For decades, the film industry has been waging an arms race with no end in sight. In the dark of the theater, ever more elaborate spectacles of cinematic magic shine upon the screen like portals to distant worlds and forgotten times. The popularity of cutting-edge effects among moviegoers has fueled the growth of their use, making them absolutely essential to the success of virtually every blockbuster in modern cinema history. As quickly as audiences are thrilled by the latest magnificent visual feat, however, the bar is raised for all films that follow. As technology and expectations grow exponentially, it falls on visual effects artists like Tati Leite to keep up with our hungry demand to not only see magic, but to believe our eyes when we do.
Leite’s story is one of dedication begetting success. For as long as she can remember she’s been enamored with the way movies use special effects to awe, amaze and inspire audiences to believe the unbelievable. That early fascination stayed with Leite during her time as a computer engineer, a field which demanded and sharpened complex technical skills that would prove invaluable to her career as a visual effects artist.
“I have always been passionate about movies and computer graphics, and visual effects is simply the perfect combination of both worlds,” Leite said. “Ever since I was young, I’ve never missed an opportunity to create videos, learn tools to modify them, create effects, and everything that could be done at the time. I paid attention to all the details of every movie I watched, and I’d watch it over and over to see the effects, the animation and all the aspects that had been introduced to the footage.”
Her years of schooling and experience as a computer engineer gave Leite more than just a leg up when she entered the field of visual effects. As a visual effects artist, most of what she does demands an expertise in computer operations and design that few without her computer science background possess.
“I love to use technology in service of a story,” she explained. “Being able to create visuals that take people’s breath away, even if only for a few seconds, is the most exciting thing about being a VFX artist.”
The spectacular effects Leite creates are never anything shy of breathtaking. Her credits to date are as impressive as they are fitting for an artist of her talent. She’s worked her VFX magic on blockbuster films including 2018’s “Mission Impossible: Fallout” starring Tom Cruise, Marvel Studios’ “Ant-Man and The Wasp” starring Paul Rudd, and Disney’s upcoming live action remake of “The Lion King,” starring Donald Glover and coming to theaters in 2019. When it comes to productions like these, with big stars and bigger budgets, studios don’t take chances on unproven talent. Leite is consistently chosen for such high-stakes projects because she’s garnered a reputation for being an effects artist of the highest caliber.
“I think what excites me most about VFX is exactly that race. The challenge of doing something better, faster and differently is something that drives my passion for this industry. It’s not only about art, and not only about technology. It’s this thrilling mix of both that makes me want to become better and push the bar higher and higher,” Leite said, describing the thrill of being on the frontlines of the visual effects arms race. “Working for big budget productions [intensifies] the challenges because not only do we have to do our very best work to get it just right, but we also have to contend with tight deadlines and the pressure to deliver something even better than the last time.”
Grossly oversimplified, Leite’s job is to visualize, design and create the brilliant spectacles which astound ever-more discerning audiences. Her every keystroke is a meticulously calculated marriage between her unrivaled technical abilities and her unbridled imagination.
Her success has been guided every bit as much by her computer engineering experience as it has by her lifelong love of films, comics and games — and the ways they all use visual artistry to immerse their viewers, readers and players.
“My work on the movie ‘Ant-Man and the Wasp’ has special meaning to me because it was my first Marvel movie,” Leite explained excitedly. “As an old fan, I couldn’t be more glad to be a part of it.”
While her skill as a VFX artist has led her to be tapped to work on some of the year’s most highly anticipated films on a global scale, her love for her craft and her passion for film means Leite doesn’t choose her projects based merely on blockbuster status. She recently edited and led the VFX for the upcoming indie feature film “In Transit” from esteemed Brazilian director Julia Camara (“Open Road,” “Occupants”). Starring Oliver Rayon (“Workaholics”), award-winning actress Kim Burns (“Painless”) and Karina Federico (“Piel Salvaje”) “In Transit” tells the inspiring story of Olga and Daniel, two strangers whose chance encounter while waiting at an airport restaurant for flights to their respective countries change one another’s lives forever.
“In Transit” is yet another film where Leite’s finesse in post-production has proven to be crucial to the success of the production. Camara, who’s earned more than 25 awards for her work, including the Silver Telly Award and the Platinum Award from the European Independent Film Awards, needed a talented VFX artist and editor who spoke both English and Brazilian Portuguese for “In Transit,” and she found just the post-production superhero she was looking for in Leite.
“She was instrumental to the completion of the film… Not many others would have signed on to work on an experimental feature film… In an industry saturated with male editors, working with another woman was so refreshing. She brings her unique world view and sensibilities this industry desperately needs,” explains Camara. “The success of the film is largely due to her contribution to the project.”
With its festival run is just getting under way, “In Transit” has already been chosen as an Official Selection by the Glendale International Film Festival and is slated to screen between October 5 to 13 in Glendale, California.
There was a time when films had a monopoly on visual effects. But over the last two decades another multi-billion dollar industry has emerged, one which has fueled an explosion in demand for visual effects artists with talents like Leite’s. The rise of the video gaming industry seems to have no end in sight, and VFX has become as crucial to this growing field as it is to Hollywood. The largest video game development studios have already begun to compete with film production studios for VFX artists and other talent — as illustrated by Leite’s extensive VFX work within the gaming industry. As blockbuster video games continue to generate billions of dollars for the burgeoning industry, game developers increasingly realize the importance of visual effects artists.
In just a few short decades, the industry has evolved from a niche market of serious gamers to a cultural powerhouse with serious market control. Video and computer games today are far more than mindless entertainment, evidenced by their use in a vast array of educational settings. Working with the award-winning development company 7 Generation Games, Leite has helped create games that serve as interactive learning experiences for children.
This tactile approach to learning has come a long way since the days of iconic classroom games like “Oregon Trail.” Through games like “Aztech,” “Fish Lake” and “Making Camp,” Leite is helping to shape and grow the next generation of curious young minds. Her work has also earned 7 Generation Games the distinction of being named one of Homeschool.com’s Top Back to School Resources, a highly influential accolade in the world of education. The group is also the only U.S.-based firm to be a finalist at the Global Entrepreneurship Summit in India.
“It’s fantastic that 7 Generation Games has won so many awards, but for me personally, the best award is when I see the kids playing it without even blinking. 7 Generation Games creates educational games, and it’s kind of hard to keep children as interested in them compared to ‘regular’ games,” said Leite, describing the challenge of creating a product that is both informative and engaging to the young audience. “All the awards we won are very gratifying, but seeing kids playing over and over, even though they include math, social studies and learning, is priceless. It’s one of those moments you think, ‘Hm, I think we made something right.’”
In the field of visual effects, knowing the audience is key. Leite has an innate understanding of what audiences and players want to see; for all her immense technical know-how, she never treats the creative process as a formulaic affair. Just as each production is unique and wholly original, so too is her approach to every new challenge that comes her way. Whether she’s working alongside industry effects giants in the Marvel universe or helping young children discover a lifelong love of mathematics and science, Tati Leite is an unrivaled force within an industry that continues to fascinate and captivate imaginations of all ages.