Editor James Ralph is indirectly responsible for success of superstars with work on ‘X Factor’

As a child growing up in London, England, James Ralph wanted to be a chef. He enjoyed the creativity that came along with cooking, being able to create something amazing from simple ingredients. During this time, his hobby was making videos with his friends. As he grew, he started to realize the parallels between cooking and filmmaking. Both involve a high level of creativity and natural instinct, and both are their own forms of art. It was this realization that made making movies turn from a hobby to a true passion, and changed Ralph’s life.

Now, Ralph is one of Britain’s most celebrated editors. His work throughout his country’s television industry is iconic, putting his touch on the nation’s most popular shows. Working on series like Love Island, Britain’s Got Talent, 24 Hours in A&E, The Voice UK, and many more, Ralph has made quite the name for himself. This all truly began with his work on the immensely popular singing competition The X Factor.

“It’s amazing to think that over the years working on this show, I have had a hand in editing the auditions of artists who have gone on to enjoy massive worldwide fame. Early One Direction solo auditions, JLS, Little Mix as soloists and when first together amongst others. It gives me a real sense of achievement to think that, although they’ll have absolutely no idea who I am or what I do, I have in my small way played a part in their journey to superstardom,” said Ralph.

Having worked on the show since 2008 when it began its fifth season, Ralph is acutely aware of how to make the show a success. He brings a consistency and deep understanding of the show and how it works best. He has been involved in all stages of the editing process, from the initial auditions, to arenas, boot camp, judges houses, and the live shows. His extensive experience on the show and his vast understanding of its many elements has meant that he has a senior role, working as a lead or finishing editor. He knows the look and feel better than almost anyone, and without him, the show may not be what it is today.

“What I love about working on a show like this is that it’s a real test of all my skills as an editor, but also because it is transmitting weekly, you are working on something, that is getting real time feedback from the press, the public and social media. A really successful audition can become a real water cooler moment where it seems like everyone is talking about it, and that is a great feeling,” said Ralph.

From the beginning, Ralph is heavily involved in editing the audition stage of the show. He spends weeks going through all the footage from each audition, figuring out exactly what should be highlighted. Once episodes have been cast, he crafts every audition, ensuring to tell each story fully, maximizing the potential of each act. He also has to connect each act, and building the bridges and connections between them takes a great deal of time and skill, as viewers need the entire show to be seamless. According to Ralph, the choice of music and the pacing of the stories is so important in making the most of every scene. Simon Cowell is also highly involved in the process, and Ralph sends edits to him regularly for feedback. Ralph’s editing skills are vastly appreciated by all who work on the show.

“James is a pleasure to work with. Over the years numerous Series Producers and Edit Producers have worked alongside him and the feedback is always extremely positive. James is someone we try to book as an editor for the show every year, he is very much a part of the core edit team. We also work very long hours and James will never lose his sense of humor and always has a smile on his face,” said Ashley Whitehouse, Series Producer. “James is a very creative editor who can work extremely well under pressure, often cutting to very tight deadlines. He is a great editor when it comes to telling emotional stories, but equally skilled when it comes to cutting comedy. James is also very accommodating when working with junior members of the editorial team and will often help nurture less experienced producers. James is often used as a ‘finisher’ on our shows too, great attention to detail.”

Ralph takes a great sense of satisfaction from the fact that his work is not only appreciated by colleagues, but also fans. The show is consistently popular with the public and press, with extremely high ratings and award wins. When a fan retweets an audition, or likes a video on YouTube, they may not realize they are congratulating Ralph for a job well done.

“I love working on this show for a number of reasons. It’s a heady mix of intense pressure to deliver against deadlines for transmission, super creativity, and the chance to work on discovering acts that have gone on to become some of the biggest global acts in recent years. I have been involved in all areas of the edit from the opening sequences, pre-titles, guest artist videos for people like Katie Perry, Robbie Williams to actual parts of the show, live show videos as well as lead and finishing editor roles. There isn’t really a part of the editing of the show that I don’t know about,” he concluded.

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