Tag Archives: Changes film

Speaking Visually: Cinematographer Andrea Gonzalez Mereles

Andrea Mereles Gonzalez
Director Roberto Escamilla & Cinematographer Andrea Mereles Gonzalez

For the past five years cinematographer Andrea Gonzalez Mereles has been using her unparalleled skill behind the lens to create captivating visual stories for a plethora of films and television series.

Originally from Mexico City, Mereles has made a name for herself both at home, as well as in the U.S., due to her powerful work as the cinematographer behind films such as Roberto Escamilla’s (The One Who Couldn’t Love, Passion and Power) 2016 drama Changes, Bo-You Niou’s (Manners of Dying) drama The 12th Stare starring Christine Kellogg-Darrin (Shameless, The Neighbours) and many more.

Mereles recently wrapped production on Camilo Collazos’ riveting 2017 drama Flesh & Blood starring multi-award winning actor Jorge A. Jimenez (Hermoso Silencio, Machete Kills), L.J. Batinas (Hawaii Five-O, Black Jesus) and Mariana Novak (Rose Colored, The Moleskin Diary).

Flesh & Blood revolves largely around the life of Rodrigo, played by Jimenez, an inmate who makes a deal to testify against a dangerous prisoner named Luis in exchange for early release via deportation.

While the deal includes an offer of witness protection for Rodrigo’s estranged daughter Laura, as she would most likely be targeted after Luis and his men on the outside find out what her father’s done, she’s far from a willing participant. Her reluctance puts Rodrigo in a tricky situation where he must try to convince a daughter he barely knows to give up her normal life in order to save them both before Luis finds out the extent of Rodrigo’s betrayal.

As the cinematographer of the film, Mereles’ brilliant use of lighting,  camera placement and methodical lens choices were tantamount to drawing audiences into the film and driving home the emotional aspects of Rodrigo’s story.

Flesh and Blood
Poster for the film “Flesh & Blood”

“We decided that we wanted the film to feel very personal and close to Rodrigo. This was his story and we were determined to capture this in the numerous visual aspects,” explains Mereles.

“Given that this was Rodrigo’s story I wanted the spectator to feel he was seeing the world through his eyes. This required a careful planning around camera placement, deliberated camera movement motivated by the main character’s internal and external motion and the use of anamorphic lenses.”

Through her lighting choices alone it’s easy to see that Mereles is an incredibly skilled cinematographer who knows exactly how to create a visual story that touches viewers on multiple levels and heightens the impact of the narrative unfolding on the screen. Using darker lighting to portray the gloomy nature of Rodrigo’s life in prison, and then using natural sunlight to brighten up the scenes and visually express the hope Rodrigo feels where his daughter Laura appears, Mereles juxtaposition of light and dark within the film emphasizes the dichotomy between Rodrigo’s current experience and the possibility of a brighter future.

“[Andrea’s] acute sensibilities with the film medium facilitate the understanding of the point of view and solidify the lives of the characters by enhancing the atmosphere around their universe or emphasizing their intentions,” explains Flesh & Blood director Camilo Collazos.

“She is a DP who is always prepared and is very accurate when reading the intentions of the voice guiding the storytelling. Her vision carries a charismatic, distinctive signature that allows the viewer to be in with the story and its world.”

The film, which premiered at the Mexican Embassy in Los Angeles as part of the Mexican Filmmakers Showcase on July 20th, 2017, was shot primarily at the Sybil Brand Institute in Los Angeles, the same location used for other hits films such as Blow, 21 Grams, Legally Blonde and Malcolm X.

Andrea Gonzalez Mereles
Cinematographer Andrea Gonzalez Mereles

Mereles, whose name was already well-known back home in Mexico by the time she moved to the U.S., has made extraordinary strides in Hollywood over the last few years thanks to her inimitable skill behind the lens and her unique creative vision. While she knew early on in life that she would go on to work in the film industry, what sparked her career as a cinematographer was when she was on set for the first time working as a camera assistant.

“I knew I wanted to be a filmmaker. My intention was to become a director and a screenwriter, but the first time I was on a movie set I realized that what I wanted to tell a story visually,” explains Mereles.

“For me cinematography means telling stories as a whole but also with every image. I’m passionate about constructing stories through lighting, composition and movement and creating emotions within the spectator. Cinematography is a journey I started a long time ago. It is a journey to tell stories but it’s also a journey to find answers; trying to understand what it means to be human.”

After the firm realization that cinematography was the one field that would fulfill her creative passions and utilize her wide range of talents, Mereles went to work honing her skills in the artform at some of the world’s most prestigious schools. Shortly after completing Maine Media Workshops’ cinematography residency, Mereles went on to complete her master’s degree in cinematography at the American Film Institute, a highly competitive conservatory program that boasts an impressive alumni list including filmmakers such as three-time Oscar nominee John Cassavetes, four-time Golden Globe Award nominee David Lynch, Oscar nominee Darren Aronofsky and many more household names. In 2014 Mereles was selected as a Fullbright Scholar, an international merit-based scholarship program that gives a limited number of individuals the opportunity to study abroad.

While Mereles’ training definitely boosted her technical skill as a cinematographer, it’s her innate creative vision that has led her to become a sought after figure in her field internationally.

Another one of Mereles notable film works as a cinematographer in 2017 was multi-award winning director Christopher de las Alas’ (For Ofelia, Coffee Run) adventure film Great Again, which premiered during the LA Film Festival’s Project Involve Showcase. Starring Jonah Aimz (Awaken, Instacurity), Tasha Dixon (NCIS, Guiding Light) and Jeff Hoffmaster (True Blood, I’m With the Band), Great Again follows Frank (Jeff Hoffmaster), a homeless main on a mission for vengeance against a group of people who, immersed in their own selfish problems, refuse to buy him a bottle of mouthwash at a local convenience store. After being mocked and pushed to the brink, Frank decides to play a little prank on those who snuffed him by announcing that he won the lottery and is ready to share his winning with them; but when they find out he’s lying, they don’t take it lightly.

Through her use of specific angles, shot pacing and lighting, Mereles once again nailed the mark with her seasoned skill as the cinematographer of the film to draw viewers into the emotional aspects of the main character’s journey.

She explains, “My main goal was to visually represent the hecticness that Frank undergoes after lying about winning the lottery.  The director wanted to visually make a difference between the before and after of the winning of the lottery. To achieve this, the moment when Frank wins the lottery was shot using a zolly, which is a dolly in combination with a zoom. The before was characterized by a static camera and the after with hectic zooms ins, pans and handheld camera.”

As a cinematographer, Andrea Gonzalez Mereles has carved out a prominent position for herself internationally as an artist behind the lens whose creative capacity and keen vision have given way to both the commercial success and emotional impact of a wide range of films. Up next for Mereles is the thriller film Plain Fiction directed by Cyrus Duff, which is due out in 2018.

Advertisements

From Commercials to Film, Director Roberto Escamilla is a Visionary Artist!

Director Roberto Escamilla
Director Roberto Escamilla

Many directors find success directing commercials and/or music videos and choose to stay there throughout their careers; and there’s absolutely nothing wrong with that as artists and brands need someone who can direct great commercials and music videos in order to keep their audience engaged. In the same breath though, there are many directors who have chosen to use their experience directing commercials and music videos as a stepping stone into directing narrative films, and Mexican director Roberto Escamilla is one of them.

Since beginning his career many years ago, Escamilla has become known for his work as the director behind a slew of popular commercials and music videos, as well as for his work as the director of the opening sequences for the hit telenovelas “Pasión y Poder” (aka “Passion and Power”) starring Jorge Salinas (“Que Bonito Amor”) and Fernando Colunga (“Soy Tu Dueña”), “Corona De Lágrimas” (aka “Crown of Tears”) starring Victoria Ruffo (“Triunfo del Amor”) and Alejandro Nones (“La Piloto”), and the romantic drama “La Que No Podía Amar” (aka “The One Who Couldn’t Love”) starring Susana González (“La Candidata”) and Anna Brenda Contreras (“Blue Demon”).

Over the years Escamilla’s reputation as a skilled director has spread far beyond Mexico as more and more international audiences have had the opportunity to see his work. In 2015 Escamilla was hired by Mexico-based production company Curiosity Media and award winning advertising agency Y & R to direct the “”Hot Cakes de Película” commercial for leading maple syrup brand Karo. The commercial is modern, funny and so visually enticing that it will make you want to smother your pancakes in Karo’s maple syrup the next chance you get! As the director of the commercial Escamilla definitely nailed the mark.

In 2012 Escamilla gained quite a bit of attention for his work as the director of the promos for the hit Mexican biographical series “El Encanto Del Águila” (aka “The Eagle’s Spell”) starring Carlos Corona from the multi-award winning film “Cantinflas” and Ariel Award nominee Emilio Echevarría from the Oscar Award nominated film “Y Tu Mamá También.” The stunning promotions Escamilla directed for “El Encanto Del Águila” earned the Gold Award of Excellence for Total Package Design at the 2012 PromaxBDA Awards, one of the leading awards events recognizing innovations within the marketing and design industry around the world.

While his work as a commercial and music video director has brought him extensive praise, what drives Escamilla to direct is his passion for delivering stories that touch the audience on an emotional level– those with an impact that lingers longer than what’s possible within the confines of a music video or commercial project, where the end goal is more concerned with sales than delivering a powerful story.

Escamilla admits, “I see cinema as an art medium. Yes people that work on it need to make a living from it, but we need to always remember that this is a profession that allows us to express ourselves and also to deliver a message.”

Even from Escamilla’s early work as a commercial director it’s easy to see his flare for narrative storytelling, so it will come as no surprise to those who know his work that he has progressively moved into directing more and more film projects.

Film poster for "Changes"
Film poster for Roberto Escamilla’s film “Changes”

“Changes,” Escamilla’s latest film, is a coming of age dramedy starring Joshua Furtado from the upcoming film “Charlie, Charlie” (starring Golden Globe nominee Tom Sizemore), Jade Lorna Sullivan (“Simple Lives,” “Camelot”), Chaz Kao (“Lucifer,” “Fall Into Me”) and Danny Parker-Lopes (“Minority Report,” “King Rikki”). Written and directed by Escamilla, “Changes” portraits one boy’s transition into “manhood” on the eve of his 16th birthday.

“I know how important is for a young man to prove himself in front of his friends…. That’s why I wanted to create a film that reflects this and at the same time I wanted to deliver a message about diversity and acceptance,” explains Escamilla about his inspiration for the film.

Under the heavy influence of peer pressure from his friends, the film’s main character Mitchell (played by Furtado) is taken to a brothel where he loses his virginity to a prostitute named Destiny (played by Sullivan), or at least that’s what his friends think. Filled with twists nobody would expect, “Changes” offers as a beautiful insight into the peer pressures of becoming a man, staying true to oneself and the importance of compassion.

Escamilla’s highly anticipated film “Changes” is slated to have its U.S. premiere at the UCLAxFilmFestival in Los Angeles on May 6 where it has been chosen as an Official Selection. The Mexican Consulate in LA will also be screening “Changes” on May 25th.

About the completed film, Escamilla says, “I feel it’s a big accomplish, it looks great, the casting is perfect and the message of love and acceptance it delivers touches me every time I see it…. and I’ve seen how it moves the audience which is the most important thing.”

While Escamilla has undoubtedly made a name for himself as a sought after director in Mexico, his ability to create powerful narrative film stories has clearly struck a chord with audiences around the world; and we can’t wait to see what he comes up with next!