The prodigious talents of British actress, Liane Grant, seems to show no ends for she has received acclaim not only for her professional work in acting, directing, writing and producing on stage, but on the screen too; and on both sides of the Atlantic, no less.
Recently Grant co-produced, wrote and played the lead role of Meredith in the American dystopian play, “Half Me, Half You”, which debuted at the Fresh Fruit Festival in New York in July 2018, and where Grant won the Outstanding Playwright Award. The hit production also led Grant’s costar, Jennifer Fouche, to earn the Outstanding Featured Performer Award.
“Acting is so much more skilled and complex, and uses so much brain power as well as heart and soul power, more so than I think many people realize,” said Grant, who has over 26 acting credits on stage and screen.
“It also forces me to be a better person because I’m constantly having to think about different stories and different kinds of people, and look at things from a multitude of perspectives.”
An alumnus of the prestigious Cambridge University in England, Grant also studied acting at the American Academy of Dramatic Arts (AADA) in New York for two years. In 2015 she co-founded her own production company, RoL’n Productions, through which she’s produced “Half Me, Half You” and other acclaimed works.
RoL’n Productions focuses on providing opportunities for women in the arts and with an all-female cast, “Half Me, Half You”, which dramatizes issues of prejudice such as on race and gender, was no exception. Grant co-founded RoL’n Productions with Roxanne Lamendola, an American actress whom she met at AADA, the alma mater of some of the best actresses of their generation, from Lauren Bacall to Anne Bancroft of yesteryear, and Anne Hathaway and Jessica Chastain of today.
However, Grant’s first theatre co-production for RoL’n Productions, the barbed comedy, “Taken in Marriage,” not only had an all-female cast but also linked her with yet another luminary of screen and stage, the three-time Oscar-winning actress Meryl Streep, as she performed in one of the lead roles of Andy, a part originated by Streep on Broadway in 1979.
“Working with so many talented women, knowing that we’d provided them with those opportunities to showcase their talents, was amazing,” said Grant, who ensured that seven production roles, in a variety of areas, were filled by women.
Grant co-produced “Taken in Marriage” in 2015 to be performed at the Waterloo East Theatre in London, England, with the sharp comedy focused on the character of the pretty and young Annie, as she sits in a basement on the eve of her wedding, surrounded by female family members, with long-lost feelings, frustrations and secrets on the verge of being revealed to much hilarity.
Grant’s debut in a feature film, “Gypo,” was in the UK in 2005, but it marked a strong start to her career, as the film not only won the British Independent Film Award for Best Achievement in Production but, more so, was directed by Jan Dunn, the multi-award-winning female auteur and one of the first British directors to be listed on the Hollywood Director’s List.
“Doing ‘Gypo’ was my first professional job, and my first feature film, and for that reason it will always be a standout project, let alone the amazing team of professionals I was able to work with,” said Grant, about her first professional role nearly fifteen years ago.
Grant plays a bully in “Gypo”, which charts the breakdown of a working class family in England, when the teenage daughter of a family befriends a refugee girl, with leading roles by actors Pauline McLynn, whose credits include Tom Cruise’s “Far & Away” and “Transformers: The Last Knight” and Paul McGann, who portrayed the iconic British character, Doctor Who, in 2013.
Moving seamlessly from stage to screen can be challenging for any actor, but for Grant, who has performed in four Shakespeare plays for theater in the US and the UK – including as a female Julius Caesar in an all-female production – her valuable training, skills and experience make the transition back and forth almost seamless.
“Theater is wholly unique because it allows for a direct and intimate relationship with the audience: even when you can’t see the under the stage lights, even when you are lost in your character and in the moment, you feel that connection and their presence in some way,” said Grant, who has performed at the famous Edinburgh Fringe and in England and New York.
“There is certainly an electricity, literally and metaphorically, when the camera is rolling, and screen work is exciting and alive in its own way, but they are very different processes: how you prepare the character may be exactly the same, but the process for that character to be brought to life is very different.”
It is an approach that stands Grant in good stead, as she prepares in 2020 for her latest on-screen role as the character, Stephanie Miles, in the new US television series “Emergency: LA” which focuses on fictional dramas based around the emergency services of Los Angeles’ fire, police and hospital services.
“When I watched Julie Andrews in ‘The Sound of Music’, it changed my world: I didn’t just understand the magic of film but the magic of a performance speaking to you directly,” said Grant, who also starred in film, “The Parasite,” in 2016.
“So, honestly, my ultimate goal would be to make someone else feel the way Julie Andrews made me feel, to pay the gift forward.”