatre in Detroit, without a script, storyline and within 48 hours.”

As a major player in the production field, Moore’s name drew the attention of Virgin Group founder Sir Richard Branson himself. When Sir Branson’s mother Eve began a project to assist women in North Africa, Branson reached out to Moore to produce a film about the charitable endeavor on behalf of Virgin Unite.

“When we arrived at Eve’s house, she asked us within the first 10 minutes of our meeting if we wanted to help her ship a herd of cashmere goats from England to North Africa to help bring stability to women in the region through creating jobs in the textile trade, specifically in the Atlas Mountains of Morocco,” recalled Moore. “It sounded so far-fetched and bizarre that we had to do it, and two weeks later we were filming with her and her beloved goats in Africa.”

With such a wide array of projects, encompassing everything from advertising and sports media to music videos and charitable works – not to mention his extensive work as a producer for film and television – Moore has shown himself to be a leader in an incredibly competitive field, and we look forward to what he has in store for us next.

Producer Filippo Nesci Continues the Nesci Family’s Successful Lineage of Creative Innovation

Arturo Nesci
A photo Arturo Nesci took of his brother Domenico Nesci in the early 1900s

Film has been a passion of millions of people all over the world for more than a century. But for Italian producer Filippo Nesci, film is much more than just a passion. It’s a birthright.

Nesci’s family history with film goes back to the early 1900s when his great grandfather, the Baron Arturo Nesci, was a photography enthusiast. 

A generation later, Nesci’s grandfather, Michele Nesci, established himself as a filmmaker, photographer and finally, a film professor at the prestigious Roberto Rossellini Film School of Rome. While Filippo Nesci’s father, Domenico Nesci M.D., took a different path, becoming a creative psychiatrist and psychoanalyst, Domenico was also heavily influence by film; and, in the last decade he has incorporated the medium into a innovative creative psychotherapy training that he invented for medical students known as “The Workshop Movies and Dreams.”

After helping his father make a documentary for the Italian online scientific journal of psychotherapy “Doppio Sogno” several years ago, Filippo Nesci was hooked on the filmmaking process, and his innate skill in the industry immediately propelled him on the track to becoming a producer.

Filippo Nesci
Domenico Nesci (left), Filippo Nesci (center), & Professor Dominique Scarfone (right) after presenting a workshop on multimedia psychotherapy at the IPA Congress in Boston on Jul7 23, 2015.

Nesci’s breakout production was the music video for singer-songwriter Meg Myers haunting, beautiful, tour de force Monster. The video garnered more than 1 million views on YouTube despite Myers not being attached to a label or a publicist at the time of its production, which was an impressive feat for Filippo Nesci to pull off.

“It was organizing, planning and getting everything for the director (Abram Pineda-Fisher) in order to make his vision come true,” Nesci said.

Pineda-Fisher’s vision included a night scene in a forest that involved Myers being soaked in buckets of cold water. During the filming of that scene, Nesci went above and beyond the typical call of duty for a producer as he assisted his crew with keeping Myers as comfortable as possible during the challenging shoot.

“I was very impressed with the commitment she had for her first big music video,” Nesci said.

Myers has since signed with major label Atlantic Records, thanks in part to the organic success of the Monster video that Nesci produced. Atlantic Records is part of Warner Music Group, one of the “big three” recording companies and one of the largest and most successful labels in the world.

Nesci parlayed the success of Monster into more music videos, including 80s Fitness by British electronic music production duo KOAN Sound. The video featured an elaborate production of two fitness enthusiast teams who used a combination of parkour and martial arts to whimsically compete to the death in front of intricate, beautifully designed background sets that were created from miniatures.

“This was an extremely ambitious production considering this music video had a very limited budget,” Nesci said.

Nesci went out and covered vital expenses such as food, production design and additional staff that kept the production going. He even found two production designers to build a small gym on set, and scheduled the transportation, construction and overall management of the gym’s creation.

“The results were an amazing music video, and an extremely happy artist crew and record label,” Nesci said. “The director (Tim Hendrix) kept getting more work thanks to the success of the video.”

80s Fitness went on to win Best International Video at the 2013 FirstGlance Film Festival, a 2013 Jury Award for Best Music Video at the National Film Festival for Talented Youth, and a College Emmy.

Another Nesci production, the film Wrecks and Violins, also took home multiple awards. The story of a disoriented teenager who needed to overcome a stranger’s bizarre torment with nothing more than a violin and a monkey-suited comrade earned the Golden Ace Award at the Las Vegas Film Festival and was a 2012 NFFTY Audience Award Winner.

Nesci used his innate people skills to create a light and relaxed atmosphere throughout the film’s entire production process which was vital to the project finishing on time and within budget. His most remarkable accomplishment during the film’s production was when he used his diplomatic talents to obtain a permit to film a key scene in the parking lot of the Rose Bowl in Pasadena without spending a dime.

“(It was) not easy to get,” Nesci said. “It required all my unique communication skills.”

But perhaps the most impressive of Nesci’s production feats was when he found a white alpaca for a commercial for the Scotch whiskey distillery Lagavulin. The commercial’s director specifically wanted a white alpaca and a field in which to film the South American llama lookalike. Nesci found not only a white alpaca, but an entire alpaca farm.

“I found him the exact alpaca he wanted, and I also found other different ones that we later filmed just to have more options in post-production,” Nesci said.

The find paid off for Nesci and Lagavulin as the commercial won a 2014 Clio Award.

Nesci has already build an impressive resume of award-winning projects such as films, music videos and commercials, and will no doubt add many more to it in the future.

Canadian Heartthrob Evan Williams Shines on Screen!

Evan Williams
                                                           Evan Williams shot by Elodie Cabrera

Canadian actor Evan Williams has become a hit with audiences in film, television and stage. He got his start as a performer as an actor in musical theatre, which led him to pursue a career on screen. Working on projects produced by industry giants including HBO, Disney, MTV and ABC, he’s portrayed roles in everything from the wildly popular teen drama series Degrassi: The Next Generation to the feature film Lloyd the Conqueror, a college comedy with a twist of fantasy.

His wide dramatic range sets him apart from his peers, and was a decisive factor in the decision to cast him as a lead in the sophisticated new French drama Versailles.

Versailles is the highly anticipated upcoming series from Canal+ and SuperChannel, and is the highest-budgeted French television program ever produced. Williams plays the role of Chevalier, a cunning and unscrupulous noble in Louis XIV’s 17th century court based on the real life Chevalier de Lorraine. With Machiavellian efficiency, he works his way into the higher echelons of French royalty, making no effort to conceal his affair with the king’s brother Phillipe.

“He was a ruthless schemer, a guileless manipulator and an imperious presence in the court of the king… It was fun to dive into the real man beneath all the layers,” Williams said. “This position made him very dangerous and very much in danger, and that type of complicated tightrope walk is a dream for an actor to dig into.”

Following in the footsteps of The Tudors and The Borgias, the series is set for release later this year, and producers are pushing for the risque, political intrigue-driven Versailles to compete with American shows like Game of Thrones and House of Cards. By filming in English, Canal+ and SuperChannel will undoubtedly court international audiences with the enticing and addictive tale of French royalty in a country on the brink of revolution. The highly ambitious Versailles is slated to begin its captivating hold over television audiences on the French Canal+ channel in the fall.

Constantly showcasing his cross-genre talent, Williams previously played the lead role in Lloyd the Conqueror. The film centers around the subculture of “LARPing,” or live-action role playing. Popularized in the film Role Models, it is a real world version of fantasy games complete with knights, kings, dragons and plenty of props. Williams’ titular character Lloyd is on a mission to dethrone a dark wizard ruling over the group.

A hilarious film crossing college humor with a nerdy edge, Lloyd the Conqueror won the Alberta Media Production Industries (AMPIA) Award for Best Dramatic Feature and Best Original Score.

Williams plays the lead role of Ben in director Carolyn Cavallero’s upcoming drama Paradise Club, about the San Francisco’s cultural renaissance in the 1960’s. The film stars award-winning actors Elizabeth Rice (From Within, My Dog Skip, Mad Men) and Eric Roberts (Runaway Train, The Dark Knight, The Expendables) as members of the counterculture. Williams’ character Ben finds himself falling for Catherine, played by Rice, but they soon find that the cold reality of real life may destroy their utopian fantasies.

“I play a disgruntled alcoholic rock star named Ben, who has hit the peak of his fame and wants out, as he navigates a twisting and turning relationship with a young student named Catherine who is moonlighting as an exotic dancer,” Williams said. “It’s a very elemental story told through the freaked-out lens of the period.”

Paradise Club will begin its tour of the festival circuit in October.

An avid devotee of all things music, Williams got his start singing in choir before he began performing in musical theatre productions. It was those roots which motivated him to write and record one of his songs, “I’m Not Waiting,” for the film Ride, which was selected and requested personally by director and Academy Award-winner Helen Hunt (As Good As it Gets, Mad About You).

As if that array of new projects were not enough, fans of Williams can also catch him in the fifth season of MTV’s Awkward beginning August 31, where he will be appearing in the lead role of Luke.

Alexander Davis: A Child Actor That Needs to Be On Everyone’s Radar

Alexander Davis
Alexander Davis shot by Denise Grant

To find one’s calling can take a lifetime, but Canadian actor Alexander Davis found his in acting when he was just three years old.

Since then, the eight-year-old prodigy has already played lead roles on stage (A Christmas Story, The Little Mermaid) and in film (The Closet, Volition).

Davis portrayed the lead character of Randy Parker in A Christmas Story, which ran for 48 shows in just six weeks at the Neptune Theatre in Halifax, Nova Scotia. Davis’ portrayal of the quirky Parker was so well done that it earned him a 2015 Young Artist Award for Best Performance in Live Theatre.

Though Davis’ work in A Christmas Story was a resounding success, it was not without its challenges. Just before intermission of one of the shows, Davis fell on the set’s stairs and hurt his leg. He was bleeding, in pain, and his next stage direction was to walk out the door. That’s when he learned the meaning of “the show must go on.”

“My acting mom was amazing. She just carried on with the show and picked me up to carry me out the door,” Davis said. “I don’t know if the audience knew what had happened was real or not. During intermission, I put ice on my leg and went back out and finished the show. Now that’s show business.”

Despite working through injury, Davis was hungry to act again when the show’s run ended. On the flight home from Halifax, he asked his mother if he could go back for more.

“I feel like I was born to perform,” Davis said. “I loved performing to sold out audiences and making the crowd laugh. I think my role at the Neptune Theatre really prepared me well.”

But Davis’s budding brilliance has not been confined to just the stage. He played the lead character in The Closet, a film in which he flawlessly executed the difficult proposition of playing his own twin.

“I had to be exact with where I stood to make sure the shot worked with both of us in the scene,” Davis said. “They edited it or layered the scene to make it look like there were two of me. You learn a lot being an actor.”

Davis’s rapidly expanding reservoir of acting knowledge continued to expand when he played the lead character in Volition, a film about a terrorist who saw the world through a different lens after he met Davis’ character on a train.

The film’s production schedule forced Davis to adapt, which he did with flying colors.

“We filmed late every night on the train, so I had to change the time I went to bed,” Davis said. “It was worth it and so much fun.”

Volition co-star Romaine Waite (Antisocial, One Night a Stranger) liked Davis’ performance so much that he asked the emerging star to be in a music video for rapper Pas Da’ Millz that Waite would later direct.

From stage to film, Davis has achieved more before his ninth birthday than many actors do in a lifetime. But the young Canadian has barely scratched the surface of his brilliance, and is already taking his career to the next level.

While in L.A. to receive his Young Artist Award earlier this year, Davis caught the attention of veteran Hollywood executive producer Irene Dreayer (The Suite Life of Zack and Cody, The Suite Life on Deck, Smart Guy).

Dreayer’s known as an honest-but-tough executive producer who’s often told parents of young actors that L.A.’s not a starting point for a growing career, but rather an end result of a successful career. She’s usually recommended to families they go home, but that was not the case for Davis, according to the young actor’s parents.

Instead, Dreayer spent a lot of time convincing Davis’ parents that L.A. was where the sought after actor should be, according to Davis.

Most recently, the young thespian used his voiceover chops to portray the characters Brownie and Checkers in the animated TV series Super Why!, a popular, animated kids show about the magical adventures of reading-powered superheroes on PBS.

Whether on stage, film or television, Alexander Davis has proven himself to be a talented, reliable and dedicated actor who will no doubt make his presence felt in Hollywood and beyond for many years to come.

Born to Be a Star: Australian Triple Threat Jessica Waters

Jessica Waters
Actress Jessica Waters

Born into a family of entertainers, actress Jessica Waters has been in the spotlight her entire life. Together with her four siblings and her father, the lead singer of a local band, she was playing music, dancing and acting beginning at just five years old. By the time she was eight she had her heart set on acting professionally, and in the years since she has grown from one of the most promising young Australian talents into an international powerhouse of the screen.

In 2014, Waters joined the cast of The War That Changed Us, a four-part documentary drama series recounting the stories of real-life Australians who fought in World War I. Waters played a nurse traveling with soldiers on the front lines, and said she fell in love with the role.

“This has to be one of my favorite TV shows I have worked on,” Waters said. “I loved the costumes, and dressing in all the lovely clothes they wore really made me feel like I was back in that time, and I had to do some nurse training for the role.”

The War That Changed Us aired by the Australian Broadcasting Corporation in 2014 to commemorate the centennial anniversary of Australia’s entry into the war.

Recently, Waters acted alongside Sam Worthington (Avatar, Terminator: Salvation, Clash of the Titans) in Paper Planes. The film tells the story of a young boy who, after suffering the loss of his mother, finds solace and hope in a competition to design the ultimate paper airplane. Filmed in her hometown of Perth, Waters played the mother of one of the children competing in the whimsical tournament and said it was a fun project to be a part of. The film received nominations at both the Australian Directors’ Guild Awards and the Berlin International Film Festival.

In her latest television role, she plays an American reporter in the SyFy Channel adaptation of the Arthur C. Clarke classic novel Childhood’s End. As an Australian, the role was a unique challenge for her, and required a great deal of intensive voice training to master the accent required for the part.

“I’ve been training my American accent for a year,” she said. “They loved my accent, and I got the part on the spot.”

Childhood’s End is the first screen adaptation of the science fiction masterpiece. Following the arrival on Earth by a race of mysterious but benevolent aliens, the human race begins to thrive and prosper; however, almost immediately suspicions begin to grow among people about their new isolationist neighbors. As a reporter, Waters is on the scene to cover their arrival. The series airs on SyFy later in 2015.

Waters played a reporter once before in The Great Mint Swindle, the true story of a massive 1982 Australian heist where more than $2 million in gold bars were stolen from the Perth Mint. The crime remains unsolved, adding to the mystery and making it one of Western Australia’s greatest and most famous true crime stories.

“I love being in true stories,” Waters said. “The set was very Australian, and I enjoyed being a news reporter because if I didn’t decide to be an actor, I was going to be a TV reporter.”

Not limited to film and television, Waters’ experience as a performer shines in her work onstage as well.

“I have spent three years working with the Shakespeare Theatre Company in Western Australia,” Waters said. “I was not only an actor, but I was also the dance choreographer and a singer.”

In her time with the Shakespeare Theatre Company, she’s worked on iconic Shakespearean plays including A Midsummer Night’s Dream, Much Ado About Nothing, The Tempest and Comedy of Errors.

Audiences can catch Jessica Waters in her upcoming feature film Reality, a satirical comedy in which Waters plays the lead.

“I just know it’s going to be a fantastic film. The script is amazing,” she said. “I have a lead role and it’s a film that kind of makes fun of reality TV shows.”

Reality is currently in the process of filming so eager fans will have to wait to learn more about the project. However, it’s guaranteed to be a fresh look at a genre, which provides a goldmine of comedic fodder.

For Actress Alli McLaren, Performing Runs in Her Blood

Alli McLaren
                                              Actress Alli McLaren shot by David Lee

The vast array of roles masterfully portrayed by Alli McLaren are a testament to the striking technique she’s spent her entire life honing, both onstage and in front of the camera. Following in both her mother and grandmother’s footsteps, the Australian dynamo is a third generation actor in whom the art of performance is deeply engrained.

McLaren’s unique talents stem from so much more than the impressive combination of her inherited genetics, for her upbringing in the theatre and her years of rigorous and dedicated training have put her far above the rest. One of her strongest and most valuable assets is something too many actors lack – real-life experience.

In addition to her acting prowess, McLaren is also a talented and accomplished writer for the screen. McLaren wrote the upcoming film My Year of Silence based on her own experiences. The film follows McLaren as she plays Callie, a role that shines a spotlight on the painful reality of those who cope daily with mental illness and depression.

For years, McLaren fought tirelessly to overcome long and difficult battles with illness and depression. Through that struggle, she gained an intimate and personal understanding of the peaks and depths of human emotion and an insight into the human psyche that is clearly displayed in every part she’s played. From the masterful way that she has transformed herself into the mind and body of every character she has taken on, audiences can expect yet another dazzling performance from the actress as Callie in the upcoming film My Year of Silence, which is being produced by White Night Films.

Though her dramatic flair is impeccable, her recent role in A Writer’s Block, also produced by White Night Films, gave her a chance to show off both her action and comedic chops. The project centers around two writers as the plot of their latest film begins to come to life. McLaren’s character Sophie, one of the characters in the two writers’ script, is kidnapped, and the ensuing rescue mission her older brother embarks on to save her forms the backbone of the film. The quick-action, fights and shootouts were a far cry from her other more cerebral and introspective roles, but in no time she mastered the dance-like combat moves with grace and professionalism — and a little bit of fun, too.

“There was a lot of stage fighting choreography involved in this shoot, which was new to me,” said McLaren. “But I felt like a ninja doing it, which kind of rocked.”

In one of her most powerful roles, McLaren played the lead in Infidelity, directed by Emmy Award-winning actress Blanche Baker. Based on a French script, the film centers around an experiment meant to study the faithfulness of men versus women in committed relationships.

McLaren’s character, Gretchen, is the person responsible for conducting the experiment, and as such, she holds complete control over its success. “Gretchen was really the female power in this film,” McLaren said. “It felt great to play a character with so much power and so much control.”

An exceptional actress by anyone’s standards, McLaren’s upcoming projects include the 2016 release of My Year of Silence as well as a likely sequel to follow, in addition to a planned sequel to A Writer’s Block. The young starlet will no doubt continue to raise the bar for fellow actors across the industry as a whole; and as audiences flock to My Year of Silence, they’ll no doubt witness the internationally sought after talent set new standards for dramatic writing as well.