Argentine actress Alexia Sabogal is captivating the world of entertainment, as she continues to star in theater, television shows, and hit music videos.
Alexia also developed her expertise with acting in the music industry when she appeared in the music video The Night is Still Young with female rap artist Nicki Minaj. This music video has also reached an extraordinary amount of views on YouTube, totaling at more than 43 million in first three months of its release.
Along with her work in theatre and music videos, Alexia has also made an impression on television, turning heads as Kalu in the hit series, Aliados. Since 2013, the television series has reached worldwide acclaim, and has been broadcast to more than 18 countries on the Fox Network.
In just two seasons, Aliados has been nominated for many awards, and won the Martin Fierro Award for “Best Teen TV Show” and the Kids Choice Argentina Award for “Best National TV Show”.
Canadian actor Evan Williams has become a hit with audiences in film, television and stage. He got his start as a performer as an actor in musical theatre, which led him to pursue a career on screen. Working on projects produced by industry giants including HBO, Disney, MTV and ABC, he’s portrayed roles in everything from the wildly popular teen drama series Degrassi: The Next Generation to the feature film Lloyd the Conqueror, a college comedy with a twist of fantasy.
His wide dramatic range sets him apart from his peers, and was a decisive factor in the decision to cast him as a lead in the sophisticated new French drama Versailles.
Versailles is the highly anticipated upcoming series from Canal+ and SuperChannel, and is the highest-budgeted French television program ever produced. Williams plays the role of Chevalier, a cunning and unscrupulous noble in Louis XIV’s 17th century court based on the real life Chevalier de Lorraine. With Machiavellian efficiency, he works his way into the higher echelons of French royalty, making no effort to conceal his affair with the king’s brother Phillipe.
“He was a ruthless schemer, a guileless manipulator and an imperious presence in the court of the king… It was fun to dive into the real man beneath all the layers,” Williams said. “This position made him very dangerous and very much in danger, and that type of complicated tightrope walk is a dream for an actor to dig into.”
Following in the footsteps of The Tudors and The Borgias, the series is set for release later this year, and producers are pushing for the risque, political intrigue-driven Versailles to compete with American shows like Game of Thrones and House of Cards. By filming in English, Canal+ and SuperChannel will undoubtedly court international audiences with the enticing and addictive tale of French royalty in a country on the brink of revolution. The highly ambitious Versailles is slated to begin its captivating hold over television audiences on the French Canal+ channel in the fall.
Constantly showcasing his cross-genre talent, Williams previously played the lead role in Lloyd the Conqueror. The film centers around the subculture of “LARPing,” or live-action role playing. Popularized in the film Role Models, it is a real world version of fantasy games complete with knights, kings, dragons and plenty of props. Williams’ titular character Lloyd is on a mission to dethrone a dark wizard ruling over the group.
A hilarious film crossing college humor with a nerdy edge, Lloyd the Conqueror won the Alberta Media Production Industries (AMPIA) Award for Best Dramatic Feature and Best Original Score.
Williams plays the lead role of Ben in director Carolyn Cavallero’s upcoming drama Paradise Club, about the San Francisco’s cultural renaissance in the 1960’s. The film stars award-winning actors Elizabeth Rice (From Within, My Dog Skip, Mad Men) and Eric Roberts (Runaway Train, The Dark Knight, The Expendables) as members of the counterculture. Williams’ character Ben finds himself falling for Catherine, played by Rice, but they soon find that the cold reality of real life may destroy their utopian fantasies.
“I play a disgruntled alcoholic rock star named Ben, who has hit the peak of his fame and wants out, as he navigates a twisting and turning relationship with a young student named Catherine who is moonlighting as an exotic dancer,” Williams said. “It’s a very elemental story told through the freaked-out lens of the period.”
Paradise Club will begin its tour of the festival circuit in October.
An avid devotee of all things music, Williams got his start singing in choir before he began performing in musical theatre productions. It was those roots which motivated him to write and record one of his songs, “I’m Not Waiting,” for the film Ride, which was selected and requested personally by director and Academy Award-winner Helen Hunt (As Good As it Gets, Mad About You).
As if that array of new projects were not enough, fans of Williams can also catch him in the fifth season of MTV’s Awkward beginning August 31, where he will be appearing in the lead role of Luke.
Film composer and guitarist Daniel Raijman got his start playing music across Buenos Aires, Argentina, where he grew up. His expertise in composition and arrangement for film has made him a mainstay in the industry, but it’s his lifelong fascination with the study and performance of string instruments, which has led him to his rewarding career in the field.
Raijman toured with his first group, Orquesta Kef, for four years between 2006 and 2009. The band puts a modern twist on the traditional eastern European Klezmer style, a genre with long ties to Jewish culture in the region. As a guitarist for Orquesta Kef, Raijman toured venues throughout Argentina and Uruguay.
The band combines the classic sounds of Klezmer music with contemporary Latin American influences.
According to the band’s website, “It all began at the end of the year 2000, near Chanukah, when a group of young musicians wanted to express and share their talents with the community. Shortly after the premiere, Kef found its own unique musical style. Kef is the number one Klezmer Band in Argentina and one of the biggest in Latin America.”
Beginning in 2007 Raijman also toured with Quinta Estacion (Fifth Season), a group that he founded alongside award-winning pianist and composer Sebastian Kauderer. A contemporary jazz quartet, Quinta Estacion was a hit at venues in Argentina and took an inspired approach in its performance of modern jazz and funk.
“We wanted to achieve that sound similar to our influences such as Pat Metheny and Brad Mehldau. The challenge was to write complex harmonies and fit them into beautiful melodies,” Raijman said. “We played in some of the best jazz clubs in Buenos Aires and recorded our album in 2008.”
Heavily influenced by his years playing with Quinta Estacion, Raijman’s next band, Pentafono, was a jazz quintet, which drew an eclectic sound from its Latin American and jazz roots.
“I composed most of the songs based on odd meters and rhythms from Latin America and I wrote challenging harmonies and melodies that were fun to play,” Raijman said. “I wrote some of the songs while I was studying jazz composition with New York-based composer Guillermo Klein.”
Pentafono regularly played and toured around Buenos Aires, and in 2012 recorded their self-titled debut album.
Most recently, Raijman played guitar for the soundtrack for Triggerfish. The film, which is set for release later year, follows the fictional, eponymous punk band Triggerfish as they embark on a night of debauchery and unhinged excitement.
“I was working for Megan Cavallari when she scored this film. She asked me to record guitars for this film and I totally enjoyed it,” Raijman said. “I had to record music ranging from punk to hard rock to blues – all kind of different styles.”
With such a diverse background of influences, and years on the road and in the studio, Raijman’s seasoned expertise has made him a go-to guitarist and composer in a highly competitive field. In addition to Triggerfish, Raijman has lent his extraordinary talents as a composer to the scores of the films An Opening to Closure, Monster Hunters USA and Day Care Center, Love, the documentary 8 Seconds: Humane Decision Making of the IDF and many more. Raijman is also slated to play guitars on the upcoming film Jay Rocco.
So much of establishing oneself as a successful actor in the world of film and television comes down to an actor’s ability to be chameleonic in their pursuit of a role in order to make a casting director believe that they aesthetically fit the character.
While the mark of a great actor entails a level of finesse and understanding of the human condition that extends far beyond the depths of one’s surface appearance, when it comes to initially breaking out on the silver screen, looks tend to have a lot to do with who gets cast and who doesn’t. This seemingly unfair truth gone awry is apparent in the careers of many actors who seem to have fallen victim to the dreaded typecast, forever struggling to break out of that one role in which they’ve been ushered into playing over and over again.
Actor Shvan Aladin has created a diverse repertoire of work over the past decade that proves the extraordinary capacity of his craft. Through the wide range of roles he’s already portrayed across genres, Aladin has made his mark as an actor who cannot be pigeonholed into one role; but, being from the Middle East, more specifically, from Kurdistan, has endowed him with features that are easily stereotyped.
Over the years the actor, who moved to Sweden at the age of 9, has been strategically selective about his roles on the screen, but when you’re good at what you do and you look a certain way, ethnic stereotypes, like the “terrorist” in his case, just seem to weasel their way in.
If he wasn’t such a professionally seasoned actor, being called in for roles like this might get a little annoying, but he says, “I try to look at the human being that I’m playing as being different from the ones I’ve played in the past. Because every character is different from each other, just like in life. One of the most valuable lessons I was taught during my training at the Stella Adler academy was to never judge a character while playing it.”
He adds, “It doesn’t mean that I personally would approve of the actions some characters (such as the terrorist ones) I play do, but I try to put my personal emotions on the side while researching and trying to understand the brain of that specific human being and his justifications for doing what he is doing.”
In the past year audiences across the globe have seen Shvan Aladin star in a national commercial for the U.S. Army, the feature film Always Faithful, where he plays a terrorist, and the Swedish television series Blå ögon, also known as Blue Eyes.
While all of these productions in one way or another emphasize his ethnic appeal, the actor brilliantly transforms himself from one character to another without ever encroaching on clichés.
About acting in the commercial for the U.S. Army’s campaign “Tunnel Special Forces,” the actors says, “It was an amazing experience, and the director, Peter Berg made it even better. It felt wonderful being directed by a director whose movies I’ve been watching since I was a child, it really made the entire experience unforgettable!”
A two-time Emmy nominee, Berg was also the director of the recent hit film Lone Survivor starring Mark Wahlberg.
In the new political drama Blå ögon, Shvan Aladin plays the dynamic and challenging role of Sharhyar, a young Persian teen who is the only true friend that Simon, one of the other lead characters in the series, has. However, due to the fact that Simon’s mother Annika Nilsson, played by the Guldbagge Award winning actress Anna Bjelkerud, happens to be a political candidate for the openly racist party, Trygghetspartiet, some begin to question the authenticity of Simon and Sharhyar’s friendship.
“My character was a hard working young man with a beautiful heart,” explains Aladin. “In the show Sharhyar is the only one who stands up for Simon because he knows that Simon doesn’t share the same opinions as his mother.”
Over the course of the first season, Aladin’s character Sharhyar is framed for the murder of Simon’s mother– a perfect example of how stereotypes can turn an innocent man in to a falsely accused criminal.
“The political drama ‘Blue Eyes’ is about racism taking over in Sweden; but the subject is globally relevant. It’s a subject that has always existed unfortunately, especially in Europe today,” admits Aladin. “I want to be a part of those who fight against racism, and I believe that you can change people through art. My passion in life is acting and that is my art.”
Early on in his career, Aladin starred in the Swedish television shows Andra Avenyn also known as Second Avenue, and Riverside. And while he has undoubtedly made his name known on the screen, the actor’s talents extend to the stage as well. In fact, even with all the glitz and glamour that come along with being a film and television star, the actor marks his role as Ruckley, a lobotomized patient, in the theatre production of One Flew Over The Cuckoo’s Nest in Los Angeles as one of his most memorable to date.
Aladin recalls, “It was the best play that I have been a part of in my life, and playing someone with a mental disability is something that I researched a lot… I will never forget the things I learned during the production. I remember thinking during closing weekend: I will remember this character when I’m on my deathbed.”
The actor has also taken the spotlight in the theatre productions of The Hasty Heart directed by Harry Mastrogeorge and J.B directed by Oscar winner Milton Justice, as well as Our lady of 121st Street, and the remake of the Opera Carmen, which was held in Sweden at the Backa Theater.
With an accomplished repertoire of work with world-renowned directors spanning both the American and European entertainment industries already under his belt, Shvan Aladin does admit that there is one director that he has a strong desire to work with.
“I have always had a dream of working with director Bahman Ghobadi so I will also try to include my third country Kurdistan, which is where I’m originally from and so, hopefully I will get to work with him sometime soon,” says Aladin. “I remember watching his movie ‘A Time for Drunken Horses’ as the first movie I saw in the cinema in Sweden after moving there. I immediately fell in love with the movie and his directing, and I was only 10 years old at that time.”
Currently, you can catch Shvan Aladin in the role of Jacob in the horror film Mansion of Blood, which was directed by Mike Donahue (Surge of Power, Pooltime) and was released earlier this month.
Documentary series producer Tone Innset has been wildly successful as the creative force behind some of Norway’s best reality television shows. For the past five years she has continued to produce the kind of work that glues audiences to their TVs with the captivating and often intimate personal accounts of those whom she presents with the honed expertise of a storyteller.
As Norway’s top showrunner in the docuseries genre, Innset has produced more than 160 episodes of an array of titles, including 118 episodes spanning 12 seasons of Unge Mødre, the Norwegian version of MTV’s Teen Mom. Much like its American counterpart, the show gives viewers a glimpse into the lives of young women and teens who are either pregnant or have given birth as they deal with the day-to-day blessings and adversities of their newfound family lives.
Filming a show like Unge Mødre comes with its own difficulties, which is one area where Innset’s knowledge and expertise prove how valuable an asset she is to the entire production.
“These are young adults and teenagers with a lot of responsibility on their hands and a lot on their plate,” Innset said. “You also have to remember that in these kinds of series you follow someone’s life, and the most interesting things in a person’s life doesn’t necessarily happen between nine and five.”
Innset was also the producer of 12 episodes of Charterfeber aka Charter Fever, a series that follows a group of real-life Norwegian vacationers as they travel to exotic locales in southern Europe. The show documents their lives as they prepare for the trip, their time on holiday and their return home at the end of the journey.
“I loved that because it was really funny,” Innset said. “You know Scandinavians love to escape the cold weather and go to southern Europe to have fun… We filmed for two months on the Spanish island of Gran Canaria. It’s a humorous and edgy series, and a lot of people relate to the characters and have a laugh.”
Her intense hands-on work on Charterfeber made the show’s 2013 premiere the highest-rated premiere on the TV3 Norway channel in four years. Charterfeber’s widespread popularity garnered the series a nomination for the prestigious Gullruten Norwegian Television Award. The show is also known for having helped launch the career of one of Norway’s hottest celebrities, Svein Tore Ostvik.
Innset’s latest project is the second season of the food series Norges Grillmester aka Norway Grill Master, a star-studded cooking show, which sees contestants facing off through challenges to be named the titular Grill Master. The popular docuseries is hosted by Norway’s golden boy, actor Stig Henrik Hoff (The Thing, Into The White, Lilyhammer), and world-renowned chef Jonas Lundgren.
As a producer with a reputation for being someone who is always on-call and prepared to handle any curve ball in order to keep a production running smoothly, Innset was quick to respond when logistical complications threatened the filming process of Norges Grillmester. After an unforeseeable obstacle arose where a massive tent that had been specially designed as the set for one of the episodes was erected without all of the necessary pieces, it was Innset who came to the rescue.
“Well, on Thursday, we saw that a quarter of the floor in the tent was missing; it never got delivered, and that kind of flooring was very hard to come by,” explained Innset. “Somehow we miraculously managed to find a place where we could get a material similar to the floor we already had, so we painted it to look the same and it all worked out.”
This is only one out of hundreds of examples of the way Innset’s quick thinking and experience has helped to keep one of her productions on track. This particular season of Norges Grillmester premiered April 13 in Norway, and has been an exciting ride with unpredictable twists and turns from contestants Per Thorvald Thorgesen and Terje Inngjerdingen dropping out for health reasons to Sylvia and Luis Vavik winning the title earlier this month.
Innset is also working on the next season of Unge Mødre, which is set to premiere this fall. Her passion for the documentary series genre, which has made her a prolific name in the field and shines in the quality of her productions, stems from a human-interest perspective.
“I strongly believe that when people feel that they are seen and heard they feel a kind of ownership over the project, and when you feel ownership you put a lot more energy into it,” she said. “I have a great passion and love for telling stories, and I am a curious people person.”
To find one’s calling can take a lifetime, but Canadian actor Alexander Davis found his in acting when he was just three years old.
Since then, the eight-year-old prodigy has already played lead roles on stage (A Christmas Story, The Little Mermaid) and in film (The Closet, Volition).
Davis portrayed the lead character of Randy Parker in A Christmas Story, which ran for 48 shows in just six weeks at the Neptune Theatre in Halifax, Nova Scotia. Davis’ portrayal of the quirky Parker was so well done that it earned him a 2015 Young Artist Award for Best Performance in Live Theatre.
Though Davis’ work in A Christmas Story was a resounding success, it was not without its challenges. Just before intermission of one of the shows, Davis fell on the set’s stairs and hurt his leg. He was bleeding, in pain, and his next stage direction was to walk out the door. That’s when he learned the meaning of “the show must go on.”
“My acting mom was amazing. She just carried on with the show and picked me up to carry me out the door,” Davis said. “I don’t know if the audience knew what had happened was real or not. During intermission, I put ice on my leg and went back out and finished the show. Now that’s show business.”
Despite working through injury, Davis was hungry to act again when the show’s run ended. On the flight home from Halifax, he asked his mother if he could go back for more.
“I feel like I was born to perform,” Davis said. “I loved performing to sold out audiences and making the crowd laugh. I think my role at the Neptune Theatre really prepared me well.”
But Davis’s budding brilliance has not been confined to just the stage. He played the lead character in The Closet, a film in which he flawlessly executed the difficult proposition of playing his own twin.
“I had to be exact with where I stood to make sure the shot worked with both of us in the scene,” Davis said. “They edited it or layered the scene to make it look like there were two of me. You learn a lot being an actor.”
Davis’s rapidly expanding reservoir of acting knowledge continued to expand when he played the lead character in Volition, a film about a terrorist who saw the world through a different lens after he met Davis’ character on a train.
The film’s production schedule forced Davis to adapt, which he did with flying colors.
“We filmed late every night on the train, so I had to change the time I went to bed,” Davis said. “It was worth it and so much fun.”
Volition co-star Romaine Waite (Antisocial, One Night a Stranger) liked Davis’ performance so much that he asked the emerging star to be in a music video for rapper Pas Da’ Millz that Waite would later direct.
From stage to film, Davis has achieved more before his ninth birthday than many actors do in a lifetime. But the young Canadian has barely scratched the surface of his brilliance, and is already taking his career to the next level.
While in L.A. to receive his Young Artist Award earlier this year, Davis caught the attention of veteran Hollywood executive producer Irene Dreayer (The Suite Life of Zack and Cody, The Suite Life on Deck, Smart Guy).
Dreayer’s known as an honest-but-tough executive producer who’s often told parents of young actors that L.A.’s not a starting point for a growing career, but rather an end result of a successful career. She’s usually recommended to families they go home, but that was not the case for Davis, according to the young actor’s parents.
Instead, Dreayer spent a lot of time convincing Davis’ parents that L.A. was where the sought after actor should be, according to Davis.
Most recently, the young thespian used his voiceover chops to portray the characters Brownie and Checkers in the animated TV series Super Why!, a popular, animated kids show about the magical adventures of reading-powered superheroes on PBS.
Whether on stage, film or television, Alexander Davis has proven himself to be a talented, reliable and dedicated actor who will no doubt make his presence felt in Hollywood and beyond for many years to come.
Born into a family of entertainers, actress Jessica Waters has been in the spotlight her entire life. Together with her four siblings and her father, the lead singer of a local band, she was playing music, dancing and acting beginning at just five years old. By the time she was eight she had her heart set on acting professionally, and in the years since she has grown from one of the most promising young Australian talents into an international powerhouse of the screen.
In 2014, Waters joined the cast of The War That Changed Us, a four-part documentary drama series recounting the stories of real-life Australians who fought in World War I. Waters played a nurse traveling with soldiers on the front lines, and said she fell in love with the role.
“This has to be one of my favorite TV shows I have worked on,” Waters said. “I loved the costumes, and dressing in all the lovely clothes they wore really made me feel like I was back in that time, and I had to do some nurse training for the role.”
The War That Changed Us aired by the Australian Broadcasting Corporation in 2014 to commemorate the centennial anniversary of Australia’s entry into the war.
Recently, Waters acted alongside Sam Worthington (Avatar, Terminator: Salvation, Clash of the Titans) in Paper Planes. The film tells the story of a young boy who, after suffering the loss of his mother, finds solace and hope in a competition to design the ultimate paper airplane. Filmed in her hometown of Perth, Waters played the mother of one of the children competing in the whimsical tournament and said it was a fun project to be a part of. The film received nominations at both the Australian Directors’ Guild Awards and the Berlin International Film Festival.
In her latest television role, she plays an American reporter in the SyFy Channel adaptation of the Arthur C. Clarke classic novel Childhood’s End. As an Australian, the role was a unique challenge for her, and required a great deal of intensive voice training to master the accent required for the part.
“I’ve been training my American accent for a year,” she said. “They loved my accent, and I got the part on the spot.”
Childhood’s End is the first screen adaptation of the science fiction masterpiece. Following the arrival on Earth by a race of mysterious but benevolent aliens, the human race begins to thrive and prosper; however, almost immediately suspicions begin to grow among people about their new isolationist neighbors. As a reporter, Waters is on the scene to cover their arrival. The series airs on SyFy later in 2015.
Waters played a reporter once before in The Great Mint Swindle, the true story of a massive 1982 Australian heist where more than $2 million in gold bars were stolen from the Perth Mint. The crime remains unsolved, adding to the mystery and making it one of Western Australia’s greatest and most famous true crime stories.
“I love being in true stories,” Waters said. “The set was very Australian, and I enjoyed being a news reporter because if I didn’t decide to be an actor, I was going to be a TV reporter.”
Not limited to film and television, Waters’ experience as a performer shines in her work onstage as well.
“I have spent three years working with the Shakespeare Theatre Company in Western Australia,” Waters said. “I was not only an actor, but I was also the dance choreographer and a singer.”
In her time with the Shakespeare Theatre Company, she’s worked on iconic Shakespearean plays including A Midsummer Night’s Dream, Much Ado About Nothing, The Tempest and Comedy of Errors.
Audiences can catch Jessica Waters in her upcoming feature film Reality, a satirical comedy in which Waters plays the lead.
“I just know it’s going to be a fantastic film. The script is amazing,” she said. “I have a lead role and it’s a film that kind of makes fun of reality TV shows.”
Reality is currently in the process of filming so eager fans will have to wait to learn more about the project. However, it’s guaranteed to be a fresh look at a genre, which provides a goldmine of comedic fodder.
International Entertainment, and the Talents that Leave us Buzzing….