Tag Archives: Film

Leading Chinese Composer Min He transports audiences to North China in ‘Jin Zhu Xi Yan’

October 15, 2017 pressva Leave a comment

When watching your favorite movie, the score is what truly creates the emotion behind each scene. Check out videos on YouTube where iconic clips from films have different music in the background, completely changing the feeling you have when watching. As a composer, Min He sees her role in filmmaking as more than simply writing music. For the Chinese native, a score is a second layer of dialogue. Her notes strung together act as sentences in their own way, making you laugh or cry, and feel scared, happy, or suspenseful; she is a dramatist. This understanding of such nuances is what makes He so talented at what she does, and it is why she is so sought-after around the world.

“I wanted to be a professional composer because music is such a beautiful thing in my world. I wanted to be able to create any kind of music I felt like,” said He.

Although He is a classically trained composer, she has created a distinctive and unique sound that separates her from her peers. She composes in a hybrid style, combining tradional instruments with a synthesizer, and even designs her own sounds to feature in her compositions. Examples of this can be heard in her work for the popular iPhone game Pursuit of Life 2, and the films Princess Eun Hwa, and Snow. Her work on the animation film Ever Star lead to outstanding success, and resulted in the film being an Official Selection at the Official Selection- Northwest Animators Showcase, Animex Awards 2015, 10th Annual Children’s Film Festival Seattle 2015, Sarasota Film Festival, International Animation Festival CHILEMONOS 2015, Festimation Festival, The World Animation Celebration, and the Geneva International Film Festival.

“I had the immense pleasure working of working with Min on Ever Star. I like how delicate her music is, and all the melodies she composed are all from deep within her heart, it was so touching, and many audience members approached me after watching the film to ask to listen to more of Min’s music. Without Min’s beautiful music, my movie is nothing,” said Yawen Zheng, the animator and director of Ever Star.

This trend of captivating fans with her music occurs with every project the award-winning composer works on. On the film No Smoking (Jin Zhi Xi Yan, 禁止吸烟) He once again provided audiences the wonderful sense of escapism that comes from listening to her compositions. The film, directed by Xinwen Dong and Gang Wu, was an opportunity for He to work in one of her favorite genres: comedy.

The film premiered in January of 2014, and was released in theatres in China. It was extremely well-received, screening at the Shanghai Film Festival 2014 where the directors were nominated for the Asian New Talent Award. The film then went on to be broadcasted on the very popular Chinese television station CCTV-6 (China Central Channel). Now, it is on the famous live streaming service, 1905.com, where it holds a record of 1,750,000 views.

When the directors were looking for a composer to help bring their film to great success, they immediately thought of He and the esteemed reputation she holds not only in China, but internationally as well. She is not only a composer, but also an orchestrator, and knowing this, they approached her to work on the film. They had immense trust in her work ethic and music, and that faith was justified. Without her, the film could not have achieved what it did. Her music brought the audience into the world that the movie presents, and because this is a comedy, many funny scenes that make audience laugh out loud did so with He’s compositions. She tried to make funny sounding melodies to add a fun part to the movie, and she succeeded.

“I really like to explore new area of music style that I never touched and working with different instrumentalists and learning new instruments are very fun parts of music creation. Every time I delivered some cues to the directors, I not only got approval, but also praise. It was very satisfying,” she said.

The story of the film takes place in North West China, an exotic part of the country with beautiful natural scenery, and a different culture than the rest of the country. He wanted her music to represent the geography in the film. She extensively researched the area’s music, including their folk songs, and native instruments. The composer enjoys expanding her realm of knowledge, learning about new styles that she has never encountered before, keeping her humble. This research was fruitful, and her score truly transports audiences to the area of China. To find out more, however, He says you will have to watch the movie.

“I think the film is such a good story and everyone should see it,” she concluded.

Head to 1905.com to laugh out loud watching No Smoking and listen to He’s beautiful work.

Film Composer, Reviews, Interviews & Features!

COMPOSER CREATES BEAUTIFUL MADNESS: SAI SRIRAM MADDURY

October 7, 2017 pressva Leave a comment

Anyone who has been driving around town at night with their friends when that “perfect” song comes on the stereo…the own which causes everyone in the car to go wild (it’s a universally shared experience) has a deep understanding of the ability of music to take any experience into the stratosphere. This is the same concept filmmakers apply to the score of their film, regardless of the genre. They may not want head banging of chair dancing but said filmmakers definitely want to use music’s power over the human psyche and body to deepen the impact of what they are exhibiting on the screen. Michael Helms, director & screenwriter of the film “Madness” did not originally want a score for his film about a military officer returning home and dealing with the psychological aftermath and trauma of what he’d seen and done. He felt that the solemnity that a lack of music communicates would be more disturbing to the audience than anything a composer could muster; that is…until he heard examples of composer Sai Sriram Maddury’s work.

“Madness” is about feeling out of place and the isolation and personal disruption to one’s psyche even when surroundings do not support this sense. In the story, a Military officer returns home while a radical militant group’s merciless killings continues to haunt him and his memory. On leave from a deployment Cliff (the main character), visits home to experience normal life with his pregnant wife Liz. During this time, his battle experiences monopolize his thoughts. Unable to integrate into “normal” life, Cliff discusses this with Liz and returns back to the army front.

Helms wanted to communicate Cliff’s inability to find a comfortable place in his life and his mind. He explained to Sai that the score for the film should be as minimal as possible in order to not disturb this isolated environment. While the two did not share a vocational language, the discussions were in no way cumbersome. Maddury describes, “Michael was very good in describing what he wanted. It’s always something of a challenge to understand what a director wants but I did not have that problem with Michael as he is very good in articulating want he needs from the film and story point of view. Music is a part of the storytelling process. When a filmmaker like Michael speaks to me in terms that discuss emotion and the mood that he wants to create, we become collaborators. For example, when he needed the score to underplay a particular scene in which a character reveals his past, Michael explained the reasons why the score needed to underplay and why that particular scene was so important for the film. This way I knew the exact point and reason why Michael wanted the score to underplay and this made it easy for me to find a way to create music that presents his vision. As a composer I prefer directors to explain what exactly they need in terms of story rather than in musical terms. If a director tends to use more musical language, I might take it in a traditional musical terminology but it might be not exactly what the director was referring to. This doesn’t happen when we discuss in terms of characters, story, importance of the scenes and use of words like underplay, overplay, busy, not too busy, intense, light etc.”

In line with the early vision of Helm’s, Sai matched his composition to the film with very simple drones to create ambiguity and uncomfortability. You can’t keep a true creative personality from receiving and interpreting emotion; after multiple viewings of the film, the composer began to recognize a glaring omission in his work. Maddury wanted to justify the story of the character and his past because this concept is the core of the film. When memories of past events and individuals disturb Cliff, his past becomes as important as the character itself. Sai presented the idea of using Arabic chants and a rhythmic motif that represented these past. experiences. Michael conceded that he loved that idea and felt that it amplified the overall intensity of the film. The use of voice rather than instrumentation was a calculated decision by the composer. The idea to use Arabic chants rather than an instrument like Duduk or Persian Dulcimer was in order to prevent the score from sounding too ethnic. The film focuses on the main character’s state of mind and thoughts rather than scenes that display the war in the Middle East, this caused Sai to feel that the use of ethnic scales and instruments were not justified. Maddury’s reasoning for using chants is directly applicable to the storyline. It was his contention that the character might have heard these chants coming from the terror groups in the army front and these continue to haunt Cliff. In a style that he has become recognized for, Sai blended Western instrumentation with these chants for a score that it is not completely immersed in one singular culture.

Maddury is full embracing of the technological advancements that are afforded to a composer these days. While he is well versed in the last software and MIDI, sometimes old school is what works best. He wanted a rhythmic motif representative of a heartbeat. After exhausting countless samples (and blends of these), he began experimenting with a more analog approach. He reveals, “After trying numerous samples, I did not get the right tone I was looking for. I tried experimenting and recording the sounds of a wooden desk, empty wooden shelfs, etc. After trying almost every wooden furniture I could get my hands on, I ended up using the sound of the rear side of the upright piano. It has a great hollowness and created the perfect “heartbeat” like tone I wanted. It’s such a fine instrument, it seems somewhat wrong to use it in this manner but there are no rules when it comes to making the appropriate music for a film. When I played it for Michael, he immediately wanted me to use it in the score and that’s how it ended up as a main motif for the haunting memories of the character.”

Just as a filmmaker has a process that produces an emotional creation, so does Sai. Preceding a viewing of the film but following discussions with the director, he writes thematic suites. These suites represent the ideas and emotional interpretations based on the script. Once these have been played for the director and he has provided feedback, they are then tailored to the film during the spotting session. This is when the structure of the score, where more and less emphasis is needed, cues, etc. happens. Following this, Maddury actually starts writing to the picture. The process is multi layered and Sai openly states that a director who understands exactly what he wants and is confident about it makes them a composer’s best friend.

“Madness” was officially selected and screened at the Full Bloom Film Festival 2016 Queen City Cinephiles.

Featured Actress, Film, Reviews, Interviews & Features!

Stay Tuned for Britain’s Francesca De Luca in ‘Midnight Daughter’ and ‘Espresso’

October 2, 2017 pressva Leave a comment

When actress Francesca De Luca stands before a camera, every fiber of her being comes to life. Her soul awakens when she transforms into an unfamiliar character, adopting all of the dynamic elements that makes them who they are. She is driven by the unique challenge of taking a character’s description from a script and bringing them to life. It is a journey unlike any other and a privilege to call it a job. For De Luca, her work is about transporting her viewers into a different world. It’s about allowing them to escape from real life, or to explore elements of their being in ways they might not have otherwise done. She finds that films can be therapeutic, offering relief from our everyday lives. They enlighten and entertain us in such a way that molds our thoughts, our passions, and our dreams in the same way that acting has molded her.

“I love to make an audience feel something, whether it’s through comedy or drama, and the emotion or truth of a character. I love making people laugh, feel and think, and I love to sink my teeth into a script where the character has depth, contrasts, and experiences an emotional journey,” told De Luca.

Every time that De Luca sets her sights on a script, there is no doubt that she will make it a success. She has had a profound impact on every film she has ever worked on, and she is a known asset in the industry. Her performance as Margot Fonteyn in the film, Jeremiah Tower: The Last Magnificent, gained broad recognition when it featured at the Tribeca Film Festival just this past year, and again when it was selected for the Hamptons Film Festival and Key West Film Festival. The film’s success, however, did not stop there. It earned widespread critical acclaim when it was released in theatres across Canada and the United States, receiving immeasurable praise from prestigious publications like the New York Times. Later on this year, viewers carried it to number one in the ITunes Documentary category and were the reason that it featured in the top ten slots of the Independent Movie category.

Another of her major successes was working on the film Passports which won the 1st Place Audience Award at the California Women’s Film Festival, as well as the Award of Merit at The Accolade Global Film Competition. The film also went on to receive official selections at the aforementioned festivals, as well as Atlanta Shorts Fest, Laughlin International Film Festival and Film Invasion LA.

This sort of success is not unheard of for talent as unparalleled as De Luca’s and it only motivates her to expand her reach in the industry. Her drive is unprecedented and for this reason, filmmakers are drawn to her when looking to cast an actor that will carry their script or storyline to greatness. Fortunately for cinematographers all over the world, she is attracted to well-written scripts and eager to do their characters justice. When producers like Annie C. Wright, who worked with De Luca on her digital series, Down & Out, get to experience working with De Luca, they are often astounded by the depths of her talent.

“Francesca is not only talented in her craft, she’s professional, driven, and willing to put in the work required to succeed in this industry. She is a joy to have on set and I hope to be able to work with her again in future productions,” said Wright.

Jeremy Pion Berlin, who directed Passports, was intrigued by her exceptional on-screen presence and her improvisation skills. He knew that he had to work with her and his experience working with her pushed him to want to work with her again for his upcoming film, Midnight Daughter. When Berlin approached her about starring in his first feature length film, the British-Italian actress was thrilled. For Midnight Daughter, De Luca will be playing the lead role, Shawna. The psychological thriller is to be set in an old-age facility where Shawna works. De Luca, who loves playing dark, dramatic roles, is ecstatic about the depth of Shawna’s character and the opportunity to keep her audience on their toes for the duration of the emotional roller coaster that the film will depict.

In addition to Midnight Daughter, De Luca will also be starring in the romantic comedy Espresso. She is very excited to be diving further into the comedic genre once again. Her versatility as an actress allows her to transform herself into characters living through all kinds of experiences. She is not typecast and she does not limit herself to any specific range of characters. She seizes the challenge of becoming whomever a script needs her to be. If her history of excelling in every role she has accepted is any indication, she once will be perfect for the part in Espresso.

“I love the challenge of playing different roles and brining parts of myself to a character. It is my passion and I am lucky to get to do what I love over and over again. I can’t wait to see how both projects turn out,” concluded De Luca.

Actor, Film

Michelle Howarth on starting difficult conversations through the art of film

September 28, 2017 pressva Leave a comment

Michelle Howarth

What Michelle Howarth loves most about being an actress is having the opportunity to submerge herself into the lives of other people. She is fascinated by human beings and thrives on any opportunity to learn about unfamiliar cultures and places around the world. For Howarth, acting is a chance to walk a mile in someone else’s shoes. When her characters feel pain, she wants to understand it. When they feel fear, she wants to know why. Beyond the empathetic nature of connecting with her characters, however, Howarth is grateful to work in a profession that provides a platform to channel untold stories and bring them to life. Oftentimes, this means shining a global light on a social, political, or socio-economic issue that the world may not fully understand, or even be aware of. It is one of the few occupations in the world with the potential to start important, controversial conversations and ultimately, change perspectives, minds, and lives.

“Acting can take you into a world with the potential to transform, educate and initiate conversations. It can affect audiences in different ways, whether you’re making them laugh or challenging their beliefs. Acting also allows the audience to escape into a different realm for an hour or two and experience a world beyond themselves… I think that’s really beautiful,” tells Howarth.

Howarth has taken her audiences on a number of journeys throughout her career, allowing them to escape their own realities for hours at a time and simply immerse themselves in her talents. She regards herself as a naturalistic actress, lending her authentic style to a number projects in television, film, and theatre. The esteemed actress is well known for her ability to convincingly transform into any character she sets out to play and is well known for her roles in television mini series such as OCD Mayhem, as well as film shorts like Mad House and The Comments. Recently, Howarth earned herself a role in the television series Hummingbird, and credits landing this role as being one of the greatest highlights of her careers.

Earlier on this year, Howarth auditioned for and won the role of Kelly in a psychological thriller called Madness Descending. The film, directed by Jimmy Cenci, tells the chilling tale of a brooding artist and writer, Devon, and his quest to complete his own novel. In the film, Kelly is Devon’s girlfriend and the story depicts the tole Devon’s creative process takes on their happy and loving relationship. One day, during the Christmas holidays, the couple experience a strange encounter with their landlord and the storyline spirals downward as Devon investigates the haunting truth inside their basement.

Playing Kelly was Howarth’s first experience within the horror genre and she was particularly eager to explore this new territory. She is very keen on the idea of expanding her skill set wherever possible and jumps at any opportunity to develop herself for the better of not only her career, but the entertainment industry as a whole. Cenci, who is used to working with extremely talented actors and actresses, was particularly impressed with the quality Howarth added to the film and knows that she was an integral cast member.

“Working with Michelle was a terrific and wonderful experience. She is extremely talented and a fantastic, professional actress – even in situations of great stress. I subjected her to some miserable situations and she rose to the occasion, exceeding all of my expectations. She is quick-witted, understands character development and takes direction well. All in all, she is a wonderful person, an exquisite actress, and a joy to work with. I’d be honored to work with her on any project in the future,” states Cenci.

What makes Howarth such a dream for a director to work with is her unwavering commitment to getting into character and to playing her part to the absolute best of her ability. Having only a week to learn the script before filming, Howarth meticulously learned her lines and ensured that she acquainted herself with the script in such a way that gave her a thorough understanding of how her character would think and act in the situations she was placed in. In the film, Kelly turns out to be a figment of Devon’s imagination. For this reason, Howarth dedicated her initial character analysis to learning Devon’s psyche, in order to grasp how he would’ve interacted with the character and which parts of his personality she would showcase.

Through this process of learning about Devon and about how he envisioned Kelly, Howarth was able to juxtapose the elements of his character that Kelly was supposed to highlight. In addition, she flawlessly mastered Kelly’s transition from Devon’s bubbly, fun-loving girlfriend into a fear-ridden, anxious character toward the end of the film. It takes an actress with unprecedented talent to be able to transform a character so drastically within the parameters of a single film, but Howarth did so with ease. There are no bounds to the quality of her skills and she was instrumental to the quality of the film.

“I liked the fact that I got to experience being the figment of someone’s imagination and having the challenge of portraying that as a reality for the film. I also like the arch of Kelly’s character and how she transforms from being the sweet, lovable girlfriend to a terrified mess, to an ultimately empty vessel devoid of emotion by the end of the film,” recalls Howarth.

The underlying message of the film is that Devon’s mind is a much more powerful tool than he knows, much like Howarth’s talents are far more profound than she may realize. The film is currently in post-production and is set to premiere in 2018. As for Howarth, however, her career is in full swing. She hopes to be a series regular on Hummingbird, as well as working on as many independent and feature films as her schedule will allow. She is also currently in production for two different films, one of which she helped write and produce. In all, she hopes to continue to act for the rest of her working days in order to keep telling stories that are worth telling. As far as she is concerned, the film industry is one of the greatest ways to initiate difficult conversations and she is honored to raise awareness to the important aspects of humankind.

Film, Producer, Television

Katie Horbury works with Hollywood’s A-listers during BAFTA Awards

September 21, 2017 pressva Leave a comment

Katie Horbury says it is her job to bring ideas to life. As a producer, she takes in every aspect of the production and ensures it all runs smoothly. Without her, the television shows you know and love may not have made it to the screen. She takes on a lot of responsibility, but she loves what she does.

Originally from Pontefract in the North of England, Horbury broke from the norm. She wanted more than a quiet life in a small town, and became determined to do what she loves most: telling stories. She left for the big city when she could, and immediately started working with some of her country’s most iconic shows, such as The Only Way is Essex, Big Brother and Celebrity Big Brother, Celebs Go Dating, Don’t Tell the Bride, and Come Dine with Me. She has worked with ITV, the second largest network in the UK, as well as Disney Channel. There is no limit to what she can do.

“I like telling stories and creating something that has a reaction in other people. Whether they are laughing, crying, learning something or just entertained in some way, knowing that I created an emotional response in another person is what I love doing. I love the night before a shoot when I can’t sleep because I have that nervous excitement in my stomach. I love waking up at 5 a.m. on filming days and running on adrenaline all day because your creative juices are flowing, and this is me at my best. What I love the most though, is the first few days in the edit, when it all starts coming together and you begin to see your vision come to life,” said Horbury.

While living her dream, Horbury has the opportunity to work alongside Britain’s best. Perhaps this is best represented with her work on the BAFTA Film and BAFTA TV Awards. BAFTA, the British Academy of Film and Television Arts, hosts the two prominent award shows every year, honoring Britain’s film and television stars. Horbury grew up watching the award shows, inspired by the actors, directors, and especially producers that won the awards. When she was given the opportunity to then work on the award shows, she was eager to take part in the new experience.

“Working there was a completely new and different experience to any other show I had ever worked on. This was a hugely prestigious event and it is essential that everything runs smoothly,” said Horbury.

Having worked on the award shows every year since 2011, Horbury has many responsibilities, ensuring the shows go off without a hitch. She assists presenters like Stephen Fry and Graham Norton with full rehearsals. She also manages the event timings to ensure that all chaperones and their A-list citations readers are fully rehearsed, their scripts are finalized and they are backstage promptly on time to present their award, and that they go to press and are interviewed and photographed with the award winner.

Essentially, Horbury ensures that everyone is in the right place at the right time, making her essential for the live awards ceremony. Some of these talents include A-list actors such as Leonardo Dicaprio, Tom Cruise, Brad Pitt, Emma Stone and Meryl Streep. The ceremony also hosted royals Prince and Princess William and Kate.

“Working on this show is insane. The pressure is like nothing else I have ever experienced,” said Horbury. “I decide to go back every year because I love being part of such a celebration of British film and television, and British Culture.”

Horbury is repeatedly asked to come back to the awards shows, as her talents are imperative to the shows’ success. Initially, a fellow producer had recommended Horbury for the role, knowing that someone with a lot of skill and commitment was needed. She now works with the same team every year. In 2011, Horbury made sure one presenter was back stage at the correct time. Since then, she has been promoted and ensures every single presenter is where they need to be. Without her, there would be no one to present the awards, and fellow producer Matthew Edmondson, who worked with Horbury on the BAFTA Awards, was extremely impressed.

“Working with Katie is always a pleasure and a rewarding experience. She’s hard working, easy to work with and she brings high quality production values to the productions she works on. I would love to work with her again. Katie is an honest, trusted and experienced producer who has very high standards. She is fantastic with people which makes contributors and crew respect her. Katie is extremely well organized, confident and imaginative. She never gets flustered and never and never gives up and I wouldn’t hesitate to recommend her for future jobs no matter how big or small the production is,” said Edmondson.

While Horbury has ample experience in television, the BAFTA Awards are the only award show she has been a part of. The foundations are the same, and she remains cool, calm, collected, and professional during the award shows, as she does with each project she takes on. However, she allows herself a moment to fully appreciate the event each year.

“It is such a beautifully presented event that celebrates the most amazing film and TV productions. While the show day itself is incredibly challenging, I am so proud to be part of something that rewards the most talented people in the world when it come to my greatest passion – story telling. This is the night when you see real emotion, pride and honor in those people who are rewarded for telling exceptionally moving, honest and often heartbreaking stories through Film and TV production,” concluded Horbury.

Actor, Film, Reviews, Interviews & Features!

Scott Michael Wagstaff talks new film ‘Pendulum’

September 17, 2017 pressva Leave a comment

Scott Michael Wagstaff, photo by Kim Hardy

Creativity has always been a guiding force in Scott Michael Wagstaff’s life; it is his fuel. From a young age, he channeled that into performing. The buzz he would get from standing on a stage in front of a live audience was addicting. As he grew, performing was no longer about the thrill, but rather living in a place of honesty for himself, and inspiring audiences to do the same. It is this understanding that makes Wagstaff such an extraordinary actor today. He acts not only because he wants to, but because he needs to. There has never been an alternative for him.

Throughout his career, Wagstaff has taken not only his home country of England, but the world by storm. With memorable roles in BBC’s Doctors, 6 Days, The Time of Their Lives, and Final Reflection, audiences can see exactly why Wagstaff is at the top of his field. Recently, his accolades grew yet again, with a nomination for “Best Supporting Actor” at the FilmQuest Film Festival for his role in the new film Pendulum.

“Playing the role of Gwilym was a very fulfilling and a great challenge. The role required me to be a man of few words which is tougher than what it sounds. As an actor, you feel at times the words do the work for you, so when I found I had little to say to honor this role, and furthermore the story, it always seemed challenging. I had to just completely trust that I had everything going on already,” said Wagstaff

Pendulum is a film about two friends who seek spiritual salvation in India in advance of the impending collapse of the cosmos. It is a spiritual science fiction tale with a deep message, telling audiences the importance of being okay with themselves, who they are, and to stop attaching to everything else to distract from who they really are. Wagstaff plays the pivotal role of Gwilym. Gwilym is a very cold man, but has great care and love for his best friend Cerys. The role was entirely improvised, with no script. Wagstaff had to ensure that whatever he improvised would not only keep true to the story, but enhance it.

“What helped is knowing why Gwilym is so cold. He didn’t agree with the hedonistic and disconnected world in London, a result of the end of the world upon them, and had given up on connecting himself, thinking he’s better off alone without joining in the numbing of the end of the world. Once I understood that part of myself that wanted to numb from certain things in life did that then help me embody this character,” Wagstaff described.

In addition to Wagstaff’s nomination, the film is in competition at Encounters Film Festival at the end of the month, making the film BAFTA and Oscar qualified. It is an Official Selection at the Stranger With My Face Festival, NOLA Horror Film Festival, PUNE Film Festival, and of course, the FilmQuest Festival. It has just begun its film festival run, so it will likely be recognized much more around the world. None of this could have been possible without Wagstaff’s understanding of his character and his dedicated and captivating portrayal of Gwilym. He also produced the film.

“Scott is a generous and kind-hearted team member, who really wants the best for each member of the cast and crew and will go to lengths to let people shine. As a performer, he is able to deliver deep and emotionally connected performances in the trickiest of circumstances, always putting vast amounts of work in, and with the confidence to let his talents dazzle,” said Lauren Cooney, the Director, Writer, and Producer of the film. “As an actor Scott has a deep emotional well, on which to draw from, and is able to deliver truthful and complex performances in the moment. As a producer Scott is fully up for taking big risks, and jumping on board adventures. He seeks out collaborators who he is excited by, and is very committed to long-term work in this much-loved industry.”

Cooney initially invited Wagstaff to work on her film, knowing she needed the best actors to make her film a success, especially when it came to Gwilym. He is the catalyst for the lead female role Cerys to see that everything she has been searching for is right there within herself. Even though he comes across cold and disconnected, he breathes a truth into Cerys’ life about him being okay with being alone without him saying anything. He has a love for Cerys that helps her to see that love ultimately between human beings is what matters most – love of self and then love of others. The road trip to India wouldn’t have happened if Gwilym wasn’t there with her, as she wasn’t capable of being physically alone.

“On a deeper level, Gwilym represents people in this world who have great moral beliefs and want change, but don’t speak up until they feel they really do have to. It would be great if these people would speak up from the get go,” said Wagstaff.

Wagstaff had full creative freedom to create such an in-depth character. His instincts were almost always right, and very little was changed without his input. There was a great sense of teamwork on the film, and that is what Wagstaff loved.

“It was the ultimate meaning of collaboration to me and the people in the cast and crew were fantastic. I also loved that I got to travel around India with this film, I see the most radical and powerful sights and even ended up on a train for over three days travelling from one location to another,” he concluded.

Be sure to keep an eye out for Wagstaff in Pendulum.

Actor, Film, Reviews, Interviews & Features!

Antonio Vigna talks adopting mindset of a serial killer

September 17, 2017 pressva Leave a comment

The first time that Antonio Vigna stepped onto a stage, he realized that he has a passion to entertain flowing through his veins. As he began to take on more prominent roles, he learned that there wasn’t a single part of acting that he didn’t enjoy. To this day, he thrives on the opportunity to step into the shoes of a new, different character every time he shoots a film or television show. He feels empathy for the unique situations that his characters encounter and he delves so deeply into his roles that he often catches himself feeling as though he is actually living through their eyes. The true joy of his job, however, comes from inspiring his audiences to overcome the hardships in their lives that are similar to those of the characters he portrays. For Vigna, knowing that he may be the source of hope in even a single viewer’s life is what motivates him to continue acting.

Vigna’s relentless desire to act has earned him a variety of diverse roles in several films and television series. During his work as an actor, however, he developed a profound appreciation for all of the intricate roles involved in creating a film and found himself intrigued to learn more about each one. Eventually, he realized that he enjoyed producing films just as much as he enjoyed acting in them, and his audiences are all the more fortunate for it. His talents as a producer are unparalleled and his works have landed him in several film festivals around the world. In fact, two films that he is particularly fond of, Dia de Muertos and In a Heartbeat were featured at the prestigious Cannes Short Film Corner in 2017. Despite his esteemed career as a producer, Vigna is still an actor and balances the two professions seamlessly.

In 2015, Vigna wrote the script for Perfection which depicts the unique, thrilling tale of a young artist struggling to find the missing piece for his masterpiece. It isn’t until the artist has an accident and discovers the solution to his masterpiece is human blood, which leads him on a terrifying murder spree. When Vigna pitched the script to his director, they knew that they were going to need a high calibre actor to take on the part of the artist. Fortunately, they didn’t have to look any further than Vigna, who had the exact skill set and on-screen presence that the lead role demanded. For the highly sought-after actor, this character presented a unique opportunity to flavour his career in a newfound way and he was eager to bring his own story to life.

“Actors often find themselves playing interesting, dynamic characters; however, one of the most complicated character types to play is a serial killer. I saw this as both an opportunity and a challenge to master the complexity of his mind. I knew that I had to find element of his personality that I could relate to in order to become him on screen in a believable way, which was extremely difficult but rewarding in the end,” said Vigna.

The film’s first assistant director, Markel Goikoetxea was just as pleased with Vigna’s performance as he was. Goikoetxea, being the first assistant director, witnessed the film’s progress from conception to the finished product and he knows better than most about the value that Vigna brings to his roles. His unprecedented talents were the reason that the film showed at prestigious film festivals such as the Hollywood Screenings Film Festival and Los Angeles Cinefest. He was even nominated for Best Actor at the Barcelona Planet Film Festival for his work on Perfection.

“From the very first time I saw the director and Antonio talking about the role, I knew that he was going to nail it. He is so detail-oriented and he gives his best no matter what role he is playing. His work is a reflection of the level of care and consideration he takes to develop his characters flawlessly. He is one of the most talented and hard-working actors that I have ever met,” told Goikoetxea.

The opportunity to play such an intricate, troubled character was a thrill for Vigna. The artist, much like Vigna, is passionate beyond comprehension about his work. As the story progresses, it becomes increasingly apparent that the artist’s determination to bring perfection to his masterpiece pushes him to lose touch with reality and to be blinded by his quest for greatness. Vigna was drawn to the complexity of the role and enjoyed searching for the parallels between his passion for acting and the artist’s passion for his masterpiece. Playing the artist was a journey in itself.

So, what’s in store for the highly esteemed actor? Vigna hopes to continue acting in and producing the highest quality films possible. When asked about the highlight of his career to date, the talented actor and producer humbly replied that his career is a highlight in itself and that the best is yet to come.

Actor, Film, Reviews, Interviews & Features!

Actress Isabella Richardson captivates in ‘Next of Kin’

September 17, 2017 pressva Leave a comment

For Isabella Richardson, acting is pushing boundaries. She throws her emotions into her characters, and therefore evokes viewers emotions, allowing them to see themselves in her portrayal. She is aware of the importance of her work and how it can impact the lives of her audience, and this knowledge allows her to fully commit to each and every role she takes on. The Australian actress is internationally sought-after, with an esteemed career at just nineteen years of age.

Working on projects such as the sketch comedy show You’re Skitting Me, and commercials for Beyond Blue and Sprite, Richardson has won audiences over with her naturalistic approach to her craft. She never overacts, and that is what makes her such an outstanding talent. This is exemplified yet again with her work in the acclaimed film Next of Kin.

“The story of the film is a relatable, but yet complicated interpretation of frustrations towards loved ones. We may get annoyed at the smallest things that someone you love does, but in the end, you adore them no matter what and should never take the little annoying things for granted, because you don’t know when they might be taken away from you,” said Richardson.

The short film follows a policewoman whose job is incredibly straining on her relationship with her husband, who is also her partner in the police force. She has moments in the film of annoyances towards her husband, but in the end, realizes not to take the people she is surrounded by for granted, due to receiving a call about a young boy who was caught up in a terrible accident causing his death.

“I really loved the director and his passion for movie making. The storyline of the film was incredibly deep, but also very simplistic that anyone who were to watch it would relate to the main character. I also believed that it would be an interesting character to try and put myself into,” she described.

Richardson plays Kristine, a character whose boyfriend has just fallen off a bridge and died after doing daring tricks on his skateboard. Kristine is undeniably devastated and has to come to terms with just seeing her boyfriend fall to his death. She is comforted by the police officers and asked questions of the accident immediately following it. Kristine had a broken outlook on life until she met David, but he was rebellious and would sometimes do things that made Kristine uneasy. He was thoughtless at times when it came to how Kristine felt about certain activities he took apart, specifically the people he hung out with. Kristine is the kind of person who needs someone there at all times, she is very co-dependent due to her late family’s careless upbringing, and she relies on a safety blanket, that being David. Kristine is quickly faced with another death leading her to start living an independent lifestyle with the hopes of recovering any day now from all the loss she has experienced in such a short time. It was the first moment of a turning point that led to the rest of the films outcome. It was a pivotal moment of emotion that was needed to spark the main characters and their involvement with each other, and Richardson more than met the task at hand.

“Working on Next of Kin was a truly interesting experience. I had never cried on camera, so that was probably the biggest challenge for me. I got into the mindset of this character by putting myself into her shoes. She had just seen her boyfriend fall to his death right before her eyes, so placing my own thought process into that situation brought up a lot of external emotion which I was able to translate into my characters own emotion,” she said.

When looking for an actress who could convincingly capture the vital role of Kristine, director Nicholas Carlton immediately thought of Richardson. The two had worked together previously on the moving coming for Beyond Blue, titled ‘Preventing Youth Suicide.’ Richardson’s portrayal of a seventeen-year-old troubled skateboarder greatly impressed the director, and he knew her talent would be perfect for Kristine.

“Isabella is featured in a short film that I directed called Next of Kin, and she played the character of a young girl who had just experienced her boyfriend’s death right before her eyes. Isabella brought a realistic aspect to this character. The situation is a devastating ordeal for a young girl to manage. She applied her training and techniques that she has learnt through her short years to reveal a compelling outlook of a simplistic character without any scripted lines. She worked with the me to fully understand the feelings that her character would have felt in that moment, as if she was in the characters shoes,” said Carlton.

Next of Kin went on to receive praise as an Official Selection at the Byron Bay Film Festival where it premiered. Without Richardson’s authentic portrayal of Kristine, such acclaim may not have been possible, but for the actress, she simply enjoyed working alongside great people.

“I loved being able to work with a great crew and cast. They all were incredibly lovely and I was met only with helpful, kind people. We all were there because we loved doing what we do and that was one of the things that made the whole experience so much fun,” she said.

There is little doubt that Richardson will continue to be a name to watch out for on both the big and small screen for years to come.

Actor, Film, Reviews, Interviews & Features!

Actress Liya Shay is the voice in your head in film ‘From Within’

September 11, 2017 pressva Leave a comment

collinstark06 — Actress Liya Shay, photo by Collin Stark

“Taking on a new role, transforming into a new character is like a drug to us actors,” said Liya Shay. The Russian native has enjoyed acting since she was just a child, knowing she would never want to do anything else; she can’t live without it. She believes she is one of the luckiest people on the earth, getting to do what she loves every day. She is also one of the best actresses to recently come out of Russia.

Throughout her career, Shay has worked on a series of esteemed projects, solidifying her reputation as a true professional. Her portrayal of the sister in The 4^th Person caught the attention of both audiences and critics, a trend that continued for her roles in Musician Evan Blum’s “Won’t Be Alright” music video, and the short film Greek Yougurt.

“If you don’t truly love acting, you would not be able to do it,” she said.

Shay has become an international success, with producers and directors looking to have her in their films. Just last year, this happened when producer Nikita Sapronov reached out to the actress to be in the film From Within. The two had worked together on the film Forever, and Sapronov knew Shay would be ideal for the role of Louise. The two have now worked on four projects together, and Sapronov is always impressed with the skill that Shay holds despite her young age. He was very impressed with how fluently she switches between accents and dialects. He helped the casting directors of the television series Cyberia find their lead character Dr. Alina Petrovska, knowing that Shay can speak Russian and do an authentic Russian accent. In the near future, Sapronov yet again will be working with the actress on the mockumentary feature film Homeschool Graduation, and believes that her talent as an outstanding actor will make her a wonderful asset to his film.

“Liya created a unique character in From Within. Fictional, yet so familiar to everybody who faces the struggle of their perfectionist self. The combination of her strong deep melodic voice together with the British accent that she portrayed flawlessly due to her background living in the UK, created a character that was unforgettable. The character was an antagonist, but Liya was able to play on different notes of the character, making her performance so unique,” said Sapronov.

From Within tells the story of Caleb, a musician who stands up to his perfectionist inner voice, accepts his faults and embraces his inner creativity, taking his performance beyond the technique. Shay believes the film tells an important story, as many people struggle with trying to be perfect and constantly feel not good enough. From Within tackles these issues.

“Our world is so reliant on competition in everything we do. There is always someone better or stronger or cleverer and we always have this voice in our heads that tells us that we are not good enough, and often this voice is the reason why we give up. In this story, we wanted to remind the audience that doing something from your heart is more important than doing it perfectly. That what we do and the way we do it is so unique to every person, that simply that makes us equally special. Trusting your instincts and not comparing yourself to anybody else is the key to success,” said Shay.

Shay’s character Louise was extremely crucial to the story of From Within, as she leads Caleb through his self-discovery. She pushes him beyond his boundaries, and makes him realize that he can achieve greatness on his own, if only he embraces his mistakes. Shay was able to portray how three dimensional her character became, despite being written as a simple antagonist.

“I loved playing around with this character. I tend to get cast in roles that show vulnerability and a lot of emotions. This character was the opposite. She was strong and in complete control over Caleb. it’s definitely a lot of fun to be the boss. Also, I was always moving around as opposed to Caleb who is always at the piano in our scenes. It gave me an opportunity to really play the devil who is always behind, always whispering in your ear. The gorgeous red dress was the icing on the cake,” said Shay.

The audience’s sympathy for both the pianist and the muse helped the film achieve such success on domestic and international film festivals. It was an Official Selections at the Mission Viejo Film Festival, Oasis Film Festival, VOB Screening Series, and Austrian International Film Festival. None of this could have been possible without Shay’s intense portrayal of Louise. She knew the importance of building a believable relationship with the character of Caleb. Because Louise was an imaginary character, Shay had to create a sense that she was not a real person, but a product of Caleb’s imagination. Although it was mainly achieved through montage in the film, she had to carry the sense of it throughout the film. She chose to often walk around in circles close to Caleb, intruding his personal space, which emphasized that they had a very close relationship, and that she was holding some sort of power over him.

“Louise has a strong mindset that can’t be changed or meddled with. Unlike Caleb, she knows exactly what she wants from him and how to get him there. Although she is the antagonist, the audience is compelled to listen to her because of the intensity that she holds in every moment,” Shay described.

Audiences should be sure to check out Shay’s portrayal of Natasha in the upcoming film Jet Lag. Check out the trailer here.

Behind the Scenes, Reviews, Interviews & Features!

AMERICAN & CHINESE FILM GROWS CLOSER WITH A LITTLE HELP FROM XIN GONG

September 5, 2017 pressva Leave a comment

While there are many things that separate the peoples of the world, the Arts have always been something that brings us all together. It can be the Beatles singing “I Wanna Hold Your Hand” or a Monet painting…any number of creative expressions that allow different cultures to intuitively feel our unifying threads rather than discord. When a new facet of an art form is developed it also allows for a possible harmonious cooperation amongst those of different backgrounds. Hollywood filmmaking is cresting a century of creating world renowned films. China has a much more blossoming film industry but is bringing its own identity and talent to the acclaim of a great deal of critics, audiences, and peers. Technological advancements have changed both the look of movies and the way they are made. One of the newest careers in film is that of Digital Imaging Technician or DIT. Xin Gong is a DIT who hails from China but has worked with a number of American productions. Her talent as a DIT as well as her ease in communicating and working with both US and Chinese cultures has allowed her to become a bridge between these two film centers. Helping these differing professionals cooperate while using her knowledge of both industry’s strengths is what she did as DIT for the film Devil and Angel. This 2015 comedy feature was made in China but employed a number of professionals from both America and China. Xin found that more than her DIT skills made her valuable on this production as well as taught her about the people from both areas.

DIT is a fairly new job in filmmaking. As technology quickly advances, DIT’s are becoming responsible for more and more things. In the United States, crew members are familiar with the most modern duties of a DIT, as opposed to the more traditional view of Chinese filmmakers that the DIT is primarily concerned with keeping the footage safe. Gong worked on this specific film because it afforded her the opportunity to change this perception. Xin wanted this predominantly Chinese crew to be aware of her ability to provide options for the directors and DPs, to let them know there are many things that the DIT can do to make the production process a lot more convenient. Gong seized many an opportunity to exhibit how she could help to set data of both cameras and footage and make all the digitalized imaging devices work, such as: monitors, sound devices and the Teradek. Communicating extensively with the DP, Director, and post-production to help these different sects of the team make adjustments and fine tune the field production process. In truth, the DIT is the gate keeper of the film. No one on the set can take a look at the story until Xin decodes and color correct the raw footage.

Cooperating within the nucleus of the camera team and director was not the limitation of this for Devil and Angel. While the film was shot in China, the production recognized and respected the talent of US film professionals. Employing such professionals would not only increase the quality of the final product but would serve as a learning process for those not familiar with the Hollywood way of doing things. As a native of China but with a strong command of the English language as well as extensive knowledge of the American filmmaking process, Gong often acted as a verbal and professional conduit between members of the crew. While there was an obvious language barrier, there was also a difference in opinion about how to approach certain aspects of the filming process. Once again, being proficient in both cultures film process, Xin was able to correlate a process which resulted in both sides finding positivity in the results.

The talented professionals behind the camera need to coordinate and communicate in order to enable the professionals in front of the camera to portray the story. Devil and Angel is a romance which begins with a car crash. The two main characters, Xiaodao Zha & Feili Mo, are combative and somewhat self-centered early in the movie but they get to know each other through a series of cooperative circumstances. Eventually they fall in love as they let down the protective walls that separate them. The film’s story contains the universal theme of love but also vividly expresses some cultural differences. US films tend towards everyday realism while those of China focus on mind and spirit. China prefers a group working together for success while most American films focus on a single hero. The production of this film proves that the borders which separate the two country’s film industries are not as separate as they used to be.

Along with the rest of the production team, it was Gong’s goal that Devil & Angel be well received, which it was. Even more than this, Xin wanted to prove that as things evolve it can be beneficial for all involved parties. Through her exceptional work, she convinced her fellow professionals that a DIT can assist the film in a number of ways. Through her positive attitude and comfortability with different languages and cultures, she helped them to see that we can all become better through cooperation.