PETR GOLIKOV USES HIS PRODUCING SKILLS TO CREATE AWARD-WINNING DOCUMENTARIES

As far back as we can trace the history of mankind is how long storytelling has existed; that’s because storytelling allows us to communicate our own history. At some point (most likely around a campfire) storytelling became an art and, as art does, the tales became more grand and entertaining. Through the ages, the means by which stories were communicated has evolved; oratory, legible, theatrical, and eventually we came to our modern cinematic means. Moving Pictures may be just a skooch over a century old but they have already transformed in so many ways and have escalated the art of storytelling on a global scale. Hollywood may be the epicenter of TV and film but many countries in the world have ingrained some form of the industry into their social fabric. Hollywood can be proud that its child has become loved everywhere on planet Earth. All the corners of the world use this means to tell their tales. By studying the productions of different countries we can understand more about them as well as gain insight into how they see themselves. Petr Golikov is a Russian producer who has had immense success in the world of commercial production but who has also been a producer on many documentaries which present the history of his country as well as how historical figures have effected Russian society. Because of his successful career as a producer and his respect for US productions, he has a healthy respect for Americas contributions. Viewing the documentaries, he has produced allows one to have an insider’s look at many historical figures and social aspects of Russian society that are not often presented to the US. It’s particularly interesting that a producer like Petr, who has such a lauded career (working with well-known US companies like: PUMA, Gillette, Kraft Foods, Ford, Phillips; with campaigns that won awards such as: an Effie Award, a Silver Prize at the Kiev International Advertising Festival, and a Golden Prize at the Golden Hammer International Advertising Festival, as well as others) is always searching for a way to hone his abilities and challenge his approach. Golikov left the world of commercial producing for a period of time to work at the award-winning Studio Ostrov. Studio Ostrov is a recipient of many prestigious awards including:  an Emmy Award, Bafta Award, and Nika Award. This award-winning production company was founded by the award-winning filmmaker Sergey Miroshnichenko. Petr admits that when he was offered the opportunity to work with an artist as important as Sergey Miroshnichenko, he could not forego the experience. It is a scenario that has altered his approach to production ever since, particularly his style of communication with directors.

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The production Gogol: The Farewell Letter mixed actual letters of correspondence from one of the most celebrated Russian writers with a very artistic presentation. The film was recognized and awarded at the Kiev International Film Festival in 2009. The film is based on Nikolai Gogol’s correspondence with friends and contains reconstructed scenes from the life of this writer and the intellectual debates which he led with them. The main role was played by Eugeniy Voskresenskiy (he won an award at the Kiev International Film Festival for this role). Golikov describes the creative approach which the film is known for, stating, “Three-fourths of the film took place in the set designed and built to look like a huge head of Gogol. People appeared there like ghosts or thoughts or images. We wanted the viewer’s to feel that they were inside Gogol’s head and we took the metaphor to a very literal place, which the audience seemed to really enjoy.”

One of the films Petr produced (at Studio Ostrov) which received the most accolades was The Word. This film is about the life of famed writer Aleksandr Solzhenitsyn. The Word received a TEFI Best TV film nominee, a LAVR (2009) Best documentary film award, and a special award at the 2nd New York Festival of Russian documentary (2009). The Word was filmed shortly before Aleksandr Solzhenitsyn death in 2008 and discussed the writer’s book The Gulag Archipelago, his ideas, & future plans. The documentary contains rare footage of his life outside Russia and unpublished exclusive interviews in which he discusses modern literature and the future of Russian in the 21st century. Because the film discussed one of the most important writers and thinkers who witnessed such an extensive change in the world, it was paramount that it present his firsthand take on history and the literature of his lifetime.

One of the most intriguing documentaries which Golikov produced for Studio Ostrov is titled Closest. This is a riveting and poignant documentary which views the city of Kazan in Russia. This location is extraordinary in the fact that its population is comprised of Christian, Jewish, and Muslim people who live peacefully together. It is a model which attempts to explain if we can live amongst each other with these differences without strife and war. The production asks if “love thy neighbor” can truly exist. Filmed on location over a ten-day period, Closest gives first-hand accounts of what these different ideological groups think of each other and how they implement their religious teachings.

Reaching much further back into Russia’s history, Petr produced Pyotr and Fevroniya: Story of Eternal Love for Studio Ostrov. The Orthodox Church in Russia has declared this couple saints and the keepers of family and marriage. According to lore, Pyotr and Fevroniya were buried in separate tombs but the following day their bodies were discovered together in the same tomb. Many people visit this tomb and ask for intercession. Golikov communicates, “I had to approach the story with great care before it was presented to channel’s producer. There was a presentation for a priest from the Orthodox church because this couple is recognized as saints. The church was happy with it and the film crew was actually very moved by the story, as were the viewers…which gave us such high ratings. It’s a wonderful love story.

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Petr’s acclaim as a producer of both documentaries and commercials in Russia has led to upcoming productions with Feel Good Video in the US. Golikov has been enlisted to bring his talents to a number of projects for Feel Good Video including the documentaries Dreams by the Ocean and Twinsters in addition to a series of commercials for both Dyno Wave and Joe To Door brands. Petr’s immensely popular and acclaimed work in the past is a causality to the effect of these international offers. The best reward for a professional such as Golikov is the abundance of offers that continue to find their way to this consummate producer.

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Actress Jordan Claire Robbins explores comedic side with Man Seeking Woman

Working on comedy requires more than just good acting skills. It requires a certain awareness of timing and type of instinct that not all actors are equipped with. Delivering a line is very different than delivering a joke, and knowing the difference is key.

Jordan Claire Robbins has had her share of serious roles. She played a character with a very troubled life in the film Black Dahlia and an assistant living in a doomed world in the Syfy show 12 Monkeys, and will be seen in the Andrew Niccol-directed sci-fi thriller Anon, to be released in 2017. In these roles, Robbins is recognized for her talents as a dramatic actress. However, her ability to also tackle comedy is what sets her apart, and she had the opportunity to showcase these talents on FXX’s absurdist comedy Man Seeking Woman, produced by Lorne Michaels.

“Comedy and drama are different in a lot of ways, and similar in others. I enjoy both, and I think in both it is crucial to be prepared at such a level that it’s possible to then completely let go and respond to the other actors in a truthful and present way. I find that the best moments usually happen when actors know their characters and the material well enough that they are just living in the scene, reacting in an honest way, and not in their head or worried about using any pre-planned ideas. For comedy, the funniest moments often arise out of spontaneity and these things can be just as unexpected to the actor as they are to everyone else, because they have let the characters and material take over,” said Robbins.

Man Seeking Woman tells the story of Josh (Jay Baruchel), a naive romantic who goes on a desperate quest for love when his longtime girlfriend dumps him.

“I loved working on Man Seeking Woman. The energy onset was amazing, and it was a great opportunity not only to work with very talented, funny people, but also to get to watch them work. The biggest challenge was to not laugh, as the leads on the show are incredibly funny and experienced enough that fear of failure is no longer a limitation for them,” said Robbins.

Robbins plays Julia in the episode Stain, a single guest who meets Josh at a destination wedding in hell. He is having a tough time because his ex-girlfriend is there with a new boyfriend, and in a moment of desperation he asks Julia to dance with him. Julia is open-minded, positive, and also date-less at the wedding, so she says yes even though he comes across as aggressive and perhaps slightly intoxicated.

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Jay Baruchel and Jordan Claire Robbins in Man Seeking Woman.

“Playing Julia was a lot of fun, and while her tolerance level for bad behaviour is probably a little lower than mine I think we are quite similar, which is always fun to play with,” Robbins said.

The episode was directed by Tim Kirkby (VEEP, Brooklyn Nine-Nine), who encouraged the cast to follow their instincts. For Robbins, who has been studying improv at the world-renowned Second City in Toronto for over a year, this was a great opportunity to play.

“Jordan is the best possible student: curious, hardworking and willing to fearlessly challenge herself to excel,” said Michael J. Gellman, one of the original founders of Second City who coached Robbins at the school. “Her ability to find the heart and vulnerability in the characters she creates gives her a strong platform to continue to grow and build on her already significant talent.”

Robbins has come a long way from the first film she did. Money is about a man who gets sucked into the world of gambling and the ramifications it has for his friends and family. At the time, she had been training to be an actress for much of her life, but was mostly modelling. This step required her to transition from just thinking about the look of her character to thinking about her character’s whole world.

“When a person is really engaged in a conversation and living fully they are not aware or concerned with how they look, but when I’m on a modelling shoot it’s crucial to constantly be aware of how my body and face are looking on-camera and making sure the angles are always flattering for the clothes,” said Robbins.

Robbins played the character of Jackie, an outspoken, fun, and loyal best friend to the film’s lead, Amber. Jackie strongly feels that her best friend can do better than her boyfriend, and when he gets caught up in the unsavoury world of a gambling she is adamant that Amber needs to move on.

“Having trained on and off camera for many years, it was satisfying to be able to carry over and put into practice everything I had learned. It was the perfect scenario for a first film as there wasn’t the pressure of having a studio involved, and the team was young and fresh so the energy was great onset. I loved having more time to dive into my character and try things onscreen,” said Robbins.

Now, Robbins has mastered the art of getting into her character’s world, which is exactly what she did for Man Seeking Woman, with Stain being a well-received episode of the series.

Actress Amor Sanchez is both evil and innocent in upcoming feature films

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Amor Sanchez- Photo by Laura Escudero

While growing up in Madrid, Amor Sanchez always felt art inside her. She grew up in an artistic family, and she was always acting, dancing, drawing, or whatever else she could do to explore this side of her. Slowly she realized she was meant to not only be an artist, but she was meant to be an actress.

Sanchez has now starred in over a dozen feature films all over the world. She is recognized for her versatility, and being completely fluent in English and Spanish allows her the opportunity for even more roles. She excels in accents, and never wants to play a similar character twice. She will soon be on the big screen once more in the feature films The Curse of Manizales and The Curse of Manizales 2, made by the prestigious Rivera Films Studios.

The upcoming films are based on the Colombian short film La Maldicion de Manizales. They are suspenseful period pieces that revolves around love, envy, intrigue and hate. The first film follows the difficult love between a priest and a young orphan during the Inquisition in Colombian territory, product of the Spanish colonization. Nothing is sacred for Satan and he is ready to open the doors to hell. Sanchez will perform the lead role of Isabel.

“Isabel is evil. She is smart. She loves gossiping. She is a jealous person, of everyone and everything. And she likes doing bad. She is the mayor’s wife and she won’t stop until she breaks the forbidden love of the priest and the young girl. She is capable of creating any kind of sleight. She won’t stop, and when she finishes with this love she will find a new thing to destroy. She has one purpose in life – destroy what makes her jealous. Nobody can be better than her. She is the devil’s ally. But from the outside she looks their ally, nobody can suspect she is cooking up anything,” said Sanchez.

Sanchez is known for being multi-faceted. She was selected for the role of Isabel because they needed a special kind of actress who could look ingenuous and evil as same time. The role requires someone who can be innocent in some scenes and completely villainous in others.

“I like playing any kind of role. Even evil people has their own truth and reality. Their own reasons that are valid for them, maybe for nobody else. Maybe life made them be that way, maybe they were born like that, maybe they can change, maybe not,” she said. “This is a story of a forbidden love and everyone and everything is conspiring against them. It’s them against the world, against the devil, and against Isabel.”

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Amor Sanchez – Photo by Ruben Navarro

Despite the evil tendencies of the character, Isabel is still a strong woman, not stopping until she reaches her goals. This is something that Sanchez admires about her character.

“She has persistence. And I would like to think that I am smart too,” she joked. “I like gossiping too. Just kidding.”

Isabel is a different character for the actress. Sanchez has had success playing a variety of roles, from gangsters, to business women, to women in love.

“I don’t like being typecast, so every time I pick a role it is different from the other ones I played previously,” she said. “I can be a teacher, next a nurse, next a naive girl, next an expert in martial arts, next a busybody neighbor, and of course every one of them have their own look, cloths, hair, way of talk and walk, and their own personality. I like challenges.”

This is echoed by fellow actress Vida Harlow, who has worked alongside Sanchez on multiple projects, including the film Vampiro.

“I know the tenacity and perseverance that it takes to be a professional actor. Amor is among the highest caliber of actors in the film industry. Her talent continuously grows and improves. Her remarkable onscreen presence contributes significantly to the overall quality of any project she is involved with,” said Harlow.

Sanchez is continuing this professionalism and commitment while working on The Curse of Manizales, as well as her upcoming television series Scorpion Girl.

“Every time there’s a new project there are new challenges. Every character has a different personality, with new concerns and new situations. It needs to be fully understood. When preparing for a role is important to know all the answers of every situation in the script. You have to decipher your character’s mind. It is important to know that the role is not you, but acting from its own truth,” she concluded. “That truth has to become your truth to make the character alive.”

The first film of The Curse of Manizales is expected to be released next year.

Q&A with transgender actress Savannah Burton

Thousands of people have been watching the small screen and seen Savannah Burton, but may not have known it. She has appeared in television shows such as Killjoys and Beauty and the Beast. She has worked on a variety of films, including The Kiss, an upcoming film that will bring light the issues of the transgender community from the 1950s.

Burton has overcome many barriers to reach the success she has now. Being a transgender actress in the industry, many opportunities can be limited to trans roles only. That is not the case for Burton, a refreshing and promising change.

As she discusses in the interview below, Burton did not always know she wanted to get into acting, but once she had a taste of it, she knew that is where her future was. To find out more about her career and her story, make sure you read below.

 IF: Where are you from? When and how did you get into acting?

SB: I was born and raised in Corner Brook, Newfoundland, a town with a population of about 19,000 people. My father was a small business owner and my mother is in real estate. Growing up in such a small place a million miles away from Hollywood, you never really think about being in the entertainment industry. It wasn’t until I moved to Toronto, Ontario in my twenties that I took my first acting class. It was in the basement of a church and from the very first class, I was hooked. I love the feeling of making the audience have an emotional reaction to something I’m doing and taking them on a journey. 

IF: Can you tell me a little bit about the film and television projects you’ve done?

SB: Some of my most recent projects have been on Beauty and the Beast on The CW network and Killjoys which airs on Syfy and Space. Being able to work with actors like Aaron Ashmore, Thom Allison and Ryan Blakely on Killjoys and Austin Basis and Nina Lisandrello on Beauty and the Beast have been wonderful learning experiences. While I’m on set, I try to be like a sponge and watch the actors who are where I want to be in their careers. It was a huge thrill to work on a show created by Michelle Lovretta who was also the creator of the popular series Lost Girl. She masterfully creates amazing, original story lines with characters who just happen to be LGBTQ+.

IF: What is it like being a transgender actress in the industry?

SB: Being a transgender actress in the industry is still a big challenge at this point. We are still kind of waiting for society to catch up to us as far as understanding what Trans people go through and have to deal with on a daily basis. Many people have this false narrative of what a trans person is from decades of misrepresentation of us on film and TV screens. Fortunately, shows like Sense8 and Transparent are helping to educate and create dialogues where none existed before. 

IF: When looking at a script, what makes you pick one role over another?

SB: I certainly wouldn’t want to limit myself when it comes to roles, though knowing what your “look” is and what types of roles you are more suited for is something that every actor should be aware of. 

IF: What has been your favorite role so far and why?

SB: I’ve played many roles from villains to incredibly sympathetic characters. My favorite to date would have to be Itchy Woman on Killjoys. First of all, the role isn’t written as Trans, plus she is a guard at a place for criminals to gamble their merchandise they have illegally obtained.  She carries a big gun and isn’t afraid to use it. I love seeing a strong powerful Trans woman on screen. It really goes against stereotype. 

IF: What is your favorite genre to work in as an actress?

SB: Honestly I like all genres. I grew up collecting comics like Thor, Captain America and Doctor Strange so I love what Marvel is doing right now. I also remember watching Quentin Tarantino’s Reservoir Dogs for the first time and thought this is something different. The way he would mess with the linear storytelling and take the audience from 0 to 100 miles an hour in an instant made me want to be part of a film like that. People mostly see the violence in his films, but he also writes incredibly strong female characters to which he doesn’t get enough credit. Most of the female characters in Kill Bill, Jackie Brown and Inglorious Bastards are totally bad ass.

IF: What separates you from other actors?

SB: One of the most important things you can do as an actor is training. I’ve been training off and on for more than ten years. It’s necessary to stay sharp by going to classes frequently. Try different acting coaches and see what style works for you.

IF: What would you say your strongest qualities as an actress are?

SB: They say that the eyes have it. One way to tell good acting from bad acting is in the eyes. Being focused on the task at hand during a scene. The audience has to relate with you and put themselves in your place. This can only happen if they believe what you are doing and saying. It’s not really about acting; it’s about being real.

IF: What projects do you have coming up?

SB: I’m really excited about a film that I’ve recently worked on called The Kiss. It’s an LGBTQ themed period piece which takes place in the 1950’s. There are so few stories with Trans characters from this time as much of our history as Trans people has been erased or been completely misrepresented. Being able to tell a story like this is incredibly important and I hope will start conversations.

Restoring the Excitement of Formula 1 Racing in Canada with Tim Hauraney

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By Martin Desouza 

Any high level athlete will attest that the thought of retirement, and not being able to compete in the sport that they love, can be inconsolable. It is an unavoidable conviction for all athletes nearing the end of their career.

Canadian Tim Hauraney is a veteran professional racecar driver who knows this all too well, but is taking an alternative approach to the later stages of his career.

“Ever since I was a child, I wanted to be the fastest, most fearless professional race car driver on the planet. I have dedicated my entire life to accomplishing this feat and I believe that I can play a bigger part in helping others share this passion as well,” he said.

Whereas most professional athletes wait until after retirement to explore other opportunities within the sport that they love, Hauraney has found a way to expand his horizons as a professional, prior to officially retiring as a driver.

Hauraney is on a mission to bring the excitement of racing back to Canadians.

He has found several ways to shoulder this challenge, but none more intriguing than earning a role with TSN, Canada’s leading sports network. Former TSN anchor and racing fan Dan O’Toole was a driving force in leading Hauraney to his role with TSN.

“In the beginning, Dan knew that a transition to sports media would be a challenge for me, but having known me and my passion for racing, he felt I could excel,” Hauraney said.

Thankfully for Tim, and Canadian race fans, O’Toole was right.

“Professional athletes are viewed as people who can easily step behind the microphone, since they have played the game. This could not be further from the truth. Just because you played a sport, does not mean you can accurately discuss it. It’s a very difficult transition to make, and an even more difficult one to excel at. Tim is one of the people that has been able to make the transition, and do it seamlessly,” O’Toole said.

“I’m thankful for Dan helping me realize that TSN’s Formula 1 product could be elevated with my help, and that I could leverage my experiences and leadership towards the program,” Hauraney added.

These days, Hauraney makes a regular appearance on SportsCentre’s television and radio programs discussing Formula 1, and IndyCar racing. He is one of TSN’s leading race analysts responsible for breaking news on Canadian racecar drivers, dissecting racing events, and producing various racing related content.

In addition to acting as TSN’s racing analyst, Hauraney also spends time on-camera starring in commercials for some of the largest car companies in the world.

Rex McDaniel is a colleague of Hauraney’s and has hired him as a product specialist for several automotive jobs over the past 10 years. He called Hauraney a very sought-after spokesperson and cited Hauraney’s leadership as his strongest asset.

“Tim’s leadership, attention to detail, and dedication to his work, make him the best at what he does. We first started working together with Cadillac back in 2006. Now I hire Tim for a number of different auto shows where he represents automotive companies such as Maserati and Ferrari,” said McDaniel.

Considering the fact that Hauraney began fixing automobiles with his father at just ten years of age, to say that he knows an engine inside and out, is an understatement.

“I really enjoy working as a product specialist because I have the opportunity to connect with fellow car enthusiasts and educate them by leveraging my experience and expertise,” he said. “As much as I love providing my own insight, I love hearing what others have to say just as much. Technology is ever evolving and allowing for greater mechanical innovation, so the learning never ends.”

Evidently, Hauraney has found several avenues through which he can impart his wisdom and passion for racing onto others within the racing community. His efforts to do so are beginning to pay dividends.

Since Hauraney took over the TSN spot, the network has had increased ratings on its racing content. His passion and first-hand knowledge of the subject is captivating to viewers.

“I really take pride in my work because I know that there is a large community of race fans in Canada who have supported me in my journey as a driver, and who appreciate my ongoing intention to grow the sport for generations to come,” he concluded. “Leadership is an essential component to any community and I’m determined to provide it wherever I can.”

Ilya Tselyutin masters multi-tasking for television spot in Russia

Ilya Tselyutin has had an outstanding career as a senior motion graphics designer. He has learned from many talented professionals from all over the world including Konstantin Ernst, CEO of the Channel One Russia and the director of the 2014 Winter Olympics opening. He has worked with famous personalities from different industries, such as Formula One Champion and Tibor Pleiss, an NBA player. He has represented brands such as Lufthansa, BMW, Mercedes-Benz, Porsche, Audi and many more.

The 20th Anniversary of Internet in Russia was celebrated during 6 months with the major concert on April 7th, 2014 at Arena Moscow featuring an array of famous musical groups and musicians. The show started with a video streaming of the Russian Prime Minister giving a speech on the anniversary, followed by the concert alternated with the short reels with the TV pack identity we designed. The event was attended by a total of 2,500 people including major Internet business entrepreneurs and state officials.

Part of this included a promotional TV show spot dedicated to the 20th Anniversary of Internet in Russia. As a Leader Designer on this project, Tselyutin developed the concept, the opening title sequence, bumpers, lower third and a 30 second promotion using design elements typical to the past decades.

“It was really interesting to work on the project for your home country in collaboration with designers from Germany and Argentina,” said Tselyutin, being from Russia himself. “This kind of mixture helped us to create something completely unique for the Russian TV market. It’s a minimalistic, bold and yet clean brand identity.”

Stephanie Helou, currently the Design Manager at Unilever Germany Productions, and former Brand Consultant & Managing Designer at Vision Unltd, worked alongside Tselyutin for the project with the company Creative Worx GmbH. She describes him as Creative Worx GmbH’s most experienced designer and was trusted with directing projects that required both creative and advanced technical skills.

“As a Brand Consultant I worked closely with Ilya on many projects including the TV show pack for the 20th Anniversary of Internet in Russia. Having made an extensive research Ilya took an unusual approach to design and created a minimalistic and clean concept that was rather different from other TV packs we produced,” said Helou. “A remarkable combination of bold vibrant colors and animated geometrical figures made this spot stand out among all other TV commercials on Russian television. Ilya showed his strong leadership skills by guiding this project from its inception to completion as a conceptor, designer and animator. This was a truly enjoyable project and Ilya once again proved to be a highly skilled professional with a non-standard thinking.”

Together, Helou and Tselyutin were invited to give a speech about their work for the TV show pack for the 20th Anniversary of Internet in Russia at a Behance Dribble NRW Community event in Dusseldorf, Germany, where they presented design, concept and a making-of.

“Stephanie is an incredible source of ideas. From the very beginning she suggested doing something creative and new for the Russian TV market and set us up on the right course of actions. Also, as a brand consultant she supervised the process of following the brand guidelines to make sure all of the products including printed and digital were consistent,” said Tselyutin.

The project did present some challenges. Working in a refined schedule is always a challenge in the industry, but Tselyutin had to also work with another country remotely. This presented languages barriers, time differences, and communication difficulties, and gave him the additional role of translator. Despite this, he says the design industry is constantly evolving and it is important to maintain certain level of workmanship and live up to clients’ expectations. To continue improving despite his successes, Tselyutin frequently agrees to work on projects that he knows require some set of techniques he does not have a complete mastery of.

“I learned how to handle an international team on a project where I acted in both administrative and creative roles. I needed to take care of communication in one country and control the design process in another,” Tselyutin described. “I guess I mastered my multitasking skills.”

In the future, Tselyutin aims to keep evolving as a creative director and take on a managerial role in the creative process, especially on projects similar to this.

“I liked the idea itself – present the history of the Internet in Russia. Loved working with bright bold colors and mix them with clean and minimalistic geometric objects,” he concluded. “Overall, this was a very pleasant design project.”

Unstoppable Actress Amanda Mitchell Makes Her Name Known Across Continents

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Amanda Mitchell shot by Simon Watts

In what is easily one of the most competitive industries in the world, actress Amanda Mitchell has managed to set herself apart from the pack through her unmistakable originality and the intuitive approach she takes in order to bring characters to life. With a deep reverence for authentic storytelling, Mitchell conveys characters both dark and light, lending herself entirely to the process and doing proper justice to both the role and the story.

Originally from Melbourne, Australia, Mitchell’s love for acting began during childhood. The daughter of a professional dancer, Mitchell began dancing at the age of 3, and that is when her passion for performing began to flourish. She went on to attend the Victorian College of Arts School of Dance, and, while she developed a successful career in business and real estate soon after graduation, she continued to nurture her love for the performing arts.

Already equipped with years of professional training and a natural propensity for captivating audiences, Mitchell decided to lean entirely into her passion for acting a little over a decade ago, quickly booking jobs that undisputedly validated that she was on the right path.

Mitchell admits, “It’s such a rewarding experience to give life to words off a page that an audience can appreciate. I strongly believe that it’s the best way for me to do service to others: serving a story by using my feelings and my understanding of what it means to be human.”

While she works extensively in both TV and film, some of Mitchell’s most unforgettable work can be seen on major network television. Her performances in series such as “Behind Mansion Walls,” “Deadly Women,” “Facing Evil,” “Atomic Kingdom,” “It’s a Dole Life” and many more have definitely struck a chord with audiences– so much so that international fans continually reach out to her to comment on her work.

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Amanda Mitchell as Twila Busby in the series “Facing Evil”

One such project that has brought her quite a bit of attention was the TV series “Nameless: Blood and Chains” where she stars alongside Dean Krywood from the films “Airlock,” “Damaged” and “Felony,” and Craig Walker from the multi-award winning film “Drown,” “In the Darkness” and “Rags.”

In the series five strangers, who are mysteriously linked together by their individual pasts, come together to forge an alliance in preparation for an impending war, with Mitchell giving a riveting portrayal as Catherine, a Queen-like character who oversees the war.

The actress admits, “People have been really supportive of my role in ‘Nameless: Blood and Chains,’ fans from all over the world, even in Serbia and South America, write to me on Twitter and Facebook and send letters to my managers saying how much they want to see more of me and how I should be on ‘Game of Thrones.’ I’m really grateful to generate such an enthusiastic fan response.”

One role where we really get to see the depth of Mitchell craft is through her macabre portrayal of Tracey Grissom in Investigation Discovery’s “Deadly Women,” where her performance is as complex as it is compelling. Since the series revolves around crimes committed by real people, a great amount of research was required to take on the critical role.  

“It was tricky balancing my understanding of the horrible crimes Tracey committed in real life so that I didn’t judge her,” Mitchell recalls, “It was important to me to play her character truthfully.”

While Mitchell was initially apprehensive about playing the part of a woman who’d murdered her allegedly abusive husband, she quickly came around to the idea. She recalls, “Ultimately, I felt compelled to be a part of the story so I could help shed light on such a controversial social issue.”

Mitchell, who has become increasingly well known for her dramatic performances both in Australia and abroad, has a brilliant comedic side to her as well. She put her flair for comedy on display when she took on the lead role of Megan, the love interest of Australian legend and Logie Award nominee Andrew O’Keefe (“Hamish & Andy,” “Big Bite”), in the laugh out loud series “It’s a Dole Life.” With the rare freedom to explore this tongue-and-cheek style on Australian television, Mitchell brings laughter to her fans with her impeccable timing, wit and unmistakable charisma.

Admittedly, comedy is one of Mitchell’s favorite category of work. She explains, “I’ve always been asked to employ my own unique personality into the [comedic] role, and that’s what audiences and critics respond to, being me! It’s funny how easy it might sound but it’s very difficult being yourself, being loyal to the script and making it all work together so that people laugh.”

While her intelligence, commitment and bravery have captivated audiences around the world, her dazzling beauty has helped make her a force to be reckoned with as a commercial actress as well. She has been the face of commercials for many companies including Coles, Lowes, Shark Sonic Duo and Commonwealth Bank.

Mitchell says that she is honored to be associated with so many successful companies. “People have always been so nice when they associate me with a brand,” she admits. “And, as I always choose to work with companies who share similar values to my own, I like to think it makes people think that they know me on a personal level.”  

Most recently, Mitchell shot a campaign for Channel 9, Australia’s number one network. Mitchell cannot help but share herself and her heart with whatever project she works on, and her genuine approach transfers effortlessly across the screen leaving a lasting impression on viewers.

Able to handle any role thrown her way, Mitchell brings grace and a personal, relatable touch to all the strong female characters she takes on. Her ability to deliver positive and impactful performances, which are as necessary as they are beneficial to modern audiences, keeps viewers across the globe looking forward to seeing what she comes up with next.

“I’m really passionate about making sure people embrace the positive aspects of life, and so I’m always conscious not to propagate harmful values by portraying people in a way that could be construed as endorsing their amoral behavior,” Mitchell explains. “That being said, sometimes playing antagonists and women who have committed crimes is a great way to draw attention to the world’s injustices.”

Larissa Giampaoli takes advantage of changing music industry

It takes a lot of people to create a great album. When you are driving in the car with the windows down, listening to a favorite song, it isn’t just the voice of the lead singer, the sticks of the drummer, or the guitar solo that gets your head moving. Larissa Giampaoli knows this better than most, as she has been involved in the music industry since the age of 16, and now has a successful career as a creative producer for many of her favorite rock bands.

Growing up in the culturally rich city of São Paulo, Brazil, Giampaoli moved to Los Angeles and graduated in Music Business from the University of California. She was then hired as a day-to-day manager at one of the most prestigious boutique management firms in the metal music industry, and has since then been working to improve the careers of household Grammy award winners while applying her most creative ideas and business skills into helping to develop the new idols of tomorrow.

“Being able to work with my passion is priceless. Music has got me where I am today, and it is the reason why I am away from home. It’s an absolute privilege to be working with so many talented individuals,” she said.

Giampaoli has not only adapted, but she has also taken advantage of the changing industry. Technology has been changing the music business. It is no longer what we all used to know.

“From 1999 to 2016, album sales would drop every year. Although Napster had a short life, it revolutionized the way we share and listen to songs forever. Now we have many different ways to consume music, from YouTube to subscription services like Apple Music and Spotify,” said Giampaoli.

This revolution in the industry is why the role of creative producer has become so pivotal for the success of artists and bands. Social media allows fans to connect to their favorite musicians like never before. Getting a tweet back from an artist makes someone’s entire year. Giampaoli manages new media, day-to-day operations for the band, and runs tours.

“I am able to combine the artists vision with management goals in a global perspective,” she said.

Giampaoli’s ambition has always been her greatest asset. While growing up in Brazil, she put herself ahead of the crowd by learning to be completely fluent in the English language. This allowed her to network with bands touring in Brazil, by having an English speaking guide to help them navigate. At 18, she realized the potential this had, and opened her first business, an online store that brought to Brazil the latest American fashion trends. Even at a young age, she knew the importance of the internet.

“I have a love for music and business,” she said. “My goal is to keep working with bands I believe in, and help push their careers to the next level.”

Giampaoli has already begun not only achieving, but far surpassing this goal. She has worked with bands such as Slayer, Mastodon, Gojira, Ghost, Bjork, Oasis, Arctic Monkeys, The Killers, Fall Out Boy, The Used, Story of the Year, Funeral For a Friend, and many others. She also worked with the band We Came as Romans with the band’s former manager Adam Mott.

“Larissa is a forward thinking person, that helped me tremendously with the band’s social media content, marketing for their records and overall big picture thinking. She was always prompt with her answers and a true asset to everything I do with the Rick Sales Entertainment Group,” said Mott. “Larissa is a great asset to our team and she always shares her opinion on every issue and it helps me think outside of the box on trying to grow our bands to the next level. I think she is a valuable asset for our company and any organization to help grow/market their artist.”

“The We Came as Romans self-titled album has sold fifty thousand copies as of July 2016, a massive testament to the incredible efforts Larissa has made in reaching our fans, and was praised by numerous high profile music publications including Alternative Press, Rolling Stone Magazine, and Outburn Magazine, to name a few. I am sure that we would not have celebrated the same overwhelming response following the release of the album had Larissa not helmed these crucial responsibilities as the leading creative producer,” Mott continued.

Despite already achieving international success, Giampaoli keeps looking ahead.

“Personally, I am very excited about the years to come,” she concluded. “I grew up in this new world, and I foresee a bright future.”

STEPPING AWAY FROM THE ROCK WORLD TO STEP INTO THE FILM WORLD: KIERAN KIELY

There are people in the world who are destined to succeed. No matter what circumstances they are involved with, their inherent ability surfaces. For those who are fond of the adage, “lightning never strikes twice” they mistakenly forget about the lightning rod. Kieran Kiely is a musical lightning rod. While many musicians struggle for their entire lives to get “one shot” (to quote Eminem), Kieran has credits which include multiple globally popular artists. While spending his youth touring the world and recording with these artists, he now makes his home in Los Angeles; it’s a long way from the other side of the Atlantic where Kiely grew up and started his journey in music. Now he is a long way from the huge concert stage as he finds himself on a different musical journey. Although he has had experience for many years as a composer, Kieran is now focused on creating music in the seminal location of film…Hollywood. Kiely is proving that he is a source of authentic and imaginative music, regardless of the presentation or format of said music.

The first phase of Kieran’s musical life reads like a movie itself. Until recently, he spent his entire life recording and touring with the artist that are household names. Dave Stewart (of the Eurythmics), Stevie Nicks, Sinead O’Connor, Shane McGowan, The Corrs, and many others have enlisted Kiely to be a part of creating the music that their fans adore. While Kieran is respected among the elite of the rock world as a consummate musician, it is often his mastery and authenticity of the traditional Irish sound for which he is known. It is this same characteristic that led filmmaker Tommy Reid to hire Kiely to compose the music for his film Danny Greene: The Rise and Fall of the Irishman. This film is a documentary about Irish mobster Danny Greene, famed in the late 60’s as a key member of the mob war which led to the dissolution of the Cleveland, Ohio mafia. The film includes interviews with Greene’s family as well as government officials and Cleveland Police Enforcement. Reid wanted to go to primary sources to communicate the story directly from those involved and he wanted the music to be just as authentic. Reid declares, “A good film score not only compliments a story but also helps it rise to greater dramatic heights, and Kieran’s expertise as a composer did exactly that. You’d be hard pressed to find an Irish musician/composer who has experienced as much success as Kieran. He occupies a space among the top percentage of his peers.” Kieran admits, “Tommy didn’t want a Hollywood version of Irish music but he wasn’t looking for traditional scoring either. It was very collaborative. Tommy had a long standing relationship with Composer Greg Morgenstein on his Films and Greg collaborated with me along with Adrien Van Vessel. Tommy provided a locked picture, so we could get to work. Very early on it became immediately obvious from Tommy’s feedback, that what I was doing was going to work. We had a spotting session to decide where the music was needed but the only other real direction I was given was to make the music authentic.”

Kiely approached the film in a very nontraditional way as a composer. With a locked picture available, he was able to watch the entire film to gain a sense of the emotional qualities that his composition would aid. Although he was unfamiliar with the Danny Greene story, Reid’s film gave Kiely all of the information and inspiration he needed. He recalls, “Having watched the Film, I immediately felt like the music needed to be tough. I chose a dark tone on the Accordion for the main source of pad type chords, with a driving detuned Bodhran (Irish Frame Drum) for a pulsing rhythm and Ethnic Irish Flutes for melodic elements. These three instruments made up the main palate of the score. Once I had laid down these initial ideas, I would add more instruments where needed. When I wanted it really big, I would Orchestrate it. Referring back to Tommy’s note about the music being authentic, and having used some fake Orchestral samples on some of the cues…I decided it needed to be performed by real players, so I Orchestrated the parts and we recorded them with live musicians.” The music which Kiely composed and orchestrated for Danny Greene: The Rise and Fall of the Irishman emphasizes the intensity and emotion of this tale, yet it also stands as a work of art in itself; a flavor of the Irish sentiment that Greene and all those who hold a place in their hearts for the culture of Ireland. As the music inspires audiences, it also inspires other artist…in this case leading them to seek out Kiely.

conducting

More recently, Kieran has been working with award-winning composer Tyler Bates, in the role as orchestrator. Bates is known for his work on films such as: 300, Guardians of the Galaxy, Watchmen, and Sucker Punch, to name just a few. Kieran is working on upcoming films Guardians of the Galaxy 2 and Deadpool 2. As a recording and touring musician who has experienced the thrill of performing for massive audiences, Kiely is embracing the thrill of this new avenue for his talents. He notes, “I do enjoy Orchestrating. I have always loved the sound of an Orchestra and getting to do this sort of work is a pure joy. It’s a pretty steep learning curve. You have to be an expert in music notation and really understand the inner workings of an Orchestra, but’s it’s really rewarding when you attend a session and hear your orchestrations being played. I am Orchestrating on NBC’s Timeless TV Show. We work with Emmy nominated Composer Robert Duncan to Orchestrate his music weekly for the show. It’s a pretty fast turnaround, we have about two days to Orchestrate each episode with about 30 minutes of music per show.” In the case of Kieran Kiely it seems to be nature and nurture rather than one or the other. This consummate musician has conquered the world of rock as a sought after sideman and performer; now he has thrown himself into embracing the composition, orchestration, and conducting of large ensembles to create the moods that effect millions (if not billions) of film and television audiences. The one constant throughout his career is his pursuit of his love affair with music, regardless of the way he presents it.

Jinming Zhao Stands Up as extraordinary producer

When Jinming Zhao began making the film Stand Up, she knew she would be making a film that inspired audiences. What she didn’t know was that making the film would inspire herself and her confidence in her abilities as a producer as well.

Stand Up is the story of a quiet teenage girl who has trouble processing her emotions at her beloved grandfather’s funeral, until her evil father comes for the heritage. The idea for the film came from Zhao, who was convinced to make it perfect.

“It was really good experience,” she said. “It’s nice to get the chance to collaborate with so many talented people.”

The film has been making waves across film festivals. It won Best Film of the Month at the Director Short Online Film Festival. It is an official selection in the Short Stop International Film Festival, Access Code Short Film Festival, and Love International Film Festival, and was nominated for Best Film of the Inspired Faith Film Festival where it won the Excellence Award. In the Top Shorts Film Festival, it received Audience Awards, and it won the Award of Recognition at the Hollywood International Moving Picture Film Festival.

“It’s amazing,” said Zhao when describing what it was like to when the first Audience Award. “When I got a trophy for the first time, I sent my mom a picture, and she said she was proud of me. That’s a moment I’ll never forget.”

The awards were well deserved. Zhao had to work harder than most to achieve what she did, and overcame the challenge of being stereotyped against while producing the film.

“I found a perfect house with reasonable price but when I talked with the owner for the first time, she didn’t want to talk about it at all, and she thought I didn’t look like a producer at all, because I’m an Asian small girl. She didn’t treat me seriously. I was hurt by that experience, but I didn’t give up because I wanted the house,” she said.

Zhao was relentless, and went back to the house a second time, with more confidence and a prepared statement. The visit secured the location with no issues.

“I told myself that I’m an independent, talented, smart, and strong woman, and there’s nothing I need to be afraid of,” she said.

This sentiment resonates with whoever she works with, as Zhao is recognized as a truly talented producer amongst collegues. Guannan Li, who worked with Zhao on Stand Up, attributes the quality of the film to Zhao.

“I am certain that without Jinming’s irreplaceable talents as a producer, the film would not have maintained such a high quality. She is a creative and talented producer, and we were entirely fortunate to have included her on the film,” said Li.

The two had prior success while working on the horror film Emily back in 2014. The film won Best Horror at the Los Angeles Independent Film Festival, Best Horror Short Film at the Hollywood Horror Festival, and Best Short Film at Mad Town Horror 2015. It was an official selection at the London Digital Film Festival 2015, the Fill Bloom Film Festival 2015, the Hollywood Horror Fest of Shorts 2015, the BigHouse Invitational Year One 2015, the Fort Lauderdale International Film Festival 2015, the International New York Film Festival 2015, the Horror Short Video Contest 2015, the Los Angeles Short Film Festival 2016, and finally the HollyShorts Film Festival 2016.

Zhao also worked with director Jun Xia on Emily, who approached her about working on the film.

“She is a creative powerhouse that we were very fortunate to include on our film, and I wholly attribute much of our success to her leading contributions,” said Xia.

Zhao had never worked on a horror film prior to Emily, and when she first read the script she was hesitant to accept the role of producer. However, the opportunity to work with Xia changed her mind.

“We worked on the script together and came up with a great story,” she said.

The success that Emily received prepared Zhao for a future full of success, but working on Stand Up gave her something even more valuable for her producing career.

“I learned that if I want other people to respect me, I have to respect myself first. I understand that to be as a foreigner would face more problems than local people do, but I have confidence and capability to overcome them,” she concluded.