Rosie Kinane-Adams has always been aware of the power of storytelling. She understands the connection one can feel with someone they have never met, simply by hearing their story. She has felt this obsession since she was a child. She wanted to know everything about everyone that ever existed. She became fascinated with television and its ability to share the story of a child her age going through much different circumstances; from her house in London, England, she was able to see far beyond her city, and into the happenings around the world.
It was only natural for Kinane-Adams to want to do her part to tell people’s stories, and the answer was simple. She would be a producer. She would spend her life showing people who overcome all obstacles, whether it be the story of a dancer who overcame a disability to perform on the biggest stage in the world, or a couple trying to overcome their lifestyle differences and fall in love.
“I wanted to be responsible for inspiring people around the world and showing them what’s out there and what people are capable of,” she said.
Kinane-Adams has worked on many successful projects throughout her career. She produced Married at First Sight Australia, which has been nominated for Best Factual Program Silver at the Logie Awards. She also produced two seasons of Simon Cowell’s hit show America’s Got Talent, impressing audiences and colleagues across the globe.
“The simplest way to describe working with Rosie would be like a ‘breath of fresh air.’ That is why she stands out among other producers I worked with. Her approach to the job, her attitude, and her overall presence are something all producers need to strive for. She brings excitement, positivity, and new ideas in every situation she is in. She is the best producer I have ever worked with; and hopefully will again in the near future,” said Chase Marbumrung, Line Producer of America’s Got Talent. “Rosie is so amazing at what she does because she is dynamic. She is full of energy and new ideas; and she adapts to any situation without sacrificing her character. Everyone I know who worked with her can vouch for this. Every production would be lucky to have to her.”
Earlier this year, Kinane-Adams once again put her touch on a popular television show, this time being for the ninth season of Masterchef Australia. The Masterchef franchise is one of the most successful cooking shows in the world, with a presence in 52 countries, and on every continent. The Australian version differs slightly from the original British version. The initial round of the show consists of a large number of hopeful contestants from across Australia individually “auditioning” by presenting a food dish before the three judges in order to gain one of 50 semi-final places. The semi-finalists then compete in several challenges which test their food knowledge and preparation skills. The contestants will then be whittled down through a number of individual and team-based cooking challenges and weekly elimination rounds until a winning MasterChef is crowned. The winner plays for a prize that includes chef training from leading professional chefs, the chance to have their own cookbook published, and $250,000 in cash. Working on the show has been a mission point of Kinane-Adams’ career.
“Masterchef is the most successful cooking show format in the world, and a lot of that comes down to story. People at home love to see home cooks like themselves succeed and achieve their dream. It’s about good people wanting to follow their dream and learn from the best in their business. It’s a feel-good show, and they never go out of style,” said Kinane Adams.
After her success with Married at First Sight, the Endomol Shine Group recruited Kinane-Adams to work on Masterchef. They were looking for the best, and Kinane-Adams’ results from Married at First Sight showed she was just that. Her episodes did incredibly well in the ratings up against tough competition. Her episodes came in at number one in the ratings the night they aired, and were up 98 per cent year on year from the timeslot the year before. She continued a similar pattern on Masterchef.
“Having an internationally renowned producer like Rosie on the team brought an invaluable source of knowledge and creativity to the show. Working with her inspired creativity for myself and the rest of the team. Rosie’s unique approach to storytelling is what makes her one of the best in the business,” said Kelly Maycock, Senior Producer of Masterchef Australia.
Kinane-Adams edit produced two 60-minute episodes of Masterchef Australia. To do this, she took the raw content from the field and crafted it into a clear, concise and compelling episode for the viewers at home. She would watch through over a hundred hours of footage and create a clear timeline and story from the many stories that existed within the episode. From there, she would work with her editor to polish it into an episode that met the high standard that Masterchef has the reputation for. She was vital to the success of her episodes, and the season as a whole.
“Working on such a respected format within my industry, and one that has been around in one form or another since I was born, is an incredible milestone for me. To have such final creative control on such a successful and complex show is a wonderful feeling. With just myself and an editor working on it gives you a real sense of ownership over the episode. The success of that episode is, in a large part, down to storytelling,” Kinane-Adams said. “The show has a lot of integrity. It’s all about encouraging growth for the everyday man, proving that anyone can follow their dreams and achieve them. It has a really positive vibe to it, and that’s a wonderful thing to be a part of.”
Masterchef is known in the industry for being one of the hardest shows to post-produce and edit. It is said if you can do Masterchef, you can do it all in the reality world, and Kinane-Adams can truly do everything in the reality world. She is one of Britain’s best, and there is no doubt that we can continue to expect great work from this storyteller for quite some time.