Category Archives: Actor

Legend of the Fall: Russian-Australian Actor is an ‘energetic fulcrum’ when it comes to performing

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Russian-Australian actor Peter Fall has excelled in his roles in international film, TV, commercials and stage productions.

Actor Peter Fall has been wowing international audiences for his outstanding character portrayals spanning action-adventure, mystery, drama, comedy and more. The Russian-Australian talent — who formerly went by Igor Fall — is classically trained and owns a myriad of specialized skills that make him recognized, praised and sought after by Hollywood movers and shakers.

Fall, 30, parlays his personal experience into an exploration of character in each of his performances. While growing up, Fall spent time living in Europe, Asia and Australia. He speaks English, Russian and Korean, and has mastered dialects including Australian, British, Irish and South African, among others. Fall embraces physicality when it’s demanded of his roles and is a skilled sportsman and former Australian National WTF taekwondo champion.

He’s been living in Los Angeles since 2010 and underwent training at the renowned Stella Adler Conservatory and Lee Strasberg Theatre and Film Institute. Whether for the stage, award-winning short and feature films, TV or commercials, Fall has stood out as a gifted actor with dynamic range, engagement and authenticity.

“I’ve always had a great love of acting,” said Fall, who started performing seemingly since birth and signed with his first talent agent at the age of 10. “I’ve studied the art of acting with some of the world’s finest practitioners. I’ve had the chance to act alongside some supreme talents and for some world-class filmmakers. Through it all, I’ve applied the strategy of absorbing and implementing effective technique, and more than anything, being a positive presence on set and in production.”

Fall’s first role on TV came in 2000 in “Beastmaster,” a fantasy series about an adventurer (played by Daniel Goddard (“The Young and the Restless”) who can communicate with animals. As child actor, Fall performed a featured role for Season 1 Episode 10 — “Riddle of the Nymph” — that was directed by the award-winning Brendan Maher.

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Actor Peter Fall (far left) made his TV debut on the fantasy adventure series, “Beastmaster.”

“This was an immersive introduction into the world of television,” he said. “It was an exciting time and great chance to be a part of a series that found international success. The opportunity to act for “Beastmaster” fueled my drive to pursue a performing career at an early age.”

The series ran for three seasons with 66 total episodes and broadcast in America, Canada and Australia. It was derived from MGM’s 1982 film, “The Beastmaster,” and was nominated for awards by the Academy of Science Fiction, Fantasy & Horror Films and the Australian Film Institute.

Since his move to Los Angeles, Fall acted in “Perception,” a feature mystery film written and directed by Stan Harrington. The movie tells the story of a man who questions his sanity when reality blurs with his own imagination.

Harrington, a 25-time award-winning filmmaker and actor, starred in “Perception” alongside R.D. Call (“Waterworld,” “Into the Wild,” “Murder by Numbers”), Kely McClung (“Blood Ties”) and Blythe Metz (“Nightmare Man”). For “Perception,” Fall acted in the key role of Hoges.

“Perception” tells a great cinematic story and I was thrilled to work with a brilliant filmmaker and terrific cast,” said Fall. “The character, Hoges, is a bit of a catalyst who drives the story. He introduces Athena, played by Blythe Metz, to Marcus, played by R.D. Call. Athena takes on a poor relationship with Marcus and Hoges tries to interject and reason with her. I felt we delivered a solid film that’s a callback to the story-driven approach.”

Harrington said, “It takes a certain kind of excellence to enter films and spin the story like Peter did. It is the best proof of his immense talent and range as an actor to see him do so superbly. His performance was honest, appropriate, and above all excellent.”

Fall thereafter played a soldier in the short drama film, “Red Poppies,” directed by Yaitza Rivera. The film follows the story of a woman (Zulivet Diaz) who was sexually assaulted, but finds a chance at happiness when she meets the love of her life while attending her father’s funeral.

“Red Poppies” was written by the great Tim McNeil, an actor-writer-producer known for his work in “Contact,” “Forrest Gump,” “Starship Troopers” and many more.

“It’s a powerful film with strong thematic elements,” Fall said. “There’s drama and conflict aplenty, but it’s also a touching story of hope and perseverance. I played the solider who attacks the lead, Iris. My part in the story is dark, grim and detestable, something that’s a real performing challenge. It’s difficult to go that far against the grain of who you are as a person, but that’s what acting’s all about. If I can make the audience hate me and root for the leading lady, I’ve done my job.”

The notion vaulted into fruition as “Red Poppies” received a Best Short Film nomination at the 2013 SoCal Independent Film Festival. Diaz was nominated for Best Actress at the festival, Rivera won Best Director and the film was also up for award consideration at the Action on Film International Film Festival.

Film festival judges weren’t the only ones who noticed the captivating acting displayed within “Red Poppies.”

“Peter’s ability to play such a dark and unforgivable character was key to the film’s ability to affect an audience,” said McNeil. “He portrayed the soldier with such a gruesome reality that everyone cringed in their seats and was immediately empathetic toward the struggle of Iris. The technique of an actor is often lost by the non-professional, especially in scenes of such intensity. Only the best actors can work honestly under such duress and employ years of technique to excel in such a despicable character.”

Fall has also routed his cut-above-the-rest acting talent for TV commercials. He acted as a young guitar player in Ubisoft’s “Rocksmith 2014” commercial and as a German protestor for a Sony Mobile spot from Tarsem Singh, director of hit blockbusters “Mirror Mirror” starring Julia Roberts, “Immortals” starring Henry Cavill, “The Cell” starring Jennifer Lopez and others.

The Sony commercial is titled “Always with You” and advertises the global electronics manufacturer’s waterproof Xperia Z smartphone. The spot shows Sony products throughout history and Fall’s role featured him taking a sledgehammer to the Berlin Wall to the delight of a crowd rallying behind his protesting action.

“Peter’s performance was the energetic fulcrum in the ad, bringing the excitement to the screen and loading the audience up for the new product reveal,” said Fall’s agent, Martin Herrera, of the Sherman Oaks, Calif. headquartered Baron Entertainment. “The ability to not only lead a commercial of that magnitude and work with a director of such prominence is exactly why we put him up for that part.”

For the Ubisoft commercial that branded their hit video game, “Rocksmith 2014,” Fall played a young man who selects his first guitar in the game’s debut trailer campaign. The game has achieved best-seller status and has the unique functionality of teaching users how to play the guitar. Fall’s face is the trailer’s opening image that sparks the pace for the commercial, which was directed by David Moodie, producer and director known for his work with games such as “Rainbow Six: Vegas.”

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Ubisoft’s commercial for the video game, “Rocksmith 2014,” featured actor Peter Fall in the role of an aspiring guitarist.

“Acting for commercials and branded content like that is a nuance unto itself,” Fall said. “The goal is to quickly create a lasting message that makes consumers take action and feel persuaded to purchase a product. Acting on large-scale productions with exceptional directors and for companies like Sony and Ubisoft was an altogether tremendous experience.”

Fall’s formidable prowess and career track record typifies acting excellence. His other highlights include acting in McNeil’s film, “Gettin’ Off,” where he plays a man who has a relationship with a prostitute, and in McNeil’s original stage play, “Margaret.”

Fall played the leading role (Edmund) in the Stella Adler production of “Edmund,” written by David Mamet (“Glengarry Glen Ross”), who has won a Pulitzer Prize and received Tony and Oscar nominations for his script writing. Fall’s performance as Stepan Stepanovitch in Chekov’s “The Proposal” (Nairn Theatre) resulted in Outstanding Actor and Best Supporting Actor awards at regional and state short play festivals in the U.K.

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Actor Peter Fall (center) performing in Chekov’s “The Proposal.”

He has also starred in “M, M, M! Music, Monologues and Mayhem” (The Theatricians), “The Irresistible Rise of Arturo Ui” (Nairn Theatre), “Private Wars” (Lee Strasberg), in Oscar winner Milton Justice’s production of “J.B.” (Stella Adler), “The Diviners,” from writer-producer Christopher Thornton (“Sympathy for Delicious”) and in the film, “Shell Shock” from Levy Lambros.

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Actors Peter Fall (left) and Austin Iredale (right) starred in “The Diviners.” 

Continuing to show up in many productions to come, Fall is attached to the forthcoming comedy film, “Not Summer Camp,” from actor-producer Joshua Marble (“CSI,” “Unusual Suspects,” “The Ex List”). He will also star in the YouTube comedy series, “Little America,” from Cobblestone Productions. Morayo Orija (“Spit”) and Sam Marin (Cartoon Network’s Emmy-winning “Regular Show”) will produce. Orija and McNeil will direct. Fall is also starring in the 2017 feature western period drama, “Colt,” about the last week of Russian poet, playwright and novelist, Alexander Pushkin. Fall is co-writing with Austin Iredale and will produce along with Orija and Marin.

Q & A with Dazzling UK Actor Rob McLoughlin

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Rob McLoughlin as DCI Mills in the film “Suspect 13”

 

We already know through his powerful leading performances in films like “Suspect 13” and “Bio Killer,” that English actor Rob McLoughlin’s dramatic disposition and captivating on screen presence have made quite an impression on audiences.

Early on in his career McLoughlin established himself as a diversely talented actor capable of holding his own alongside industry greats such as Golden Globe nominee Martin Freeman, who McLoughlin acted alongside in one of his first projects on the big screen, the BBC’s “Micro Men.”

Aside from being an extraordinarily talented performer, McLoughlin has the added bonus of being drop dead gorgeous by anyone’s standards. What’s more is the fact that, regardless of whether he’s playing a bad boy criminal like his character in the film “The Fry Up” or a debonair stud, which he portrayed in a recent commercial for Audi (which you can check out below), McLoughlin is a gifted chameleon who is able to easily adapt his look to fit the role.  

 

In one of his most recent films, “Il Sonnambulo,” he applies his remarkable artistry to the horror genre for the first time. His expressive and self-aware nature is serving him well for this new challenge, as the psychological horror featuring a murderous Venetian “Boogey Man” has already won several impressive awards including Vancouver Web Fest’s Best Horror and Seattle Web Fest’s Best Cinematography and Best Director.

With his belief in the power of creativity, his trust in the writing and his engagement in the development of his characters, McLoughlin is a director’s dream. He worked closely with award-winning “Il Sonnambulo” director Doug Rath to create the dynamic character of Roberto Aurelio; an accomplished and somewhat arrogant journalist looking for a big break.

For the recent and first time dad, McLoughlin says, “The subject matter was challenging…although it was so much fun, it was really really dark too.”

It takes a certain positive attitude and passion to cultivate fun on the set of an intense and  murderous horror film, read McLoughlin’s interview below to see how he does just that!

Hi Rob, thanks for joining us! Can you tell our audience where you are from? 

RM: I’m from Liverpool but London has been my home for the past 14 years. It’s a great, fun and  creative city.

When and how did you first get into acting?

RM: When I first came to London I was working as a model. I got into acting that way.  I just got to help out on a couple of unpaid short films. Couple of lines here and there. That sort of thing. I got hooked immediately. I love being on set. I love the process of it all. It’s just so much fun and it is really absorbing to get into the heads of the characters and to tell their stories.

Can you tell us a little bit about the storyline of the film “Il Sonnambulo”?

RM: “Il Sonnambulo” translates as “The Sleepwalker” in Italian. He’s a Venetian ‘Boogey Man’. He is a character that people would warn their kids about, “Be good or Il Sonnambulo will get you.” That kind of thing. He’s really bloody horrible! He kills kids and adults; he mutilates them in fact!

So it begins with a very famous photographer, Atticus Hurst, whose daughter vanished 20 years ago and he’s been taunted by someone claiming to be Il Sonnambulo ever since. This has lead him to many gruesome murder scenes, but his pain of loss and over exposure to the gore has lead him to be somewhat desensitized to it all. Then he teams up with a ‘gonzo’ style journalist, who has forced his way on to the trail of Il Sonnambulo. Things take a very different turn for both of them after that.

How does your character Roberto fit into the story?

RM: I play the journalist, Roberto Aurelio.  He’s a good guy. Was successful in the past winning loads of awards for his war stories when he managed to sneak into Syria to report on the conflict, but the past few years have been quiet for him.  Getting an interview with Atticus Hurst is his big break back into the big time. And oh boy, does he want to exploit that.  Roberto is a fun character.  He’s a chancer, you know? He takes loads of risks. He’s cheeky and arrogant but somehow still remains likable.

How did you approach developing this character for the screen?

RM: I actually sat down with the director, Doug Rath and his wife Hanna and invented Roberto’s back story.  He’s not a million miles away from me personality wise. He definitely looks like me for sure.  I wanted him to be vulnerable but arrogant at the same time.  He has to show balls but he’s scared shitless. And that’s confusing because he thinks Atticus is completely mad, that this is all some spooky crap that Atticus has made up after too many absinthes. However, it’s all too enticing and could get him back on track professionally. I mean, who knows that feeling better than an actor right? Pretty much everything we do is a shot in the dark. Maybe I’m closer to Roberto than I thought. Interesting.

Did you face any challenges along the way?

RM: The subject matter was challenging, I had never done an outright horror film before, and although it was so much fun it was really really dark too. It’s a psychological horror. I think I could have dealt with gore easier. The fact that we were dealing with the horrible murders of babies is what did it, as I had just become a dad for the first time and now I had to put these thoughts in my head.  Yeah, it was really tough, as you can imagine. In fact don’t imagine, I have imagined it for you.

What were some of you most memorable moments during the production?

RM: I broke my nose. All by myself. Actually, I rebroke it.

We were waiting in the green room on set to do a scene at night to be shot in the back of a black cab and I was a bit fidgety. Doug has this cane that he got off a set in Chicago, it was an antique wooden stick with a heavy solid silver bulldog handle. Apparently it belonged to some nasty East End gangster in Victorian London. It was also supposedly cursed. I started spinning the thing around and sure enough I wack myself in the exact place where my nose had been broken 2 months before. I looked around the room and luckily no one had noticed until the makeup girl pointed out there was blood pouring from the bridge of my nose. We were just about to film a scene, man, not good timing.

Has “Il Sonnambulo” had its world premiere yet?

RM: It was shown on the productions own website at Halloween; IlSonnambulo.com. It’s now doing rounds at film festivals and gaining interest from several networks in the States to be shot as a series. It has a lot of legs and the story needs to be pushed on. We left it at one hell of an amazing cliffhanger, so all our fingers are crossed.

Does the film have any upcoming screenings that you can share with us?

RM: It’s been shown at the “Vancouver Web Fest” where it won for Best Horror. It also won Best Cinematography and Best Director at Seattle Web Fest. Its showing in Buenos Aires and Toronto, New Media Film Fest and Montreal Web Fest too. There’s more to be confirmed at this point.

Can you tell us about some of the other film projects you’ve done over the course of your career?

RM: I’ve done quite a few films. My first big film was on a BBC production called “Micro Men” starring Martin Freeman. It’s a true story about Clive Sinclair (Alexander Armstrong) who invented ZX Spectrum home computer and Chris Curry (Freeman), who invented the BBC micro computer which was used in almost every school in the UK. I played one of Curry’s technicians, Nick Toop. The BBC didn’t credit me with the role as I was a late casting, but I’m on the poster! Something I’m still trying to put right 10 years later.

“Suspect 13” was also a highlight in my acting career. Set in a high class private members bar in the city, I played a gangster, who sticks the place up taking all 13 witnesses hostage, and the investigating officer, who accuses all 13 of committing the crime.  It was amazing fun to play 2 characters at the same time. Playing the bad guy is always fun. Written and directed by Sam Walker and produced by his company BloomBox, this was his first film. It was shot in black and white for a very noir feel. Sam has become a good friend since we worked together.

Can you tell us about some of the notable people you’ve worked with over the years?

RM: I spent eight years working at the Royal Opera House in London doing stage combat and stunt work. Working with Placido Domingo on Cyrano De Bergerac and Simon Boccanegra was awesome! I’ve worked with world renowned director David McVicar many times. One of the things I worked with him on was Le Nozze Di Figaro (The Marriage of Figaro) which won several awards. We actually devised an opening scene during the overture which has never been done in the two hundred years of its production so there’s a little bit of history there.

Going from there to films, back and forth has always kept things fresh for me. Working with Martin Freeman on “Micro Men” was great. He’s a super friendly guy. I also told him he was going to play the Hobbit after reading it in Empire Magazine. Something he knew nothing about at the time. I take full credit for that by the way!

They are all very different, what made you choose to participate in these projects?

RM: That is simple; fun! That’s why I do what I do. I love my job. Love it! I get to make pretend like we did when we were kids, but now I do it for a living. I hope that shows in my performances. One day I’m sword fighting on stage in front of two thousand people and the next I’m on set with fifty people who’ve all shown up because they believe in this script we’ve all read. It’s amazing! That’s the power of it. Everything we do, we believe is the best thing ever. That’s exciting!

You get approached all the time to work on projects with people, what makes you pick one role over another?

RM: The story for a start. The experience I will get and what I will learn from it. I’m not financially motivated at all. I leave that to other people. I’ve worked on many things for very little to no money because I believed in the story. You just know when you read the script, “I want to do this!” Everything is in the writing.

Do you feel that you get cast to play a certain type of character more than others?

RM: No, not really. I’ve probably played a version of the same character more than once but not that I’ve really noticed. Any similarities in roles I have played have always been far apart enough for me not to notice. So no, I don’t feel typecast in any way.

Out of all of the projects you’ve been in to date, what has been your favorite project, or projects, and why?

RM: Working at the Royal Opera House was amazing fun! I love doing the stunts and training hard. I even went and got a personal trainer qualification off the back of it.

“Suspect 13” was amazing! Pulling off a heist in the middle of the financial centre in London was brilliant. We nearly got arrested by the CID when we began filming as they didn’t realize we had permission to film in the area. Especially dressed in suits with balaclavas carrying baseball bats and concealed guns. That was a memorable moment!

I did a six week run in theatre playing the role of Jean in “Miss Julie.” That was a real eye-opener for me. I hadn’t done much theatre before then so playing the lead in a classic such as that brought it’s own challenges. I learned so much in those 6 weeks. On the last performance, a matinee on a Sunday afternoon, we did a performance for a school. When the curtain went down at the finale a 16 year old kid in the front row said to his friend (not too quietly either), “Thank f*** for that!” “Yep,” I said, “Thank f*** for that!”

What has been your most challenging role?

RM: Erm,…. a couple I think.  I played an abusive husband in “The Loving Brutality.” That was tough as I had to get my head around someone who beats his wife. I had to find some sympathy for the character as that’s the only way you can play it. He’s a bully, a horrible guy, but of course, he doesn’t know he’s bully. It was dark. The role made me feel very weird, I don’t do bullies.

“Il Sonnambulo” was tough, again because of the subject matter. As a new dad, I didn’t expect I would be imagining horrific things happening to babies as part of my job. It was extremely challenging. Doug (the director) felt the same. He had a model made of a dismembered baby for one of the scenes. We couldn’t even look at it. Up close it didn’t even look that realistic but we kept it covered until it was needed. I don’t think it even made the final cut. It was too much.

What is your favorite genre to work in as an actor?

RM: Saying all that, I really liked doing the horror thing. We all get a thrill from being scared or creeped out. I’m lucky I got to make one. I would definitely do another one. I also love comedy. It’s so bloody hard to get that right. People always tell me the way to play comedy is to play it straight and I agree on the most part but America loves slapstick. You can’t play that straight. That needs to be amped up. Laughter is the best medicine they say.

What separates you from other actors? What do you feel your strongest qualities are?

RM: I’m me. I don’t look at others and wish I was them. I’m just me. I don’t really blow my own trumpet, I believe I have good qualities though. I have good acting chops! I know I can switch from drama to comedy. Sometimes in the same sentence. We’re particularly good at that in the north of England, and that’s how life is most of the time, isn’t it? I can scrub up ok, don a suit or scruff up quite easily for a role. My normal style is jeans and a t-shirt. I’m witty, I’m intelligent; I was given a good brain and I like to use it. I’m relaxed. Maybe too much sometimes but I’m also professional. I do my job to the best of my abilities every time.

Have you been in any commercials or music videos?

RM: Yes, I’ve done a few commercials. Last year I did a six-part Mark’s and Spencer ad for Valentine’s Day. It was based on an internet date that goes really well thanks to M&S. I also did a commercial for Audi recently. We filmed in Spain and I was strapped to the top of their new cars being driven down an airport runway at 80 mph. That was so much fun. I wanted to do it all week. The hardest part was I was meant to be reading a newspaper and looking really relaxed. Not so easy when the wind is pushing the paper into your face. We used a cardboard one in the end. It was like 100 degrees and I got totally burnt but I really enjoyed it.

What projects do you have coming up?

RM: So, apart from the interest in “Il Sonnambulo,” I’m currently attached to a film called “Betrayal,” written by my friend Malcolm Davies. It’s a really well written gangster drama. It’s in pre-production at the moment but there’s a few big names attached already. I’m set to play the co-lead in this. There’s such a nice twist in this story which sets it apart from the mainstream British gangster film, which usually gets centered around football for some reason.  I’m really looking forward to getting started on it.

What do you hope to achieve in your career as an actor?

RM: I love working. I just want to work. I’m ambitious, I want to carve out a successful career.  I can see myself directing at some point. I would love to write, direct and star in something one day. It’s the life less ordinary, isn’t it?

My family and friends have always supported me and my partner is a rock. I owe it to them to be successful.

Why is acting your passion and chosen profession?

RM: I studied fine art in college. My dad is an artist, my whole family is quite creative actually. We have lots of musicians and singers. It was a natural progression for me. I’ve always been obsessed with movies and I’ve always wanted to make them. I hope I can be behind the camera at some point, but for the moment I’m really enjoying working in front of it. I must be mad!

 

Northern Light: Cesare Scarpone’s Passion for Acting

 

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Actor Cesare Scarpone brings passion and talent to all of his character portrayals.

 

Cesare Scarpone is an award-winning actor who consistently projects a formidable dramatic presence. The Canadian-born Scarpone inhabits each characterization with a masterly combination of skill and instinct, and whether it’s romantic comedy or a dark suspense story, he deftly crafts a persuasive, tangible persona imbued with the full spectrum of nuance, traits and emotion.

It’s a rare balance of sensitivity and showmanship and Scarpone, surprisingly, stumbled upon his avocation almost by chance.

“I started in high school, not knowing what acting really was, but coming from a town where theatre and acting are seen as a fantasy, imagined only through the TV, this attitude was the norm,” Scarpone said. “At my first performance, I stepped onto the stage and was overwhelmed by the mass of people watching me. I’d gotten through half the play but all of a sudden I froze. I’d forgotten my line and time stopped. This was the biggest rush I’d ever felt and I wanted more.”

Scarpone’s path was set, and the following year his performance as Jerry in the Edward Albee classic, “The Zoo Story,” earned him the Sears Drama Festival’s award of excellence for the York Ontario region.

“From there, I couldn’t get enough. I tried to do as many independent films as I could sink my teeth into,” Scarpone said. “This led to a few spots on television programs, union films and a commercial.”

Scarpone’s talent has shown up in his outstanding character portrayals in the films “Black Forest” from writer-director David Briggs, director Gabriella Bevilacqua’s “Aftermath,” Omii Thompson’s “Modern Romance is Dead,” Rebecca Carrigan’s “All I Need,” Rob Comeau’s “Chance” and “Dead Monday” from director Mark Korven. On TV, Scarpone has acted in History’s “Curious and Unusual Deaths” and Cineflix’s true crime docudrama, “Dual Suspects.”

“Working with Cesare on “Black Forest” was a great experience,” said Briggs. “It was obvious from the first take that Cesare is all about the character, and he digs deep to bring the script to life. He believes in the craft of acting, and that passion brought a lot to his role.”

Scarpone’s meticulous approach is fueled by a soul-deep passion, not just for the craft, but also its role in world culture. “Story telling is something that everyone knows in their hearts. We love it, yearn for it,” Scarpone said. “You see it in your everyday life, in some form or another and through different mediums, but we are slowly losing the original performed art. Our generation no longer needs to even get out of bed to watch a film or read a news article. They have everything in their hand. But the experience of live theatre can be life changing, perspective changing. You can truly connect with people, and not in a way that is buffered by static transmission through a screen.  Everyone should know live theatre, and everyone deserves to have access to it.”

With almost 20 film and TV credits, Scarpone knew it was time to reach for an even higher level of accomplishment. “I decided to apply for a drama school, and this led me to London, England—the heart of theatre. What better place to train?” Scarpone said. “I came across The London Academy of Music and Dramatic Art, and decided to audition for their flagship courses. I was surprised to get the call from the legendary Rodney Cortier, head of the school, inviting me to their two-year acting course—the best of its kind in London, which equates as one of the best in the world.”

Arriving in London in 2014, Scarpone subsequently performed in more than half a dozen stage productions (including “A Midsummer Night’s Dream” and “The Tempest), absorbing a full measure of the almost alchemical depth of skill which has always typified British stagecraft.

“When I got that call I was ecstatic and screamed at the top of my lungs because this meant that I would finally have the foundation I needed to have my skills really develop,” Scarpone said. “Now I am in my final term at the school, graduating in July and ready to attack this growing market.”

“What first led me to acting was the feeling of not only being free on stage, but also feeling the effect I was having on the audience in theatre and film. I love both mediums, each with their joys and merits, and both are something I’m extremely excited about,” Scarpone said. “There are so many new things going on in the industry, like immersive theatre, and advances in technology with film and television that allow new ideas to be better completed and given to the world.”

Scarpone has already distinguished himself as both a capable technician and self-possessed artist. His very sense of wonder itself generates an aura of appealing enthusiasm and is something he’s sure to bring in many more productions to come.

Actor Lucas Zaffari Overcomes All Challenges While Dubbing

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Brazilian actor Lucas Zaffari

There are many different types of acting, but the most universally recognized can often be when one is standing on a stage or in front of a camera. For Brazilian actor Lucas Zaffari, a different type of acting challenge is presented to him on a regular basis.

Zaffari dubs Spanish telenovelas into Portuguese, his native language. Dubbing, also known as revoicing, is the replacement of the voices of the original actors with a different performer in another language. To do so, Zaffari receives the video and script with all the timelines of exactly where his character speaks and reacts in an episode. He then studies those lines and goes to a sound studio to record the revoicing of his character.

“As an actor, specifically for film and television, you get all you can from circumstances that are happening around you and in your imagination. When it’s me, I try to absorb as much stimuli as I can from my acting partner, location, sometimes music, smells, senses,” he said. “But in a sound studio all you have is a cubicle with foam and the recordings that you see on the screen, and on top of that, all you have to show what your character is feeling is through your voice. It is challenging.”

Zaffari is currently cast in three telenovelas with Voxx Studios. These seven to nine month commitment are the Colombian Allá Te Espero which is soon to be completed, Venezuela’s Piel Salvaje, and the Venezuelan American Voltea Pá Que Te Enamores.

Although it is more common for Portuguese dubbing studios to be in Miami and Brazil, Voxx set up their studio in LA because they believe that is where the most talented actors are located.

“I’m really honored to know that after I joined Voxx Studios, they continued to hire me on all of their new telenovelas. It’s a great opportunity to voice different characters,” said Zaffari.

The sound booth where Zaffari works is a cubicle about eight feet by eight feet covered in foam so the sound does not reverberate, a microphone, a headphone, two televisions (one for the video and one for the lines with the proper time codes). There is also a sound-proof window that goes through to a different room where the sound engineer and the director are located.

“It can be quite hard,” described Zaffari. “You need to match your voice to the mouth of the original actor. Sometimes the Spanish is too fast and it is hard to match everything in Portuguese to that pace. Sometimes we have to change it to what people would understand instead of a perfect translation, without changing the meaning, of course.”

Zaffari describes acting as the hardest job in the world. He says that feeling as someone else is extremely challenging, but with dubbing, you do not have the capability to pull from your surroundings and react instantly to the people around you.

“Dubbing is not on location,” he said. “You are in a cubicle. You don’t have another actor to pull emotion from. Your partner is a microphone and a television. The senses I use when I am acting

I can’t use when I am dubbing. I am not there. You need to put all of those things you would normally use into your microphone and just use your voice.”

Despite the challenges that dubbing can present, there are many parts that Zaffari enjoys.

“In a way it is less stressful because you are not on camera so you can just wear your comfortable clothes,” he said. “But I really like to put a little bit of my interpretation into a character, even though it is another actor’s performance.”

Zaffari said that when he first started dubbing, he was conflicted on how to approach each character.

“Should I dub as my personal interpretation of what that character is going through? Or as the original actor’s interpretation?,” he said, describing his initial thought process. “But to me now, it is a mixture of those two things.”

Leila Vieira, Zaffari’s dubbing director for Piel Salvaje, thinks Zaffari’s mixture is working out very well.

“One of the main qualities an actor has to have in order to be good at dubbing is being able to recognize and mimic pace,” described Vieira. “Lucas has an incredible ability for listening to the dialogue and being able to reproduce it in Portuguese with perfection, making the process fast at the same time as high quality with his great acting skills. Aside from recognizing pace, acting with only your voice can be a challenge that Lucas masters with flying colors.”

Vieira believes that it is not only Zaffari’s inherent talent that makes him successful at dubbing, but also his personality as a whole.

“Lucas is the nicest person you could ever work with,” she said. “Not only he has an amazing working ethic, but he also has a great personality that accepts critiques and understands the adjustments, which makes the whole process fast and productive.”

Sebastian Zancanaro, another director at Voxx, describes Zaffari as the ultimate professional.

“I cast Lucas as Francisco (Pacho) in the dramatic soap opera Alla Te Espero and I was mesmerized by his commitment to our team and by his stamina. His unique skill as a Portuguese speaker actor in conjunction with his acting abilities make him one of our most valuable cast members,” said Zancanaro. Lucas has also being cast as Pedro in our upcoming soap opera project entitled Our Family, our longest and most prized project to date.

Zaffari says that dubbing with Voxx is a great working environment.

“It is so much fun,” he said. “There are so many nice and talented people around, which makes this creative work much more richer.”

Zaffari has no plans on slowing down.

This versatile actor has already started dubbing the new telenovela Somos Família (Our Family) as Pedro.

German actor-photographer David Mihalka shines both in front of and behind the cameras

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David Mihalka

His formula for acting is simple: interest in fellow man, being observant, educating on life and psychology, stepping out of one’s comfort zone and not being quick to judge.

It’s a proven methodology for German film and TV actor David Mihalka.

“Try to understand others. Walk in their shoes for a mile!” he said. “Always be a better version of yourself. That’s what I am working on each day.”

It’s certainly fair to say it’s been working.

Mihalka, who grew up watching many movies such as “Amadeus,” is known in the international filmmaking community for his dazzling character portrayals, chief among them his role in director John A. Mati’s feature comedy, “Monsieur Brucco.”

The Switzerland-released film follows Brucco (played by Mati), an Albanian who cuts his finger and is certified permanently unfit for work. Reluctant to accept early retirement, Brucco reinvents himself as a door-to-door toy salesman, but the new career takes a twist when he inadvertently becomes the target of the mafia.

Mihalka plays Monsieur Houstaf, captain of a spaceship.

“His mission is find a new leader for his planet,” Mihalka said. “The computer of the spaceship said that Monsieur Brucco is the chosen one. But he is a total fool and catching him becomes a challenge, since Monsieur Houstaf is a complete idiot as well.”

The role allowed Mihalka to tap into his profound comedic acting talent. He says he relished the chance of “being a fool” on screen.

“Life is so serious. Being a fool frees you! And with a captain from out of space, you have even more freedom to go overboard.”

The film was a success to the point a sequel is now filming. “All I can say is: The fool is still chasing the other fool.”

Other 2015 acting roles for Mihalka include Emilio Ferrari’s TV movie, “All I Want for Christmas,” Jonathan Moy de Vitry’s “Difficult People,” Alex Lewis’ “Driverless,” and Mickella Simone’s “The WorkPlace.”

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David Mihalka stars in the hilarious YouTube comedy series, “Zero Button.”

Mihalka’s been acting since 2014 in the comedy web series, “Zero Button,” and he played Sean Benini in writer-director Stan Harrington’s “Lost Angels,” that won four awards at the Indie Fest USA International Film Festival.

“Sean is a sleazy paparazzi in Hollywood hoping to make big bucks,” Mihalka said. “The movie is about Los Angeles, the glamour and the gutter.”

Mihalka’s filmography also includes acting in Harrington’s multi-award-winning feature mystery, “Perception” and Yu Jung Hou’s “Forever.”

In “Perception,” Mihalka played the role of Yuri and said, “Yuri is a very shy and silent student. The opposite of me. It was my first movie…exciting of course.”

Mihalka’s theatre background provided a valuable training ground before he parlayed his talents to film. From 2010 to 2012, he studied at The Stella Adler Academy of Acting in Los Angeles and starred in theatrical productions of “J.B.” and “The Diviners.”

“In theatre,” he said, “I learned to speak up and be clear in my speech to make sure the guy in the last row won’t fall asleep. Also, I learned to get used to many eyes watching me. This benefits me on set since there are as many eyes watching you like in theatre.”

Veteran actor, writer and producer Tim McNeil has appeared in more than 30 films and television shows including “Forrest Gump,” “Contact” and “Starship Troopers,” as well as in over 40 plays. McNeil directed Mihalka in his original play, “Margaret,” at the Gilbert Theatre at Stella Adler Los Angeles.

“The play is about a community’s reaction to the unexpected suicide of a 16-year old girl,” McNeil said. “Initially, nobody speaks about it, all acting as though nothing has happened. Bruce, played by David, is the most vocal about his concerns. He is a drunk who is not afraid to speak the difficult truth, bringing comedy to a very dark and dramatic play. He is critical to the production because he is the only one who challenges everybody in the neighborhood to talk about Margaret, searching for an answer as to why she did it.

“David proved outstanding in his sensibilities and his knowledge of the character. He understood both the material and his own character, and in turn, made the play feel that much more real. His ability to bring comedy to such a tragic subject, and make it all seem natural without being over the top, is a testament to his ability as an actor. David has something to offer the entire world with his exceptional talent.”

Mihalka credits other actors as having a great influence on him. “Established actors taught me two things: find the unique things about yourself and don’t be shy. Enhance them and show it to the world. The other one is: never give up!”

Mihalka’s talents don’t stop in front of the camera – one look at his work in photography verifies another field where he excels.

Capturing difficult scenes through his work with a camera are a testament to his gifted photographer’s eye. Mihalka’s photography captures scenes from a diverse slice of life. From the sublime to the exotic, to the baseness of life, his photographic eye catches, captures and produces exceptional and unique perspectives of people, places, and situations.

For more information, visit: http://www.davidmihalka.com and http://www.davidbehindthecamera.com

Snowtime’s Jenna Wheeler-Hughes Describes the Magic Behind This Animated Hit

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Animation films are not what they used to be. From Finding Nemo to The Incredibles, the Toy Story series and others, these productions are big box office numbers and Oscar Winners. As some of the biggest films for any studio, they’ve also become a favorite of the talented actors who voice the characters of these stories. Tom Hanks to Brad Pitt, Kristen Bell to Renee Zellweger; these roles are more sought out than ever before. While there’s some truth to the fact that this cultivates a future fanbase of loyal admirers, many actors relate that the expressive nature is paramount for them; at least Canadian actress Jenna Wheeler-Hughes does. She stars as Fran, the tomboy in a group of otherwise male friends in the 2016 release Snowtime. With costars Golden Globe winner/Primetime Emmy nominated Sandra Oh, Angela Galuppo (of X-Men: Days of Future Past), and others, Jenna manifest the kind of small town challenges and triumphs that translate to any place on Earth. Nominations and wins at the Jutra Awards confirm that this talented voice actors and full production team have realized an animated film that will last for some time.

 

Snowtime proves to children and adults that boredom can be the catalyst for great adventure. Watching the movie, one might be convinced that modern technology is not the default to attention. In this story, the children of a small village decide to engage in an epic snowball fight during the Winter break. Eleven-year olds Luke and Sophie assume the mantle of leadership for opposing groups to overcome the other’s snow-fort. The only stakes involved are bragging rights and the occasional welt from a hard-pack snowball. Wheeler-Hughes portrays Fran, an awkward eleven-year old who simply want to be “one of the boys” and hang out with her friends. What is not simple at all is the large hearted performance that the actress brings to this role. Fran is truly a stand-out character as she treads the line between everyone’s buddy and yet obviously of a different gender than most of her circle of friends. She’s the kind of girl that causes boys to forget that she is any different from them…until of course, they do notice. Jenna states, “I was so excited to be a part of this project. She was so fun to create and voice. Developing the character was an amazing process, because not only did I voice her, but I was being filmed throughout the entire process so that they could capture my physicality and facial expressions and add them to the animated character. I felt like I really got to exercise my craft during this creative process. Fran is the comedic friend who doesn’t know she’s funny. Her humor and passion for life comes out in several scenes.

 

Fran is something of a dichotomy in the story. She’s obviously maturing and growing to the point that she will soon visibly be a young lady. In spite of the awkward transition period for her, she seems to be the wise counsel for many of those around her; it’s Jenna’s personification of this that makes it so believable in the story. When Fran helps Luke realize that he actually has a crush on Sophie, both audience and characters buy into her advice because of Jenna’s tone. Fran welcomes new girls, Sophie and Lucie to town, establishing a welcoming environment. Even when her team loses the snow-battle, Fran proves a gracious loser. Though she is going through puberty and questions who she is (or maybe who she is becoming) she is well rooted in her values and empathy, courtesy of Jenna’s delivery. Though Wheeler-Hughes can be found in TV and film roles more commonly, she revels in what this foray into animated films has given her. She notes, “It’s not just as simple as speaking for these films. In addition to mannerisms and truly embodying the funny/dorky girl, I had to protect my voice. I really relied on my vocal training to make sure I didn’t overdue it and cause harm. I’d find myself screaming as loud as possible for the sessions and I’d be asked to do it again louder. It was slightly painful but worth it. We laughed for a solid 10 minutes after those scenes.”

Q & A with the marvelous Canadian actress Zoe Cleland

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Zoe Cleland

We recently had the chance to sit down and visit with the talented, lovely actress Zoe Cleland, who film and TV audiences would recognize from her stand-out character portrayals in “How to Plan an Orgy in a Small Town,” “Murdoch Mysteries,” “Saving Hope,” “Pay Up,” “Reign” and others.

A Toronto native, Cleland first starred on the stage before hitting the screen. She booked her debut TV role when she was just 15 and became the youngest actor to ever attend the National Theatre School of Canada.

Cleland has acted alongside famed talents such as Lauren Holly and Megan Follows, and has appeared in roles ranging from comedy to period drama to medical drama and more.

She’s been in the trenches on many productions. We’ve put the spotlight on Zoe, who shared this exclusive question and answer session that reveals just what it’s like to work nowadays as a film and TV actress. We think Zoe’s awesome and invite you to find out her story below!

 

When you read scripts and discover characters, what qualities do you look for and what aspects attract you to a role? 

ZC: I’m attracted to all kinds of characters for lots of different reasons. Great writing has a huge impact on what I want to be a part of. I think if the writing is good, it usually means there’s a level of depth to the characters and the story that is super exciting to mine as an actor. I’m also drawn to roles that I feel will illuminate some aspect of the human experience that I feel needs to be looked at, that will benefit people to empathize with…and then sometimes it’s purely selfish in that a character might be fun to play or might have an aspect that I want to explore for my own understanding or personal development. It all depends! I rely a lot on my intuition.

You booked your first role at the age of 15 when you guest starred as Eva Rookwood on “Murdoch Mysteries.” How did this character tie into the episode and what was the experience like being on a television set for the first time? 

ZC: Yeah, so I played Eva Rookwood, a British orphan who gets adopted into a well-to-do Canadian family, only to be abused by her stepfather. He ends up getting murdered and the episode revolves around solving that crime…won’t give too much away but the crime is a result of the abuse that was going on.

I remember the experience being totally thrilling and terrifying at the same time. Up to that point, I had mostly worked on stage so I really didn’t know much about working with the camera. So the experience was very very new for me. I was so excited to be on set, though, and I remember being completely entranced with how much detail went into to building each room…I remember looking at the books on the bookshelves and how much thought had been put into what they were, even though they probably would never be seen by the camera. I wasn’t used to being immersed on a set in such a realistic way and I thought I had landed in heaven.

You returned to “Murdoch Mysteries” in the role of Joanne Perly in an episode that aired earlier this year. How was this character involved in advancing the story and did you ever anticipate returning to the series? 

ZC: I never anticipated going back; I just assumed that would be it for that show but apparently not! I can’t say too much about Joanne Perly without giving too much away, but I will say that she appears to be a sweet young mother but is actually something else underneath. She ends up being an intricate part of the episode, which revolves around a bank robbery. Her baby also goes on to be adopted by the Murdochs, which was a new kind of plotline for the show.

Last year you made your feature film debut in Jeremy Lalonde’s comedy, “How to Plan an Orgy in a Small Town,” a project just a little different from “Murdoch Mysteries.” What was your experience playing Young Cassie? 

ZC: My experience doing that film was really wonderful, it was a great set to be on and it was so exciting to be playing the leading character in the opening act. I had to have a different relationship with the camera than I’d ever had before, because the emotional heart of the opening of the film rested on me…because of that I learned a lot.

What was it like acting alongside Lauren Holly in the film? 

ZC: It was great; Lauren is really lovely and very generous.

Did you learn or absorb anything from working with her?

ZC: I did, I learned a lot just from watching her work and also from talking to her, we had a lot of time to chat in between takes and she was really open about her life in the industry, so I absorbed a lot from that.

Did the topic of “Dumb & Dumber” or Jim Carrey ever arise? 

ZC: Haha no, I’ve never actually seen the movie.

What are the characteristics a great actress possesses?

ZC: Great question! I think the ability to empathize is probably near the top, because without that there would be no acting. Apart from that, I’m going to say openness, vulnerability, bravery and imagination.

How do you try to incorporate those qualities into your own acting?

ZC: I just try to be honest with myself about whether I really feel I’m being true to a character and/or situation…whether I’m going as far as I can into whatever reality I am portraying. I think if I am I will exhibit these qualities by default.

What is one thing that people would never suspect about being a film and television actress? 

ZC: I think people tend to have ideas about film and TV acting that it is a really glamorous job…and that somehow the actors are the most important part of the whole production. In reality it is really a collaborative thing, there is so much work that goes into film from so many different people and it is truly a team effort. That’s one of the things I love about it. It also really isn’t as glamorous as people think, there’s a lot of waiting around and it takes a lot of passion and stamina to continue to be present in the work.

What’s surprised you the most or surpassed expectations about working in the industry?

ZC: I think in a way the most stunning thing about the film industry is that it even exists at all. When you realize how much work and drive it takes from so many people working together to do a project, it’s really amazing how much great work gets produced. There’s such a magical element to the film industry and it’s incredible how many people have the passion to come together to make it happen.

What’s been your single most difficult day on set? 

 

ZC: I had one day on “Reign” when they didn’t get to my scene till about 3 in the morning, so the whole day was waiting in my trailer, and then trying not to fall asleep. That was difficult purely physically because it was challenging to stay alert enough to do my best work.

What has been the most rewarding role you’ve played thus far in your career? 

ZC: I was in a production of “Three Sisters” by Anton Chekhov in theatre school that really changed my whole approach to acting, and actually made me want to go into film. I played Irina, one of the sisters, and I don’t know if I’ve ever dove more into a part than I did with her. I just got totally lost in her and her story. We had a director who really encouraged smaller, more naturalistic acting and it made me realize how much I loved that kind of intimate work.

Continuing on the theatre theme, you attended the National Theatre School of Canada. How does that training bode well for your portrayals in film and television?

 

ZC: I think my training at NTS taught me a lot about myself…that has been incredibly valuable to me on many levels. The lessons that I learned about myself there made me really know who I am and how my mind and heart work, which is so necessary to act. The school also had a really strong emphasis on building stamina when I was there and that has also served me well.

What was the best part of acting in the comedy series, “Guidance,” alongside Rob Baker? 

 

ZC: The best part of the experience was actually working with Rob, acting in those scenes with him was like being in a verbal fencing match. It was just so much fun.

You played Odette in two episodes of The CW’s award-winning period drama, “Reign.” Tell us a little about Odette.

ZC: Odette is an unfortunate maid who gets involved in a lot of intrigue that she would rather stay out of. Because she is lower class, she is in some ways not part of the world of “Reign” in the same way that everyone else is. It was fun playing her because she is a bit of a deer in the headlights…someone really powerless who has to live day to day surrounded by a lot of danger in the world of the French court.

What’s the best part of acting in a big period piece? Is it the costumes, set pieces, the transformative nature of the production or something else?

 

ZC: I have always had an obsession with period pieces, so acting in them is really a dream come true for me. It’s kind of the ultimate playground for my imagination, because when you are in a period piece it really is like stepping back in time. You are totally transported into another reality in a way that you aren’t when you are in something modern.

What was it like acting with Megan Follows in “Reign”? 

 

ZC: It was wonderful acting with her, she has such a strong presence and she is so focused.

You switched gears last year and acted in the role of Brianna Pierre in the acclaimed medical drama, “Saving Hope.” How valuable is the range of an actress who goes from comedy to period drama to medical drama and more?

ZC: I think it’s valuable for sure, but to be honest I try not to think of each project as being that different from the next. It feels the most authentic to me to approach every character the same way, whether it’s a comedy or a drama. I think that’s what usually gets the best work out of me, when I’m more focused on the character and their situation, rather than trying to fit into a “style.”

 

How would you describe your character, Shawna, in Craig Macnaughton’s comedy series, “Pay Up”? 

 

ZC: I would describe her as a teenage girl who is trying to assert her power in a situation in which she feels powerless. She is an only child of recently divorced parents, and she is tying to stay connected to both of them…and to keep a feeling of security around her. Unfortunately, she doesn’t know how to do this in a way that will really serve her, so she ends up basically playing her parents off each other in order to get them to buy her things.

In “Pay Up,” Richard Lett plays a debt collector named Jack. Is Jack a guy you’d not want to cross or is he living on reputation? 

ZC: I would say Jack has more bark then bite, if he even has much bark at all. He struggles a lot to assert his power over the people he is trying to collect money from, and that’s where the funny parts come in.

What are some go-to hobbies or activities when you’re not on set?

 

ZC: I meditate a lot, and I would say I have a pretty active spiritual life, so that’s something that I commit a lot of myself to…I also watch a LOT of movies. I also like to write and paint, but I’d like to be a bit more disciplined with myself about doing those things regularly.

Who is on your short list for fellow actors or filmmakers you’d like to work with in the future? 

ZC: There’s so many! And it really changes from day to day. Lately I’ve been really getting into the work of Jane Campion. I love what she does. I’ve also been going on a Tom Hardy spree on Netflix…I have an insane crush on him in every way, and I think he’s an incredibly magnetic and dynamic actor.

Stunt Performer and Actor Carson Manning Attaches to Superhero Film ‘Time Man’

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Stunt performer and actor Carson Manning, who has daringly delivered stunts for more than 70 different film and TV titles such as the highly anticipated “Suicide Squad,” “X-Men: Days of Future Past” and FX’s “The Strain,” has attached to play the leading role of Michael in “Time Man,” an exciting upcoming feature film written and directed by Travis Grant. 

Now in development, “Time Man,” will take place in a present day, urban New York City or Chicago-type city setting. The drama-filled, action feature film will tell the tale of a middle-aged, disgraced superhero named Michael, who is looking to redeem his name. Similar to many superheroes, Michael does have an expected heroic ability, however, the nature of his is presently under wraps. 

No stranger to action, Manning has employed his expert stunt work in recent releases such as Henry Nader’s “Shoot the Messenger,” Allan Ungar’s “Gridlocked,” Columbia Pictures’ “Pixels” and “RoboCop” (2014) and Sony’s “Pompeii.” His stunt performing and utility stunts for “X-Men: Days of Future Past” led to a 2015 Screen Actors Guild Award nomination for Outstanding Action Performance by a Stunt Ensemble. 

Manning’s acted in Fox’s “X-Men” in 2000, in Universal’s Oscar-nominated “The Hurricane” starring Denzel Washington and he performed stunts for New Line Cinema’s “Shoot ‘Em Up” starring Clive Owen and Paul Giamatti. 

After reading the script for “Time Man,” Manning immediately knew he wanted to be a part of this high-concept, highly original superhero story. “The character Michael is multi-dimensional,” Manning said. “At the beginning of it, you can’t figure out who this guy is. I had already done all of the superhero films and thought ‘Wow, this is really different.’ The writing and the scenes were so compelling.” 

Standing apart from the formula of superhero studio films, Grant, who is previously known for known for “Nick Ryan,” “Maybe Tomorrow” and “Paper Trail,” meticulously worked to create an original superhero story. 

“I loved superheroes when I was a kid. When I first sat down with this, I felt like there was a bit of a hole. They’ve [the studios] glossed over character moments. They’re trying to make a big budget tent pole film,” said Grant, of his initial ideation regarding filling a gap in the current marketplace among superhero movies. “There are other superheroes you can explore that aren’t DC or Marvel properties.” 

From this inspiration, Grant created “Time Man,” who is known as Michael in the story’s opening. On the character himself, Grant said, “He was looked up to as a shining beacon for the city. He became obsessed with one bad guy he couldn’t catch. He made a poor decision and that cost him everything – his powers, friends and family. He became a loner, about as far as rock bottom as you can get.”

The film will contain flashbacks, ultimately telling two stories at once. “‘You’re kind of seeing who he [Michael] became and also his fall. It’s reverse arcs at the same time. They converge at one pivotal scene at the very end,” Grant revealed. 

The audience will find that the villain will play a very important role, as Grant also noted the character is integral to Michael getting back on his feet. Furthermore, alongside Manning, actor Ryan Barton (“Co-Ed”, “Owl River Runners” and “Nick Ryan”) has been cast. 

Manning’s vastly impressive achievements as a stunt performer and actor have spanned nearly three decades and dozens of distinguished productions. Due to his wide-spanning, world-class experience in filming stunts, Manning is a person who can make judgment calls concerning safety, and recommendations pertaining to what realistically can and cannot be done budget wise. 

In addition to starring in “Time Man,” Manning will also be coordinating and performing his own stunts, too. “To me, having an actor who is able to do all or most of their stunts is invaluable,” Grant said when describing Manning’s type of talent. “You’re not limited as to how you can shoot the scene. You can tell a story within the fight.” 

Manning’s tour de force stunt performing and acting has also been engaged in many acclaimed TV series that have had international viewership. He acted in all three parts of ABC’s Primetime Emmy winning “Storm of the Century,” which was a miniseries event from writer Stephen King. Manning performed stunts for seven episodes of the Gemini Award winning action adventure series, “Mutant X,” six episodes of Syfy’s hit series, “Alphas” and for three episodes of The CW’s Primetime Emmy nominated “Nikita.” 

Last year, Manning’s stunt performing was seen in Guillermo del Toro’s “The Strain,” The CW’s “Beauty and the Beast,” Syfy’s Primetime Emmy nominated “Defiance” and “12 Monkeys,” Global Television’s “Remedy” and the History Channel’s “Gangland Undercover.” 

The action-packed, feature film “Time Man” will allow Manning to utilize both of his specialties at once as he delves into the mindset of his new role as Michael. “Time Man” is projecting to shoot this year and release in 2017. 

For more information, visit http://www.imdb.com/name/nm0543248/?ref_=fn_al_nm_1 and 
http://www.imdb.com/name/nm3807026/?ref_=fn_al_nm_2

Interview with Actor and Expert Stuntman Umar Khan!

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Actor and stuntman Umar Khan on horseback in California

As an audience, when we get wrapped up in a fast paced action packed film it’s easy to forget that the actor on screen is rarely the one performing their character’s crazy stunts. A production goes to incredible lengths to cheat the shots and make an actor’s stunt double look just like their character so that when they hit the screen jumping off buildings, engaging in intricate battles and all the other physically challenging feats that make stunt men so heroic and necessary, that we as viewers remain on the edge of our seat, never noticing the role change. Although it is a rarity in the industry, there are some actors who actually do their own stunts and Umar Khan is among the best of them.

Khan is known for his work as both an actor and a stuntman in a plethora of titles including the films “Close Range” and “Deliver Us From Evil,” and the popular TV series “Bones,” “Rush Hour,” “Person of Interest” and “Scorpion.” Last year he also worked as a stuntman on the series “The Brink,” and “NCIS: Los Angeles,” as well as the recently released film “Whiskey Tango Foxtrot” starring Tina Fey and “Captain America: Civil War,” which is slated for its initial release on May 6.

Khan’s expertise in martial arts and various forms of combat have led him to become a sought after action designer in the industry with major productions hiring him to choreograph fights scenes for their projects. After working as the action designer on the 2014 TV series “The Hunger Games: Mockingjay – District Voices,” Khan formed Stunt Fighting Concept – Umar Khan Stunt Team. With his team Stunt Fighting Concept Khan has developed pre-visualized fight scenes for several films that are set to begin production including “Killing The Seeds,” “The Master’s Legacy” and the “The Man From Kathmandu.” He is now along with his team set to make a pre-visualized fight scene for the American remake of “The Raid.”

Prior to moving stateside several years ago, Khan established himself as a sought after stuntman and actor back home in Sweden where he both directed and starred in the film “Veracious Perception,” in addition to being featured in countless magazines and commercials.

To find out more about this incredibly talented performer make sure to check out our interview, as well as the video of Umar in action below. 

 

I’ve read from some of your past interviews that you knew as early as age 7 that you wanted to become one of the few actors who also performs their own stunts– with that idea in mind, how did you initially approach your career?

UK: I started off like any kid by mimicking the fight scenes from the different action movies I saw. Later on, I developed an interest in fight choreography so I started choreographing my own fight scenes with my friends. During my years in middle school I used to borrow the school’s video camera to shoot my own “fight movies.” I remember that I was already a perfectionist at that age, I used to handpick my co-stars (based on their height, look and skills), do location scouting, direct, choreograph and act in the films I made. All of this would account for how I got more and more into the creative side of it.

For the physical aspect I tried to learn new moves and new styles all the time, trying to perfect each move and develop a new move out of it and so forth, watching martial arts movies and later on YouTube clips and comparing myself to the best in each discipline, that way I had a goal of where I wanted to reach skill wise. I think if you are truly meant to do something, there will be an urge that will draw you there no matter what obstacles you face along the way.

As a stuntman what are some of your special skills in the industry?

UK: My background is in martial arts, so I would say my primary skills as a stunt performer is screen fighting along with fight design, however I do a lot of different areas of stunts today.

How long have you been practicing martial arts?

UK: I have trained in martial arts since I was 7 years old.

 

teenager
Umar Khan as a teenager 

 

You recently wrapped production on the upcoming films “Captain America: Civil War” and “Whiskey Tango Foxtrot” starring Tina Fey, can you tell us about the stunts you did in these films?

In “Whiskey Tango Foxtrot” I was initially set to do stunts only but I replaced the original actor who was cast for the role as “Wild-Eyed Man”, the director said that he was impressed with my performance while I was rehearsing the scene as a stand in for the actor so he cast me for the role instead. The character I was playing was possessed and was running in a crowd towards the lion cage screaming and eventually throwing a hand grenade inside the lion’s cage. We actually had a real lion on set, so it was pretty amazing to see such a magnificent animal so up-close.

In “Captain America: Civil War” I was playing Hero Mercenary and my main scene was fighting Scarlett Johansson’s character Black Widow, it was a great fight scene, one of the best in the movie, so you guys should definitely check it out!

What technical challenges did you face on these films when it came to mapping out how your stunts would play out on camera?

UK: The fight we did for “Captain America: Civil War” was a demanding one because of the extensity of the fight combined with the lack of time rehearsing it. Unfortunately, there wasn’t any time to rehearse the scene, which happens sometimes. We rehearsed the fight on set a few times right before we shot it and it all went really great actually. It all comes down to how well trained you are in screen fighting and how fast you can learn and adapt to a new choreography. Fortunately, that’s something I have always kept in mind since the day I started doing this, you never know when/if the director wants something different once he sees it in front of him, so I always keep in mind to prepare myself for any changes or the possibility of learning a new choreography at the last minute.

You have also worked as an action designer on several projects over the years– for our readers who aren’t sure what that entails can you briefly explain what you do as an action designer on a project?

UK: An action designer is basically a person or a team who is/are hired to design the action scenes on a production. In many cases, the stunt coordinator designs and choreographs the stunt sequence to suit the script and the director’s vision.

What projects have you worked on as an action designer and what were some of the different approaches that you took on each project?

UK: I designed a fight sequence back in 2014 on the TV mini-series “The Hunger Games: Mockingjay – District Voices.” While designing the fight scene for the series an idea I had many years ago of creating my own stunt team came back and so a couple of months later I formed my own team, Stunt Fighting Concept – Umar Khan Stunt Team. We have been fortunate enough after creating our first action design pre-viz (sponsored by Under Armor Germany) to get a lot of calls from producers requesting to make a pre-viz for their upcoming projects. We created two pre-vizes for Joyto Films for their upcoming projects “Killing The Seeds” and “The Master’s Legacy” and successfully locked the position on both as the Stunt Unit, and I’m set to Second Unit Direct/Stunt Coordinate on both projects.

We made another Pre-viz for a project called “The Man From Kathmandu” which my team and I will action design and coordinate on, I will Second Unit Direct and star in that film. We also recently made a pre-viz for Screen Gems that we’ll soon know if we secured the position of creating the action. And currently we’re rehearsing for our upcoming pre-viz for the American remake of “The Raid.”

I start preparing an action design for a certain project by reading the script a couple of times to get familiarized with the storyline and the characters involved in it, then I ask the producers or the director what his/her vision is and what they’re looking to do with the scene and then I’ll start working my way from there creating an action design that fits the script.

From safety to how things appear on camera, what are some of the most important aspects that you need to consider when designing fight sequences on a production?

UK: The general idea of my fight designs is to make it look as authentic as possible but also visually attractive for the audience, along with the unique camera technology that we possess (the only one on the market), the cameraman can approach the performers much closer in order to get the hands on feeling on the actual fight and give the audience almost a third person POV, video game kind of feel to it.

With this system in use comes a lot of other responsibilities to keep in mind. Not only safety for the performers but also safety for the camera man who is now one more “performer” in the mix and automatically becomes a safety priority. The fight sequences I design are meant to look very authentic due to the actual physical contact me and my teammates are inflicting upon each other, it’s not something I recommend; my team consists of guys that have fought professionally or are highly trained in various areas of the stunt business and are used to the physical contact as myself. We train the same way real fighters do, with sparring sessions combined with our choreography training to have the best of both worlds and adapt fast.

The second thing is the environment and the props. Basically we use props that look authentic and can simulate the real thing, just like in any of the props on set, we utilize them when we need but as little as possible since one of the main features of the camera technology we use is to capture the action scenes in “one shot.” We are limited when it comes to cuts between scenes so it requires a lot more from the performers to stay in shape, being well rehearsed and being sharp to prevent unaccommodated injuries to themselves or their fellow partners.

What is this new unique camera technology that your team uses?

UK: It’s basically something that we refer to as a “Semi-drone.” We believe that our concept will revolutionize how filmmakers capture movie fights and overall action scenes in the future. The reason being is that our system freely captures the fights and action in a video game style look by utilizing the DP as a part of the movement within the scene along with the performers and having a second camera operator moving the camera through a monitor for a more up-close and detailed view of the action, this way it won’t leave a single part of the move out for the audience to feel, you get the best of both worlds, the sense of POV along with the interactive part of 3D which makes it feel like you are a part of the action. It’s a pretty advanced technology that we are happy to bring to the big screen soon.

Can you tell us about your work on the 2015 film “Close Range”?

UK: I got a call from the director of the movie, Isaac Florentine, when I was in Texas and he told me that he had a part for me on his new movie. So I flew back to L.A and we started working on it. Working with Isaac was great, we had been in talks of working together for about 5 years when I was still in Sweden, so when the opportunity arose we made it happen. I was playing a Mexican drug cartel assassin called “Sesma”.

 

director isaac florentine
Umar Khan (left) and director Isaac Florentine (right) on set of “Close Range”

How does your character Sesma fit into the film?

UK: Sesma is the Mexican drug cartel boss’ right hand in the movie, he is an emotionless cold-blooded killer. Playing the character that doesn’t have a lot of lines is quite demanding but also a lot fun since instead of vocally using your thoughts you have to transcend them through your facial expressions and body language.

Do you feel that you get cast to play a certain type of character more than others?

UK: Not really, I have played a wide range of characters from different ethnicities and backgrounds.

Can you tell us about your favorite role to date as well as your most challenging role an actor?

UK: I would say until this date it’s probably a project I directed back in Sweden, “Veracious Perception.” I was depicting the role of Robert Martinez, a corrupt cop with multiple personalities, so I had to bring out so many different emotions while still maintaining character. It was very challenging but something I really grew from and enjoyed doing.

They are all very different, what made you choose to participate in these projects?

UK: My main goal when coming to America and Hollywood was to work on projects that were on the mainstream level, such as popular TV shows and big budget movies. It has been great working on big name productions doing acting and stunts but at the moment I’m also looking for challenging parts for the acting aspect and great action scripts for the action design.

You get approached all the time to work on projects with people, what makes you pick one role over another?

UK: If the role has a challenging side to it, it’ll be more intriguing to me. I prioritize the parts when I’m pushed out of my comfort zone to find a “new” me through the character I’m playing. I believe as an actor if you are not pushing yourself to take on the most demanding parts you’re not really testing your limits of what you are capable of delivering from deep inside you.

Have you been in any commercials or music videos?

UK: I recently did a commercial for EAS Sports Nutrition as one of the featured athletes, before that I did a commercial for Red Apple’s Ale, performing as the Latino boxer. I did a commercial for Dick’s Sporting Goods representing Under Armor jogging apparel, and last year I did a photoshoot for Harley Davidson and Carnivore Fitness (Australian athletic apparel) who are also now my sponsors.

I was in a bunch of music videos back in Sweden, such as, Fjarde Varlden’s “Ingenting,” Unlima’s “N’ Say Love,” Emerson’s “Back Off” and Cee Rock’s “The Fury.” Anderson Iz Nice and I did a couple of commercials like Idol 2005 and ICS for Sony Ericson, and I’ve also been featured in many magazines such as Fighter Magazine, Fitness Magazine, twice in M3 Digital World, the cover of Friskispressen, as well as Kamera & Bild.

What projects do you have coming up?

UK: At the moment me and my team are rehearsing for a previsualization for the upcoming American remake of the martial arts film, “The Raid.” I’m also in preproduction with another project that is set to be shot here in the U.S. and Nepal later this year, an action thriller called, “The Man From Kathmandu.” The film, which I’m both action directing and starring in, is being produced by Clear Mirror Pictures.

Last year, I was requested to choreograph/direct two pre-vizes for Tom Delmar, a renowned British action director making his directorial debut. We shot the pre-vizes with our technology and he was really impressed by them, so he put me in charge as the Second Unit Director and Stunt Coordinator on his upcoming features, “Killing The Seeds” and “The Masters Legacy.” It will be my debut as a Second Unit Director/Stunt Coordinator on a feature film so I’m super excited about that and deeply honored to have been given such a high position.

What are your plans for the future?

UK: My plans for the future are to develop more innovative Action Design for major shows and carry on what I started when I was in middle school, borrowing the school’s camera and bringing my friends to different locations to shoot my own projects, this time I’ll do it with my stunt team and with big budget projects. I also have plans to star and direct in my own projects in the future.

 

Dynamic Australian Actress Delivered ‘a significant amount of drama’ on the Venerable soap opera ‘Home and Away’

Katherine Cowgill by Teren Oddo Oct. 2015
Jessie McLachlan

Arriving as one of today’s finest actresses, Jessie McLachlan has delivered outstanding character portrayals in film and television over the last decade. The Australian native played Anna in Tom Simes’ feature drama, “Run, Broken Yet Brave” and Rachel in the FilmOut Festival Award winning feature drama, “Newcastle,” written and directed by Dan Castle.

She starred as Monica in Antonio Oreña-Barlin’s short drama, “Suburbia,” that was nominated for an Australian Film Institute Award, and has dispatched her talents to TV including in Village Roadshow’s reality series “The Shire,” 7 Network’s (Australia) 13-time award-winning comedy drama “Packed to the Rafters” and Nickelodeon’s 12-time award-winning family drama, “Dance Academy.”

Chief among McLachlan’s flourishing acting career was her 27-episode recurring performance as Samantha Braxton on 7 Network’s romantic drama, “Home and Away.” Created by Alan Bateman, the series has collected more than 40 awards and has broadcast since 1988.

“I’m really proud I got to be a part of it, in some way,” McLachlan said. “I’m proud of the Australian industry, and it is a testament that a show has been running for so long.”

“Home and Away” follows the lives, loves and heartbreaks within the fictitious coastal town of Summer Bay, in New South Wales, Australia.

The role challenged McLachlan to carry out the antagonistic, Samantha, who was a troubled member of one of Summer Bay’s surfing gangs. An aggressor, Samantha was a character best known for creating conflict, and one opposite of McLachlan’s own persona.

“It is the beauty of acting morphing into a completely different person, whom is definitely not like myself,” said McLachlan. “It is always a challenge playing a character whom is a complete opposite to you, and the way in which you conduct yourself in life. I always like to reflect on a personal experience, and encapsulate that raw emotion and feeling I had and use it in a performance to make it as authentic as I can, but with this character I was very challenged in the beginning in learning to be angry at everything and everyone.”

Starring as Samantha in the series from 2010-2011, McLachlan said of the character, “It is hard enough to be a teenager now days let alone have hardship or social issue’s amongst your family to overcome. I think at heart she is good, but when your family has a blurred line between what is right and wrong, she was easily influenced.”

Australian Actress Christina Collard (“Dracula: The Impaler,” “The Girl’s Guide to Depravity”) recognized McLachlan’s dynamic acting in “Home and Away.”

“The role required an incredibly dynamic actress, as Samantha’s presence and demeanor caused a significant amount of drama throughout Jessie’s time as a leading actress on the series,” she said. “Her presence was felt in scenes that she did not even appear in, which is a huge accomplishment that further evidences Jessie’s many talents as an actress. Her character was the talk among critics and dedicated viewers alike, and has been hailed as one of the more memorable characters in the recent history of this long running series.”

“Home and Away” currently is the second longest running dramatic series in Australian television history. Sold to more than 80 countries, it has drawn huge audiences in locations such as the United Kingdom, Ireland and New Zealand. The show is the most successful program in Logie Award history.

Of her favorite single portrayal, McLachlan says, “The first episode of a new season will always be my favorite of any show. It is when some questions that I’ve waited for a few months are finally answered, but also then all these new story lines are revealed, and the show becomes so juicy and the curiosity makes you tune in or binge watch it.”

Developing her talent early in life, McLachlan started speech and theatre lessons and became a National Irish Dancer when she was just 7 years old. “Every time I performed, from an audition or in front of my Grandma, it gave me a sense of euphoria, a high but a certainty feeling.”

Her talent and passion for performing hasn’t gone unnoticed in the industry as McLachlan went on to work for shows televised by MTV, ABC and Australia’s 9 Network. A do-it-all talent, McLachlan also was signed as a singer/songwriter to Island Def Jam.

She’s trained at the renowned Lee Strasberg and Stella Adler acting institutions in New York and Los Angeles, and studies the craft with the acclaimed acting coach Michelle Danner, who has worked with many A-list talents such as Chris Rock, Gerard Butler, Penelope Cruz, Michelle Rodriguez and more.

For more information, visit: http://jessiemclachlan.com and http://www.imdb.com/name/nm6682925/?ref_=fn_al_nm_1